View allAll Photos Tagged kodakektachrome
Two of the electric trains that shuttle climbers, walkers and tourists to and fro through the High Tatras mountain range in Slovakia. The trains and track are purpose-built to cope with extended gradients and weather extremes and seem to run remarkably reliably in such a challenging landscape. Originally shot on Kodak E100S slide film taken in 2002 on Kodak E100S 100 ASA 35mm colour slide film, using a Nikon F70 35mm SLR camera and a Sigma 18-35mm zoom lens. Digitised using a Plustek 8200 Ai film scanner and processed LR.
Just as they managed to resurrect dinosaurs with DNA in Jurassic Park, Eastman Kodak and Kodak Alaris have pulled off the magical feat of resurrecting Kodak EKTACHROME film; but even though they had the complete DNA on hand it’s still been a massive effort to release one of the all-time great f...
Read on at: emulsive.org/articles/a-brief-history-of/a-brief-history-...
Filed under: #ABriefHistoryOf, #Articles, #ABriefHistory, #Kodak, #KodakEKTACHROME, #KodakEKTACHROME100E100, #KodakEKTACHROME100PlusProfessionalEPP6005, #KodakEKTACHROME100GE100G, #KodakEKTACHROME100GPE100GP, #KodakEktachrome100VSE100VS, #KodakEKTACHROME160E160, #KodakEKTACHROME160TE160T5037, #KodakEKTACHROME160TET1605077, #KodakEKTACHROME200EPD, #KodakEKTACHROME400E400, #KodakEKTACHROME400XEPL6057, #KodakEKTACHROME64TEPY, #KodakEKTACHROMEE200, #KodakEKTACHROMEInfraredEIR
#shootfilmbenice #filmphotography # believeinfilm
Helios 44 2/58mm - Zenit TTL - Kodak Ektachrome.
More Russian lenses: www.flickr.com/photos/mattiacam/sets/72157629819466846/
One of Fiona's cameras + Kodak Ektachrome 64T (expired 01/07) + Conventional double exposure + Redscaled + Vivitar Ultra Wide & Slim + 3rd exposure + Cross Processing. (!)
The crazily marvellous results of an inadvertent multiple exposure collaboration between myself and the wonderfully mad (& very lovely) ~fiona~ once again. She thinks she might have shot the roll through twice by accident in Melbourne and New York - possibly three times - then passed it on to me. I definitely only shot it once - in Barcelona.
As far as I am concerned, this will always be known as our 'Two Seasons, Three Continents & Forever Crazy' Roll!
We did not plan individual frames, and had no idea what the other would shoot, what camera they would use, nor did we attempt to line up the frames. There are a few occasions when I've felt the need to crop, but not much and not on many from this roll. Apart from some cropping, these are unedited supermarket scans.
One of Fiona's cameras + Kodak Ektachrome 64T (expired 01/07) + Conventional double exposure + Redscaled + Vivitar Ultra Wide & Slim + 3rd exposure + Cross Processing. (!)
The crazily marvellous results of an inadvertent multiple exposure collaboration between myself and the wonderfully mad (& very lovely) ~fiona~ once again. She thinks she might have shot the roll through twice by accident in Melbourne and New York - possibly three times - then passed it on to me. I definitely only shot it once - in Barcelona.
As far as I am concerned, this will always be known as our 'Two Seasons, Three Continents & Forever Crazy' Roll!
We did not plan individual frames, and had no idea what the other would shoot, what camera they would use, nor did we attempt to line up the frames. There are a few occasions when I've felt the need to crop, but not much and not on many from this roll. Apart from some cropping, these are unedited supermarket scans.
Calder's Flamingo. Chicago, IL.
Photo by John Lishamer Photography (www.johnlishamer.com) All Rights Reserved.
Nikon FA. Nikkor 50mm f1.8 ais. FPP Retrochrome 320.
Film: expired/xproed Kodak Ektachrome 100VS
Camera: Yashica T4
Dev & scan: @luminafilmlab
This and more at my LomoHome: www.lomography.com/homes/ale2000
A brief lull in activity at the washery sees No.18 simmering quietly before lifting more wagons from the fulls sidings, 16th May 1978.
Walk in the woods last Sunday Morning 2nd May.
Cath's oldest friend Lenny was visiting for the weekend.
Some Hippies had been carving some sort of Hippy stuff into the tree then said it had been done with kind and treated afterwards so no harm done.
