View allAll Photos Tagged memory
Rocky Point Rocket Ship
The local park in the town I grew up in, I remember climbing that rocket so many times, it is now a monument, no longer to be used. I'm happy it wasn't scrapped.
“Like memory, geography is associative.”(Harmon, p.15) Is a quote from Katharine Harmon in her You Are Here. This quote really struck me when reading this book, and stayed with me as I brainstormed this assignment. It took me longer than expected to think of a map to create. I wasn’t sure if I wanted to go a personal direction, or social. I eventually chose personal, but from there deciding what issues to represent in an abstract way was a roadblock for me. I decided to move toward something that had to do with my photography, and then got the idea of a photo map, similar to ones on Instagram or other social media outlets. Instead of using my phone images and having the map already made I wanted to plot where I have taken some of my best images on my DSLR. This is where things started to shift, because I realized while I had plenty of strong images, they were not from very many different places, in fact only 4. This was eye opening for multiple reasons, one of which being that I have not taken my camera to very many places, and the places I go, I don’t take very many images. It was a very humbling thing to plot the images on the map covering the whole state, thinking the whole time “Wow, I need to travel more.” And “Wow, I need to take more pictures.’ Maps give information to people from a different perspective, and for me the negative space on my map is a reminder of what I am aspiring to do, and how far along that goal is. I am very proud of the pictures I have taken but that doesn’t stop me from realizing I need to being doing more in more places. I specialize in long exposure images at night of various landscapes or cityscapes, and to only have a couple states under my belt at 21 is not entirely where I’d like to be, but it is not as simple as just getting up and traveling. Money, school, motivation and family issues are all factors in my journey to this point. I am happy with the minimalist tone of my memory map, it feels almost naked to me. It is a welcomed splash of cold water on my face. “Small-scale generalized maps often are authored views of a landscape or a set of spatial data”(Monmonier, p.42) My map is very generalized and shows my landscapes in a very spaced out format. Not necessarily flattering for me but something I think I need to be reminded of constantly until I can add more and more to the map. I look at this assignment as a form of inspiration now, and something that I could continue to add onto to motivate myself. Eventually my goal would be to expand it to a global scale, and have my work be a part of the world.
Citations
US Map - www.world-geographics.com/maps/united-states/map-of-usa-s...
Harmon, Katharine A.. You are here: personal geographies and other maps of the imagination. New York: Princeton Architectural Press, 2004. Print.
Monmonier, Mark S.. How to lie with maps. Chicago: University of Chicago Press, 1991. Print.
To release the memory you will need to push the metal handles that are located on the sides of the memory away from the memory.
The memory chip will pop up.
Take it out. Insert the new memory at a 45 degree angle (just like the old memory was when it poped up) and push it down until you hear a click.
i appreciate notes! :)
find me on holunder.deviantart.com
©All rights reserved by Hannah H. .Do not use my images without my permission.
Thank you Colorfulexpressions for that wonderful day and the memories of your garden
Between The Miles
by Heather Stoop
Because existence can become severe
in one day,
just sense me and I'll be there.
In the minds eye,
I'm not so far away.
If you hold out your hand,
in the whispers,
I'll become the zephyr.
and besiege you.
If your eye's upon the stars,
in the crystalline darkness,
I'll become the moon.
And the light shall guide you.
If you rest upon the ground,
in the warmth,
I'll become the grass.
And embrace you.
If you turn outside,
in the wetness,
I'll become the rain.
An upon your forehead, kiss you.
If you free the air,
in the light of day,
I'll become the sun.
And smile for you.
Between the miles-
if you need me.
If you need a friend.
Let me be the friend, I want to be.
I found these a few years ago at my favorite thrift store...for like $4.98 and $2.99...they were in the glass cases up front by the registers and I calmly said, "could I see those two bottles there?" and my heart was racing as I said,"I want these also"...
Childhood Memory....
It was the summer of 1964 and I was in second grade. My Mom was the Avon Lady and when she would deliver her orders, us four kids would go with her and sit in the car and wait...that's when you could still do that sort of thing!...and if we were real good and didn't fight or kill each other...or scream, which I was known to do when my Brothers would hit me...then and only then we would get to stop by this little hamburger joint called the Prairie Dog and get an ice cream cone....yeah!...hey, we thought it was a great treat in 1964!
