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Cathedral of Erice (TP)
The most important religious building in the country, the Real Insigne Collegiata Madrice Church, known as the Cathedral of Erice.
It was built in the fourteenth century by Frederick of Aragon and is now dedicated to the Virgin of the Assumption.
It stands majestically in the large Piazza Matrice and boasts a Gothic style and an imposing Bell Tower, which in the past served as a lookout tower.
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L'edificio religioso più importante del paese, la Real Insigne Collegiata Madrice Church, conosciuta come la Cattedrale di Erice.
Fu costruito nel XIV secolo da Federico d'Aragona ed è oggi dedicato alla Vergine Assunta.
Si erge maestosa nell'ampia Piazza Matrice e vanta uno stile gotico e un imponente Campanile, che in passato fungeva da torre di avvistamento.
The most important religious building in the country, the Real Insigne Collegiata Madrice Church, known as the Cathedral of Erice. It was built in the fourteenth century by Frederick of Aragon and is now dedicated to the Virgin of the Assumption. It stands majestically in the large Piazza Matrice and boasts a Gothic style and an imposing Bell Tower, which in the past served as a lookout tower.
La Giornata mondiale dell'acqua che si celebra il 22 marzo è stata istituita dalle Nazioni Unite nel 1992. Quest'anno l'iniziativa simbolica vuole sensibilizzare l'opinione pubblica sull'accelerazione del cambiamento necessaria per risolvere la crisi idrica e igienico-sanitaria diffusa nel mondo.
World Water Day which is celebrated on 22 March was established by the United Nations in 1992. This year the symbolic initiative aims to raise public awareness of the acceleration of change needed to solve the widespread water and sanitation crisis in the world.
The most important religious building in the country, the Real Insigne Collegiata Madrice Church, known as the Cathedral of Erice. It was built in the fourteenth century by Frederick of Aragon and is now dedicated to the Virgin of the Assumption. It stands majestically in the large Piazza Matrice and boasts a Gothic style and an imposing Bell Tower, which in the past served as a lookout tower.
Assisi, città di Pace e Fratellanza.
La basilica di San Francesco si trova ad Assisi, è il luogo che dal 1230 conserva e custodisce le spoglie mortali del santo.
La basilica è formata da due chiese sovrapposte, legate a due diverse fasi costruttive: la prima legata al romanico umbro, di derivazione lombarda, la seconda legata al gotico di matrice francese. Straordinario è, in entrambi i casi, l'apparato decorativo interno.
Bene protetto dall'UNESCO Patrimonio dell'umanità, la basilica di San Francesco venne costruita sotto la direzione di frate Elia, vicario generale e architetto dell'ordine, a partire dal 1228, appena due anni dopo la morte del santo, come luogo destinato ad accoglierne le spoglie.
La prima pietra venne posta dal pontefice Gregorio IX il 17 luglio 1228 l'indomani della canonizzazione di san Francesco, nel luogo in cui si eseguivano le esecuzioni capitali e venivano seppelliti i malfattori. Secondo la tradizione lo stesso Francesco, in punto di morte, indicò ai compagni questo come il luogo per la sua sepoltura.
Assisi, city of Peace and Brotherhood.
The Basilica of San Francesco is located in Assisi, is the place that since 1230 preserves and preserves the mortal remains of the saint.
The basilica is formed by two overlapping churches, linked to two different construction phases: the first linked to the Umbrian Romanesque, of Lombard derivation, the second linked to the French Gothic style. In both cases, the interior decoration is extraordinary.
Well protected by UNESCO World Heritage Site, the Basilica of San Francesco was built under the direction of Brother Elia, vicar general and architect of the order, starting from 1228, just two years after the death of the saint, as a place destined to welcome the remains.
The first stone was laid by Pope Gregory IX on 17 July 1228 the day after the canonization of St. Francis, in the place where executions were carried out and the evildoers were buried. According to tradition, Francis himself, at the point of death, indicated to his companions this as the place for his burial.
