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the casting side clean, flip them and clean the reference side.
note how dull the ears and toes appear.
plaque above door of building in background: Scuola artistico industriale per la ceramica Luigi Sturzo (Sturzo was a Catholic priest, born in Caltagirone, one of founders of Partito Popolare Italiano, forced into exile with the rise of Italian fascism)
Google Maps is telling me the building on the left is the Biblioteca dell'Archivio di Stato di Catania, Sezione di Caltagirone (identified elsewhere as Chiesa e Torre di San Gregorio) AND they have street view of this corner!
El domingo 13/09/2009 se ha producido un robo de matrices de espadas de hoja triangular del siglo XIX en el museo de Klingenthal, Francia, en el momento de proceder a una demostración de forjado de espadas. Esta foto es de sus hermanas y las medidas son 55 x 22 x 22 mm. Si alguien ve estos objetos agradecería su información. Gracias anticipadas.
Two moulds (patterns) from XIX century for the manufacture of triangular swords were stolen in the Klingenthal museum, France, on september 13th 2009. This is the photo of the sisters; measurements are 55 x 22 x 22 mm. Thanks in advance for your calling at the museum or forum in case of discovery.
Matrix multiplication calculator is an online tool to calculate multiplication of two (2 × 2)matrices. It is a tool which makes calculations easy and fun. If two matrices are given then it easily multiply it.
The molds used in Monotype hot-metal typesetting. These were loaded into a matrix holder and cast on a specialized machine using pneumatic air.
The cathedral, originally the matrice until Gozo became a separate diocese in 1864, is built on the site of three or more older places of worship, including Roman and Phoenician temples. Construction commenced in 1697, four years after the 1693 earthquake had damaged its predecessor and destroyed large tracts of southeast Sicily. (The cathedral at Mdina was another victim of the earthquake, and Lorenzo Gafa was commissioned to design replacements for both.) By the end of the 17th century Maltese Baroque had become more sophisticated, the simple swaggering effect having more impact than mere ornamentation. Here, the rectangular façade with its gown of stairs coming down from the Corinthian pillars lends height, and the escutcheon is that of Grand Master Perrellos in whose reign it was built. From the outside the façade gives the impression of a gloomy nave, but inside it is surprisingly pilasters on the ornate tessellated floor of tombstones. The single most interesting feature is a pure example of Gozitan ingenuity: due to lack of funds a dome was not added to the structure, so the Sicilian Antonio Manuele was commissioned in 1739 to paint a meticulous trompe l0eil in its stead. The clever perspective is at first too difficult to grasp – watch out for others walking around in dizzying circles craning their necks. From a distance, the domeless cathedral oddly fits in with the decapitated Gozitan hills. It is ironic that poor Gafa did not have the funds at his disposal to add his signature, a dome, in this, the last work of his life.
The irregular Cathedral Square, guarded by two toy-sized 17th-century cannons, once housed dwellings on the now vacant south and west walls.
Just finished a nice run of 18 pt. Cochin Italic type, from Lanston Monotype matrices originally owned by Cooper & Beatty. I have been wanting to run these matrices for a long time. Cochin is still in use today as a very popular type face for advertising. A very legible face, it invokes the 'engraved' look of one hundred years ago. I cast the font closer spaced that Lanston set up originally, this is from my training and in general, I find italic type faces benefit from this treatment.
C&B ordered extra matrices including lower case accents for French and the many swash special characters that Cochin is known for. I used the opportunity to also run some newly-purchased 18 pt. English Monotype composition matrices including '@', '©', '#' and '®'. And there was enough type to font a few extra sets, as shown here.
A full box of 18 pt. type at Pygment Press is usually fifteen rows, 30 pica wide. I ran three rows over because of all the extra stuff; so to to fill out the second box, I ran spacing material, roughly 5-to-em. One set is 'high spaces' and one set is regular low spaces. The high spaces fit neatly under the kerns of this font for support. This Italic type is very tight in 'set width' so there are lots of kerns to support.
Text on plaque on building at back: Scuola artistico industriale per la ceramica Luigi Sturzo (Sturzo was a Catholic priest, born in Caltagirone, one of founders of Partito Popolare Italiano, exiled with rise of Italian fascism)
Google Maps identifies the building on the left as Biblioteca dell'Archivio di Stato di Catania, Sezione di Caltagirone (and street view is available). Identified elsewhere as Chiesa e Torre di San Gregorio.
Although dark red and distinct, the red redox concentrations in this image are not considered plinthite. Unlike plinthite, they did not have a firm or firmer rupture resistance, could not be removed as a discrete body, and did not exhibit progressive hardening in the surrounding exposed road cuts and stream banks.
