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DOMENICA 3 GIUGNO VOTA SI PER LIMITARE LA CACCIA IN PIEMONTE.
Beccapesci - Sandwich Tern (Thalasseus sandvicensis)
Delta del Po.
At MP 92 on the SDA&E, the western yard limit, for the Jacumba yard, is marked by the yellow Y. The tracks curve under highway 94 and away from the border, as they continue into the town of Jacumba.
We limit our desires and ambitions by setting up virtual walls and barriers of "can't" and "impossible".
And what if we let ourselves dream for once? What doors would open then?
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About 10 hours of photoshop into this one again! Sorry for not putting up more shots... I've been trying to pay more attention to the small details in my shots.
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My attempt to join Fashion with Conceptual work. This is the first time I got the team together to do a custom bodypainting job with an airbrush! Although we had budgeted 2 hours to get the bodypainting done, it ended up taking about 6-7 making the shoot last a whoppin' total of 8 hours!
I hope you like the end result! A Behind the Scenes video by Eva Jinn Productions will soon be available!
Credits:
Photography:
Benjamin "Von Wong" - Photographer - www.vonwong.com
Anick Morel - Photo Assist - www.artist.to/anickmorelphotographe
Body Painting:
Lisa-Marie Charron - MUA - www.liza-marie.com
Sonia Leger - MUA Assist - http://www.facebook.com/profile.php?id=700010096
Hair:
Malina Tang - www.facebook.com/profile.php?id=514695736
Model:
Melanie Vignet - http://www.modelmayhem.com/1797392
Video:
Eva Jinn Productions - Videographer - www.artist.to/evajinnproductions
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Thanks for viewing my photostream =)
Please leave a comment and feel free to throw in some constructive criticism!
©VonWong
Montreal Conceptual Photographer
vonwong.com - Facebook - Twitter - Flickr
MATÉRIA DE CAPA | A CIÊNCIA PODE SUBSTITUIR A BÍBLIA?
Os limites da ciência
Em anos recentes, foram publicados vários livros que apresentam as opiniões dos chamados novos ateus. Esses livros têm atraído a atenção de muitas pessoas e gerado bastante debate. O neurocientista David Eagleman escreveu: “Alguns leitores . . . ficam com a impressão de que os cientistas acreditam ter uma explicação que responde a todas as grandes questões. . . . Mas a boa ciência sempre tem mente aberta, e a história da ciência é cheia de surpresas.”
Ao longo das eras, cientistas talentosos realmente fizeram surpreendentes descobertas em sua busca por respostas a questões intrigantes sobre a natureza. Mas alguns também cometeram erros sérios ao fazer isso. Um exemplo foi Isaac Newton, um dos maiores cientistas de todos os tempos. Ele demonstrou como a força da gravidade une planetas, estrelas e galáxias para formar o Universo. Ele inventou um ramo da matemática chamado cálculo, usado em computação, viagens espaciais e física nuclear. No entanto, Newton também se interessou pela alquimia, uma pseudociência que usava a astrologia e fórmulas mágicas na tentativa de transformar chumbo e outros metais em ouro.
Mais de 1.500 anos antes de Newton, o astrônomo grego Ptolomeu estudava o céu apenas com seus olhos. Ele registrou o movimento dos planetas pelo céu noturno e foi um cartógrafo habilidoso. Mas ele acreditava que a Terra era o centro do Universo. Sobre Ptolomeu, o astrofísico Carl Sagan escreveu: “Seu Universo centrado na Terra permaneceu por 1.500 anos, um aviso de que a capacidade intelectual não é uma garantia contra enganos.”
