View allAll Photos Tagged lightpainted
Some of the old remains of Prince's Pier in Port Melbourne. Bathed in artificial light from the overhead lamps. The Spirit of Tasmania can be seen (blurred) at top left heading towards Station Pier to discharge.
Loved shooting this 997.
Had wished for clear skies beforehand but in the end the overcast night helped me look at this location a little differently.
Lightpainted during long exposure photography- see below for link to my technique tutorial.
_____
Team Light Painting "Torreznos en la noche".
Pulsa L y F11 y disfruta // Click L and F11 and enjoy
Mil gracias por pasar a ver mis fotos y un millón por comentar.
Thanks for stopping to see my photos and a million for commenting.
©Reservados todos los derechos. No se permite el uso, reproducción o duplicación incluyendo electrónico sin el consentimiento por escrito.
All rights reserved. No use, reproduction or duplication including electronic is allowed without written consent.
Team Light Painting "Torreznos en la noche".
Pulsa L y F11 y disfruta // Click L and F11 and enjoy
Mil gracias por pasar a ver mis fotos y un millón por comentar.
Thanks for stopping to see my photos and a million for commenting.
©Reservados todos los derechos. No se permite el uso, reproducción o duplicación incluyendo electrónico sin el consentimiento por escrito.
All rights reserved. No use, reproduction or duplication including electronic is allowed without written consent.
Lo mejor de esta toma es lo que no se ve y es que, en la hora y media que estuvo exponiendo, Jose Luis (un millón de gracias) nos estuvo mostrando la inmensidad del universo con su telescopio. Una noche descubriendo galaxias, nebulosas y distintos tipos de cúmulos. No era la mejor noche para visualizar el espacio profundo pero aún así la experiencia fué fantástica.
Esta imagen representa este momento donde el individuo contempla el universo en movimiento.
Espero que os guste.
**--**
The best thing about this shot is what you can not see, and in the hour and a half you were exposing, Jose Luis (a million thanks) showed us the immensity of the universe with his telescope. One night discovering galaxies, nebulae and different types of clusters. It was not the best night for viewing deep space but still the experience was fantastic.
This image represents this moment where the individual contemplates the moving universe.
I hope you like it.
Team Light Painting "Torreznos en la noche".
Pulsa L y F11 y disfruta // Click L and F11 and enjoy
Mil gracias por pasar a ver mis fotos y un millón por comentar.
Thanks for stopping to see my photos and a million for commenting.
©Reservados todos los derechos. No se permite el uso, reproducción o duplicación incluyendo electrónico sin el consentimiento por escrito.
All rights reserved. No use, reproduction or duplication including electronic is allowed without written consent.
My sister Fran & myself went up to Northern Rd to do some lightpainting & where surprised to capture some last mintue colours of the sunset. A joint effort with torches on this shot....cheers Fran
A visit to one of my favourite light painting locations here you see a couple of wire wool spinning and a bit of mulitcolours light ribbon that was done with my V24
Wonder and Awe!
Summer of George (Day 60)
Lanark, Ontario
OK, I'm pretty excited about this shot. Last night I got together with about a dozen other photographers through the Ottawa Photography Meet-up group. We converged on the Mill of Kintail Conservation Area in order to avoid light pollution from any nearby cities and to learn about photographing the Milky Way. This was my first attempt at this type of photography and I can see becoming addicted to it.
As everyone was lined up shooting in front of the only building around, I decided to move back and use it as a foreground element. I lightpainted the building with a pocket LED flashlight over the course of the 30 second exposure. In this particular frame, I was also fortunate enough to capture one of the group and his camera gazing up at the incredible spectacle spread out across the sky.
Thanks for looking and I appreciate any feedback!
A 180 shot x 30 seconds star trail. Note to self, please remember when shooting at night near Manchester that there will be shed loads of planes to clone out!
Lightpainted rotation picture, made in Paris, next to Gare de Lyon.
___ "gnitniapthgiL si Kigam" // "Lightpainting is magiK" ___
One from last weekends outing to Rookhope .. there are some great old abandoned houses around the valley .. We decided to light this one up just using a coloured torch .. with the southern tip of the milky way stretching up into the night sky ...
