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and looked out of my window
Mehr von meinen Bildern,
More of my pictures:
500px.com/camera_obscura_monaciensis
And NEW: www.fotocommunity.de/fotograf/camera-obscura-monaciensis/...
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From my airport visit last Summer, on the same day I took this…
Flickr:
Instagram:
www.instagram.com/p/DLNWM3cIJc8/
…this Swiss Air flight was uniquely positioned right under a chemtrail which for once I thought was kind of useful for the shot. I notice many photographers find photos of aircraft boring, they never seem to attract the audience, however, one needs to experiment, get a bit daring and opposed to just an aircraft portrait so to speak, you have to use your imagination, the environment, the weather and get a bit more technical!
I hope everyone is well and so as always, thank you! 😊
La playa de la Concha (San Sebastián/Donosti) en un día soleado de primavera.
Los paseantes tienen muy claro los límites...Solo hasta los tobillos...
A baix a la vall de el Segre la boira tancada no dóna treva,, m'escapo cap al nord buscant el límit,, aquí a estones surt el sol,, dóna gust notar-ho encara que sigui tímidament,,, salutacions i gràcies
Abajo en el valle del Segre la niebla cerrada no da tregua,,me escapo hacia el norte buscando el limite,,aqui a ratos asoma el sol,,que gozada,,,saludos y gracias
Down in the Segre valley, the closed fog does not let up, I escape to the north looking for the limit, here at times the sun rises, it is nice to notice it even shyly, greetings and thanks
© 2009. Todos los Derechos Reservados
Límites
Serie - Foto
Buen otoño nos espera...
Serie - Photo
Good autumn waits for us.
CAT
Una cançó i només una cançó
com si aquesta música
ens hagués fet tornar a aquests prats.
Fa temps que els coneixem
però és com si no els haguéssim vist mai.
No hi ha límits per a la llum
i aquests prats i aquests boscos
ara canten sota els nostres peus,
la mateixa, sempre la mateixa, cançó.
I oblidarem que hem estat aquí
fins que una cançó ens faci memòria
d'aquests horitzons sense límits.
OC
Una cançon e sonque una cançon
coma s'aquela musica
nos auriá tornat menar dins aqueles prats.
Los coneissèm dempuèi longtemps.
mas es coma se los aviam pas jamai vists abans.
I a pas de limits a la lutz.
e aquests prats e aquests boscs .
ara cantan jos nòstres pès,
la meteissa, totjorn la meteissa, cançon.
E oblidarem qu'èrem aquí
fins qu'una cançon nos rapèla
d'aqueles orizons sens limits.
I've always wanted to drive the Natchez Trace, and was finally able to do so. Just north of Jackson, Mississippi this lone bald cypress in the water caught my eye. If you ever get a chance to drive the Trace, it's a two lane road of gorgeousness, actually through a national park, with a 50 mph speed limit. There are miles and miles of destruction, too, where a tornado tore through and left the forest stripped and haunting. And, you might also see the occasional deer. Make sure you have your favorite music available, sit back, and let the beauty feed your soul.
Texture from Filter Forge.
EXPLORE Worthy, Challenge 61 - YELLOW, ORANGE & GOLD (Art from 2014)
Art Museion's Contest "Autumn Colors" (3rd Place)
www.flickr.com/groups/artmuseion/discuss/7215764835239684...
Visit my Kreative People group member : Highlight Gallery
One of my attempts at the "Smile on Saturday" theme "La vie en rose".
Also a little testshot for the Macro Mondays theme "My Closest" where the goal is to get as close as possible... This isn't that of course (the little pearl has a length of around 10 mm, so this is probably a 3.5:1 magnification) but way over the limit for this lens. It might not look very impressive, but I find it quite remarkable what it is able to do because I'd consider this way out of its optimum range. I have to admit I don‘t know these things too well… so if I‘m wrong on that, please correct me!
Shot with a Schneider Kreuznach "M-Claron 60 mm F 5.6" lens on a Canon EOS R5.
