View allAll Photos Tagged makeart

museum visitors at MakeArt: Jewelry & Objects table, creating after Artists' Lecture, Nov 9, 2008. Photo by Christoph Koch.

museum visitors at MakeArt: Jewelry & Objects table, creating after Artists' Lecture, Nov 9, 2008. Photo by Christoph Koch.

The weekend following the Mural Festival, I went back to Riverfront Park to take pictures of the completed mural cubes and panels. Since it was a nice day, there were people out boating and (I'm guessing) picnicking.

De Jong and van Kampen performed together during the e-culture fair on 23-10-2003 in Paradiso, Amsterdam, at okno public01 in Brussels on 26-5-2006, and at piksel06 in Bergen, Norway on 05-10-2006.

 

They seek to investigate possible affects for networked playing using an ever evolving collection of software designed to compose musical meaning on the fly. Their computers' network interfaces are used for email but also to have patterns and audio processes interrelate, causing a highly diverse field of small particles, evolving textures as well as swift and drastic movements.

  

vacca.goto10.org/bl0bj0b

  

-----8<---------

 

Fokke De Jong et Jankees van Kampen ont joué ensemble pendant le festival e-culture au Paradiso d'Amsterdam en 2003, à okno public01 à Bruxelles en mai 2006, et au festival Piksel en Norvège en octobre dernier.

  

Ils cherchent à examiner les émotions possibles pour les performances en réseau en utilisant une collection de logiciels (qui évolue sans cesse)

  

conçus pour composer de la signification musicale à la volée.

  

Les interfaces réseaux de leurs ordinateurs sont utilisées pour envoyer des emails mais aussi pour mettre des motifs et des processus audio en corrélation, créant un champs très divers de petites particules, développant des textures tout comme des mouvements rapides et drastiques.

  

vacca.goto10.org/bl0bj0b

When I saw this graffiti on an old train car, I snapped the picture, hoping to use the message, "Make Art," in a Powerpoint during worship.

 

It wasn't until I had the photo on the computer screen that I noticed what was written inside the train.

 

I guess my congregation won't be seeing this one.

Cada Viernes postearé una ilustración para colorear!!:..

Puedes imprimirlas para que las princesas de la casa las puedan pintar:..

Espero que la disfruten!:..

(✿◠‿◠)

Every Friday I will post an illustration for you to color:..

I hope you like it!..

& Here is the first one:..

Becka!

♥:.

museum visitors at MakeArt: Jewelry & Objects table, creating after Artists' Lecture, Nov 9, 2008. Photo by Christoph Koch.

De Jong and van Kampen performed together during the e-culture fair on 23-10-2003 in Paradiso, Amsterdam, at okno public01 in Brussels on 26-5-2006, and at piksel06 in Bergen, Norway on 05-10-2006.

 

They seek to investigate possible affects for networked playing using an ever evolving collection of software designed to compose musical meaning on the fly. Their computers' network interfaces are used for email but also to have patterns and audio processes interrelate, causing a highly diverse field of small particles, evolving textures as well as swift and drastic movements.

  

vacca.goto10.org/bl0bj0b

  

-----8<---------

 

Fokke De Jong et Jankees van Kampen ont joué ensemble pendant le festival e-culture au Paradiso d'Amsterdam en 2003, à okno public01 à Bruxelles en mai 2006, et au festival Piksel en Norvège en octobre dernier.

  

Ils cherchent à examiner les émotions possibles pour les performances en réseau en utilisant une collection de logiciels (qui évolue sans cesse)

  

conçus pour composer de la signification musicale à la volée.

  

Les interfaces réseaux de leurs ordinateurs sont utilisées pour envoyer des emails mais aussi pour mettre des motifs et des processus audio en corrélation, créant un champs très divers de petites particules, développant des textures tout comme des mouvements rapides et drastiques.

  

vacca.goto10.org/bl0bj0b

De Jong and van Kampen performed together during the e-culture fair on 23-10-2003 in Paradiso, Amsterdam, at okno public01 in Brussels on 26-5-2006, and at piksel06 in Bergen, Norway on 05-10-2006.

 

They seek to investigate possible affects for networked playing using an ever evolving collection of software designed to compose musical meaning on the fly. Their computers' network interfaces are used for email but also to have patterns and audio processes interrelate, causing a highly diverse field of small particles, evolving textures as well as swift and drastic movements.

  

vacca.goto10.org/bl0bj0b

  

-----8<---------

 

Fokke De Jong et Jankees van Kampen ont joué ensemble pendant le festival e-culture au Paradiso d'Amsterdam en 2003, à okno public01 à Bruxelles en mai 2006, et au festival Piksel en Norvège en octobre dernier.