Well, that year for Christmas...I got the entire set of Pretty Peach...and ohhhh it was a very big deal...it came with a little Avon Bag...just like Moms and spray mist, lotion, body cream, powder in a mitten and best of all "soap on a rope"...shaped like a real peach with a brown pit in the center when you used it all...then after Christmas and we went back to school I would carry my lunch in that Avon Bag...it was blue and had a zipper and everything...I was soooo cool back then...lol....
So.....there you have it... this is my "Best Thrift Store Find, Ever".....
We six school friends met on 7th of April, 2019. Sweet memories of our school days were coming alive after 42 years. Such meetings bring out every child from within us. our meeting was no exception!
Last month I received an email from Stuart that runs Subism inviting me to get part in a beautiful project called Memories Subism that is an art book and all its profits are going to the Maggie´s carring cancer center. The book will tell 10 short stories about people who had to fight against cancer and I made this illustration for one of those stories. I´m glad to get involved, thanks Stu!
More close-up photos, and techniques blogged:
irmaperedne.com/autumn-themed-layout-golden-memories/362
*** *** ***
I’ve also made this layout to participate in the Hero Art’s challenge: “Bring on the Bling – There’s nothing like a little bling for the holidays. Gems, glitter, you name it…add some sparkle and have fun!”
My use of sparkly matter – aka bling- is restrained to a few glitter buttons, golden pearl brad for the metal flower, golden ink pen, and Glimmer Mist sprays. And, I did use Hero Art’s product, namely the large woodgrain background stamp (S5208 Designer Woodgrain). I’ve used this stamp to stamp the branches of the wreath, so that it may get some needed dimension.
Thanks for your feedback!
*** *** ***
Supply list:
*Cardstock: Bazzill Basics paper (white), The Paper Co. (brown)
*Patterned paper: Crate Paper.
*Personal electronic cutting system: Silhouette Cameo (shape: 'branch wreath frame').
*Border punch: EK Success.
*Paper leaves: Recollections for Michael's stores.
*Sticker (Memories): K & Company.
*Chipboard alphabet: Maya Road.
*Stamp: Hero Arts (S5208 Designer Woodgrain).
*Ink: Colorbox Chalk (orange and black).
*Mist spray: Tattered Angels Glimmer Mist (green).
*Gelatos (water-soluable pigment colors): Faber-Castell (yellow set used here).
*Wooden leaf: Kaiser Craft.
*Metal flower: Imaginisce.
*Buttons: Button Bonanza.
*Golden brad and pen: American Crafts.
*Sewing machine: Janome Sew Mini.
*Thread: Coats & Clark.
*Crochet flowers: Hand-made.
*Natural mesh: Product packaging.
*Adhesive: Scotch ATG 714, Ranger Industries (dimensional foam); Aleen's tacky Glue.
...of the days my girls played in this very yard. We lived in a mobile home where the greenhouse now sits. I played in this yard with my brother and sister. It is home.
MEMORIES FROM THE FUTURE
Every experience becomes a memory.
Collecting memories from a virtual second life. Characters are role playing away in dreamy unreal and yet real settings. Memories from the past and future are entwined re lived or lived for the first time. What makes an experience real? What makes a character real? In real life and in our virtual lives we are all starring in our own universe which we make up as we go along.
This is the "memory" wall! The photos that are framed and hang on our walls are generally speaking fairly up to date, however, my wife does like what she calls a memory wall which has a few older photos that have great memories for us all!
Flickr Lounge - Weekly Theme (Week 12) ~ My Home ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... Thanks to you all.
Another view of the Memory Void. Although allowed to do so, we couldn't bring ourselves to step on the faces. Just too emotional.
"The Jewish Museum Berlin, which opened to the public in 2001, exhibits the social, political and cultural history of the Jews in Germany from the fourth century to the present, explicitly presenting and integrating, for the first time in postwar Germany, the repercussions of the Holocaust. " - libeskind.com/work/jewish-museum-berlin/
A short write up of our trip in the Lobster Journals - redlobsterjournal.blogspot.ca/2017/01/2009-central-europe...
