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One of the first shots with my new rolleiflex. I am very happy with this camera!

Lily Pond Flowers Balboa Park CA

This image is protected by copyright, no use of this image shall be granted without the written permission from Yaman Ibrahim.

Here is my M2a1 medium tank.

sorry for my lack of posting lately but i have had some major builders block tank wise but I ave a lot of projects to work on now. Also the .50 cal and marine on the tank isn't meant to be accurate to the division the tank belongs to it is just to show the size of the tank. The tank never saw combat.

 

c&c is wellcome

 

-E

After the Mark I's success during the Velonnian Civil War, the Imperium commissioned the Mark II Grizzly.

 

Designed for use in urban and close-quarters environments as an infantry support unit, the Grizzly Medium Hardsuit employs heavy frontal armor, twin burst-fire railguns chambered for autocannon rounds, and a pair of anti-personnel repeating energy cannons to make quick work of infantry and light vehicles.

yashica c

kodak pro 160

Tools used: own UUU (patreon.com/Otis_inf), Reshade

 

Custom lights added through UUU v4.1

Tak FSQ106N, QHY268M, Proxisky UMi20S

Inspired by Todd Hido

expired medium format

Fuji Neopan 400 - Rodinal 1:50 - 9 Mins

Logan looking soggy and ready to keep on keeping on.

A birthday present on 4/13, Hayward, CA USA

Fuji GW690ii

  

Portra 800 (expired)

  

Self dev/ Self scan

Seeking a heavier-armored battle tank for their upcoming conquests, the APA designed the Pangolin to spell doom for enemy tanks. Its low profile keeps it out of harms way from enemy tank guns that are mounted higher up.

Weight: 26.5 tonnes

Length: 6.68 m

Width: 3.56 m

Height: 2.00 m

Crew: 4

Main armament:76.2 mm tank gun

Secondary armament: 7.62 mm machine gun

Highland cattle in the Highlands.

Julie Delafuente

direct, cut straight to the chase...

Bronica Sq-A Kodak Ektar

Yes, it is possible in my situation, the presence of many cameras is explained by an eternal experiment ... I returned to the periodical shooting of the film after a break of almost 20 years. I am sure that my interest in the unenlightened optics of the beginning of the last century and to the square frame lies somewhere in the subconscious. In any case, by getting in touch with what Zeiss was doing at the time, I get real pleasure from both the process and the result. Maybe I haven't found my tool yet ...

I took this from a ferry to Alcatraz.

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