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deployment by helicopter in very remote east of east timor areas of sensitive and non sensitive electoral material for the upcoming 9 october suku elections. UNPOL and PNTL also are deployed to remote areas where they at times need to walk a further 2 to 3 hours to their post. Photo by Martine Perret/UNMIT 8 october 2009
Materials:
1 Aluminum bar 1/8" thick. My bar was 3 feet long.
1 3 3/8" "Blind Spot" convex mirror
4 #8 x 32 x 4" machine screws
12 #8 x 32 nuts
12 #8 washers
4 #8 Lock washers
1 Ikea Septum light shade
1 piece of Aluminum sheet. Thick enough to hold mirror well.
Ghost sign of a closed down wood materials shop in Church Street, Croydon. The charred timbers at the top give away the fact this shop was right opposite 'Reeves Corner' and was close enough to be scorched by the fire there in 2011.
The mural painted since shows Croydon the way we would like it to look
Item Number:7411-451-sh23
Document Title:Duke University/ Durham, N.C./ Survey of Existing Plant Material/ Central West Campus [orig]/; Scale 1"= 20' [orig]
Project:07411; Duke University; Blue Devils; Durham; North Carolina; 04 College & School Campuses; 852 PLANS ()
Artist/Creator:OA / OLMSTED ASSOCIATES ||FONAGY, E. J. ||RF
Location:FREDERICK LAW OLMSTED NHS, BROOKLINE, MA
Category:PLAN
Purpose:PLTG (Planting)
Physical Characteristics:22 3/4" x 25 1/2" diazo pos ink film
Dates:04-FEB-1965 [orig]
Notes:[Sh23 shows Utilities & Planting near Duke University Dr.] / [Portions of Print are fading.]
Please credit: Courtesy of the United States Department of the Interior, National Park Service, Frederick Law Olmsted National Historic Site.
About the Artist: Beth Lipman
Beth Lipman’s family is obsessed with food. When she was a girl, her mother would drive her from their home in Lancaster, Pennsylvania, to New York City. A day there might include a stop at Zabar’s, then Bruno Ravioli, and then across the street to Key Avenue for lunch, then later that same day to H&H Bagels. Lipman came to see contemporary food culture as a metaphor for consumption.
Because of where they lived, Lipman’s family was surrounded by Pennsylvania Dutch folk art. Her mother created it herself using how-to and still life painting books. Her mother’s collection and the family’s fascination with food fed Lipman’s own interest in traditional still life as a way to explore ideas like consumerism and mortality.
Lipman earned her bachelor of fine arts degree in both glassworking and fiber arts from Temple University in Philadelphia. Both disciplines inform the meticulous work she makes. The glass elements of her still lifes are blown, solid sculpted, kiln fired, and flameworked. She credits the balance of her complex yet highly organized arrangements to her fiber arts background and her work with patterns.
The Details
•Title: Material Culture
•Maker(s): Beth Lipman
•Accession Number: 2010.4.43
•Place Made: United States, WI, Sheboygan; and United States, NY, Brooklyn
•Dimensions:
oOverall Dimensions:
Height: 175.3 cm
Width: 114.3 cm
Depth: 106.7 cm
•Date: 2008
•Technique: blown glass, assembling
•Materials: silicone, wood table
•Credit Line: 20th Rakow Commission
Interpretive Text
Material Culture was made using vessels of different shapes and sizes, some broken or fragmentary. Beth Lipman did not try to alter her traditional forms or bypass their function. Instead, she created new meanings and contexts for them. The vessels were glued together to form a tower of glass that overwhelms a too-small table. By assembling such an abundance of objects, Lipman comments on cultures of excess. The sculpture also refers to the amassing of vast collections housed in museums like this one.
The Studio at 20
The Studio has been a starting point for emerging artists and an incubator for new work by established artists since 1996. To celebrate 20 years, we’re highlighting works in the Museum’s permanent collection created by artists who have taught or who have been artists in residence at The Studio. Pieces by this artistic community can be found in the Glass Collection Galleries, where they are identified by the Studio at 20 symbol.
Materials:
fine acrylic yarn,color fast in beige and honey gold
glass beads
gold plated earring hooks, nickle free.
Measurements:
2.25" in diameter
hanging from ear: 3.75" long
Thank you for looking :)
You can find this item at www.cinnamonyarn.etsy.com
Cronista Oficial de la Villa de Madridejos
Todo sobre las Mayordomías en las Ánimas en www.eltiocazuela.com/Villafranca%20de%20los%20Caballeros/...
Crónica de manchainformacion.com
La religiosidad y tradición de la Fiesta de las Ánimas Benditas se fusiona con el Carnaval en Villafranca.
