Pentax 67 - 45mm - expired agfapan 100 - canoscan 8800f

Ektar 100

Horseman VHR

Big Bear Lake, CA. What I believe to be a Western Juniper (Juniperus occidentalis)

Bronica SQ-B, 50mm S, Delta 400 in Rodinal

Printed on Fotokemika Varycon FB, Tea Toned.

polaroidish.

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

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Lubitel 2

Fuji pro400h 120

Cinestill 800T

Yashica 635 | KODAK PORTRA 160vc

We had a quick and simple shoot, and Remwoir was a bit tired after a long day of work. We had a chat and shot a few frames, but it wasn't until I developed and scanned the film a couple of days later that I became absolutely thrilled by these moody, thoughtful images!

Model @remwoir

Mamiya RZ67, Ilford FP4 developed with ilford DDX

Hasselblad 500cm - 80mm Planar 2.8 - Lomo Potsdam 100

bronica sq-ai || zenzanon 80mm f/s.8 ps || fuji velvia rvp 50

Shot around Sydney

Mamiya 645 Super

80mm Sekor C

Kodak Ektar 100

mamiya7 80mm kodak portra 160

Gfx 50r + 50mm

Pentax 645D, smc 645 FA 45mm F2.8

Long exposure on film of a tree suspended at the lake.

Mamiya 7

65mm

Rolleiflex 2.8F Planar, Kodak Gold, July 2025 (During the Brighton Photo Walk, 120 film Roll 2)

Yashica 635

Ilford HP5+

Kodak D-76

Pentax67 90mm Kodak portra400

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Iskra, kodak t-max 400

Testing out a new-to-me circa 1957 box camera made right here in Portland, Oregon!

Camera: Sawyers Nomad 620

Film: Kodak Portra 400

Shot on a Mamiya M645J with Kodak Tri-X 400. Scanned using an Epson Perfection 3200

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Mamiya RB67

Ilford HP5+ 400

Fujifilm GA645 Professional

Fujinon Super-EBC 60mm

Kodak HC-110

Yellow Filter

Oookayama, Tokyo

waiting on blooms like this to happen around here.

Graflex Century Graphic

Graftar 103mm f4.7

ProS 6x7 120 Roll film back

Ilford Delta 400

Developed in Caffenol-C-L semi-stand

Epson V500

Photoshop CS

The Bird Garden in Mongkok was an odd and photogenic place: a maze of cages (some exquisite. I have a Polaroid I hope to post later) and a tangle of elderly regulars proudly comparing their pet birds' wings and warbles. There is, of course, always a sadness in the forced captivity of free creatures, but there was also an atmosphere of tender affection and a sense of companionship, and I left not knowing what to think.

My daughter - in HK right now - knew exactly what she thought, though. I quote:

"I am so pro animals now that all that stood between me and releasing the birds was that i cant save the elephants from chineze prison."