It’s almost as though this road was built for aerials 🚗
📷: Sony A7r2 + 12mm Voigtlander
🚁: DJI M600 + Ronin M600
IG: j.a.y_daley
facebook.com/jaydaleyphotography
The most important religious building in the country, the Real Insigne Collegiata Madrice Church, known as the Cathedral of Erice. It was built in the fourteenth century by Frederick of Aragon and is now dedicated to the Virgin of the Assumption. It stands majestically in the large Piazza Matrice and boasts a Gothic style and an imposing Bell Tower, which in the past served as a lookout tower.
Piazza Margherita is the center of Castelbuono (Pa) .
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The Madrice Vecchia and the ancient Banca di Corte overlook it. The old matrix dates back to the 14th century. The façade of the church is adorned with a Catalan Gothic portal with a border of rampant leaves, and a portico with three round arches from the 16th century. Inside the church there is a 16th century polyptych, of fine workmanship.
In the center of the square there is a beautiful fountain which rests on an octagonal pavement-base.
Piazza Margherita è il centro di Castelbuono (Pa).
Vi si affacciano la Madrice Vecchia e l’antica Banca di Corte. La matrice vecchia risale al XIV secolo. Il prospetto della chiesa è adorno di un portale gotico catalano con orlatura a foglie rampanti, e di un portico a tre arcate a tutto sesto del XVI secolo. All’interno della chiesa si trova un polittico del XVI secolo, di pregevole fattura.
Al centro della piazza una bella fontana che poggia su un marciapiede-basamento ottagonale.
A l'image de chacun d'entre nous cherchant notre pitance dans un monde aux contours de plus en plus flous.
Un monde où il est parfois difficile de démêler le vrai du faux...
Un peu plus de recul contrairement aux dernières prises de vues (ici-même), je crois que c'est enfin la bonne ! l'ambiance et le mouvement des nuages font le reste pour cette expo de 83s.
My wish for the coming year would be that as many people as possible take the red pill to finally get out of the matrix, and thus bring humanity as quickly as possible to The GREAT AWAKENING!
Mon vœux pour l'année a venir serait qu'un maximum de personnes prennent la pilule rouge pour enfin sortir de la matrice, et ainsi amener l'humanité le plus rapidement possible vers Le Grand Réveil !
👇
odysee.com/@FlowerPower2:e/THE-BIG-RESERT-Le-documentaire...
Cette image m'a paru être d'une touchante intimité et justesse adolescente qu'il me fallait saisir.
La difficulté ayant été de trouver l'angle anonymisateur discrètement qui, en plus de garantir le respect de l'intimité et de la pudeur de cette jeune personne, lui donne à mes yeux ce sens un tantinet plus universel...
J'en suis très content...
Mais peut-être serez-vous d'un autre avis...
N.B. : A l'occasion d'un repêchage un peu hasardeux, je suis tombé sur le second déclenchement de cette image... Qui se trouve être "moins serré" que le premier. Dont acte. J'ignore comment j'ai pu faire le mauvais choix à ce point... :-))
N.B. : After THREE tryouts, I finally succeeded in finding the right rendering...
Now, it won't be edited again ! I SWEAR IT ! :-))
Moderna serranda bianca chiusa, Modern white shutter closed. Frammenti di Valencia, Valencia's Fragments. Valencia, Spagna 2020
I stopped on a quiet country road for a little night time road inspection.
I’m having a 💥 experimenting with different approaches to using a drone and this is what two Nikon flashes look like strapped below a DJI Matrice 600 and powered by pocket wizards 🌛🚁
Follow me on IG: @j.a.y_daley
Intentional Camera Movement
........... immagine che, presentando uno stile di matrice impressionista, intende esprimere un sentimento puro, ripudiando quindi il carattere qualitativo connaturato al tradizionale concetto di fotografia per lasciare tutto lo spazio al pensiero. Cromia, nitidezza, sfocato, ecc sono, in questo caso, inapplicabili. Un'inapplicabilità che non è una semplice conseguenza di una tecnica specifica che hai scelto di adottare ma che manifesta il risultato della tua precisa volontà di abbattere, nella loro totalità, tutti quei vincoli, comunemente riconosciuti ed accettati, che costituiscono una costrizione...........D. Mazzanti , dalla foto precedente.