Hoje, os cientistas enfrentam desafios parecidos em suas pesquisas. Será que algum dia eles vão encontrar uma explicação para todas as suas dúvidas sobre o Universo? Embora reconheçamos os avanços da ciência e seus benefícios para nós, precisamos lembrar que a ciência tem suas limitações. O físico Paul Davies observou: “A busca por uma explicação lógica que fornece uma explanação completa e coerente de tudo está condenada ao fracasso.” Essas palavras atestam uma verdade incontestável: os humanos não podem entender plenamente a natureza. Por isso, quando se declara que a ciência um dia poderá dar uma explicação para tudo o que existe, seria razoável considerar essa afirmação com certa cautela.Fica claro que a Bíblia preenche nossas necessidades em campos que a ciência não consegue
A Bíblia fala sobre as maravilhas da natureza com estas palavras: “Isso tudo é apenas a borda [das] obras [de Deus]! Um suave sussurro é o que ouvimos dele.” (Jó 26:14, Nova Versão Internacional) Ainda há um vasto conhecimento além da percepção e compreensão humanas. Realmente, as palavras do apóstolo Paulo, escritas há quase 2 mil anos, continuam verdadeiras: “Ó profundidade das riquezas, e da sabedoria, e do conhecimento de Deus! Quão inescrutáveis são os seus julgamentos e além de pesquisa são os seus caminhos!” — Romanos 11:33.
Orientações que a ciência não pode dar
Ao passo que a ciência provê conhecimento sobre a natureza e o Universo, a Bíblia fornece princípios e orientações que contribuem para relações pacíficas e uma vida feliz e satisfatória. Considere os seguintes exemplos:
Prevenção contra o crime
Respeite a vida
“Não deves assassinar.” — Êxodo 20:13.
“Todo aquele que odeia seu irmão é homicida.” — 1 João 3:15.
Seja pacificador
“Desvia-te do que é mau e faze o que é bom; procura a paz e empenha-te por ela.” — Salmo 34:14.
“O fruto da justiça tem a sua semente semeada sob condições pacíficas para os que fazem paz.” — Tiago 3:18.
Rejeite a violência
“O próprio Jeová examina tanto o justo como o iníquo, e Sua alma certamente odeia a quem ama a violência.” — Salmo 11:5.
“Não fiques invejoso do homem de violência, nem escolhas a quaisquer dos seus caminhos. Porque a pessoa sinuosa é algo detestável para Jeová.” — Provérbios 3:31, 32.
Felicidade na família
Obedeça seus pais
“Filhos, sede obedientes aos vossos pais em união com o Senhor, pois isto é justo: ‘Honra a teu pai e a tua mãe’, que é o primeiro mandado com promessa: ‘Para que te vá bem e perdures por longo tempo na terra.’” — Efésios 6:1-3.
Ensine seus filhos de forma correta
“Não estejais irritando os vossos filhos, mas prossegui em criá-los na disciplina e na regulação mental de Jeová.” — Efésios 6:4.
“Não estejais exasperando os vossos filhos, para que não fiquem desanimados.” — Colossenses 3:21.
Ame e respeite a pessoa com quem você se casou
“Cada um de vós, individualmente, ame a sua esposa como a si próprio; por outro lado, a esposa deve ter profundo respeito pelo seu marido.” — Efésios 5:33.
Preservação da natureza
Sobre as pessoas que causavam diversos tipos de poluição no antigo Israel, a Bíblia declarou: “A própria terra foi poluída sob os seus habitantes. . . . Os que habitam nela são considerados culpados.” (Isaías 24:5, 6) Os que não se importam em destruir o meio ambiente terão de prestar contas a Deus, pois ele vai “arruinar os que arruínam a terra”. (Revelação [Apocalipse] 11:18) Eles não sairão impunes de suas ações.
Você poderá ir até o site fonte da matéria - www.jw.org/pt/ e pesquisar sobre outros assuntos.
E aí? O que achou? Por Favor Deixe seu comentário…
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I reached the east end of the Ralston-Benge road where the road dips down into a valley which hosts the small berg of Benge. It rose like an oasis from the surrounding sea of golden grasses. In contrast to the regimented section roads and intersections where midwestern whistle stops and elevators were located, villages out here are found in the valleys next to the railroads that followed them. September 1, 2023.
