View allAll Photos Tagged kodakektachrome
Calder's Flamingo. Chicago, IL.
Photo by John Lishamer Photography (www.johnlishamer.com) All Rights Reserved.
Nikon FA. Nikkor 50mm f1.8 ais. FPP Retrochrome 320.
Batch test for "Ektachrome 1988" (200asa film expired 4/1988)
Mamiya m645 – 55mm Lens
Shot 100asa in studio tungsten lights.
The Film Photography Podcast's Michael Raso has been large-batch testing "Iced Film" from the 1980s and making them available to shooters world-wide.
That's Joey K (doing his best Scott Walker "Climate of Hunter" face - en.wikipedia.org/wiki/Climate_of_Hunter ) after an evening of recording videos for The Film Photography Podcast.15 February 2013
A view south along Eskdale from a point near Esk Hause.
A panorama made up of scans of two slides taken in April 1986 with an Olympus OM4 and Zuiko 35mm f2.8 lens on Kodak Ektachrome.
Film maker Henrique Couto visits New Jersey...Shot on ill-stored 31-year-old expired Kodak Ektachrome.
I recently purchase a few "bricks" of Kodak Ektachrome 400 film. Expired in June of 1985 and unknown storage condition. I shot at iso 64 in my Olympus Stylus Epic camera. My guess is that the film has been sitting on a shelf baking for years before being exposed in my camera this past April.
Per Nicla
MIA BELLISSIMA SORELLA
Mia sorella dolcissima
Mia sorella amabile
Mia sorella carissima
Mia sorella dolce
Mia sorella dura come l’acciaio
E scintillante come grano di stella
Mia sorella mobile e levigata
Mia sorella attenta
Mia sorella distesa come il mare
Mia sorella uccello di fuoco
Mia sorella la pace soprano
Mia sorella foglia d’erba
Mia sorella soffio di vita
Mia sorella bottone di vento
Mia sorella lamento lamento
Di bambu e ranocchia all’assolo
Mia sorella la voce di dentro
Aldo Piromalli
Amsterdam, febbraio 1978
Agfa Optima 500 Sensor
Color Apotar 2,8/42mm
Kodak Ektachrome 100
I diritti delle mie immagini sono riservati. E' vietato qualsiasi uso, senza il mio preventivo consenso.
mattia.camellini@alice.it
I thought it was time for a splash of colour. This was taken in April 2011 with my little Olympus 35RC (since flogged on eBay) using Ektachrome slide film ...Ektachrome E100G I think it was. The film was discontinued at around this time, but is due to be reintroduced later this year. Well, you couldn't claim that the colours lacked saturation, could you? The structure is, of course, Sir Reginald Blomfield's Royal Air Force Memorial (1921-3) on the Embankment: the gilded bronze eagle, about to take flight, was the work of Sir William Reid Dick.
Shot of Pompton Lakes from June of this year shot on one of my favorite 620 cameras - the Kodak Tourist II. It uses 620 film - available on-line at The Film Photography Podcast Store.
About the clean up:."A much-delayed major project to dredge mercury-laced sediment from Pompton Lake will finally begin this spring, but some residents still have deep misgivings about the plan, arguing that the federal government should have pushed for a more thorough cleanup..The mercury and other pollutants in the sediment come from the former DuPont munitions facility in Pompton Lakes and Wanaque. The pollution was carried to the lake by Acid Brook, which runs through the site. The DuPont facility, which operated on 570 acres from 1902 until 1994, made blasting caps, metal wires, and aluminum and copper ammunition shells the United States used in the two World Wars and other military conflicts.".
More:.
www.northjersey.com/news/pompton-lakes-residents-say-43m-...
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I've been playing around recently with a new Lightroom add-on called Color Efex Pro. There's a lot in this program that I love, including something called "film effects". It allows you to choose from a list of popular film types and apply it to your digital image to replicate what it would look on film. For this shot, I used the Kodak Ektachrome 64. I dig it.
Press "L".
Agfa Optima 500 Sensor - kodak ektachrome 100.
More shots with this camera: www.flickr.com/photos/mattiacam/sets/72157639616449233/wi...
I diritti delle mie immagini sono riservati. E' vietato qualsiasi uso, senza il mio preventivo consenso.
mattia.camellini@alice.it
A new Rhododendron I planted in my yard last fall. Photographed with an Olympus OM1 using a G. Zuiko Auto-S f/1.4 50mm lens and an extension tube. The film is Kodak Ektachrome 100.
Two of the electric trains that shuttle climbers, walkers and tourists to and fro through the High Tatras mountain range in Slovakia. The trains and track are purpose-built to cope with extended gradients and weather extremes and seem to run remarkably reliably in such a challenging landscape. Originally shot on Kodak E100S slide film taken in 2002 on Kodak E100S 100 ASA 35mm colour slide film, using a Nikon F70 35mm SLR camera and a Sigma 18-35mm zoom lens. Digitised using a Plustek 8200 Ai film scanner and processed LR.
Helios 44 2/58mm - Zenit TTL - Kodak Ektachrome.
More Russian lenses: www.flickr.com/photos/mattiacam/sets/72157629819466846/
One of Fiona's cameras + Kodak Ektachrome 64T (expired 01/07) + Conventional double exposure + Redscaled + Vivitar Ultra Wide & Slim + 3rd exposure + Cross Processing. (!)
The crazily marvellous results of an inadvertent multiple exposure collaboration between myself and the wonderfully mad (& very lovely) ~fiona~ once again. She thinks she might have shot the roll through twice by accident in Melbourne and New York - possibly three times - then passed it on to me. I definitely only shot it once - in Barcelona.
As far as I am concerned, this will always be known as our 'Two Seasons, Three Continents & Forever Crazy' Roll!
We did not plan individual frames, and had no idea what the other would shoot, what camera they would use, nor did we attempt to line up the frames. There are a few occasions when I've felt the need to crop, but not much and not on many from this roll. Apart from some cropping, these are unedited supermarket scans.
One of Fiona's cameras + Kodak Ektachrome 64T (expired 01/07) + Conventional double exposure + Redscaled + Vivitar Ultra Wide & Slim + 3rd exposure + Cross Processing. (!)
The crazily marvellous results of an inadvertent multiple exposure collaboration between myself and the wonderfully mad (& very lovely) ~fiona~ once again. She thinks she might have shot the roll through twice by accident in Melbourne and New York - possibly three times - then passed it on to me. I definitely only shot it once - in Barcelona.
As far as I am concerned, this will always be known as our 'Two Seasons, Three Continents & Forever Crazy' Roll!
We did not plan individual frames, and had no idea what the other would shoot, what camera they would use, nor did we attempt to line up the frames. There are a few occasions when I've felt the need to crop, but not much and not on many from this roll. Apart from some cropping, these are unedited supermarket scans.
Calder's Flamingo. Chicago, IL.
Photo by John Lishamer Photography (www.johnlishamer.com) All Rights Reserved.
Nikon FA. Nikkor 50mm f1.8 ais. FPP Retrochrome 320.
Film: expired/xproed Kodak Ektachrome 100VS
Camera: Yashica T4
Dev & scan: @luminafilmlab
This and more at my LomoHome: www.lomography.com/homes/ale2000