View allAll Photos Tagged macro_magic
Spider Web with Dew
Another one of those Happy Accident photos, this time opening up and wondering how I achieved this. Low f/stop--4.5. I adjusted the curves a little to make it darker and bring out some color in the dew/bokeh on the web. I have a few similar to this one. Looks cool large too. :-)
Makromagie: Magnolienblüten im goldenen Licht.
Diese Nahaufnahme fängt die feine Struktur und Farbverläufe frisch erblühter Magnolien ein. Die Blütenblätter reichen von zartem Weiß bis hin zu tiefem Rosa, sanft umrahmt von den knorrigen Ästen eines alten Baumes. Der Hintergrund verschwimmt in ein pastelliges Bokeh aus Blüten – ein poetischer Ausdruck der Ruhe, die die Natur im Frühling ausstrahlt. Perfekt, um für einen Moment dem Alltag zu entfliehen.
[ENG] Macro magic: magnolia blossoms glowing in golden light.
A close-up of magnolia blossoms reveals their delicate textures and soft color gradients, from gentle whites to rich pinks. Framed by the gnarled branches of an old tree, the petals stand in elegant contrast to the blurred pastel backdrop of more blossoms. This poetic scene invites quiet reflection—a tribute to the gentle side of spring, captured in a fleeting moment of natural grace.
For a week I rented the Nikon's legendary macro lens, the Nikon 200mm f/4. It has no VR, so for close macro work it almost requires the use of a tripod or mono-pod. Of course I immediately broke that 'rule', preferring as always to shoot handheld. That means many more pictures need to be taken in order to get a sharp shot, and it usually means higher ISO's due to a faster shutter speed to offset the motion of my hands as I shoot.
The next series of shots will feature results from this lens, all handheld and in natural light. In the end, I liked its color rendition, contrast, and the ability to work macro magic with a bit more distance to the subject, helpful especially with subjects like bugs and bees. The closest focus distance is about 19 inches to achieve the 1:1 ratio. For a hand-holder like me, I would much prefer VR (vibration reduction) on this lens to offset my hand motion.
But for most people who do proper macro technique with a tripod setup, this is no big deal.
All in all, it is a great lens, and I can see why the design has not been changed for over 20 years. It is still being sold brand new by Nikon despite its age and 'old' technology!
welcome to my little swirl house
in the orchard on the tree,
I live in a swirly room
that's just big enough for me.
you can stay here my friend,
stay to the very end,
squeeze in and see.
now that you swirled in my friend,
come close and cuddle in with me.
Copyright © 2010 Tomitheos Photography - All Rights Reserved
flickr today
5 steps a nude model should know:
1. Discuss your comfort level with the artist, physical attributes, flexibility and abilities (yoga, karate etc.)
2. Shower or bathe bathe before the session, this improves the skin's appearance.
3. Bring your own robe, towel to sit on, a thong (for women), a sock (for men) and slippers.
4. Follow the artist's direction during the session and ask before moving from your position.
5. Upon completion, ask for feedback and if you are required to be scheduled for another session.
Copyright © 2010 - 2016 Tomitheos Photography - All Rights Reserved
For a week I rented the Nikon's legendary macro lens, the Nikon 200mm f/4. It has no VR, so for close macro work it almost requires the use of a tripod or mono pod. Of course I immediately broke that 'rule', preferring as always to shoot handheld. That means many more pictures need to be taken in order to get a sharp shot, and it usually means higher ISO's due to a faster shutter speed to offset the motion of my hands as I shoot.
The next series of shots will feature results from this lens, all handheld and in natural light. In the end, I liked its color rendition, contrast, and the ability to work macro magic with a bit more distance to the subject, helpful especially with subjects like bugs and bees. The closest focus distance is about 19 inches to achieve the 1:1 ratio. For a hand-holder like me, I would much prefer VR (vibration reduction) on this lens to offset my hand motion.
But for most people who do proper macro technique with a tripod setup, this is no big deal.
All in all, it is a great lens, and I can see why the design has not been changed for over 20 years. It is still being sold brand new by Nikon despite its age and 'old' technology!
Please enlarge for a more immersive view...
For a week I rented the Nikon's legendary macro lens, the Nikon 200mm f/4. It has no VR, so for close macro work it almost requires the use of a tripod or mono-pod. Of course I immediately broke that 'rule', preferring as always to shoot handheld. That means many more pictures need to be taken in order to get a sharp shot, and it usually means higher ISO's due to a faster shutter speed to offset the motion of my hands as I shoot.
The next series of shots will feature results from this lens, all handheld and in natural light. In the end, I liked its color rendition, contrast, and the ability to work macro magic with a bit more distance to the subject, helpful especially with subjects like bugs and bees. The closest focus distance is about 19 inches to achieve the 1:1 ratio. For a hand-holder like me, I would much prefer VR (vibration reduction) on this lens to offset my hand motion.
But for most people who do proper macro technique with a tripod setup, this is no big deal.
All in all, it is a great lens, and I can see why the design has not been changed for over 20 years. It is still being sold brand new by Nikon despite its age and 'old' technology!
Please enlarge for a more immersive view...