City Limits Salon - Thompson's Station, Tennessee
Read my blog post behind this picture here: www.shutteringthrulife.com/small-town-usa/
Mamiya 645 1000s
Mamiya Sekor C 80mm f2.8
Kodak Tri-X 400
Lab: Film Box – Nashville, Tennessee
Website / Blog: Shuttering Thru Life
When I rule the Earth, this is the kind of crap you're going to have to put up with, "math anxiety" be dammed.
fix màu thôu ngar! :D ko có zì wan trọng đốj vs e nửa! =]]]]]] tập trung làm 1 chjện bất ngờ haha =]]]] đừn chùa nửa ngar!
Alison Mosshart of The Dead Weather @ Austin City Limits on October 4, 2009.
Shot for the Houston Chronicle
Standing on a breakwater, watching the water lapping ever closer to my Nikes. I know the intended target is on the way, the interweb says so.
What I didn't know was that the train would fit the photograph...
Getting this to work was actually quite a challenge, the indifferent evening sky after a bloody rotten day lacked any feel to it, but that wasn't the problem.
The problem was balance. And I'm not talking foot slip slump splash. Although now I think of it, waffle soles and a mix of barnacles and green slime don't go so well. No, follow the line of the breakwater up to the viaduct. It's off centre. Way off. Without the train, it looks lop-sided, so lop-sided I was in two minds about it. But add the train and hey presto, it works!
Stretching the limits or just lucky? Either way...
66554 at Old Colwyn, 11 June 2016.
Sesso estremo su un fiore scosso da vento, questo è amore ad ogni costo! :) . Mano Libera con lampo di schiarita tramite Ring Flash a + 1 E.V. pilotato dal solo contatto caldo, crop 30% circa .
There are No Limits to the human sprit. Run on, Move forward, Survive.
This was taken at the 2018 Army Ten Miler race that started at the Pentagon, ran by the Smithsonian, through Crystal City and returned to the Pentagon.
Maybe most of the containers were empty but the SD70 and BCOL C44-9WL were working hard getting this monster moving up from the bridge over the Grand.
Junagarh Fort (Rajasthani: जुनाग्द क़िला) is a fort in the city of Bikaner, Rajasthan, India. The fort was originally called Chintamani and was renamed Junagarh or "Old Fort" in the early 20th century when the ruling family moved to Lalgarh Palace outside the fort limits. It is one of the few major forts in Rajasthan which is not built on a hilltop. The modern city of Bikaner has developed around the fort.
The fort complex was built under the supervision of Karan Chand, the Prime Minister of Raja Rai Singh, the sixth ruler of Bikaner, who ruled from 1571 to 1611 AD. Construction of the walls and associated moat commenced in 1589 and was completed in 1594. It was built outside the original fort of the city, about 1.5 kilometres from the city centre. Some remnants of the old fort are preserved near the Lakshmi Narayan temple.
Historical records reveal that despite the repeated attacks by enemies to capture the fort, it was not taken, except for a lone one-day occupation by Kamran Mirza. Kamran was the second son of the Mughal Emperor Babur who attacked Bikaner in 1534, which was then ruled by Rao Jait Singh. In the battle, the Mughals were defeated by Rathors. Kamran then returned to Lahore.
The 5.28 hectares large fort precinct is studded with palaces, temples and pavilions. These buildings depict a composite culture, manifest in the mix of architectural styles.
GEOGRAPHY
Junagarh fort is located in the arid region of the Thar desert of Rajasthan bordered on the northwest by the Aravalli range, a range of mountains in western India. Part of the desert area is in Bikaner city, which is one of the three desert triangle cities; the other two cities are Jaisalmer and Jodhpur. The name of the place where Bikaner city with its forts was established was then known as Jungladesh.