Many thanks to everyone for your views, faves and supportive comments. These are always very much
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Paolo P. [ph.p.ph.©]
North Curl Curl Ocean Pool, Sydney NSW Australia 🇦🇺. We’re so spoilt here with these incredible tidal pools. Shot with the beautiful Sony A7Rll 📷 and the equally beautiful 21mm Zeiss Loxia on the DJI Matrice 600 🚁👍.
Who here thinks that weekends just go too fast?
IG: @j.a.y_daley
Exposure bracketing made in 2012 with a Fuji S100FS. I merged the Raws and reprocessed the dng with the latest version of lightroom, then finished with GigaPixel, all in less than 5mns; I get a much better and natural result than with the fusion process Photoshop of that era or Photomatix ... In conclusion, never get rid of his Raw files (as well as his negatives for that matter).
I treasure my finepix: the texture and colors are reminiscent of analog photographies... Matter of the heart.
Unfortunately, the greater demosaicers either do not accept the s100fs raf, or treat the signals as if they were coming from a Bayer matrix (possibly by analyzing them from a 45° angle). To my knowledge, only Silkypix (V11 so far) and Raw-Therapee exploit the additional pixel, but for a lower image quality than Lightroom (IMHO) and without any real improvement in the level of detail.
The good news is that the new Silkypix V11 (30$) improvements remains applicable to the s100fs raws, but the visible quality improvement is still not good enough for me.
Bracketing d'exposition effectué en 2012 avec un Fuji S100FS. J'ai fusionné les Raws et retraité le dng avec la dernière version de lightroom, puis ai terminé avec GigaPixel, le tout en moins de 5mns ; J'obtiens un résultat bien supérieur et naturel qu'avec le processus de fusion Photoshop d'époque ou Photomatix ... En conclusion, ne jamais se débarrasser de ses fichiers Raw (comme de ses négatifs d'ailleurs).
Je conserve jalousement mon finepix : la texture et les couleurs rappellent celles des photos argentiques... une affaire de cœur !
Malheureusement, les grands dématriceurs actuels, soit n'acceptent pas les raf du s100fs, soit traitent les signaux comme s'il étaient issus d'une matrice de Bayer (possiblement en les analysant sous un angle de 45°). A ma connaissance, seuls Silkypix et Raw-Therapee exploitent le pixel supplémentaire, mais pour une qualité d'image inférieure à celle de Lightroom (IMHO).
DSCF4092-HDR-2_LR
The Stella Maris Parish Church on Triq-il-Kbir is a Roman Catholic parish located in Sliema, Malta. It is the matrice or Mother Church of the other parish churches in Sliema and Gżira being the oldest parish church dating from 1878.
Incidentally, Stella Maris means ‘Star of the Sea’.
Dans ces cases, selon la couleur, des pleurs et des rires, des naissances et des morts.
Hopital, Blois
Formation dancing at that. The empty matrices of medieval tombs with their brasses long lost pave the floor of Gloucester cathedral.
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At the centre of the exhibition, a circular matrix echoes the motif of the Black Atlantic, an ocean transformed into a disc, a metonymy for the Caribbean and the ‘Tout-Monde’ (Whole World), according to the formula of Martinican poet Édouard Glissant, as a metaphor for Parisian space.
