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If the colors seem a little too warm off creamtone, it's because I accidentally left f.lux enabled while making my first round of edits and went back in to warm things up later. Oops.
Estos son los cuatro originales de la ilustración que dibujé en 1989 para la portada del número 7 del TMEO y el resultado final una vez impreso. Esto se llama colorear mediante separación manual de color. Es decir: indicando cada una de las cuatro tintas (negro, cyan, allo y magenta) en una página diferente. Esta operación se puede realizar consultando los porcentajes de cada color final que se quiere obtener en una guía y aplicando luego en la zona correspondiente de cada página esa intensidad. Pero cuando se tiene un poco de práctica uno aprende a ver cualquier color en porcentajes y, con un poco de ojo, ya no te hace falta guía de ningún tipo.
Cuando no había ni ordenadores ni dinero para pagar costosas selecciones fotográficas se coloreaba mediante este sistema. La inmensa mayoría de los tebeos que hemos leído en nuestra vida se colorearon así.
He coloreado docenas de páginas propias y ajenas con este sistema. Es más, la paleta de colores de mis tebeos de Herminio Bolaextra fue ideada para simplificar esta tarea, ya que solo se compone de colores compuestos por combinaciones de las cuatro tintas bases al 100% (lo que supone poder colorear cualquier historieta con un simple rotulador negro sin tener que dar nunca grises con tramas, aguadas o gouaches).
Por eso me hacen mucha risa esos aficionados a los tebeos un poco ignorantes que sueltan chorradas en foros y blogs del calibre de que una edición de un tebeo histórico debe reflejar siempre el color tal cual lo aplicó sobre el papel el colorista. Si eso se hiciera así, insensatos ignaros, habría que publicar cuatro páginas por cada original. Y todas de color negro.
Dashi is my selected piece for the bienale of youth european artist.
It is the corporative manual of a japan restaurant.
The current m42 manual lenses I use with my Canon.
The 400mm (640mm in digital !) is a new addition today so I have still to test it out fully, as massive as it appears it weighs less than my sigma 10-20.
Now hunting down a 2x and 3x convertor and I know where there is a 500mm and a 600mm for sale (though the prices are much higher than i would normally pay the possibility exist to have an equivalent of an 2880mm F8 lens, with the 400mm alone and a 3x convertor thats 1920mm@f6.3 + given drop off for conversion)
Hidden love.
Shot on Kodak Portra 800 @ EI800
Developed in Fuji C41 X-Press kit on Jobo CPE2 processor
Scanned in Nikon Scan 4.0.3 on Nikon Super Coolscan 8000 ED
Manually inverted in Adobe Photoshop.
Spread of an NBC brand guidelines manual. The logo was designed by John J. Graham, an art director at NBC. 1959
After the devastation of floods and associated landslides in this region of southern India, work was then underway to restore the mountain roads, in what can only be described as 'Very Manual Labour'!
Taken with my Pentax 28mm f/2.8 old school manual lens fitted to my 6D. This lens has so much character, I love it!
Taken with a Kodak Ektralite 400 camera in week 434 of my 52 film cameras in 52 weeks project:
www.flickr.com/photos/tony_kemplen/collections/72157623113584240
The film is expired (2007) Fujicolor Superia, processed in the Tetenal C41 kit.
Please Note: This is a redesigned booklet. It was redesigned by an Australian called Xerocorp. It therefore has "British-isms", spelling differences from how the CIA would spell some words. The original (with 'American-isms') can be found here: geocities.com/eco-action/crapaganda/xcia.htm
Here is the online text that comes with the redesigned booklet:
The original document on which this one is based was a sabotage manual produced by the United States Central Intelligence Agency for distribution in Nicaragua in the 1980’s. It was hoped that if enough disenfranchised individuals undertook activities that subverted economic stability, the Leftist government would be more easily overthrown. The manual described itself as “a practical guide to... paralyzing the military-industrial complex... without having to use special tools and with minimal risk for the combatant.”
It continues, “Some might think that today’s armed struggle requires military supplies and economic resources only available to states or terorist bands... There is an essential economic infrastructure that any government needs to function, which can easily be disabled or even paralyzed without the use of armaments or costly and advanced equipment, with the small investment of resources and time.
The folowing pages present a series of useful sabotage techniques, the majority of which can be done with simple household tools such as scissors, empty botles, screwdrivers, matches, etc. These measures are extremely safe and without risk for those who use them, as they do not require equipment, skill or specialized activities that can draw attention to the doer.
One combatant can perform many of them, without having to turn to collaborators or having to make a detailed plan beforehand. These are acts that can be done practically in an improvised way every time an occasion presnts itself. Our sacred cause needs to have more men and women join its ranks in order to perform these sabotage tasks. However, necessary caution should be taken, and only when the task requires it, should another person or persons participate in or have knowledge of a given act.”
While the original document was intended to facilitate subversion of the Nicaraguan government, the techniques may be applied to any other state or ‘military-industrial complex’ with which the individual is aggrieved. NB: not only are some of these activities illegal, but encouraging people to engage in them is also illegal. With this in mind, this text is presented as a snapshot of the cold war mentality of intelligence agencies, and not as a practical guide to acts of sabotage.