Cheers to my pal Alan for operating the camera as I ran about the house with the torch ! ;-)
Some infrared reflections from Thailand...
Bigger backwater reflections...
One of the hazards of lightpainting in dark and abandoned buildings is the prospect of being disturbed by dark figures intent on ruining my night. Tonight was one such occasion where this shot isn't perfect and I would have definitely shot it again until I got it right. But we felt like it was time to leave because the prospect of getting in to a scrap with the local village idiots wasn't very appealing!
This is what I bagged before we were so rudely interrupted....
Several lightpainted shots combined. Single shot for the stars - all taken from the same spot durign the same night.
*#MOTION *#LiGHTPAINTING *#COLORS *#PHOTOPLUS
_____ Lightpainted rotation (x6) made in 1 single photographic frame_____
___ "KiGAM si GNiTNIAPTHGiL" // "LiGHTPAINTING is MAGiK" ___
13 images stacked & masked in potatoeshop ....
To be honest, this was a bit of a fluke, as I kept trying different angles & takes on the pier. Once home I didnt really like any of the single shots, so decided to merge the whole batch into a startrails image ;-)
Exif data
CameraCanon EOS 5D Mark II
Exposure 20
Apeeture f5.6
Focal Length 14 mm
ISO Speed 640
My wife kindly collected some Physalis (Chinese Lantern) flowers for me. She guessed I'd use them in a still-life study. I paired them with a decorative gourd and a vintage blue bottle.
About twenty images lit with diffused torchlight and then blended together.
One of the last shots before my camera croaked as it fell over and broke....I'm gutted; I've had this camera for quite a few years and never felt the need to upgrade; why would I when I get what I want with the gear I have....
Anyway this is hand lit by wandering around the frame with various gelled torches and an LED panel
I managed to acquire a new more powerful laser with different defraction heads so it would be rude not to make good use of it! Camera rotation stuff all shot in one photographic exposure etc etc.
The title is a work in progress until I can think of a better one... First upload from a productive evening's light painting at Lumsdale Falls in Derbyshire with Rob Bates, this is shot in one exposure but cropped because it worked better.
Audi TT TDi Quattro light painted on long exposure. The city in the BG is Portsmouth, UK, looking quite different to my last shot from up above.
_____
Not too happy with the car's sharpness at this size; hi res looks great :)
Sat at my desk in the dark with a fibre optic brush and a macro lens is surprisingly addictive. Only small movements of the lens reveal different compositions. This one reminded me of a forest in fog viewed from overhead except there is no trees only fibres.
No Photoshop, no AI, all shot in camera.
I'm not exactly a car fanatic, but I wanted to give a try to light paint one of them, in a single long exposure, to see how the light reacts and how I can manage this.
I'm not really pleased with the results, but I've learned things, and it's always a pleasure to play with lights on new subjects.
As Donald T. would have said : "Who knew it would be this complicated to light a car !" :D
If you want to see cars beautifully light painted, I strongly recommend the LED Eddie gallery.(how the hell is he doing this???)
One single long exposure. No photoedition : straight out of the camera except for contrast/crop.
Model: The car
Light: me
Assist: Pascal Biston
Light painting session with Gregory Lamouline, Nicolas Bonmariage, Lionel Deltour, Pascal Biston, Jerem Surings, Mélisa Lefèbvre,
These light summer nights mean I have less opportunities to get out in the dark. I miss the dark art of lightpainting.
So tonight, I was sat at the kitchen table with the blackout curtains drawn shooting a fibre optic brush in the dark.
Roll on dark nights!
Light painted with a LED strip light, 3 bare flash heads and a bit of street lighting added to the mix
When i visited the coast in south of Norway to shoot Orion and the Milky way over these magical old ruins we were met with a sky of wildfire. Intense airglow of green and red/orange colors from excited oxygen atoms. This light is a rare gift and to observe and capture it you need zero light pollution. Just a magical sight. Here you can see the Milky way and the Orion constellation, Pleiades and alot more. This image is made up from a 2 panel tracked panorama taken with my old trusty modified canon 70Da crop. The ruins are lightpainted with LLL mode with lume cubes. Hope you enjoy the view. let me know what you think.