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Au centre de l’exposition, une matrice circulaire reprend le motif de l’Atlantique noir, océan devenu disque, métonymie de la Caraïbe et du « Tout-Monde », selon la formule du poète martiniquais, Édouard Glissant comme métaphore de l’espace parisien.
paris noir (0656r1024)
Le plus intéressant... | Ma carte | Mes classeurs | Mes albums
La Madeleine | Nord (59) | Hauts-de-France | France
« Après nous le déluge ? » pointe l’urgence des menaces qui pèsent sur la biodiversité à l’ère de l’anthropocène. Cette gravure sur bois fait partie d’une fresque monumentale représentant une multitude d’espèces en voie de disparition. Pour ses dessins et ses gravures, Camille Dufour utilise comme matrice de lourdes planches en chêne de deux mètres de long.. Lors de performances, elles sont encrées une seule fois pour être imprimées à la main à l’aide d’un savon jusqu’à épuisement de l’encre. Alors que les dessins d’espèces en voie d’extinction disparaissent lentement de feuille en feuille, les traces de savon laissées lors du travail d’impression redessinent une cicatrisation impossible. Comme devant la tapisserie de Bayeux, nos déplacements dans l’installation, inscrivent l’œuvre dans la temporalité de nos corps et nous lient à l’histoire de cet écosystème. Cette fresque déployée devant nous, construit une mémoire du vivant et en appelle à notre responsabilité individuelle et collective.
La fresque est également fragmentée afin d’être distribuée de manière aléatoire dans des milliers de boîtes aux lettres. En renouant avec une matérialité des échanges et une forme de connaissance collective du sensible, « Après nous le déluge ? » est un appel à repenser notre rapport au vivant. Le dispositif du projet, résolument participatif, invite les destinataires à contribuer à une réflexion et une création collective. À la manière d’une grande consultation, les réponses seront retranscrites pour former une deuxième fresque, enrichissant le projet avec l’agrégat de milliers d’imaginaires, de pensées et de propositions.
" After us the deluge ? » highlights the urgency of the threats weighing on biodiversity in the Anthropocene era. This woodcut is part of a monumental fresco representing a multitude of endangered species. For her drawings and engravings, Camille Dufour uses heavy oak boards measuring two meters long as a matrix. During performances, they are inked once to be printed by hand using soap until when the ink runs out. While the drawings of endangered species slowly disappear from sheet to sheet, the traces of soap left during the printing process redraw an impossible healing. As in front of the Bayeux tapestry, our movements in the installation inscribe the work in the temporality of our bodies and link us to the history of this ecosystem. This fresco displayed before us, builds a memory of the living and calls for our individual and collective responsibility.
The fresco is also fragmented in order to be distributed randomly to thousands of mailboxes. By reconnecting with a materiality of exchanges and a form of collective knowledge of the sensitive, “After us the flood? » is a call to rethink our relationship with life. The project's system, resolutely participatory, invites recipients to contribute to collective reflection and creation. Like a major consultation, the responses will be transcribed to form a second fresco, enriching the project with the aggregate of thousands of imaginations, thoughts and proposals.
They say a lot that the Americans took only photographic films for NASA and hid Hasselblad on the moon .. and I want to believe in Hasselblad. I've been looking for this all evening but I have found so far only dust ...)
400mm 3.5 edif - Just an incredible margin of sharpness - withstands unrealistic zooms and crops!
I caught up with them focus up to 2560 mm without loss of quality - in full frame for photo and Video !
2560mm via extenders
F 3.5 on the lens
1/50 sec ( for video )
100 iso
400mm nikkor I use for video shooting on any camera that allows you to adapt Nikon F. Now it's Canon EOS and this is a JPG from a Canon RAW file.
( picture opens large - "view all size" ) thin white line - full frame border for size
Matrix of 5D mark II is noisy - no higher than 800iso for work ..! and I didn’t clean it - it’s just a machine for testing manual old-school optics now.
I am sure that on your super-aperture new matrices it will be incomparably better! The diameter of the huge front lens made of ED glass will give even more light with an booster.
So the lens is looking for a new owner )))
the price does not bite - I am a photographer and not a merchant,
I will ship worldwide. If you are in Europe -
You can pick it up in person at my house.
write me ! ) Have a nice day, everyone !
(sold)