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La playa de la Concha (San Sebastián/Donosti) en un día soleado de primavera.
Los paseantes tienen muy claro los límites...Solo hasta los tobillos...
© 2009. Todos los Derechos Reservados
Límites
Serie - Foto
Buen otoño nos espera...
Serie - Photo
Good autumn waits for us.
A baix a la vall de el Segre la boira tancada no dóna treva,, m'escapo cap al nord buscant el límit,, aquí a estones surt el sol,, dóna gust notar-ho encara que sigui tímidament,,, salutacions i gràcies
Abajo en el valle del Segre la niebla cerrada no da tregua,,me escapo hacia el norte buscando el limite,,aqui a ratos asoma el sol,,que gozada,,,saludos y gracias
Down in the Segre valley, the closed fog does not let up, I escape to the north looking for the limit, here at times the sun rises, it is nice to notice it even shyly, greetings and thanks
Confederation Park, Calgary CANADA
Handheld; no filters.
The park benches were off-limit, the trails weren't. People/Families thronged to enjoy the warm fall evening amidst the pandemic maintaining distance.
No limit
Outfit:
ISON - esperanza summer shirt dress -legacy-
hive // out and about . phone+keys . holdR
Kayla’s video session had dragged on hours past its limit, leaving her tired, a little sore, and absolutely famished.
Irritation simmered under her skin—her costar was quite full of himself. He’d been intentionally blowing his cues all day, forcing retake after retake, clearly enjoying himself far more than the scene required. As she pulled on her clothes, Adrienne’s earlier comment drifted back with maddening precision: maybe this really was too much work.
And the worst part—she still hadn’t been paid.
A few people lingered in the studio, stretching and chatting. Good. If she jumped straight from her dressing room, someone might wonder where she went. Better to be seen leaving through the front door.
Her muscular costar glanced up, “Rest up, darling. I’ll have something big waiting for you tomorrow.” He flashed a grin and winked. “Oh—and Carlos may be joining us.”
She returned a polite smile and wave, then stepped out into the cool evening air.
Rain. Ugh.
A few cars rolled by, but the sidewalks were nearly empty. She was too tired to look for a microwave. She headed down the block toward a spot where her vanishing wouldn’t be too obvious.
Then her senses prickled—a faint pressure at the edge of awareness. Not danger exactly… just presence. She kept walking, pretending to browse the storefronts.
A travel agency poster snagged her attention. She stopped.
It read, JOIN THE SERVICE. SEE THE UNIVERSE. What looked like an Arcturian Axiom Class starship gleamed across the image.
She blinked. Leaned closer. “Join the service? See the universe? What the F…” she muttered.
Movement flickered in the window glass. A reflection behind her. Her first thought was car headlights.
Her breath caught.
A luminous orb hovered in the street only yards away—identical to the ones they’d seen at base, but impossibly out of place here. It shouldn’t have been able to track her this far. Miles from the bunker… how had it found her?
She eased back from the window, pulse tightening, and quickened her pace toward the nearby alley.
As she turned, a flicker of movement caught in her peripheral vision. The orb was no longer small—no longer passive. It had swollen to many times its original size, its surface pulsing like a living star.
Then it lunged.
The distance vanished in a single heartbeat. Bright, searing light engulfed her, swallowing her breath, swallowing everything.
She jumped—pure instinct, pure terror.
Her eyes snapped open. Concrete walls. The familiar hum of electronics. The bunker.
Her pulse hammered against her ribs. She exhaled hard, relief flooding through her in a shaky rush.
That had been almost too late. It wasn’t observing her.
That thing was hunting her.
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You can view Quantum Fold series episodes in order from the beginning in the albums titled, "Quantum Fold I, II & III":
www.flickr.com/photos/199076397@N02/albums/72177720326169...
You can view Quantum Fold II episodes in order from the beginning in the album titled, "Quantum Fold III":
www.flickr.com/photos/199076397@N02/albums/72177720335390...
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With this shot, I wondered what I might see if my vision were limited, to black and white. If there were no color, and even the greys were barely present. This rocky outcropping would contribute to both dimension and texture. And the brightly lit clouds would help make the point of the extreme limits of my hindered vision.
It was an experiment in extremes, and one that seems to deliver a dramatic looking scene. There was limited colour regardless, and the landscape reflected this boundary with the harsh appearance of opposites
©Exodus Photography
Friday's Food for Thought (Late edition)
It is amazing how life is like a video game. After you complete a major task in life you learn there is a larger and greater task waiting for you to conquer. Life has a way to push you beyond your limits to places you never thought you'd achieved. When trials hit aways remember it is preparing you to go beyond you limits.
Side note: Sorry for the late post. It has been a long day. Hope everyone had a great Thanksgiving.
Thanks JayEads for the leaves.
Moulin du Losser
Ploubezre
Nous sommes juste à la limite de 4 communes: Je suis sur Pluzunet, à quelques mètres de Tonquédec. Le Moulin est sur Ploubezre, mais le rocher à gauche est sur Vieux-Marché!
P1220677w
I am incredibly excited to invite you to my upcoming exhibition, "Escape the Flat," running this July and August at the Longstaff Memorial Gallery.
💡 The Concept: What if the image refused to remain flat?
This exhibition combines photography with three-dimensional elements. Frames open into physical space, images unfold beyond their edges, and familiar photographs transform into objects that occupy the gallery rather than simply hanging on its walls.
