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Buenos Aires, 25 de Agosto de 2015.- El Museo Nacional de Bellas Artes (MNBA) inauguró la muestra "Los maestros del Arte Gráfico italiano. Matrices de los siglos XVI al XX de las colecciones del Instituto Central de Gráfico de Roma". Estuvieron presentes la directora del MBNA, Marcela Cardillo; el Ministro Consejero de la Embajada de Italia en Argentina, Stefano Canzio; la Directora del Instituto Central de la Gráfica de Roma, María Antonella Fusco; El curador de la muestra, Ángel Navarro, entre otros.-
Fotos: Margarita Solé / Ministerio de Cultura de la Nación.
La chiesa di S. Maria della Strada in agro di Matrice è tra le basiliche più intriganti del Molise. Non solo per la sua architettura, per le sue leggende, per la sua storia, per le sue espressioni artistiche, ma anche per i suoi misteri.
Nel XVIII secolo nel Molise circolava una leggenda secondo la quale S. Maria della Strada sarebbe stata costruita in una sola notte insieme ad altre decine di chiese da un mitico Re Bove per espiare una violenza fatta ad una sua congiunta. Ad aiutarlo sarebbe stato il Diavolo che però non sarebbe riuscito a completare l’opera entro il tempo che il papa gli aveva imposto.
Una leggenda che non trova alcun fondamento storico, ma che qualcuno ancora racconta per giustificare la presenza sulla sua facciata dell’immagine ripetuta di un bue che sarebbe una sorta di firma dell’immaginario personaggio.....
Da: www.francovalente.it/2014/12/28/s-maria-della-strada-una-...
The church of S. Maria della Strada in the countryside of Matrice is among the most intriguing basilicas in Molise. Not only for its architecture, for its legends, for its history, for its artistic expressions, but also for its mysteries.
In the eighteenth century a legend circulated in Molise according to which S. Maria della Strada was built in one night together with dozens of other churches by a mythical King Bove to expiate a violence done to one of his relatives. The Devil would have helped him, but he would not have been able to complete the work within the time that the Pope had imposed on him.
A legend that has no historical basis, but that someone still tells to justify the presence on its facade of the repeated image of an ox that would be a sort of signature of the imaginary character .....
From: www.francovalente.it/2014/12/28/s-maria-della-strada-una-...
L'église de S. Maria della Strada dans la campagne de Matrice est parmi les basiliques les plus intrigantes de Molise. Non seulement pour son architecture, pour ses légendes, pour son histoire, pour ses expressions artistiques, mais aussi pour ses mystères.
Au XVIIIe siècle, une légende circule dans le Molise selon laquelle S. Maria della Strada a été construite en une nuit avec des dizaines d'autres églises par un mythique roi Bove pour expier une violence faite à l'un de ses proches. Le diable l'aurait aidé, mais il n'aurait pas pu achever l'œuvre dans le délai que le pape lui avait imposé.
Une légende qui n'a pas de fondement historique, mais que l'on raconte encore pour justifier la présence sur sa façade de l'image répétée d'un bœuf qui serait une sorte de signature du personnage imaginaire .....
De: www.francovalente.it/2014/12/28/s-maria-della-strada-una-...
Greenville Police's Technology Officer A.F. Frasure demonstrates the department's DJI Matrice drone on Wednesday, March 2. The Matrice is the largest UAV in the Drone Unit's fleet, and is used for aerial search and rescue operations thanks to its visible and infrared dual camera system.
I dug out my LED Matrices and was pleasantly surprised that I'd designed these custom carrier boards and had some sample code on my laptop that actually worked.
This is in support of Dao's latest project, and she's currently working on the other half (a dress sewn from scratch, and a custom matrix of LEDs connected with conductive fabric tape and thread).
We're both glad the arduino controller bit is taken care of.
FYI, these carrier boards would be even better if I hadn't messed up some pins so the matrix rows go 8, 1, 2, 3, 4, 5, 6, 7. Ah, it can always be fixed in the code, and was!
The cathedral, originally the matrice until Gozo became a separate diocese in 1864, is built on the site of three or more older places of worship, including Roman and Phoenician temples. Construction commenced in 1697, four years after the 1693 earthquake had damaged its predecessor and destroyed large tracts of southeast Sicily. (The cathedral at Mdina was another victim of the earthquake, and Lorenzo Gafa was commissioned to design replacements for both.) By the end of the 17th century Maltese Baroque had become more sophisticated, the simple swaggering effect having more impact than mere ornamentation. Here, the rectangular façade with its gown of stairs coming down from the Corinthian pillars lends height, and the escutcheon is that of Grand Master Perrellos in whose reign it was built. From the outside the façade gives the impression of a gloomy nave, but inside it is surprisingly pilasters on the ornate tessellated floor of tombstones. The single most interesting feature is a pure example of Gozitan ingenuity: due to lack of funds a dome was not added to the structure, so the Sicilian Antonio Manuele was commissioned in 1739 to paint a meticulous trompe l0eil in its stead. The clever perspective is at first too difficult to grasp – watch out for others walking around in dizzying circles craning their necks. From a distance, the domeless cathedral oddly fits in with the decapitated Gozitan hills. It is ironic that poor Gafa did not have the funds at his disposal to add his signature, a dome, in this, the last work of his life.
The irregular Cathedral Square, guarded by two toy-sized 17th-century cannons, once housed dwellings on the now vacant south and west walls.
Aerial Drone Photos of The Terminal Tower in Cleveland, Ohio. taken by: aerialagents.com in Cleveland, Ohio. taken by: aerialagents.com in Cleveland, Ohio. taken by: aerialagents.com
A very long term double exposure collaboration with Trapac - well over a year in the planning, shooting, swapping, shooting, developing and now finally uploading.
2 x Vivitar Ultra Wide and Slims + Kodak Elitechrome 100 + xpro + a very slight crop
grazie a *the Doctor per avermi aiutato a costruire il mosaico col suo nuovo tool programmato ad hoc da lui: www.flickr.com/photos/natphilosophy/2693333795/ :)
The cathedral, originally the matrice until Gozo became a separate diocese in 1864, is built on the site of three or more older places of worship, including Roman and Phoenician temples. Construction commenced in 1697, four years after the 1693 earthquake had damaged its predecessor and destroyed large tracts of southeast Sicily. (The cathedral at Mdina was another victim of the earthquake, and Lorenzo Gafa was commissioned to design replacements for both.) By the end of the 17th century Maltese Baroque had become more sophisticated, the simple swaggering effect having more impact than mere ornamentation. Here, the rectangular façade with its gown of stairs coming down from the Corinthian pillars lends height, and the escutcheon is that of Grand Master Perrellos in whose reign it was built. From the outside the façade gives the impression of a gloomy nave, but inside it is surprisingly pilasters on the ornate tessellated floor of tombstones. The single most interesting feature is a pure example of Gozitan ingenuity: due to lack of funds a dome was not added to the structure, so the Sicilian Antonio Manuele was commissioned in 1739 to paint a meticulous trompe l0eil in its stead. The clever perspective is at first too difficult to grasp – watch out for others walking around in dizzying circles craning their necks. From a distance, the domeless cathedral oddly fits in with the decapitated Gozitan hills. It is ironic that poor Gafa did not have the funds at his disposal to add his signature, a dome, in this, the last work of his life.
The irregular Cathedral Square, guarded by two toy-sized 17th-century cannons, once housed dwellings on the now vacant south and west walls.