View allAll Photos Tagged memory
... are the treasures that we keep locked deep within the storehouse of our souls, to keep our hearts warm when we are lonely.
© Cosmopolitan Photography | All rights reserved.
Do not use, copy or edit any of my images without my written permission.
Lena is bach in the Greenbrier meadow, because it's here that she resources her and she think at Ethan...
Lena Duchannes - Pullip Nella Retro Memory FullCustom by TheUgliestWife
Dress By Trisquette
It's 1974 & the bar closes at 1100. There are rolling three hour power cuts due to the economy being shot.
The tombola prize was won by the club steward's wife (again) & pianist, although talented was booed off stage by an assortment of rockers, hippies & men in donkey jacket's. 20 ciggies were 70p & a pint of brown ale was 45p (we all drank brown in the 70s)
The best bit about the night was that it was "summer hours". If it had been winter hours it would have all been over at 1030.
Fond memories.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.
RevueFlex 5000 EE (Rebranded Chinon CE Memotron)
Pentacon 200mm f.4
Kodak Color Plus 200 ASA
Home Scanned, Epson V500
Please Press L
The Hall of Memory is a war memorial in Centenary Square, Birmingham, England, designed by S. N. Cooke and W. N. Twist. Erected 1922–25 by John Barnsley and Son, it commemorates the 12,320 Birmingham citizens who died in World War I.
Mustang Memories 2012
August 12, 2012
My dad was heavily involved with rear suspension development on the 1989 MN-12 T-Bird / Cougar and the related 1993 FN-10 Mark VIII. I understand that a Porsche 928 was used as a "benchmarking" vehicle. He brought it home one night. He was also involved in some way with the release of the 1/24 scale 1989 Revell "Thunderbird SC Coupe" model kit.
My 2004 40th Anniversary Crimson Red GT Convertible and my daughter's 2005 red Power Wheels GT Convertible. Great show, huge turnout compared to last year with the threat of rain. My rear tires and rev limiter got three great workouts. Thanks to MOCSEM for a great car show.
© 2012 Michael Lavander. All rights reserved.
No usage without written permission.
To release the memory you will need to push the metal handles that are located on the sides of the memory away from the memory.
The memory chip will pop up.
Take it out. Insert the new memory at a 45 degree angle (just like the old memory was when it poped up) and push it down until you hear a click.
Rocky Point Rocket Ship
The local park in the town I grew up in, I remember climbing that rocket so many times, it is now a monument, no longer to be used. I'm happy it wasn't scrapped.
“Like memory, geography is associative.”(Harmon, p.15) Is a quote from Katharine Harmon in her You Are Here. This quote really struck me when reading this book, and stayed with me as I brainstormed this assignment. It took me longer than expected to think of a map to create. I wasn’t sure if I wanted to go a personal direction, or social. I eventually chose personal, but from there deciding what issues to represent in an abstract way was a roadblock for me. I decided to move toward something that had to do with my photography, and then got the idea of a photo map, similar to ones on Instagram or other social media outlets. Instead of using my phone images and having the map already made I wanted to plot where I have taken some of my best images on my DSLR. This is where things started to shift, because I realized while I had plenty of strong images, they were not from very many different places, in fact only 4. This was eye opening for multiple reasons, one of which being that I have not taken my camera to very many places, and the places I go, I don’t take very many images. It was a very humbling thing to plot the images on the map covering the whole state, thinking the whole time “Wow, I need to travel more.” And “Wow, I need to take more pictures.’ Maps give information to people from a different perspective, and for me the negative space on my map is a reminder of what I am aspiring to do, and how far along that goal is. I am very proud of the pictures I have taken but that doesn’t stop me from realizing I need to being doing more in more places. I specialize in long exposure images at night of various landscapes or cityscapes, and to only have a couple states under my belt at 21 is not entirely where I’d like to be, but it is not as simple as just getting up and traveling. Money, school, motivation and family issues are all factors in my journey to this point. I am happy with the minimalist tone of my memory map, it feels almost naked to me. It is a welcomed splash of cold water on my face. “Small-scale generalized maps often are authored views of a landscape or a set of spatial data”(Monmonier, p.42) My map is very generalized and shows my landscapes in a very spaced out format. Not necessarily flattering for me but something I think I need to be reminded of constantly until I can add more and more to the map. I look at this assignment as a form of inspiration now, and something that I could continue to add onto to motivate myself. Eventually my goal would be to expand it to a global scale, and have my work be a part of the world.