HISTORY
Before the present Junagarh Fort was built, an old stone fort existed in the city. This fort was built in 1478 by Rao Bika who established the city of Bikaner in 1472. Rao Bika was the second son of Maharaja Rao Jodha of the Rathor clan, the founder of Jodhpur city. He conquered the large arid lands to the northern region of Rajasthan to set up his domain. As the second son of Jodha he had no chance of inheriting his father’s territory of Jodhpur or to the title of Maharaja. He, therefore, reconciled and decided to build his own kingdom at Bikaner at the place then called "Jungladesh". Bikaner, though a partly of the Thar Desert, was considered an oasis on the trade route between Central Asia and the Gujarat coast since it had adequate spring water sources. Bika’s name was thus tagged to the Bikaner city as well as to the then state of Bikaner (“the settlement of Bika”) that he established. The history of Bikaner and the fort within it thus start with Bika. It was only about 100 years later that Bikaner’s fortunes flourished under Raja Rai Singhji, the sixth ruler of Bikaner, who ruled from 1571 to 1611. During the Mughal Empire’s rule in the country, he accepted the suzerainty of the Mughals and held a high position of an army general in the court of Emperor Akbar and his son Emperor Jahangir. His successful war exploits by way of winning half of Mewar kingdom won him accolades and rewards from the Mughal emperors. He was gifted the jagirs (lands) of Gujarat and Burhanpur. With the large revenue earned from these jagirs, he built the Junagarh fort on a plain land, which has an average elevation of 230 m. The formal foundation ceremony for the fort was held on 17 February 1589 and the fort was completed on 17 January 1594. Raja Rai Singhji, was an expert in arts and architecture and the knowledge that he acquired during his several sojourns to several countries are amply reflected in the numerous monuments he built in the Junagarh fort. Thus the fort, a composite structure, became an outstanding example of architecture and a unique centre of art, amidst the Thar desert.
Karan Singh who ruled from 1631 to 1639, under the suzerainty of the Mughals, built the Karan Mahal palace. Later rulers added more floors and decorations to this Mahal. Anup Singh, who ruled from 1669–98, made substantial additions to the fort complex, with new palaces and the Zenana quarter (royal dwelling for females). He refurbished the Karan Mahal with a Diwan-i-Am (public audience hall) and called it the Anup Mahal. Gaj Singh who ruled from 1746 to 1787 refurbished the Chandra Mahal (the Moon palace). Following him, Surat Singh ruled from 1787 to 1828 and he lavishly decorated the audience hall (see picture in info box) with glass and lively paintwork. Dungar Singh who reigned from 1872 to 1887 built the Badal Mahal (the weather palace) named so in view of a painting of falling rain and clouds (a rare event in arid Bikaner). Ganga Singh who ruled from 1887 to 1943 built the Ganga Niwas Palace, which has towers at the entrance patio. This palace was designed by Sir Samuel Swinton Jacob.[10] Ganga Singh’s son Sadul Singh succeeded his father in 1943 but acceded to the Union of India in 1949. He died in 1950.
Bikaner came under the suzerainty of the British Raj under a treaty of paramountcy signed in 1818, where after the Maharajas of Bikaner invested heavily on refurbishing their Junagarh fort. However, during the 18th century, before this treaty was signed, there was internecine war between rulers of Bikaner and Jodhpur and also amongst other Thakur, which was put down by the British troops. It is reported that during the attack by Jodhpur army, of the two entrances to the fort (one in the east and the other in the west), the eastern entrance and the southern rampart were damaged; marks of cannonballs fired are seen on the southern façade of the fort.
Ganga Singh was the best-known king among the Rajasthan princes. A favourite of the British Raj, he earned the title of Knight Commander of the Star of India. He served as a member of the Imperial War Cabinet, represented the country at the Imperial First World War Conferences and the British Empire at the Versailles Peace Conference and was aware of the shift of fortunes in the World War II but died in 1943, before the war was won by the allies. His contribution to the building activity in Junagarh involved separate halls for public and private audience in the Ganga Mahal and a durbar hall for formal functions. The hall where he held his Golden Jubilee as a ruler of Bikaner is now a museum. He also got a new palace - north of Junagarh fort - designed and built by Swinton, the third of the new palaces built in Bikaner and named it Lalgarh Palace in the name of his father and shifted his residence from Junagarh fort to this palace in 1902. The royal family still lives in a special suite in the Lalbagh palace, which they have converted into a heritage hotel.
