View allAll Photos Tagged lightblaster
original size
www.flickr.com/photos/parallel_yoshing/14384052709/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
original size
www.flickr.com/photos/parallel_yoshing/19968764610/sizes/o/
Jul 20, 2015. nightclub "ZONE-B" Waseda, Toko.
camera : nimslo 3D + LightBlaster
film : Lomography Color Negative 400
scanner : Epson GT-F730
original size
www.flickr.com/photos/parallel_yoshing/14569861562/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
Day 152 of 365
"Some Rat Made off With the Cheese"
I've had this mousetrap (thank you, neighbor's garage sale), for some time now, and thought I should bring it out. I was going to use it to snap down on a computer mouse, but I thought that was a pretty stupid idea.........a stupid idea I may use later. When I saw how nicely our army friend fit into the trap, and how his rifle bent.....it seemed like a no-brainer. There is a snooted strobe overhead, and a bare speedlight at camera-left. It is at 1/128th power, and offers the nice rimlight along our soldier and the trap. Without the second light, you almost couldn't tell what he was standing on. As for the nuclear explosion in the back, it is supplied by the Light Blaster. If I ever catch that rat.....POW!.......right in the kisser! Thanks for stopping in.
#armyman #military #stupidrat #mousetrap #rodent #nuclearexplosion #miniature #canon5dmarkIII #canon100macro #canon580exII #paulcbuffinc #paulcbuffinc #lightblaster explosion
original size
www.flickr.com/photos/parallel_yoshing/14380555537/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
original size
www.flickr.com/photos/parallel_yoshing/15035656404/sizes/o/
camera : nimslo 3D + LightBlaster
film : Lomography Color Negative 100
scanner : Epson GT-F730
original size
www.flickr.com/photos/parallel_yoshing/16042436793/sizes/o/
camera : nimslo 3D + LightBlaster
original size
www.flickr.com/photos/parallel_yoshing/14383999579/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
original size
www.flickr.com/photos/parallel_yoshing/15202101561/sizes/o/
Aug 31, 2014.
nightclub "ZONE-B" Waseda, Tokyo.
camera : nimslo 3D + Light Blaster
film : Fujicolor SUPERIA X-TRA 400
scanner : Epson GT-F730
Photography: Darlene San Agustin
Makeup and Styling by: Ysra Guarino (www.facebook.com/ysraguarinomakeupartistry)
Model: Trisha Duncan
---
The use of these photographs for any purpose without the permission and approval of the photographer is considered a violation of copyright laws. Please exercise intellectual honesty.
original size
www.flickr.com/photos/parallel_yoshing/14380328890/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
original size
www.flickr.com/photos/parallel_yoshing/15608044466/sizes/o/
camera : nimslo 3D + LightBlaster
film : Kodak GOLD 200
scanner : Epson GT-F730
Day 196 of 365
"Stormed Trooper"
Today's subject came to me when I was desperate. My daughter was going through a recently-acquired bag of toys from a friend when I came across this Stormtrooper helmet. It is about the size of a pencil eraser, so I was not sure how much detail would read in a closeup portrait. I was pleasantly surprised. But what to do with a pencil-eraser-sized helmet? I thought I would depict our little nemesis in a battle environment, and the apocalyptic scenes from the "Terminator" films came to mind. I stuck our little hero in a pile of iron filings, and lit him with a tightly snooted speedlight from right and above. I shot this with my 100 macro lens, and as you can see, only the helmet and the metal filings directly in that same plane are in focus. I love macro! With my Light Blaster, I projected a slide of a creepy forest scene on to the white backdrop. Only the greenish section showed up, but I thought it was purdy, so I went with it. As an afterthought I shot a frame where I backlit the helmet and sprayed a shot of my canned smoke. I just wanted some of those lovely particulates in the air. In the end, this is a composite of two images. The second frame used is simply that smoke in the air....used to dirty up the image. Thanks for battling through and reading this!!
#stormtrooper #starwars #helmet #battle #warwhatisitgoodfor #war #sciencefiction #canon580exII #lightblaster #canon5dmarkIII #snoot #100macro #projection #slide
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.
original size
www.flickr.com/photos/parallel_yoshing/14568949634/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
Model: Katharina (www.facebook.com/katharina.bucher.925)
The wings were projected using a LightBlaster.
Taken at the "Schlossgespenster"-Workshop at Castle Berlepsch.
original size
www.flickr.com/photos/parallel_yoshing/14383932300/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.
original size
www.flickr.com/photos/parallel_yoshing/14383978928/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.
original size
www.flickr.com/photos/parallel_yoshing/14569859572/sizes/o/
Jun 28, 2014.
nightclub "Antiknock".
Shinjuku, Tokyo.
camera : nimslo 3D + Light Blaster
film : FUJICOLOR C200
scanner : Epson GT-F730
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.
Test shoot using my newly acquired Light Blaster (light-blaster.com) which allows you to project your own backdrop images. Since I also have a big photoshoot coming up for a local hair salon I thought I'd kill two birds with one stone and get some salon test shots as well.
The Light Blaster performed well overall but it definitely has strengths and weaknesses. I just used an old 18-55mm Canon kit lens, I found I needed to use a lot of power. If I used a faster lens (ie wider aperture) it should require a bit less light. A big issue is that you really need to limit spill from your key light or else it will completely wash out the projected background. I was shooting in a small space so this didn't help that fact, if I had more room the key light would have fallen off quicker too.
Strobist info:
Rim lights: YN460MKII
Location: Model left and right, behind a foot or so pointed down at hair.
Modifier: Gridded snoot.
Key light: Canon 580EX in 16" beauty dish
Location: In front of model, very close, angled down at a 45.
Modifier: Grid and diffusion screen.
Light Blaster
YN460MKII
Rough power ratios was as follows:
Rim 1/16
Key 1/4
Light Blaster 1/8 to 1/2 depending on slide.