My flickr album of Germany - www.flickr.com/photos/maclobster/albums/72157621432513313
Here is my YouTube slide show of Berlin.
"The installation Shalekhet (Fallen Leaves) by Menashe Kadishman can be found in the Memory Void, one of the symbolic spaces on the ground level of the Libeskind building. The floor of the void is covered by more than ten thousand faces with open mouths, cut from heavy round iron plates.
The installation is a gift from Dieter and Si Rosenkranz. Menashe Kadishman’s sculptures stir painful memories of the victims of war." - www.jmberlin.de/en/shalekhet-fallen-leaves
As always, thoughtful feedback, constructive criticisms, and suggestions are always appreciated. As always, I have used tools at my disposal to interpret the original raw file. Use of this photo without permission is not permitted.
8/1/10
Mặc dù cứ bảo ảnh hoa cải năm ngoái up chưa hết nhưng vì Long rủ nên 2 chị em lại lóc cóc đi^^
Ngồi trên xe và nói chuyện cấp 3...thèm đi học lại vãi:D
Tối qua bro gọi điện lúc nửa đêm chỉ vì "tự nhiên a nhớ mày, muốn nghe giọng mày"...:((
I wonder there's enough time left for all those coming back memories...:)
---
"When you can't think, don't try to figure it out"
I know keeping to think this way won't work, so maybe just put it aside...and let it be:)
Engram : Data Sculpture
3+1 AP
6M x 5M Media Wall, 3MM LED, Custom Software
Sound Design : Kerim Karaoglu
Custom Software : Kyle McLean
Deaigned and developed at Refik Anadol Studio
From February 7 through March 17, 2018, Pilevneli Gallery presented Refik Anadol’s latest project on the materiality of remembering. Melting Memories offered new insights into the representational possibilities emerging from the intersection of advanced technology and contemporary art. By showcasing several interdisciplinary projects that translate the elusive process of memory retrieval into data collections, the exhibition immersed visitors in Anadol’s creative vision of “recollection.”
“Science states meanings; art expresses them,” writes American philosopher John Dewey and draws a curious distinction between what he sees as the principal modes of communication in both disciplines. In Melting Memories, Refik Anadol’s expressive statements provide the viewer with revealing and contemplative artworks that will generate responses to Dewey’s thesis.
Comprising data paintings, augmented data sculptures and light projections, the project as a whole debuts new advances in technology that enable visitors to experience aesthetic interpretations of motor movements inside a human brain. Each work grows out of the artist’s impressive experiments with the advanced technology tools provided by the Neuroscape Laboratory at the University of California, San Francisco. Neuroscape is a neuroscience center focusing on technology creation and scientific research on brain function of both healthy and impaired individuals. Anadol gathers data on the neural mechanisms of cognitive control from an EEG (electroencephalogram) that measures changes in brain wave activity and provides evidence of how the brain functions over time. These data sets constitute the building blocks for the unique algorithms that the artist needs for the multi-dimensional visual structures on display.
Anadol’s installations do not only address a productive espousal of cutting-edge technology and art but also a strong preoccupation with the study of human memory from Ancient Egyptians to Blade Runner 2049. The exhibition’s title, Melting Memories, refers to the artist’s experience with unexpected interconnections among seminal philosophical works, academic inquiries and artworks that take memory as their principal themes. The title further draws attention to the melting of neuroscience and technology into these centuries-long philosophical debates, questioning the emergence of a new space where artificial intelligence is not in conflict with individuality and intimacy.
For more information: refikanadol.com/works/melting-memories/
Taken By : ME ...
The Modelz Is My : lil cousin 3abodi ...
Place : fun time pizza
jeddah city
old memory's
it was cool time
:)
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Engram : Data Sculpture
3+1 AP
6M x 5M Media Wall, 3MM LED, Custom Software
Sound Design : Kerim Karaoglu
Custom Software : Kyle McLean
Deaigned and developed at Refik Anadol Studio
From February 7 through March 17, 2018, Pilevneli Gallery presented Refik Anadol’s latest project on the materiality of remembering. Melting Memories offered new insights into the representational possibilities emerging from the intersection of advanced technology and contemporary art. By showcasing several interdisciplinary projects that translate the elusive process of memory retrieval into data collections, the exhibition immersed visitors in Anadol’s creative vision of “recollection.”