Redoximorphic features (RMFs) consist of color patterns in a soil that are caused by loss (depletion) or gain (concentration) of pigment compared to the matrix color, formed by oxidation/reduction of iron and/or manganese coupled with their removal, translocation, or accrual; or a soil matrix color controlled by the presence of iron (2+). The composition and responsible formation processes for a soil color or color pattern must be known or inferred before it can be described as an RMF.
Redoximorphic concentrations, redoximorphic depletions, reduced matrices, and other features indicating the chemical reduction and oxidation of iron and manganese compounds resulting from saturation.
Redox concentrations – Zones of apparent accumulation of Fe-Mn oxides in soils.
Redox depletions – Zones of low chroma (2 or less) where Fe-Mn oxides alone or both Fe-Mn oxides and clay have been stripped out of the soil.
The difference between mottles and redoximorphic features. Historically, the term “mottles” has been used to identify differences in color patterns in a soil profile. Those color difference can be a result of something inherent in the parent material that formed the soil, the movement of organisms (worm channels), deposition of heterogenous materials (alluvial deposits), and chemical reactions in the soil (reduction/oxidation) to name just a few.
Because of the wide range of origins for the existence of mottling, soil scientists decided to coin a new term to specifically capture mottles that formed as a result of saturated conditions in the soil. That term is “redoximorphic features”. The word redoximorphic stems from “redox” which is short for reduction and oxidation and “morphic” which is short for “morphology”, which is the study of how things form, in this case soils. So the term literally means the formation of reduction and oxidation features. Therefore, a redoximorphic feature is a type of mottle that specifically identifies features created as a result of saturated conditions in the soil.
For more information about describing and sampling soils, visit:
www.nrcs.usda.gov/resources/guides-and-instructions/field...
or Chapter 3 of the Soil Survey manual:
www.nrcs.usda.gov/sites/default/files/2022-09/The-Soil-Su...
For additional information on "How to Use the Field Book for Describing and Sampling Soils" (video reference), visit:
www.youtube.com/watch?v=e_hQaXV7MpM
For additional information about soil classification using USDA-NRCS Soil Taxonomy, visit:
www.nrcs.usda.gov/resources/guides-and-instructions/keys-...
or;
www.nrcs.usda.gov/resources/guides-and-instructions/soil-...
For more information about Hydric Soils and their Field Indicators, visit:
www.nrcs.usda.gov/resources/guides-and-instructions/field...
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La Matrice (Assunta) la Chiesa Madre, dedicata alla Vergine Assunta, si trova vicino Porta Trapani. Venne fatta costruire da Federico d'Aragona nel XIV sec. a scopo difensivo, come si può ben notare dalle forme massicce e dai merli che la decorano.
Lost brass effgy of a lady, matrice painted black , believed lost at time of Dowsing visit
Possibly Margaret 1383 wife of Sir John de Argentein 1382 of Wymondley whose gravestone is nearby in a similar condition flic.kr/p/PrMVd
Margaret was the daughter of Sir Robert D'Arcy and Joan daughter of Thomas Fitz Eustace
She was the great grand daughter of Eustace Fitzeustace 1272 of Hawstead flic.kr/p/NxFgf
Children
1. Maud 1377 m Sir Richard Merton of Merton m2 Sir Ioun / Ivo / John FitzWarin 1414 buried at Wantage flic.kr/p/bsoNih
2. Elizabeth m Sir Baldwin St. George.1383 Sheriff of Cambridgeshire and Huntingdonshire (parents of Sir Baldwin Seintgeorge of Hatley 1426 flic.kr/p/9KSLrd )
3.Joan m Bartholomew Naunton
Her husband had an illegitmate son William by an unknown mistress, to whom by descent of various of his estates subject to entail was determined to leave the bulk of his
His 3 legitimate heirs, daughter Maud and grand children Baldwin St George & Margaret Naunton had to press lawsuits not only against William +++(who went so far as to disrupt the funeral of his father and seize his estate papers by kidnapping the Prior of Wymondley), but also against Sir William Belesby and wife Elizabeth, who laid claim to certain of the manors not governed by entail. The matter was not finally settled until 1388, by which time the legitimate heirs had been left with Ketteringham, Norfolk (which went to Margaret Naunton) and Little Chishall Cambs and ‘Gernouns’ in Steeple Bumpstead, Essex which were divided into 3 parts.
Before 1400 Baldwin appears to have reached an amicable arrangement with his uncle, Sir William Argentined +++, who conveyed to him ‘Avenels’ manor in Gamlingaye.