View allAll Photos Tagged livecomposite
Perseids 💫 turned into a thunderstorm ⚡️⚡️. I thought I'd give 2017 Perseids a chance, but obviously my photo session turned into something completely different. It was raining hard and hence very difficult to keep the lens dry. If you look carefully (but please don't!), you can see some water droplets in the image. I used 'Live Composite' mode and the photo has 120 x 15 sec exposures stitched together inside the camera.
📷Olympus OM-D EM5MkII
🔘Olympus M.Zuiko 7-14mm f2.8 Pro
Thursday, 22-May-2025, 22:13:37.
Hotel Devín, 162/4, Riečna, Príboj, Historické jadro, Old Town, District of Bratislava I, Bratislava, Region of Bratislava, 811 02, Slovakia, Bratislava, SVK
OM Digital Solutions OM-1, serial No. BJMA68272, OM 12-40mm F2.8 II. 24 mm, F/11, 15 s, ISO 200.
29 0.5sec frames composited in camera using Olympus Live Composite Exposure Mode. Portland, Oregon OM20320 - Happy Fireworks Fridays!
For image above I ended the Live Composite exposures (for trams, streetcars, etc) before each of their various light trails crossed the frame completely, then combined the various Live Composite exposures together using masks and lighten layer mode in Photoshop. There are no lights on the trams, their light trails consist of reflected light of the buildings etc in the scene. The streetcar in the lower left came to a stop and opened its doors (and I ended that exposure there before the streetcar moved again), versus the streetcar just above coming towards the camera which did not stop, just the exposure of its light trail was ended. South Waterfront, Portland, Oregon OM1469-72,74,75,77,78LC
Thunderstorm and rainbow over Ulm in the evening, 2017
The fact that such colors could be seen that evening is due to the low position of the sun and the longer path the sun's rays have to travel before reaching our atmosphere. The longer the path, the more particles there are in the way of the light, causing it to be filtered more and more. The red component remains, resulting in the strong red color.
The long exposure mode “LiveComposite” on my camera further enhanced the color effect. Nevertheless, this is how the eyes perceived the moment.
Gewitter und Regenbogen am Abend über Ulm, 2017
Dass an diesem Abend eine solche Färbung zu sehen war, ist auf den niedrigen Sonnenstand zurückzuführen und den längeren Weg der Sonnenstrahlen, bis sie unsere Atmosphäre erreichen. Je länger der Weg, desto mehr Teilchen sind dem Licht im Weg, wodurch es immer weiter gefiltert wird. Der Rot-Anteil bleibt, wobei das kräftige Rot zustande kommt.
Der Langzeitbelichtungs-Modus "LiveComposite" meiner Kamera hat den Farbeffekt noch verstärkt. Trotzdem haben die Augen den Moment so wahrgenommen.
These are the remaining three blocks of the iconic public housing that were built post war and pre independent singapore; the precinct is currently under going demolition. These blocks were affectionately called the "chap lau chu," meaning 10 storey in hokkien and were also featured on the old singapore $1 note.
2 exposures blend
1 x Live Composite (30s @ f5.6 for ≈ 1h 5m)
Relics of a lost era
cut a path through the wheel of time.
Memorial, tribute or
conceptual representation,
It matters not
to today's eyes.
- a fragment
#breakfreewitholympus #m43ftw #longexposure #longexpoelite #opa #sculpture #livecomposite #startrails #griffis #buffalove #inthebuff #microfourthirdsgallery #landscape #night #nightskies #autumn #DxOPhotoLab #NikCollection #silverefex #colorefex #on1pics #on1photos #originalwork
#ccwelcome
After two years of online only events Light the Night PDX 2022 had an in person event this year. Although less attendance than pre-pandemic events, and with a laser show instead of fireworks, it was still interesting to photograph. This image is a 24 frame Live Composite image showing the walkers leaving The Lot at Zidell Yards on their way to the Tilikum Crossing Bridge at top. Portland, Oregon OM5914
2 exposures blend from single raw file
Live Composite (10s for ≈ 2m)
Was on my way to buy a step up ring for an up coming trip but chanced upon this view and decided to shoot instead.