Citations
US Map - www.world-geographics.com/maps/united-states/map-of-usa-s...
Harmon, Katharine A.. You are here: personal geographies and other maps of the imagination. New York: Princeton Architectural Press, 2004. Print.
Monmonier, Mark S.. How to lie with maps. Chicago: University of Chicago Press, 1991. Print.
Thank you Colorfulexpressions for that wonderful day and the memories of your garden
Between The Miles
by Heather Stoop
Because existence can become severe
in one day,
just sense me and I'll be there.
In the minds eye,
I'm not so far away.
If you hold out your hand,
in the whispers,
I'll become the zephyr.
and besiege you.
If your eye's upon the stars,
in the crystalline darkness,
I'll become the moon.
And the light shall guide you.
If you rest upon the ground,
in the warmth,
I'll become the grass.
And embrace you.
If you turn outside,
in the wetness,
I'll become the rain.
An upon your forehead, kiss you.
If you free the air,
in the light of day,
I'll become the sun.
And smile for you.
Between the miles-
if you need me.
If you need a friend.
Let me be the friend, I want to be.
I found these a few years ago at my favorite thrift store...for like $4.98 and $2.99...they were in the glass cases up front by the registers and I calmly said, "could I see those two bottles there?" and my heart was racing as I said,"I want these also"...
Childhood Memory....
It was the summer of 1964 and I was in second grade. My Mom was the Avon Lady and when she would deliver her orders, us four kids would go with her and sit in the car and wait...that's when you could still do that sort of thing!...and if we were real good and didn't fight or kill each other...or scream, which I was known to do when my Brothers would hit me...then and only then we would get to stop by this little hamburger joint called the Prairie Dog and get an ice cream cone....yeah!...hey, we thought it was a great treat in 1964!
Well, that year for Christmas...I got the entire set of Pretty Peach...and ohhhh it was a very big deal...it came with a little Avon Bag...just like Moms and spray mist, lotion, body cream, powder in a mitten and best of all "soap on a rope"...shaped like a real peach with a brown pit in the center when you used it all...then after Christmas and we went back to school I would carry my lunch in that Avon Bag...it was blue and had a zipper and everything...I was soooo cool back then...lol....
So.....there you have it... this is my "Best Thrift Store Find, Ever".....
Tidying my office and came across my own baby book where my mum kept a record of my first year. Assuming that as this photo was in this page that it's me that my dad is holding there :-). The church is St Margaret's in the tiny village of Thimbleby, Lincolncolnshire.
Last month I received an email from Stuart that runs Subism inviting me to get part in a beautiful project called Memories Subism that is an art book and all its profits are going to the Maggie´s carring cancer center. The book will tell 10 short stories about people who had to fight against cancer and I made this illustration for one of those stories. I´m glad to get involved, thanks Stu!
MEMORIES FROM THE FUTURE
Every experience becomes a memory.
Collecting memories from a virtual second life. Characters are role playing away in dreamy unreal and yet real settings. Memories from the past and future are entwined re lived or lived for the first time. What makes an experience real? What makes a character real? In real life and in our virtual lives we are all starring in our own universe which we make up as we go along.
This is the "memory" wall! The photos that are framed and hang on our walls are generally speaking fairly up to date, however, my wife does like what she calls a memory wall which has a few older photos that have great memories for us all!
Flickr Lounge - Weekly Theme (Week 12) ~ My Home ....
Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... Thanks to you all.
Engram : Data Sculpture
3+1 AP
6M x 5M Media Wall, 3MM LED, Custom Software
Sound Design : Kerim Karaoglu
Custom Software : Kyle McLean
Deaigned and developed at Refik Anadol Studio
From February 7 through March 17, 2018, Pilevneli Gallery presented Refik Anadol’s latest project on the materiality of remembering. Melting Memories offered new insights into the representational possibilities emerging from the intersection of advanced technology and contemporary art. By showcasing several interdisciplinary projects that translate the elusive process of memory retrieval into data collections, the exhibition immersed visitors in Anadol’s creative vision of “recollection.”