“Science states meanings; art expresses them,” writes American philosopher John Dewey and draws a curious distinction between what he sees as the principal modes of communication in both disciplines. In Melting Memories, Refik Anadol’s expressive statements provide the viewer with revealing and contemplative artworks that will generate responses to Dewey’s thesis.
Comprising data paintings, augmented data sculptures and light projections, the project as a whole debuts new advances in technology that enable visitors to experience aesthetic interpretations of motor movements inside a human brain. Each work grows out of the artist’s impressive experiments with the advanced technology tools provided by the Neuroscape Laboratory at the University of California, San Francisco. Neuroscape is a neuroscience center focusing on technology creation and scientific research on brain function of both healthy and impaired individuals. Anadol gathers data on the neural mechanisms of cognitive control from an EEG (electroencephalogram) that measures changes in brain wave activity and provides evidence of how the brain functions over time. These data sets constitute the building blocks for the unique algorithms that the artist needs for the multi-dimensional visual structures on display.
Anadol’s installations do not only address a productive espousal of cutting-edge technology and art but also a strong preoccupation with the study of human memory from Ancient Egyptians to Blade Runner 2049. The exhibition’s title, Melting Memories, refers to the artist’s experience with unexpected interconnections among seminal philosophical works, academic inquiries and artworks that take memory as their principal themes. The title further draws attention to the melting of neuroscience and technology into these centuries-long philosophical debates, questioning the emergence of a new space where artificial intelligence is not in conflict with individuality and intimacy.
For more information: refikanadol.com/works/melting-memories/
In sacred memory of Cecily wife of Edward Dixon, esquire, daughter of Sir James Whitlocke, gent,.justice of the peace in the reign of King Charles .(.it praises her piety and her devotion to reading the scriptures, her generosity to the poor and her friendship......the spotless wife of a spotless husband to whom she gave 10 children .. She died 20th July 1647 aged 40 . Edward Dixon, armiger, erected this monument, to himself, his wives and children. so that the tomb should bring together those whom life separated".
The monument with white alabaster figures of Edward Dixon clad in armour, kneeling between his 2 wives, Cecily Whitlocke & Anne Dickins, was erected c1655 after the death of Cecily & after his 2nd marriage
Above the arch is a panel inscribed Domus viventium " (the home of the living)
The heraldic arms on the shield above the monument are those of Dixon, Blower and \Vhitelocke
Cecily was the daughter of Judge Sir James Whitlocke 1632 of Fawley Court, Bucks by Elizabeth daughter of Edward son of Thomas Bulstrode of Hedgeley Bulstrode by Cecily daughter of Speaker John Croke of Chilton flic.kr/p/6mkdJB
Her father records her birth "Cecill my daughter was born in Fleet Street house, 10 March, 1607, in the 5th year of King James . She was christened in St.Dunstan's church, 26 March being Easter even. Her godfather was Sir John Harrington, Knighte of the Bathe, sun and heir to the lord Harrington, and on of the prince's gentlemen ordinarye; her godmothers, my wifes sisters Cecill and Dorothy Bulstrodd, gentlewomen of the queen's bed chamber."
