View allAll Photos Tagged kodakektachrome
The wood beam is what I used for a makeshift tripod. In retrospect I shoulda scooted the camera forward a bit. =D Nevertheless I liked the hopperesqueness.
Canonet QL17.
Ektachrome e100g.
Reminiscing about an overseas trip I did 40 years ago . Pre mobile phones , internet , Facebook, you were truly out of touch with your friends and family. I think I even had to book an international phone call back home to Australia , reverse charges of course !
LC-A+ RL / splitzer / cross processed expired Kodak Ektachrome E320t tungsten film.
My end-of-roll ritual for the last few weekends: trying to get this shot of the top of Leeds Town Hall to line up.
Power lines over the Magnolia Dairy in Bothell, WA. Photographed with a Minolta 16II Sub-miniature camera using Double 8mm Kodak Ektachrome 100D movie film. The film was developed in 1:50 Rodinal for 11 minutes. Before developing I soaked it for a few seconds in a solution of 25 grams of Sodium carbonate in 250 ml of water to remove the remjet backing.
The Short turn
Toronto, Ontario
Kodak Ektachrome 320T(expired in 1999, shot at 200EI)
Cross-processed in C41
Nikon F90X
Makinon 300mm MC F5.6
Epson V370
One of Fiona's cameras + Kodak Ektachrome 64T (expired 01/07) + Conventional double exposure + Redscaled + Vivitar Ultra Wide & Slim + 3rd exposure + Cross Processing. (!)
The crazily marvellous results of an inadvertent multiple exposure collaboration between myself and the wonderfully mad (& very lovely) ~fiona~ once again. She thinks she might have shot the roll through twice by accident in Melbourne and New York - possibly three times - then passed it on to me. I definitely only shot it once - in Barcelona.
As far as I am concerned, this will always be known as our 'Two Seasons, Three Continents & Forever Crazy' Roll!
We did not plan individual frames, and had no idea what the other would shoot, what camera they would use, nor did we attempt to line up the frames. There are a few occasions when I've felt the need to crop, but not much and not on many from this roll. Apart from some cropping, these are unedited supermarket scans.
Birds on a backhoe on Tern Island in the French Frigate Shoals, Hawaii.
Camera: Olympus OM-1
Lens: Olympus OM-System S Zuiko MC Auto-Zoom f/4 35-70mm.
Film: Kodak Ektachrome E100D Expired 10/20
Developer: The Darkroom
Hasselblad 500CM
Zeiss Planar 80mm 2.8 C
Kodak Ektachorme 160t expired and converted to black and white
fall colors on Oct 27 in Shakertown Kentucky. Shot on Ektachrome 100GX, Contax 645. E-6 processing. Just wish there was blue skies that day because Ektachrome would have done it right.
Picture of my Grandmother from 1961. I've been scanning my Grandfathers old Ektachrome slides with my newly aquired Nikon Coolscan IV with suprising results. I love the vivid colors & contrast. I had to post this one as it is by far my favorite.
Camera type is currently unknown.
Bollards in Uxbridge, 2019, Canon AE-1. Kodak Ektachrome E100.
#ektachrome #bollards #civiccentre #uxbridge #hillingdon #e100 #kodakfilm #kodak #carpark #kodakektachrome #canonae1 #ae1.
One of Fiona's cameras + Kodak Ektachrome 64T (expired 01/07) + Conventional double exposure + Redscaled + Vivitar Ultra Wide & Slim + 3rd exposure + Cross Processing. (!)
The last of the crazily marvellous results of an inadvertent multiple exposure collaboration between myself and the wonderfully mad (& very lovely) ~fiona~ once again. She thinks she might have shot the roll through twice by accident in Melbourne and New York - possibly three times - then passed it on to me. I definitely only shot it once - in Barcelona.
As far as I am concerned, this will always be known as our 'Two Seasons, Three Continents & Forever Crazy' Roll!
We did not plan individual frames, and had no idea what the other would shoot, what camera they would use, nor did we attempt to line up the frames. There are a few occasions when I've felt the need to crop, but not much and not on many from this roll. Apart from some cropping, these are unedited supermarket scans.
Dat analoge werken leidt bij mij vaak tot wanhoop en/of frustratie. Maar het gaat ook af en toe wel goed, die vette Ektachrome-kleurtjes zijn dan best wel apart...
Let wel, er is in deze foto NIET gemanipuleerd met de contrasten, dit effect zit ook in de dia zelf...
Tell me wat you THINK!
Using Ektachrome is not easy and has its desperate moments, but every now and then....
Nikon F100 + SigmaEX 24-70mmF2,8 (24mm)
Filmdata: Kodak Ektachrome E100G scanned on Epson Perfection 4990 using Vuescan
Yo I think I overexposed this -- but the yellow sky is crazy. Processing and scan by NCPS, no editing in Photoshop.
Canon A-1 w/ FD 50mm f/1.8, Kodak Ektachrome 160T (Expired 03/1997)
Mercato del pesce.
Rolleiflex baby, scansione da diapositiva Kodak Ektachrome.
More shots with this camera: www.flickr.com/photos/mattiacam/sets/72157632796140602/wi...
I diritti delle mie immagini sono riservati. E' vietato qualsiasi uso, senza il mio preventivo consenso:
mattia.camellini@alice.it
Olympus XA3 + Olympus XA3 + Kodak Ektachrome 64T + Cross Processing + Double Exposure.
Double Exposure Collaboration with the very lovely ξαβλ.
To be more specific, a film AND camera swap this time:
ξαβλ shot the first roll through his Olympus XA3 whilst in St Ives, Cornwall. When the roll was finished, he rewound the film back to the beginning and handed the camera (including the film) to me. I shot the roll through again in London and a few at the end, in Bristol. We did not collaborate regarding what specifically we might be shooting.
after traveling to indonesia and seeing this, i was quite surprised to stumble upon it in center camp.
Shot on my Pentax67II, through an SMC Pentax-M 67 300mm ED(IF), on to Kodak (new) Ektachrome, self-developed in Fuji Hunt E-6 Chemistry.
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