En Villafranca de los Caballeros (Toledo) el Carnaval tiene una peculiaridad que lo hace diferente y es la Fiesta de las Ánimas Benditas que, en realidad, nada tiene que ver con la fiesta pagana por excelencia, puesto que es una celebración religiosa que sólo coincide en el tiempo con la otra, lo que hace que las mayordomías de las primeras y las mascaritas convivan juntas en la calle.
El Ofertorio es “el broche a la Fiesta de Ánimas Benditas”, ya que este es el momento en el que se recogen los presentes que entregan los vecinos del pueblo, entre ellos la típica “roscutrera”. Todos estos regalos se subastan cuando finaliza el Gran Desfile de Comparsas y Carrozas. El dinero recaudado con esta acción se suma “a lo que llevan desde Navidad que empezaron a pedir con las campanillas para las Ánimas Benditas”, explicó el alcalde de Villafranca de los Caballeros, Andrés Beldad. Esa recaudación se dedica a pagar las misas que semanalmente les dicen a los difuntos a lo largo de todo el año.
La Fiesta de las Ánimas Benditas es “el punto característico del Carnaval de Villafranca”, en el que “conviven dos fiestas que son independientes pero que se juntan en las calles”. Es una fiesta religiosa que consiste en “honrar a nuestros difuntos, con los bailes de banderas que se hacen veintidos veces al día y que simbolizan ayudar a las ánimas a subir al cielo, a encontrar la luz”.
Las Mayordomías son las familias responsables de la organización la Fiesta de las Ánimas que conviven en la calle con las “típicas mascaritas”, puesto que cientos de vecinos disfrazados sin que se les conozca, se mezclan durante varias veces con el cortejo que forman las Mayordomías.
Esta fiesta, conserva desde hace siglos los rituales de culto a los muertos a través de ritos y símbolos como la celebración del Oficio de Vísperas y la exposición y bailes de banderas. Las Mayordomías, originarias de las hermandades de ánimas tras el Concilio de Trento, a mediados del siglo XVI, siguen participando en esta fiesta centenaria al recuperar los desfiles, el volteo de la bandera y luciendo las capas de la época medieval relacionadas con la Orden de San Juan de Jerusalén.
Autor: José-María Moreno García. Fotógrafo humanista y documentalista. Cronista Oficial de la Villa de Madridejos.
Una de las mejores formas de conocer la historia de un pueblo es a través de sus imágenes; en ellas se conserva no sólo su realidad tangible, calles, plazas, monumentos, sino también sus costumbres, fiestas, tradiciones, lenguaje, indumentaria, gestos y miradas, que nos dicen sin palabras como se vivía, cuales eran sus esperanzas y temores, qué había en su pasado, qué esperaban del futuro. Uno de los objetivos más ambiciosos es recuperar y catalogar todo el material gráfico existente en nuestra familia desde 1.915, para después ponerlo a disposición de vosotros, que la historia volviera a sus protagonistas, y los que aún siguen con nosotros pudieran disfrutar con ello. VISITA La colección "CIEN AÑOS DE FOTOGRAFÍA FAMILIA MORENO (1915-2015)" en www.josemariamorenogarcia.es y www.madridejos.net
SI ALGUIEN NO DESEA APARECER EN EL ÁLBUM POR FAVOR COMUNÍCALO A josemariamorenogarcia@gmail.com
Thinnest material in our vibration damping range optimized for
thinner surfaces with limitations to added weight.
A very flexible multi-layered vibration damping material with
polymer layer based on butyl rubber and aluminum foil outer
surface.
Designed for:
Doors, Roof, Boot lid, Dashboard, Bonnet lid, Firewall, Floor.
Masbagiq, East Lombok
Earthenware
Plates made from local clays and fired in outdoor kilns where coconut husks are the fuel, leaving irregular black markings in the glaze. 4 plates in natural colours, 1 with blue colour added. Etched decorative features.
EDH053
Av. Diameter 25.5 x 5 cm
From the Fair Hill Photo Meetup group's "Flash Magic" workshop. It was a fun and informative day! Many thanks to Firefly Glass Studio for welcoming us to your amazing studio. Thanks, Joe, for sharing your reflectors with us. The gold reflector really made this shot!
Takzu Nishi (Japón) Iglesia San Francisco.
Diseño y Contrucción Oficina Informal
www.culturarecreacionydeporte.gov.co/portal/lugarescomune...
Foto: Laura Rico Piñeres
Felt wall tiles for decoration or soundproofing by hivespace.com at the Danish Design Centre, Copenhagen. At the exhibit "Hello Materials" en.ddc.dk/hellomaterials