Her brother Bulstrode Whitlocke 1675 Lord Keeper of the Great Seal m2 Frances Willoughby 1649 daughter of Frances Manners d1643 flic.kr/p/HCbaQa daughter of John Manners 4th Earl of Rutland 1588 & Elizabeth Charlton www.flickr.com/gp/52219527@N00/55857n
She m 1632 (1st wife) Edward 1601 - 1659 son of Henry Dixon 1644 of Hilden Park Tunbridge Kent (bought by his grandfather Humphrey Dixon) , Wandsworth & Braughing, Herts, by Mary 1646 co- heiress daughter of William Blower 1597 & 2nd wife Mary 1619 heiress of Zachary Bucat / Bewchet / Brancate from Eeklo in Flanders. Mary who brought "a greate porcion in moneyes 'was also to be heiress of her brother William Blower who died unmarried in 1618 , bringing the manor here to the Dixons. More money came after her mother's death in 1619)
Children - 7 sons & 3 daughters
1 Henry Dixon of Hilden 1634-1669 m 1662 …. having 2 heiress daughters Jane & Sarah who inherited half of the manor each - Jane m 1699 Nathaniel Booth of Grays Inninl 1699 but died childless : Sarah m 1689 Percival Hart of Lullingstone Castle 3 x great grandson of Sir Percival Hart 1580, flic.kr/p/sVtjjh having 1 daughter Anne Dyke (d. 1763) flic.kr/p/sToCnN who inherited the whole manor and her son Sir John Dixon Dyke sold the manor in 1767 to Sir John Reade of Shipton Court, Shipton.under Wychwood. flic.kr/p/4Q4SuH bringing to an end the Dixons' I 50 year tenure
2 James b/d 1635
2. John
1. Elizabeth 1668 m Wiliam Barker of Tonbridge
(Their fathers had been friends for some years. Her brother Bulstrode Whitlocke signed a bond to Edward for £2,000, conditioned for payment of £1,400, June 1632, Dixon in due course, borrowed from Whitelocke and, in return settled land in Wandsworth and Braughing on Whitelocke's son Willoughby)
(In his diary, her brother Sir Bulstrode Whitelocke's records "Mr Dixon desired the consumation of his marryage & to see the Judges Will how the portion might be secured, butt Whitelocke told his the Will was not materiall, bicause the Judge had by deed of guift (which he produced) conveyed all his personall estate to his son, & for the portion Whitelocke offered to secure to them £1,300 to make up the £1,200 they had already received, [to] the summe of £2,500 being the portion agreed uppon, with which they then seemed to be satisfyed, & preparations for the wedding went on, the writings for settlement of Mr.Dixons estate & for the jointure were sealed, & old Mr.(Henry) Dixon with his sons and friends, & Whitelocke with his sister & friends were ready to goe into the Chappell att Fawley Court, to see the marryage solemnised betwixt them." The issue here was that the Judge had put his daughter's inheritance into his will at £2,500. The wedding plans were underway and £1,200 had been paid over to Mr.Dixon when the Judge died in June 1632 When the will was read the son refused to pay his sister £2,500 as £1,200 had already been paid. The wedding would not proceed until Bulstrode had secured the remaining £1,300 and his sister and her fiance had signed that was their full inheritance. The couple were married July 2nd 1632 at Fawley in Buckinghamshire.
One of the items held in the archives at Longleat House is the bills for Cecily' wedding. Ruth quotes . "Her 'milliner's' bill before the wedding amounted to £46.18s.3d. which included rolls of taffeta to line, £1.1s.0d.; 'Left unpaid of the last workinge £7.3s.3d.'; binding for petticoats 2s.; making petticoats and waistcoats 3s.6d.; 20½ yards of straw-yellow satins £15.7s.6d.; 3 rolls of taffeta to line, 'at 14d the elle', £1.4s.6d.; 16 yards of material for Lady Muston / Mostyn, Cecilia's elder sister)
Ruth Spalding in her Contemporaries of Sir Bulstrode Whitelocke 1605-1675 quotes papers at Longleat House showing Anne Bowers (d.1660) wife of Henry Dixon resented her husband's generosity towards the Whitelocke family, - She and her son Whitelocke were joint executors to her husband's estate;
Cecily & Edward spent their first years at Hilden until 1636 when their house building at Little Rollright was finished.
After her death her brother Bulstrode described her as " a good woman of a plain & tender heart, loving to her husband. children, & relations. carefull in her household afcayres, kind to her neighbors & very religious". She had great troubles living in the country in the Lime of the war. the soldiers on both sides being most injurious & insolent. A troupe of the Parlements quartered all her housee in her husbands absence, she then lying in, having bin brought to bed about 14 dayes before. Yet the barbarous domineering soldiers, would not admit this for an excuse, nor be content with their quarters, though fit for better men, but compelled her (though in that condition) to rise out of her bed. to make better preparations for them. with which, she tooke cold, fell into a feaver & dyed"
Edward and his family remained at Lillie Rollright for several years after Cecilia's death.