  

Ils cherchent à examiner les émotions possibles pour les performances en réseau en utilisant une collection de logiciels (qui évolue sans cesse)

  

conçus pour composer de la signification musicale à la volée.

  

Les interfaces réseaux de leurs ordinateurs sont utilisées pour envoyer des emails mais aussi pour mettre des motifs et des processus audio en corrélation, créant un champs très divers de petites particules, développant des textures tout comme des mouvements rapides et drastiques.

  

vacca.goto10.org/bl0bj0b

De Jong and van Kampen performed together during the e-culture fair on 23-10-2003 in Paradiso, Amsterdam, at okno public01 in Brussels on 26-5-2006, and at piksel06 in Bergen, Norway on 05-10-2006.

 

They seek to investigate possible affects for networked playing using an ever evolving collection of software designed to compose musical meaning on the fly. Their computers' network interfaces are used for email but also to have patterns and audio processes interrelate, causing a highly diverse field of small particles, evolving textures as well as swift and drastic movements.

  

vacca.goto10.org/bl0bj0b

  

-----8<---------

 

Fokke De Jong et Jankees van Kampen ont joué ensemble pendant le festival e-culture au Paradiso d'Amsterdam en 2003, à okno public01 à Bruxelles en mai 2006, et au festival Piksel en Norvège en octobre dernier.

  

Ils cherchent à examiner les émotions possibles pour les performances en réseau en utilisant une collection de logiciels (qui évolue sans cesse)

  

conçus pour composer de la signification musicale à la volée.

  

Les interfaces réseaux de leurs ordinateurs sont utilisées pour envoyer des emails mais aussi pour mettre des motifs et des processus audio en corrélation, créant un champs très divers de petites particules, développant des textures tout comme des mouvements rapides et drastiques.

  

vacca.goto10.org/bl0bj0b

De Jong and van Kampen performed together during the e-culture fair on 23-10-2003 in Paradiso, Amsterdam, at okno public01 in Brussels on 26-5-2006, and at piksel06 in Bergen, Norway on 05-10-2006.

 

They seek to investigate possible affects for networked playing using an ever evolving collection of software designed to compose musical meaning on the fly. Their computers' network interfaces are used for email but also to have patterns and audio processes interrelate, causing a highly diverse field of small particles, evolving textures as well as swift and drastic movements.

  

vacca.goto10.org/bl0bj0b

  

-----8<---------

 

Fokke De Jong et Jankees van Kampen ont joué ensemble pendant le festival e-culture au Paradiso d'Amsterdam en 2003, à okno public01 à Bruxelles en mai 2006, et au festival Piksel en Norvège en octobre dernier.

  

Ils cherchent à examiner les émotions possibles pour les performances en réseau en utilisant une collection de logiciels (qui évolue sans cesse)

  

conçus pour composer de la signification musicale à la volée.

  

Les interfaces réseaux de leurs ordinateurs sont utilisées pour envoyer des emails mais aussi pour mettre des motifs et des processus audio en corrélation, créant un champs très divers de petites particules, développant des textures tout comme des mouvements rapides et drastiques.

  

vacca.goto10.org/bl0bj0b

museum visitors at MakeArt: Jewelry & Objects table, creating after Artists' Lecture, Nov 9, 2008. Photo by Christoph Koch.

The 5th Annual Beaumont Mural Festival was held March 21st and 22nd. I went on the 21st, to the main area of the Civic Center and Riverfront Park, as well as a couple of the other locations that murals were being painted.

This gorgeous, detailed mural is painted on the privacy wall of an estate in the 4300 block of Calder Ave. So much nicer than a plain cinderblock wall.

De Jong and van Kampen performed together during the e-culture fair on 23-10-2003 in Paradiso, Amsterdam, at okno public01 in Brussels on 26-5-2006, and at piksel06 in Bergen, Norway on 05-10-2006.

 

They seek to investigate possible affects for networked playing using an ever evolving collection of software designed to compose musical meaning on the fly. Their computers' network interfaces are used for email but also to have patterns and audio processes interrelate, causing a highly diverse field of small particles, evolving textures as well as swift and drastic movements.

  

vacca.goto10.org/bl0bj0b

  

-----8<---------

 

Fokke De Jong et Jankees van Kampen ont joué ensemble pendant le festival e-culture au Paradiso d'Amsterdam en 2003, à okno public01 à Bruxelles en mai 2006, et au festival Piksel en Norvège en octobre dernier.

  

Ils cherchent à examiner les émotions possibles pour les performances en réseau en utilisant une collection de logiciels (qui évolue sans cesse)

  

conçus pour composer de la signification musicale à la volée.

  

Les interfaces réseaux de leurs ordinateurs sont utilisées pour envoyer des emails mais aussi pour mettre des motifs et des processus audio en corrélation, créant un champs très divers de petites particules, développant des textures tout comme des mouvements rapides et drastiques.

