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Visuals and stage design by DEFRAME Collective, at Mammoth techno stage, Source on Ice 2011
pictures and cropping/color correction by Leon Lubberdink and Jessica Dreu
Participants captured at the World Economic Forum on East Asia in Kualla Lumpur, Malaysia, June 2, 2016. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
New plants are tagged to allow mapping software to record their exact location in the Garden for later reference. Photo by Michael Stewart.
(...)
Era a minha cidade ao norte do mapa,
numa velocidade chamada
mundo sombrio. (...)
(Herberto Helder)
-------------------------------------------
(rough translation)
It was my town to the north of the map
in a speed called
dark world.
(Herberto Helder)
Participants captured at the World Economic Forum on ASEAN in Kuala Lumpur, Malaysia, June 2, 2016. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
On Friday, May 18, 2018, CBMM hosted a preview party and reception for its newest exhibition, Exploring the Chesapeake: Mapping the Bay. The special exhibition continues through March 17, 2019 only.
Exploring the Chesapeake: Mapping the Bay looks at the different ways the Chesapeake Bay has been portrayed over time through mapping and charting, beginning with European exploration in the 16th century and continuing with the growth of settlement in the region in the 17th and 18th centuries. Scientific surveying methods brought improved accuracy in the 19th century, and special purpose maps (railroad maps, tourist guides) proliferated in the 20th century. More recent decades have introduced satellite imagery, geographic information systems, and Google maps, which continue to change how we view and understand this special region. The exhibition will present changes in maps over time as an expression of what people were seeking in the Chesapeake: natural resources, transportation, and more. This exhibition is generously sponsored by Ellen and Norman Plummer and the Maryland State Arts Council.
Experimenting with Projection Mapping. Using Keystone for Processing, MSAFluid, MSARemote, and the TUIO protocol through the iPhone.
As promised, I found some more mapping stuff.
Here's an interface proposal for Vltra's first release, a collaboration website. The image was lively sucked off some weather-channel thing.
Participants captured at the World Economic Forum on ASEAN in Kuala Lumpur, Malaysia, June 2, 2016. Copyright by World Economic Forum / Sikarin Fon Thanachaiary
BBG gardener Uriel Walker records the locations of new plantings in the Woodland Garden. Photo by Michael Stewart.
Experimenting with Projection Mapping. Using Keystone for Processing, MSAFluid, MSARemote, and the TUIO protocol through the iPhone.
Petroglyphs during Google mapping in Mowachaht/Muchalaht First Nations territory, March 25-27, 2015.
Video mapping on logo (polystyrene) and rough wooden structure.
Directed by: Barthélemy Antoine-Loeff & Alexandra Petracchi
with some precious help of Philippe Chaurand
Production: iduun / studio gühmes for Rinck
Made with MapMapMap module for Modul8 by iduun
See more: blog.guhmes.com/2010/09/08/rinck-installation-video-et-ma...
© iduun - studio guhmes and right reserved Rinck 2010
Voulez-vous réfléchir le cycle de l’eau en ville, L’Institut Royal des Sciences Naturelles et Maelbeek dans tous ses états en collaboration avec City Mine(d) vous invitent à participer au MAP-it #3 Nouvelles Rivières ur- baines. Cet évènement réunit différents usagers: habitants, travailleurs européens, associations, animateurs, artistes, scientifiques. Lors de ces rencontres, chacun apporte son expérience et ses connaissances afin d’imaginer de petits aménagements dans l’espace public dans et autour du parc Léopold. MAP-it fournit les outils nécessaires à la discussion: c’est un jeu participatif de réflexion où un groupe de personnes tente d’analyser une situation existante, imaginent des solutions et des initia-
tives innovantes à partir d’un plan et de stickers. Pour cette édition, nous partirons du concept de « Nouvelles Rivières Urbaines » pour imaginer des projets concrets destinés à faire émerger de nouvelles pratiques pour la gestion de l’eau dans les territoires urbains.
Deux exercices ont déjà eu lieu. Le premier, le 21 novembre 2010, a réuni un réseau international d’associations. Le second, le 2 mars 2011, a rassemblé le réseau associatif bruxellois et des habitants du quartier. Un quatrième exercice est prévu fin juin, il s’adressera au personnel des institutions européennes. D’autres cessions sont envisagées au mois de septembre.
A partir du travail réalisé par les groupes précédents, nous nous poserons les questions suivantes :
• Comment réfléchir le cycle de l’eau en ville dans un secteur aussi contrasté que celui du parc Léopold et des quartiers qui l’environnent? • Comment faire émerger de manière visible, vivante, ludique et en sym- biose avec territoire urbain la présence de l’eau dans la ville?
• Quels sont les projets concrets que nous pouvons imaginer afin d’améliorer l’espace public et mieux intégrer le cycle de l’eau dans un territoire urbain?
MAP-it est un outil cartographique collaboratif (www.map-it.be) dévelop- pé par Thomas Laureyssens en Liesbeth Huybrechts ensemble avec le groupe de recherche Social Spaces (MAD-Faculty, Genk)
The tech was great and positioned the camera so I could watch and pointed things out as they appeared.
Aurel von Richthofen GS and Hyundai Kim GS
School of Architecture
Preliminary to the design of a fashion institute in Milan the authors, two students at the School of Architecture, tracked vectors of horizontal disruption as interpretation of complex urban fluxes. While vertical vectors of gravity forces inform the structure of many buildings and find their architectural expression in columns, beams and trusses, horizontal vectors such as vectors of movement and sight, can only be simulated using software deriving from the animation industry. A fluid dynamic simulation within the 3D model of the site generated patterns of density. These were then exported into computer aided design software that interpreted the patterns as fields of spatial vectors.
In order to reinform the design project for the fashion institute with the vectors of horizontal disruption found through the fluid dynamic simulation a physical model of the field was needed. The laboratory at the School of Architecture is equipped with some of the latest computer-driven fabrication technology for model making, including a Precix 9100 series large-bed milling machine. The machine consists of a router and a 3-axis mill over a large table that drives a spinning bit into materials such as acrylic, wood or metal. Code generated from the virtual model drives the mill.
We used the machine to produce a series of 12 by 12 inch acrylic models from which the pictures shown are taken. The models were produced upside down, flipping the milled side to the bottom and producing a negative image of the field. The diameter of the milling bit imprints the vectors as fins into the acrylic. The transparency of the material and the refraction of the light create a haptic impression even though the vectors are captured inside the material.