“Science states meanings; art expresses them,” writes American philosopher John Dewey and draws a curious distinction between what he sees as the principal modes of communication in both disciplines. In Melting Memories, Refik Anadol’s expressive statements provide the viewer with revealing and contemplative artworks that will generate responses to Dewey’s thesis.
Comprising data paintings, augmented data sculptures and light projections, the project as a whole debuts new advances in technology that enable visitors to experience aesthetic interpretations of motor movements inside a human brain. Each work grows out of the artist’s impressive experiments with the advanced technology tools provided by the Neuroscape Laboratory at the University of California, San Francisco. Neuroscape is a neuroscience center focusing on technology creation and scientific research on brain function of both healthy and impaired individuals. Anadol gathers data on the neural mechanisms of cognitive control from an EEG (electroencephalogram) that measures changes in brain wave activity and provides evidence of how the brain functions over time. These data sets constitute the building blocks for the unique algorithms that the artist needs for the multi-dimensional visual structures on display.
Anadol’s installations do not only address a productive espousal of cutting-edge technology and art but also a strong preoccupation with the study of human memory from Ancient Egyptians to Blade Runner 2049. The exhibition’s title, Melting Memories, refers to the artist’s experience with unexpected interconnections among seminal philosophical works, academic inquiries and artworks that take memory as their principal themes. The title further draws attention to the melting of neuroscience and technology into these centuries-long philosophical debates, questioning the emergence of a new space where artificial intelligence is not in conflict with individuality and intimacy.
For more information: refikanadol.com/works/melting-memories/
One of six memories of Springfield, Missouri, USA. I journeyed southwest, to celebrate 4th of July, 2015, with my relatives in the place of my parents' birth. When I was growing up, my dad & his two sisters would bring their families to grandma & grandpa's house in the country, outside Springfield. We'd have a potluck meal together & shoot off fireworks. Now, the family has multiplied to such an extent that each of Dad's sisters' families meet on their own. I was able to visit both places--one for dinner & the other for fireworks. Part of get-togethers has always been my Aunt Frances' famous ham & potato casserole. It's delicious as ever! She's always been quite secretive about the recipe, but, because I live out of state, she gave it to me!
Engram : Data Sculpture
3+1 AP
6M x 5M Media Wall, 3MM LED, Custom Software
Sound Design : Kerim Karaoglu
Custom Software : Kyle McLean
Deaigned and developed at Refik Anadol Studio
From February 7 through March 17, 2018, Pilevneli Gallery presented Refik Anadol’s latest project on the materiality of remembering. Melting Memories offered new insights into the representational possibilities emerging from the intersection of advanced technology and contemporary art. By showcasing several interdisciplinary projects that translate the elusive process of memory retrieval into data collections, the exhibition immersed visitors in Anadol’s creative vision of “recollection.”
“Science states meanings; art expresses them,” writes American philosopher John Dewey and draws a curious distinction between what he sees as the principal modes of communication in both disciplines. In Melting Memories, Refik Anadol’s expressive statements provide the viewer with revealing and contemplative artworks that will generate responses to Dewey’s thesis.
Comprising data paintings, augmented data sculptures and light projections, the project as a whole debuts new advances in technology that enable visitors to experience aesthetic interpretations of motor movements inside a human brain. Each work grows out of the artist’s impressive experiments with the advanced technology tools provided by the Neuroscape Laboratory at the University of California, San Francisco. Neuroscape is a neuroscience center focusing on technology creation and scientific research on brain function of both healthy and impaired individuals. Anadol gathers data on the neural mechanisms of cognitive control from an EEG (electroencephalogram) that measures changes in brain wave activity and provides evidence of how the brain functions over time. These data sets constitute the building blocks for the unique algorithms that the artist needs for the multi-dimensional visual structures on display.
Anadol’s installations do not only address a productive espousal of cutting-edge technology and art but also a strong preoccupation with the study of human memory from Ancient Egyptians to Blade Runner 2049. The exhibition’s title, Melting Memories, refers to the artist’s experience with unexpected interconnections among seminal philosophical works, academic inquiries and artworks that take memory as their principal themes. The title further draws attention to the melting of neuroscience and technology into these centuries-long philosophical debates, questioning the emergence of a new space where artificial intelligence is not in conflict with individuality and intimacy.
For more information: refikanadol.com/works/melting-memories/