STRUCTURES
The structures built within the Junagarh fort are the palaces and temples, which are made of red sandstone (Dulmera) and marble. The palaces are described as picturesque with their assortment of courtyards, balconies, kiosks and windows. The fort, the temples and the palaces are preserved as museums and provide insight into the grandiose living style of the past Maharanas of Rajasthan. The fort is called “a paradox between medieval military architecture and beautiful interior decoration”.
OVERVIEW
The massive fort built in the plains of Bikaner has a rectangular (quadrangular) layout with a peripheral length of 986 m. The fort walls are 4.4 m wide and 12 m in height. It encompasses an area of 5.28 ha. It was surrounded by a moat which was 6.1–7.6 m deep with a base width of 4.6 m and top width of 9.1 m. However, the moat no longer exists. The fort is well fortified with 37 bastions (‘burj’ in local language) and seven gates (two are main gates) to counter enemy attacks. The fort was built as a “new stronghold” outside of the ruins of an old fort built by Rao Bika and on the periphery of the Bikaner city walls (1.5 kilometres from the city centre); the old fort was demolished a century after it was built.
The fort with seven gates contains several palaces, pavilions and many temples of Hindu and Jain religions - the earliest dated to the 16th century. A major feature of the fort is the stone carving done in red and gold coloured sandstones. The interiors of the palaces are decorated and painted in traditional Rajasthani style. The Junagarh palaces have a large number of rooms, as every king built his own separate set of rooms, not wanting to live in his predecessors’ rooms. These structures were considered as “at par with those of Louis’s France or of Imperial Russia”. Several types of architectural style are discerned in the fort complex and hence it is called a true depiction of composite culture. The earliest style is of Rajput architecture, defined by Gujarati and Mughal architectural influence reflecting the association with Mughal rulers, the second type is of semi-western architecture reflecting British influence, and finally the revivalists Rajput architecture that evolved particularly during the rule of Maharaja Ganga Singh. Only the most representative of all these architectural styles are on display for visitors. Thus, the unique monuments on display in the Junagarh Fort represent sixteen successive generations of the rulers of Bikaner, starting from the end of the 16th century.
GATES
While the main entry gate was Karan Pol or Parole, facing east, the current gate of entry is called Suraj Pol (meaning the Sun gate), 'pol' also colloquially spelt prol, built in gold coloured or yellow sandstone, unlike the other gates and buildings built in red sandstone. It is the east facing gate permitting the rising Sun’s rays to fall on the gate, which is considered a good omen. The doors of this gate are strengthened with iron spikes and studs to prevent ramming by elephants during an attack. At the entrance to the gate, two red stone statues of elephants with mahouts stand as sentinels. The gate was also the location for announcing the arrival and departure of royalty by musicians playing the trumpet from a gallery in the gate. The other gates are Karan Pol, Daulat Pol, Chand Pol (a double gate) and Fateh Pol; these provided access to various monuments in the fort. The Karan Pol gate is also braced with iron spikes to prevent battering of the gate by elephants. To the right of this gate is Daulat Pol. Forty-one hand imprints are seen on the Daulat Pol gate wall, in red colour, of the wives of the Maharajas of Bikaner, who committed sati (self immolation) on the funeral pyres of their husbands who died in battle.
Between the main gate and the palace, there is a quadrangle, and then another gate called the Tripolia gate (triple gateway) before accessing the royal chambers. Next to this gate is a small temple called the Har Mandir, where the Royal family used to offer worship. In the quadrangle, which houses a large pavilion with a water pool built in Carrara Italian marble. The Karan Mahal, where public audience was held in the Diwan-i-Am by Karan Singh (1631–39) and his successors till the 20th century, can also be seen in the same quadrangle.
