View allAll Photos Tagged manuals
Program:Manual
Lens:15mm f/2.4 G
F:11.0
Speed:1/80
ISO:64
Focal Length:15 mm
Focus Mode:Manual
Shooting Mode:Single-Frame, [3]
VR:Off
WB:Auto1
Picture Control:Auto
Focus Distance:14.13 m
Dof:inf (0.65 m - inf)
HyperFocal:0.68 m
Leading a short transfer job, CN / IC C40-8W 2459 passes the abandoned levers for the manually-operated semaphores that used to govern Brighton Park Crossing in Chicago.
Explore #1. Thank you!
One more shot of my 72th floor shooting before I take a little flickr break. I am going for a short vacation, you'll will figure out the place when I post my next shot!
This my first Vertorama done with my Nikkor Fisheye. I created two tone-mapped HDRs of 7 exposures each (top/bottom).The stitching had to be done completely manually. Optical correction to remove the bending of the buildings.
I also took a close-up of the Burj Dubai (looks tiny in this shot) that I will post later.
The huge tower on the foreground is the Rose Rotana Hotel. It was actually totally obstructing the view on that side of the building in construction.
Motorsegelschiff im Hafen von Travemünde.
Hier die zwei mittleren Hauptmasten mit hochgezogenem Segel und der Takelage.
Heute wird es von einem Motor angetrieben und dient als Passagierschiff von Lübeck nach Travemünde und zurück.
Motor sailing ship in the port of Travemünde.
Here the two middle main masts with the sails drawn up and the rigging.
Today it is powered by a motor and serves as a passenger ship from Lübeck to Travemünde and back.
crop
Taken this evening at Dell Quay Marina near Chichester. I took 25 pictures over an hour and a half standing in cold water just to get this one good one. So don't worry when the pro on his vlog tells you he always does it in one. Maybe he does maybe he doesn't. Most of us don't.
86seconds exposure
Manual
EV0.33
F13
ISO64
58mm
I used an ND 4 grad filter as the sky was so bright with the sun starting to dip down to the right.
I also used an ND10 to get the effect on the water but also to try and get as much colour in the frame as I could as the sun was starting to go behind a massive bank of cloud just out shot.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights
I occasionally trot out an old manual-focus lens for my daily walks –– probably 4-5 times a year. Yesterday, it was a Ricoh/Rikenon 50mm 1.7 lens. I got the lens at a garage sale, pre-Covid, for $25. I think it’s from the late 1970s or early 1980s. With a #Fotodiox adapter, this K-mount lens works on my Fuji cameras.
Walking through the Gamble Garden in downtown Palo Alto, Calif., I snapped this pic. I think the lens resolves pretty well for $25, though my eyes have a tough time doing the manual focus thing. Regardless, it’s nice to see that spring has sprung.
For more information about Eye On Malaysia,
feel free to visit www.eyeonmalaysia.com.my =)
About The Shot:
This photo was captured during my outing with Buyie in Melaka recently for Persidangan Pengetua-pengetua Maahad Tahfiz Peringkat Kebangsaan
You can see what Buyie had captured here =)
Model Release:
Mr. Jihadi again =)
Location, Date & Time:
Melaka, Malaysia | 28 October 2009 | 7:25pm (+8GMT)
Canon EOS 500D + Kitlens + 580EX ii with diffuser:
ISO100, f/20, 30 sec at 18mm.
Flash fired manually at 1/1 from 5 different angle.
Photoshop CS3:
- Unsharpen Mask at amount 55% with 2.5px radius,
- "S" Curves adjustment,
- Noiseware filter to reduce noise using Night Scene setting,
- Frame and watermark editing.
You:
I really appreciate your kind visit and support =)
All comments, criticism and tips for improvements are welcome.
_________________________________________________________________
© & ® 2009 annamir@putera.com | www.facebook.com/annamir
Zürich, Switzerland
Contax T2, Ilford HP5+
gatogatogato.ch/blog/2017/02/10/ilford-hp5-in-the-contax-t2/
Наконец то купил себе под фуджи такой же объектив как был на соньке.
Meike 25mm f/1.8
Фото безъ коррекции/объработки.
I brought this flower inside from the garden this afternoon because it's easier to control the lighting indoors than out.
Lighting detail: The main light was a Yongnuo manual flash in a Lastolite soft box positioned at camera right, and just out of the frame. Back lighting came from a second Yongnuo flash in a Rogue grid behind the flower at camera left. Fill light is from
a hand held mirror at camera left. The strobes and my tripod mounted camera were triggered with a Yongnuo RF=603N.
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. For each image in the set, and there are over 1900 of them, I describe how I set up the lighting for that particular shot. www.flickr.com/photos/9422878@N08/sets/72157628079460544/
Other pictures that I've taken of Birds of Paradise flowers can be seen in my creatively titled Birds of Paradise album, and there are just over 100 of them.
We have a lot of Bird Of Paradise Flowers In bloom right now, and I brought this one inside today where it's easier to control the light.
Lighting: This was a two light setup using two Yongnuo manual strobes. The main light was in a Lastolite 8.6 inch soft box at camera left, and the back light was from a second flash in a Rogue grid behind the flower at camera right. The strobes and my tripod mounted camera were triggered with a Yongnuo RF-603N.
