View allAll Photos Tagged lightfitting
This is a light I designed for Saatchi & Saatchi (where I work in Cape Town). I had an artist named Brett Murray make it for me.
This was a common sight- note that the Hotel has received an award as recently as 2007 but it looks completely derelict? The moment a building is not used in Bulgaria, it is stripped of anything of worth, windows, doorframes, lightfittings etc for use elsewhere.
For more of the world cycle story behind the pictures, go to www.2010tillwhen.com
North London contemporary redesign with pure white interiors by architects Thomas Griem and Liliana Potes
This is a bulkhead mounted on the stairs and beneath its frosted cover lies a very pretty array of LEDs.
That's as much comment as I've got the spirit for right now.
High temperature injection molding and press is used to manufacture EGL aluminum alloy light houses.
Budapest, Hungary. Pest. Vigado concert hall. Vigado Utca, Arcade. Architect: Frigyes Feszl (1821-1884)
Specify dimensions (length x width + drop)
number of luminaries, shape of mounting canopies, and finish.
Shape of extrusion also may be rectilinear or curvilinear, as pictured.
120 Volt JCD Halogen lamps, from 20 - 75 Watts each. No transformer necessary.
Ideal fixture to design around existing electrical box location that cannot be moved but is not central to space.
Budapest, Hungary. Pest. Nagyvasarcsarnok Central Market. Exterior. Architect: Samu Pecz, 1897. Restored 1999. Exterior (detail).
The table behind my desk where I meet with customers or co-workers.
Just had the square fixture made and installed; I LOVE it!
Interior Design: Lola Wachsburg Creative Interiors
fixture design: me
fixture fabrication: Modulightor
View of the ground floor courtyard from the first floor. This part of the building is completely new.
The grand light fittings in the The grand entrance hall of Penrhyn Castle, North Wales. Penrhyn castle, a 19th century recreation of a Norman style castle. But this castle is a no expense spared Victorian era palace.
Fed up with darkness, the Hereios of the We're Here! group are celebrating lights, lights and more lights.
The four-faced brass clock on top of the information booth, perhaps the most recognizable icon of Grand Central, was designed by Henry Edward Bedford and cast in Waterbury, Connecticut. Each of the four clock faces is made from opalescent glass (now often called opal glass or milk glass), though urban legend has it that the faces are made of opal and that Sotheby's and Christie's have estimated their value to be between $10 million and $20 million. Within the marble and brass pagoda lies a "secret" door that conceals a spiral staircase leading to the lower-level information booth. [Wikipedia]
Taken inside out local Westfield shopping mall, the light fixtures caught my eye - they looked so much like mini UFOs flying inside the mall. The big window was an obvious backdrop.
Taken on an iPhone 3GS and edited in ProCamera.
[30 January 2011]