EXIF/Tech :
ISO 2500, f2.5, 60s
Canon 70Da
Samyang 14mm f2.4 SP Premium
Skywatcher star adventurer pro startracker
Lista, Agder, Norway
A second take on the Gump theme. Essential kit for a Light painters night out.
One exposure straight out of camera apart from a crop.
*#MOTION *#LiGHTPAINTING *#COLORS *#PHOTOPLUS
_____Lightpainted rotation (x4) made in one single exposure_____
"Lightpainting is magiK" / "Kigam si gnitniapthgiL"
Sat at my desk on a Sunday morning with a Sony 90mm macro lens and an excellent lightpaintingbrushes fibre optic brush.
No Photoshop, no AI, all shot in camera.
Lady Aurora came to visit us and gave us the last dance show that lasted for 5-10 minuttes. I am grateful to being able to observe and capture this beautifil light so far south in Norway.
The tree is lightpainted with lume cube at 3% luminosity.
The landscape in the background is lightpainted by the setting moon.
South Norway, Lyngsheia, Hjelmeland
26.09.2020
Please follow me on Facebook also ;
@KentLandscapeastrophotography
Fitting a 6 ft 4 inch lightpainter in to a 4 inch wall socket.... Lens and tripod swapping shenanigans in a derelict factory
For this shot, first I worked out the composition on the wall with the socket and rehearsed the lighting. Once happy with this element, I then switched tripods and lenses to point at a 6ft 4 ins lightpainter and line up the said lightpainter in the correct position. Once happy with the lighting, I start the exposure and light up the wall socket. I then place the lens cap on the camera and move the camera to the other tripod already pointing at the silhouette. I swap lenses and use green gelled faux flames outlining the silhouette. All this sounds a little complicated but it's worth the effort.
Over the course of nearly an hour, 7 separate exposures were lightpainted at various spots outside and inside these historic buildings at Bodie, then one exposure was taken for the Milky Way, then stacked together in Photoshop for this composite image of the Dechambeau Hotel on the left, and the IOOF hall on the right. IOOF stands for Independent Order of Odd Fellows and was used as a gym back in Bodie's hustling wild west goldtown heyday. www.optimalfocusphotography.com
A first try of a new technique for me, combined with a touch of photoshop & this was the result.
Huge thanks to Chris Thompson & Darren Hopkins for the inspiration to give this technique a try. Check out their amazing work below :-)
Perth has just had its wettest July in three years, and after not shooting any Astro at all during this month, I did the next best thing and headed out to Greenhills again on August 1st!
During my last visit in June I had scouted this location and I knew it would be a West facing composition and that after a couple of months the Milky Way would head over into the Western sky a lot earlier. I still ended up finishing at 1:30 AM though!
After dinner at the Greenhills Tavern and a couple of bevvies it was time to head out into a beautifully still night, no wind but the mercury was dropping rapidly and I started my shooting session with my lens warmer on from the start. 👍
However it was very cold 2°C and fog did build up on my lens, so the first hour’s shots were too foggy. I can only assume that the dew point hit very quickly before the lens warmer had an effect.
I’d be interested to hear what other astrophotographers do to counter this, as I put it on straight away before I took one shot! Let me know in the comments.👍
I began shooting the foreground with that magnificent fence using @nightscapeimages trusted light painting techniques with my torch, then moved onto lighting the old bakery that was built in 1896.
Foreground 7 frames @ f/3.5 15s ISO 800.
The sky was tracked and the top most frames including the core I took at two minutes.
Lower down I took one minute frames as part of a Vertirama.
Sky 🌌 8 frames @ f/2.2 60s-120s ISO 800.
I then blended the 7 light painted frames of the building and fence together to make one image, and eight frames of the silhouetted scene for the tracked sky and building in another image and blended both images in PS to create the final image.