  

vacca.goto10.org/bl0bj0b

My family decided to see just how much togetherness we could stand, so we took a three week vacation in June. We drove from the eastern edge of Texas to southern California, took a side trip to northern Nevada, went back to California, and finally drove back home to Texas. It was an adventure, for sure.

 

We planned our route to visit as many county courthouses as possible along the way.

 

Evidence of human habitation in the region that became Cochise County, Arizona dates back as early as 300 BCE. The first Europeans to arrive were said to be Spanish explorers who survived a shipwreck off the coast of Texas in 1582, were taken captive by Native Americans, and eventually found their way to Mexico via the San Pedro Valley. Other Spanish explorers and eventually missionaries arrived in the area. The 1853 Gadson Purchase (also known as the Treaty of Mesilla) opened the are to American settlers.

 

Cochise County was officially created on February 1, 1881 from the eastern portion of Pima County, and named after the Chiricahua Apache war chief Cochise. It is the only county in the state named after an individual Native American person.

 

In 1877 a party of cavalry was sent in search of renegade Apaches in the Muleshoe Mountains. One of the civilian scouts found signs indicating the presence of lead, copper and possibly silver in the area. The town of Bisbee was founded in 1880, and named for Judge DeWitt Bisbee, one of the financial backers of the nearby Copper Queen Mine. In 1929, the county seat was moved from Tombstone to Bisbee.

 

Seated on a hillside above the main business district, the 1931 Art Deco Courthouse in Bisbee is the county's second. The building features carvings of miners above the main entrance, and stylized motifs of native desert flora. The grounds feature a large fountain.

 

Located at the intersection of Tombstone Canyon and Quality Hill Road, in front of the county courthouse, this monument to area copper miners was commissioned by the Federal Emergency Relief Administration (begun in 1933 as part of Roosevelt's "New Deal") in 1935. Built of cast concrete finished with a thin layer of copper by local artist Phillip Sanderson, the model for it was another local man, Lee Petrovich.

 

Jankees van Kampen (NL) : Supercollider, custom GUI

Fokke De Jong (NL) : PulseCode, designed by Fokke himself.

New comic! Swipe right to read it through.

.

The life of a creative pro, freelancer or entrepreneur has its ups and downs... .

Comment: ‘HELLO’ if this is like you...!

May Flowers Monster 7: Triple Header hopped on a skate with a fresh bouquet for a beautiful date. Hurry up, Triple Header, don’t make her wait! Get rollin’ Triple Header, don’t wanna be late! #art #artwork #watercolor #drawing #creative collaboration #artforsale #splotchMonsterIsland #splotchmonsters #splotchmonster #makeart #buyart #supportlivingartists #dmvartist #artistoninstagram #artistsoninstagram #loudouncountyartist #loudounart

Good things happen...

 

Tag a friend if you agree.

 

More ideas like this on RedLemonClub.com - go there to pick up your free handbook for creative people.

Doodling in my art journal. #artbyshantadevi #artjournal #art #pen #travelersnotebook #doodle #blackartist #drawing #sketchbook #artjournaleveryday #drawforpeace #artastherapy #makeart #makeartnotwar #femaleartist #thirdeye #face

De Jong and van Kampen performed together during the e-culture fair on 23-10-2003 in Paradiso, Amsterdam, at okno public01 in Brussels on 26-5-2006, and at piksel06 in Bergen, Norway on 05-10-2006.

 

They seek to investigate possible affects for networked playing using an ever evolving collection of software designed to compose musical meaning on the fly. Their computers' network interfaces are used for email but also to have patterns and audio processes interrelate, causing a highly diverse field of small particles, evolving textures as well as swift and drastic movements.

  

vacca.goto10.org/bl0bj0b

  

-----8<---------

 

Fokke De Jong et Jankees van Kampen ont joué ensemble pendant le festival e-culture au Paradiso d'Amsterdam en 2003, à okno public01 à Bruxelles en mai 2006, et au festival Piksel en Norvège en octobre dernier.

  

Ils cherchent à examiner les émotions possibles pour les performances en réseau en utilisant une collection de logiciels (qui évolue sans cesse)

  

conçus pour composer de la signification musicale à la volée.

  

Les interfaces réseaux de leurs ordinateurs sont utilisées pour envoyer des emails mais aussi pour mettre des motifs et des processus audio en corrélation, créant un champs très divers de petites particules, développant des textures tout comme des mouvements rapides et drastiques.

  

vacca.goto10.org/bl0bj0b

As seen on the crumbling remains of the old Transbay terminal, downtown San Francisco.

1 2 ••• 4 5 7 9 10 ••• 74 75