No limit
Outfit:
ISON - esperanza summer shirt dress -legacy-
hive // out and about . phone+keys . holdR
"the scape_lands is a readymade-fotowork series developed 2011 in BerlinThe theme is the hermetical law of correspondence : we exist in all planes, astral as well as physical .
The scape_lands were discovered in the urban environments , the streets of Berlin."
This location is now hard to get to , the owner has discouraged photographers from visiting. When I took this about 4 years ago I took 3 or 4 slightly different compositions so this is another in that series that I will publish from time to time.
Fantasy colourisation of a very small portion of the Quadracci Pavilion, a 2001 addition to the Milwaukee Art Museum in Milwaukee, Wisconsin. Design by the Spanish architect Santiago Calatrava.
This building placed at #59 of 150 on a list called "America's Favorite Architecture", as determined by surveys of members of the AIA (American Institute of Architects) and the public; source: www.flickr.com/groups/23735488@N00
The LVM-Building "Kristall" in Münster/Germany is 63 m high and was designed by Duk-Kyu Ryang from Korea. This one was taken with the old 50mm AiS Lens :)
Il ne fallait pas plus d'espace entre ces 2 mésanges, sinon elles ne rentraient plus dans le cadre.
@+
Gustave Courbet - Le Désespéré
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> Il y a des regards qui traversent le temps sans jamais s’éteindre. Celui-ci en fait partie.
Peint entre 1843 et 1845, Le Désespéré est une œuvre de jeunesse de Gustave Courbet, bien avant qu’il ne devienne le chef de file du réalisme. Ici, il ne représente ni paysage, ni scène sociale, mais lui-même, ou du moins, une version intensifiée, presque théâtrale, de son être intérieur.
Les yeux grands ouverts, les mains dans les cheveux, le visage sous tension, tout semble figé dans une seconde d’intensité extrême. Est-ce de la peur, de la folie, ou une mise en scène de l’émotion à son point de rupture ? Courbet explore, teste, exagère… et capte quelque chose de profondément humain.
Recréer ce regard aujourd’hui, même à travers un avatar, c’est tenter de capter quelque chose d’insaisissable : une intensité, une faille, une humanité. Car certaines expressions ne se copient pas, elles se ressentent.
Entre passé et présent, réel et virtuel, ce regard continue de nous fixer. Et peut-être, au fond, de nous interroger.
(Avec les moyens du bord, et les limites propres aux avatars, notamment dans l’expression du regard, cette image se veut avant tout un hommage. Une tentative d’évocation, plus qu’une reproduction, guidée par l’admiration pour cette œuvre intemporelle.)
> Some gazes travel through time without ever fading. This is one of them.
Painted between 1843 and 1845, The Desperate Man is an early work by Gustave Courbet, long before he became the leading figure of Realism. Here, he depicts neither landscape nor social scene, but himself,or at least, an intensified, almost theatrical version of his inner self.
Wide-open eyes, hands clutching his hair, a face drawn tight with tension, everything seems frozen in a split second of extreme intensity. Is it fear, madness, or a staging of emotion at its breaking point? Courbet explores, experiments, exaggerates… and captures something deeply human.
Recreating this gaze today, even through an avatar, is an attempt to grasp something elusive: an intensity, a fracture, a shared humanity. Because some expressions cannot be copied, they must be felt.
Between past and present, real and virtual, this gaze still fixes itself upon us. And perhaps, deep down, it questions us in return.
(Working with the tools at hand, and the inherent limitations of avatars, especially in capturing such a powerful gaze, this image is intended as a tribute rather than a reproduction. An attempt to evoke, rather than replicate, a timeless masterpiece.)
En la vida no hay límites, somos nosotras las que nos limitamos.
La vida conlleva riesgos ...no existen los obstáculos, eso lo inventamos nosotras mismas para que nos sea mas cómodo decir “Yo no puedo con esto o esto otro”.
Nos resulta mas fácil rendirnos antes que luchar por algo, así nada nos hará temer en la vida.
Lo mismo pasa en el amor, adoptamos la posición de no amar y no querer tener compromisos, así no perdemos, aunque tampoco ganamos.