Can't remember what it was about
Helios 44 2/58mm - Zenit TTL - Kodak Ektachrome.
More shots with this lens: www.flickr.com/photos/mattiacam/sets/72157630972243744/wi...
West Side of Mavis Road
North of Burnhamthrope Road
South of Hydro Transmission Towers
Date of photographs: Spring 1976
I recently purchase a few "bricks" of Kodak Ektachrome 400 film. Expired in June of 1985 and unknown storage condition. I shot at iso 64 in my Olympus Stylus Epic camera. My guess is that the film has been sitting on a shelf baking for years before being exposed in my camera this past April.
An old Brickworks Building at the Evergreen Brickworks for the FPP Toronto Summer photowalk on July 6th, 2013.
Kodak Reflex TLR I
Kodak Anastigmat 80mm ƒ/3.5
Kodak Ektachrome E100G (Expired 1996)
Processed at Toronto Image Works
"According to Eisenman's project text, the stelae are designed to produce an uneasy, confusing atmosphere, and the whole sculpture aims to represent a supposedly ordered system that has lost touch with human reason. A 2005 copy of the Foundation for the Memorial's official English tourist pamphlet, however, states that the design represents a radical approach to the traditional concept of a memorial, partly because Eisenman did not use any symbolism. However, observers have noted the memorial's resemblance to a cemetery."
Degussa controversy:
On October 14, 2003, the Swiss newspaper Tages-Anzeiger published a few articles presenting as a scandal the fact that the Degussa company was involved in the construction of the memorial producing the anti-graffiti substance Protectosil used to cover the stelae, because the company had been involved in various ways in the National-Socialist persecution of the Jews. A subsidiary company of Degussa, Degesch, had even produced the Zyklon B gas used to poison people in the gas chambers. At first these articles did not receive much attention, until the board of trustees managing the construction discussed this situation on October 23 and, after turbulent and controversial discussions, decided to stop construction immediately until a decision was made. Primarily it was representatives of the Jewish community who had called for an end to Degussa's involvement, while the politicians on the board, including Wolfgang Thierse, did not want to stop construction and incur further expense. They also said it would be impossible to exclude all German companies involved in the Nazi crimes, because — as Thierse put it — "the past intrudes into our society". Lea Rosh, who also advocated excluding Degussa, replied that "Zyklon B is obviously the limit."
In the discussions that followed, several facts emerged. For one, it transpired that it was not by coincidence that the involvement of Degussa had been publicized in Switzerland, because another company that had bid to produce the anti-graffiti substance was located there. Further, the foundation managing the construction, as well as Lea Rosh, had known about Degussa's involvement for at least a year but had not done anything to stop it. Rosh then claimed she had not known about the connections between Degussa and Degesch. It also transpired that another Degussa subsidiary, Woermann Bauchemie GmbH, had already poured the foundation for the stelae. A problem with excluding Degussa from the project was that many of the stelae had already been covered with Degussa's product. These would have to be destroyed if another company were to be used instead. The resulting cost would be about €2.34 million. In the course of the discussions about what to do, which lasted until November 13, most of the Jewish organizations including the Central Council of Jews in Germany spoke out against working with Degussa, while the architect Peter Eisenman, for one, supported it.
Olympus XA3 + Olympus XA3 + Kodak Ektachrome 64T + Cross Processing + Double Exposure.
Double Exposure Collaboration with the very lovely ξαβλ.
To be more specific, a film AND camera swap this time:
ξαβλ shot the first roll through his Olympus XA3 whilst in St Ives, Cornwall. When the roll was finished, he rewound the film back to the beginning and handed the camera (including the film) to me. I shot the roll through again in London. We did not collaborate regarding what specifically we might be shooting.
What does expired slide film look like? Well, it could look beautiful or might look deep fried (like the image above).
It's all in the storage. This roll of 1985 Ektachrome 400 probably sat in a hot garage for a few years before being moved to the sock drawer. I shot it last week as a test for a small batch that I bought on The Bay. Took a chance as the seller had no idea how the film was stored.
Want that "beat up" look? Buy badly stored, expired film. Want crisp, beautiful film? Buy from the retired photographer who has the film in his freezer.
Pictured: Teen angst 2015.
Image: April 7, 2015
Kodak Ektachrome 400 (expired 06/1985 - shot at 100 iso)
Processed E6 by The darkroom
Canon EOS 10s / Canon 24mm EF lens
All Film, All The Time - filmphotographyproject.com/