The works explore fragmentation, confinement, memory, and the desire to break free from imposed limits. Some images fracture into floating pieces, others extend beyond their frames, while portals, shadows, and sculptural elements blur the distinction between photograph, object, and environment.
Rather than presenting photography as a finished, static image, Escape the Flat invites viewers to experience it as something that can expand, transform, and escape its own dimensions.
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Location: The Longstaff Memorial Gallery
"the scape_lands is a readymade-fotowork series developed 2011 in BerlinThe theme is the hermetical law of correspondence : we exist in all planes, astral as well as physical .
The scape_lands were discovered in the urban environments , the streets of Berlin."
Fantasy colourisation of a very small portion of the Quadracci Pavilion, a 2001 addition to the Milwaukee Art Museum in Milwaukee, Wisconsin. Design by the Spanish architect Santiago Calatrava.
This building placed at #59 of 150 on a list called "America's Favorite Architecture", as determined by surveys of members of the AIA (American Institute of Architects) and the public; source: www.flickr.com/groups/23735488@N00
The LVM-Building "Kristall" in Münster/Germany is 63 m high and was designed by Duk-Kyu Ryang from Korea. This one was taken with the old 50mm AiS Lens :)
I spent a rainy Saturday afternoon shopping with my lovely wife. She did rather well to add to her spring wardrobe. I came home with a book and a shirt. :-)
Tangled FX 2.1, Custom 1 preset
© 2016 Skip Plitt, All Rights Reserved.
This photo may not be used in any form without permission from the photographer.
Todos los derechos reservados. Esta foto no se puede utilizar en cualquier forma sin el permiso del fotógrafo.
Late autumn heading into early winter here in the northern hemisphere. There's a grittiness to the landscape now, accentuated by bare tree limbs and overall lack of foliage. The killing frost took care of that. The bareness of the earth brings with it a depletion of color that only adds to the feeling of inhospitality. There's a feeling that there's nowhere now to hide from the often wintry blasts that howl across open farmland. Yet somehow this is all very fitting. As much as I dislike winter I find this atmosphere strangely comforting. Every dreary cemetery scene my mind can conjure seems to now appear before me as a reality. The cold and darkness take a back seat to the excitement this causes me. A very strange duality of thought. Nothing about visiting cemeteries seems strange about. Any last vestige of that sort of thinking left me while still a teenager, if it even existed then. If there is any oddness with this behavior it's my fixation with standing on the boundary of the cemetery property gazing back at the outside world. It's not the same doing this from within the cemetery. For me it's all about getting right up to the edge, near the graves that form the boundary between the dead and the living. It's like standing over an unsee energy field. Like an invisible fence for dogs. Dunno. But standing here on this grim November day the energy field was wide open. I looked past the graves of people that died over a century ago. In the distance the remains of a cornfield that was harvested just a few days ago. The cycle of life and death so wonderfully manifested and in the shadow of that gnarly old tree. Late autumn heading into early winter and I'm right where I belong.
My seagulls and other birds album.
Thanks a lot for your time, your likes and your comments.
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This image is protected by copyright and it is not for use without my written permission.
Copyright© *Τhemida Zidrou* ©All rights reserved
22, the eastbound Texas Eagle, arrives Austin, Texas with a single P42DC and four Superliners. The depot on the right was built by the Missouri Pacific in 1947, predating all of the high-rises you see in the background.
The Cullinan Diamond Mine is renowned as a source of large, high-quality gem diamonds, including Type II stones, as well as being the world’s most important source of very rare blue diamonds. Cullinan earned its place in history with the discovery of the Cullinan diamond in 1905, the largest rough gem diamond ever found at 3,106 carats, which was cut to form the two most important diamonds in the British Crown Jewels.
Anamakia (Madagascar) – Quand je vois cette machine à sous, à moins de 200 mètres des limites de la décharge à ciel ouvert, je n’en crois pas mes yeux. A proximité, des dizaines de familles s’intoxiquent en triant des ordure pour gagner misérablement leur vie. Je me dis que le bandit manchot ne doit pas fonctionner. J’arrête mon scooter, je m’approche de ce petit casino local et constate que l’engin fonctionne parfaitement. L’homme introduit des pièces déclenchant un bruit de fête foraine.
Je suis resté une dizaine de minutes et malgré son acharnement à alimenter en pièces la machine, le joueur n’a rien gagné. Étonnant !
Slot Machine
Anamakia (Madagascar) – When I saw this slot machine, less than 200 meters from the open-air landfill, I couldn't believe my eyes. Nearby, dozens of families were poisoning themselves by sorting through garbage to eke out a miserable living. I figured the slot machine must be broken. I stopped my scooter, approached this small local casino, and found that the machine was working perfectly. The man inserts coins, triggering a carnival-like noise.
I stayed for about ten minutes, and despite his efforts to feed the machine coins, the player didn't win a thing. Amazing!
While doing a bit of night photography I decided to push the D3s a bit. Normally when taking Milky Way shots I use 6400 ISO. This image was taken at ISO 12800 for 30 sec. to gather as much light as possible. I did need to use a bit of noise reduction but there was considerably more detail in the sky than the similar image taken at ISO 6400 (see inside). Both images were taken for 30 sec. at f2.8.
Next stop ISO 102,400 but I'm afraid I will blow out the Milky Way! ;-)
View the entire Low Light Photography Set
View the Craters of the Moon Set
View my - Most Interesting according to Flickr