TEMPLES
Har Mandir temple was the royal chapel - private temple of the royal family. The royal family celebrated the Hindu festival of Dussera and Gangaur here, apart from celebrating other family functions such as birthdays and marriages. In the Dussera celebrations, weapons and horses were worshipped here. The main deities worshipped in this temple are the Hindu deities Lakshmi Narayan, a combined representation of god Vishnu and his consort Lakshmi.
The Ratan Behari temple located near the Junagarh Fort, was built in 1846 by the 18th ruler of Bikaner. It was built in Indo-Mughal architectural style using white marble. The Hindu god Krishna is deified in this temple.
PALACES
Karan mahal (Public Audience Hall) was built by Karan Singh in c.1680 to mark his victory over the Mughal Emperor Aurangzeb. It is considered as one of the most exquisite palaces built with gardens, which displays the aesthetic sensibilities of the royalty of Rajasthan. It has stained glass windows and intricately carved balconies built in stone and wood fluted columns. Later Rajas, Anup Singh and Surat Singh, also added lot of glitter to this palace with inlaid polychrome glass, intricate mirror patterns, and red and gold paint. In the coronation chamber, there is a shored up alcove, which was used as a throne.
Phool Mahal ("Flower Palace") is the oldest part of the palace and was built by king Raja Rai Singh of Bikaner, who ruled between 1571-1668.
Anup Mahal is a multi-storey structure, which functioned as the administrative headquarters of the kingdom. It has ornate wooden ceilings with inlaid mirrors, Italian tiles, and fine lattice windows and balconies. It has some gold leaf paintings. It is considered as one of the “grandest construction”.
Chandra Mahal has the most luxurious room in the palace, which houses gold plated deities and paintings inlaid with precious stones. In the royal bedroom, mirrors have been strategically placed so that the Maharaja could see from his bed, any intruder entering his room.
Ganga Mahal was built in the 20th century by Ganga Singh who reigned for 56 years from 1887 to 1943, has a large durbar hall known as the Ganga Singh Hall that houses the Museum. The museum has exhibits of war weaponry and also a World War I aeroplane (biplane), which is stated to be well maintained.
Badal Mahal (The weather palace) is part of the Anup Mahal extensions. It has paintings of Shekhawati Dundlod chiefs paying respects to the Maharaja of Bikaner in different types of turbans. Photos of people standing on nails, wood, swords and saws are also depicted here – a display of faith and endurance. The walls in this palace depict fresco paintings of the Hindu god Krishna and his consort Radha amidst the rain clouds.
Bikaneri Havelies located both within and outside the fort in the Bikaner city’s by lanes are also of unique architectural style in home architecture. Aldous Huxley who visited these havelis reportedly said “They are the pride of Bikaner.”
FORT MUSEUM
The museum within the fort called the Junagarh Fort Museum was established in 1961 by Maharaja Dr.Karni Singhji under the control of "Maharaja Rai Singhji Trust". The Museum exhibits Sanskrit and Persian manuscripts, miniature paintings, jewels, royal costumes, farmans (royal orders), portrait galleries, costumes, headgear and dresses of gods’ idols, enamelware, silver, palanquins, howdahs and war drums. The museum also displays armoury that consists of one of the assorted collection of post medieval arms.
MAHARAJA RAI SINGHJI TRUST
Maharaja Rai Singhji Trust has been set up by the 'Royal family of Bikaner' with the basic objective to showcase the fort with professional inputs in various areas and to improve the experience for visitors. Another objective is to promote education and research scholarships, cultural activities, setting up of libraries and integration with other such trusts.
WIKIPEDIA
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8 Comments on Instagram:
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dreamfaerie: This doesn't look too scary to walk on like I thought it would be...
johannazambrano: @dreamfaerie It's too exciting to walk on it!!! I loved so much to do it! 😉
guyparis: Thanx for all your likes 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
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couchpotatoechip: Great town :)
johannazambrano: @couchpotatoechip You're right! Wonderful city! 😘😉