Other plants, flowers, fruit or stuff that I've photographed using strobes can be seen in my Strobe Lit Plant set. For each image in the set, and there are over 1500 of them, I describe how I set up the lighting for that particular shot. www.flickr.com/photos/9422878@N08/sets/72157628079460544/
Other pictures that I've taken of Birds of Paradise flowers can be seen in my cleverly titled Birds of Paradise album.
I went out for a walk with my son
after being cooped up indoors working all day and this is what I ended up with. At first I thought it probably had to do with my psyche subliminally illustrating my thought process, but then I realized I'm really not that deep, just lazy, uninspired and pretentious.
To be honest, I prefer the Auto setting on my camera. I have taken photo after photo for this challenge and just cannot create what I see in my mind's eye. This is one of the better results using manual.
f/2.8
ISO 400
Exposure time 1/80 sec
Focal Length 60 mm
Those of you who have seen my macros have already observed that I like the 'dreamy' look. That is, feature a little segment of the subject and the rest is just 'color', more or less.
Casavant, Opus 869, 1920/2002
4 claviers manuels et pédalier / 4 manuals and pedal
65 jeux / stops, 71 rangs / ranks, 4,444 tuyaux / pipes
Traction électro-pneumatique / Electro-pneumatic action
This stalk came from a succulent plant growing in a pot in the garden.
Lighting stuff: The main light was a Yongnuo manual flash in an 8.6 inch Lastolite soft box on a light stand at camera left and just out of the frame. Fill light came from a mirror at camera right and a second Yongnuo Flash in a Rogue grid also at camera right. The strobes and tripod mounted camera were triggered with a Yongnuo RF-603N.
Other plants, flowers, fruit or thingys that I've photographed using strobes can be seen in my Strobe Lit Plant set. For each image in the set, and there are over 1700 of them, I describe how I set up the lighting for that particular shot. www.flickr.com/photos/9422878@N08/sets/72157628079460544/
If you like pictures of cactus and succulents, you might enjoy my Cactus and Succulents set. That set can be seen here, and has over 400 images in it.
Pentax SMC 50mm f/1.2, taken at f/1.2
In Explore! June 8, 2023. Thank you for the views, faves and kind words!
Im Hafen von Heraklion (nicht sehr groß) tummeln sich auch etliche Gäste. Dieses Boot mit seinem Spanischen Namen war einfach nicht zu übersehen. Doch, da war ich etwas neidisch, wo doch Segelboote fast immer sehr lukrativ und anspruchsvoll ausgestattet sind.
Hat was.
El Viento (The Wind)
There are also a number of guests milling around in the port of Heraklion (not very big). This boat with its Spanish name was simply impossible to miss. But I was a little jealous, as sailing boats are almost always very lucrative and well equipped.
It's got something.
In 1868, British police first manually used red and green gas lights to control horse carriage traffic at night outside the House of Commons. According to Washington State University Magazine, the Americans then contributed the following:
"American policeman Lester Wire designed the first electric traffic light. It was first installed in Cleveland, Ohio, on August 5, 1914, at the corner of 105th and Euclid Avenue.
1917 — First interconnected traffic signal system installed in Salt Lake City, with six connected intersections controlled simultaneously from a manual switch.
1920 — William Potts, a Detroit policeman, invented the first four-way and three-colored traffic lights. He introduced yellow lights to indicate the light would change soon. Detroit became the first city to implement the four-way and three-colored traffic lights."
CCWeek38: Geometry in Road Signs (Diamond-shaped traffic sign)
Program:Manual
Lens:50mm f/1.4 G
F:8.0
Speed:1/60
ISO:640
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, Auto ISO
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (5.56 m - inf)
HyperFocal:10.40 m
Shot with Lensbaby 56 manual lens.
***There is no AI in this image ***
All manipulations were created in Photoshop.
Texture and Photo Studio Text Overlay by French Kiss/Bliss/Orchid., and Vintage frame.
.
Thank you all for the visit, kind remarks and invites, they are very much appreciated! 💝 I may reply to only a few comments due to my restricted time spent at the computer.
All art works on this website are fully protected by Canadian and international copyright laws, all rights reserved. The images may not be copied, reproduced, manipulated or used in any way, without written permission from the artist. Link to copyright registration:
www.canada.ca Intellectual property and copyright.
New! Challenge 243.0 ~ Art With Text. ~ The Award Tree ~
Program:Manual
Lens:50mm f/1.4 G
F:13.0
Speed:1/200
ISO:64
Focal Length:50 mm
AF Fine Tune Adj:0
Focus Mode:AF-C
AF Area:Dynamic Area (3D-tracking)
Shooting Mode:Single-Frame, [3], Auto ISO, [9]
VR:Off
Metering Mode:Multi-segment
WB:Auto0
Picture Control:Neutral
Focus Distance:11.89 m
Dof:inf (4.17 m - inf)
HyperFocal:6.40 m
Hongrie
(Athene noctua)
The four young are perched on a branch just below the nest and are already flying, but the parents continue to feed them. This parent pauses to observe the surroundings and any possible dangers, then it will come to give the insect to one of the young.
Les quatre petits sont perchés sur une branche juste au-dessous du nid et volent déjà, mais les parents continuent à les nourrir. Ce parent fait une pause pour observer les environs et les dangers éventuels, puis il viendra donner l'insecte à l'un des jeunes.