By 1654 Edward had moved his household back to Hilden
He also had remarried by 1655 to Anne widow of William Dickins esq
When Edward died, 'sicke and weake in body' in March 1660, his will betrayed some anxiety about his financial affairs. Much of his real and personal property was earmarked for the payment of his debts, annuities for his widow Anne and his unmarried daughter Elizabeth and £2,000 for Elizabeth's marriage portion. Edward did not make his son Henry his executor, nominating his daughter instead, and the hint of paternal disapproval is strengthened by a bequest of £ I0 to Dr Thomas ' Walker, 'further desireing my sonne Henry Dixon ... to bee advised by him uppon all occasions'. On 15 March 1660 Edward was buried in Tonbridge church near his father, as he had requested, and a stone in the chancel floor commemorates him there:-.
"Near this place lyeth the body of Edward Dixon of Hllden, esq; having been the tender husband of two wives; the former Cecilia the daughter of Sir James Whitlock; the second Anne (widow of William Dickins esq) of the ancient familie of the Bickertons of Leicester; who surviving, hath set up this memoriall. He exchanged this life for a better the 9th of March, anno redemptionis 1659 aged 58
oxoniensia.org/volumes/2005/rosen.pdf
- Church of St. Philip, Little Rollright Oxfordshire
One of six memories of Springfield, Missouri, USA. I journeyed southwest, to celebrate 4th of July, 2015, with my relatives in the place of my parents' birth. When I was growing up, my dad & his two sisters would bring their families to grandma & grandpa's house in the country, outside Springfield. We'd have a potluck meal together & shoot off fireworks. Now, the family has multiplied to such an extent that each of Dad's sisters' families meet on their own. I was able to visit both places--one for dinner & the other for fireworks. Part of get-togethers has always been my Aunt Frances' famous ham & potato casserole. It's delicious as ever! She's always been quite secretive about the recipe, but, because I live out of state, she gave it to me!
Released 1970s
DFS 7048 (US Release)
Side 1:
A1. 92203 On Bullied Special, 8-6-1968
A2. No 600 Light, 5-7-1969
A3. No 600 On Special, 5-7-1969
A4. No 600 Light & On Train, 5-7-1969
A5. No 196 Light, 5-7-1969
A6. 44963 On Goods, July 1968
A7. No: 45390, 44871 At M & F Yard, July 1968
A8. No 44709 On Goods, July 1968
A9. No 45134 On Goods, July 1968
A10. No 45342 On Goods, July 1968
Side 2:
B1. No 45352 On Parcels, May 1968
B2. No 70013 On Dales - Man Special, 16-6-1968
B3. No 45025 Shed, May 1968
B4. No 45017, 45342, 44709 Shed, July 1968
B5. No 92077 Light, March 1968
B6. No 48340 Goods, March 1968
B7. No 44984 On Parcels, March 1968
B8. No 45314, 75027, 75019 Goods & Parcels, March 1968
B9. No 44874 Goods, July 1968
Album of the Day
1/5/18
copyright © 2009 photos4dreams. all rights reserved.
NO use allowed without authorization from the photographer.
Ferret memory usage jumps from 41.9MB to 3.7GB at command #305 which is find_id_by_contents with ["it\264s sucker", {:sort=>[posted_at_sort:!], :offset=>0, :limit=>10}].
Memories of Wyoming
This is a piece inspired by memories of growing up on the high prairies and mountains of Wyoming. This is not a delicate piece…it has heft and is made with metal, bones, and stone, and the weight of an artist’s memories.
I used a found object/ metal base and added interesting a stone wheel with the text “The land of clouds and regions of waters” from a William Blake poem.
I further embellished the stone with a bone ring, a tiny bulb with a secret message inside and wire beaded findings. The modern components fit strangely well with the stone and bone. The white bone piece is an old piece of jawbone that I found many years ago on the sagebrush flats in Wyoming. I added a white bird of hope. The piece has an old painted and rusted spring, a tiny buffalo charm, along with wire, more text from Blake and other items of interest. The size is 6 inches by 10 inches. It has wire a hanger on the back for display. By Laurie Dorrell
How to visualize memory usage on Linux
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