This year, the mosquitoes are particularly aggressive in the pastures at night, yet watching the fireflies' dance made it worthwhile.
In the distance, there was occasional lightning that added to the drama.
Braving the insects was a small price to pay for witnessing the light show.
Bit of a photo cliché, but after a week of being ill I've nearly hit the deadline for a photo a week! Olympus live composite, samyang 7.5mm
63 ½sec frames composited in camera using Olympus Live Composite Exposure Mode. Steel Bridge, Willamette River, Tom McCall Waterfront Park, Portland, Oregon OM25462
Olympus Live Composite over Lake Champlain, NY. Olympus EM1 Mark III using 12-40 PRO. This was about a 3 hour exposure @ 17mm, ISO 200, 1/2 second increments using Live Composite.
Took this ~13 minute long exposure while waiting for the aurora, which showed up two hours after I left. Looking north from the trail that leads to the tunnel at Mitchell Point, from bottom to top are: Columbia River, lights from a train passing through the tunnels along SR14 on the Washington side of the Gorge, and the sky with Cassiopeia in the lower right, and part of the big dipper in the upper left. The 42%l lit moon was 16º above the NW Horizon when this exposure was started, and all but washed out the Milky Way; need to go back on some moonless night and see how dark it might get here. 79, 10sec frames composited in camera using Olympus Live Composite Exposure Mode. Mitchell Point, Columbia River Gorge, Oregon OM25909
53 2sec frames thru a Hoya R72 Infrared filter composited in camera using Olympus Live Composite Mode. Willamette River, Rivervilla Park, Milwaukie, Oregon OM4518 - Happy Mostly Monochromatic Mondays!
A second image from my past trip to NY/NJ last month. This one is using Olympus' "Live Composite" mode. The base exposure is 60s, but in reality I left the shutter open for about 10 minutes to make this picture, which allowed for great movement in the clouds and nice streaks from the boats going by (and one very faint airplane high above).
Image made with my Olympus OM-D e-M1 mk2, my m.Zuiko 12-40mm f2.8 Pro lens, NiSi CirPL and Natural Night filters and meFoto Globetrotter tripod. Processed in On1 Photo RAW 19.5 with a roundtrip to Nik Silver Efex.
#m43ftw #getolympus #cityscape #livecomposite #longexposure #longexpoelite #Manhattan #NYC #OM-D #Pride #silverefex #nikcollection #skyline #behindthelens #on1photos #mefoto #nisifilters
#ccwelcome
I had planned to photograph from the pier by the fire boat station near the Hawthorne Bridge, but some families had already set up chairs over an hour and half ahead of the show; which turned out to be great, since the breeze was blowing smoke from the fireworks in that direction, and later a fire boat with extremely bright hazard lights parked itself on the river there.
So I walked north along the East Bank Esplanade to this location just south SE Yamhill, which turned out to be facing dead on to the side of the fireworks barge. Another plus with this location is built in seating along the edge of the pathway allowing you set up the camera comfortably off the pathway with the camera right in front of you while sitting there. I had never photographed from this close to the barge before, where the higher fireworks end up almost directly overhead, so I quickly turned the camera vertical and even then had to tilt the camera back a good bit, and still some of the higher fireworks went out of frame. The building (behind the right of the fireworks) with the stripe of green light along the top is 18 stories tall.
This years fireworks came in a greater variety of colors, styles, and forms than recent years making for an impressive show. 17 0.5sec frames composited in camera using Olympus Live Composite Exposure Mode. Portland, Oregon OM25841-Happy Fireworks Fridays!
onto the Tilikum Crossing Bridge, Portland, Oregon is a MAX Light Rail train. 37 frame Olympus Live Composite. OM1036LC