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FILMING SESSION with DR2 and Christian Stadil for the program " the meaning of life "(Meningen med livet)
Festival or Climate change conference COP s can be considered like Biennales ( Venice Biennale , Istanbul Biennial , Documenta Kassel , Sydney Biennale , Berlin Biennial , Athens Biennnial , Liverpool Biennial etc ...
www.emergencyrooms.org/biennalist.html
by artist Thierry Geoffroy / Colonel
!!! do not use any of this copyrighted photos without 1@colonel.dk ( Thierry Geoffroy aggreement )
FILMING SESSION with DR2 and Christian Stadil for the program " the meaning of life "(Meningen med livet)
Festival or Climate change conference COP s can be considered like Biennales ( Venice Biennale , Istanbul Biennial , Documenta Kassel , Sydney Biennale , Berlin Biennial , Athens Biennnial , Liverpool Biennial etc ...
www.emergencyrooms.org/biennalist.html
by artist Thierry Geoffroy / Colonel
!!! do not use any of this copyrighted photos without 1@colonel.dk ( Thierry Geoffroy aggreement )
FILMING SESSION with DR2 and Christian Stadil for the program " the meaning of life "(Meningen med livet)
Festival or Climate change conference COP s can be considered like Biennales ( Venice Biennale , Istanbul Biennial , Documenta Kassel , Sydney Biennale , Berlin Biennial , Athens Biennnial , Liverpool Biennial etc ...
www.emergencyrooms.org/biennalist.html
by artist Thierry Geoffroy / Colonel
!!! do not use any of this copyrighted photos without 1@colonel.dk ( Thierry Geoffroy aggreement )
[Part 4/5] By that I mean the misery of feeling your brain incapable of stopping your eyes, of knowing that despite your will power and intelligence, despite risks to your safety, you cannot control who catches your attention.
Knowing about Abdominoperineal resection of rectum with @http://docturs.com/dd/pg/groups/11173/abdominoperineal-resection-of-rectum/
An Egyptian sculpture in the Metropolitan Museum of Art in NYC
Part of my Museum Studies series where I explore using composition, and post-production to take an existing work of art and tell a new story.
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Having a hard time knowing where to start so I'll just muddle through. I'll be writing up a full report when I get my notes in order because there was so much awesome on this trip it's hard to summarize. So here goes ...
I have been piecing together hints of a spring in a remote canyon on BLM land outside Death Valley. It fascinated me with mention of the ruins of a ranch, petroglyphs from at least 1000 years ago, mustangs who would water there and then retreat to the relative safety of the high country.
This week I made the leap from Google Maps to being there in person. Was eager to see if my research had paid off. So I found myself clambering up a sandy wash strewn with boulders between cliffs that rose hundreds of feet on either side. Pinons and Joshua Trees dotted the route.
At last the walls opened outward into a splendid valley and immediately I noticed water trickling down toward me. I pushed further in and saw the tumbled down stone walls that had been the ranch house, its wood mantle still clung crazily to the wall above the fireplace. A couple rusted bed frames and chair still stood within the confines of the walls. As I stood there happy that I'd found the place, I had the sudden feeling something was watching me. I turned around and on the ridge 150 yards from me I saw a dark head peering over the crest. I took a couple steps forward and the shape crested the ridge. Before me was a beautiful stallion. It regarded me for a moment and then trotted downslope and disappeared. I fumbled with my pack to get to my other camera with the 150-600mm on it and began walking quietly in the direction the stallion had gone.
He hadn't seemed unduly alarmed by my presence and I had seen a watering hole in that direction. Figuring he'd gone down for a drink, I had an idea of where I could get a shot of him. When I approached the hole, I couldn't see him but as I took another step there came an explosion of hooves on rock. Whinnying and snorting, he exploded out of a thicket near me and climbed the hillside opposite me. He stood there, snorting and pawing, expressing his displeasure at my presence. Glorious thing.
We talked a bit, I told him how beautiful he was and he snorted derisively at me. Having enough of my intrusion, he trotted off, up and around behind me which didn't make a lot of sense until I saw why. Two other horse heads were peeking over the hill at me. One was a bay, the other dark - was hard to make out since I was looking east into the sun.
Clearly this was the stallion's herd and he had been evaluating the danger I posed. All at once the trio wheeled around and disappeared behind the hill. I stalked up it, hoping to get some shots of all of them but when I made it to the top, they were gone. Still, they couldn't have gone far - it's relatively open country, so I ascended the slope to the north. Nothing. It was as though the earth had swallowed them up. I didn't see them again the entire time I explored the area.
Magical, beautiful experience I will never forget.
Knowing we had an estimated 8-hour return hike -- all uphill -- we packed as light as possible. No sleeping bags, no tent fly or raingear, and certainly no dishes. We got by with instant food and a couple of sporks.
Knowing that Washi A was a high-contrast film and Rodinal isn't known for taming contrast, I did something different. Going by a time on the MDC, I over-exposed the roll by a stop (ASA-6). The results were decent, in some cases a little soft at the edges, but overall I got a little better shadow detail but kept that nice high-contrast look.
You can read the full review online:
www.alexluyckx.com/blog/2023/08/14/film-review-blog-no-98...
Nikon F5 - AF Nikkor 24mm 1:2.8 - FilmWashi A @ ASA-6
Adox Rodinal (1+50) 8:00 @ 20C
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Knowing his propensity for depositing bogies in unsavoury places, I would not bet on it being clean. He certainly blows it in the curtains.
Sometimes, one of the first shots you take is a really nice one.
Model: Samantha
Strobist:
Single B800 in a bare 22" beauty dish, camera left.
LP160 fired bare from about 10-15' behind model, aimed at her hair.
Shot with:
Nikon D700
70-200 f/2.8 VRII @
175mm, f/8, 1/250s
My cousin, knowing that I enjoy photography called to inform me that his family was going to be "running cows." A term they use when relocating a herd from one field to another. This herd was being moved from their winter pastures - Snake River Bottoms to summer open range.
These Magnolia flowers have a potent citrus aroma that is delightful, and also beyond my ability to describe. (The flowers are also described as emitting a lemon/citronella scent.)
In addition to their surreal beauty they attract a couple of different kinds of honey bees as an added bonus.
Join me as I peer into "The Magnolia Universe:"
www.flickr.com/photos/motorpsiclist/sets/72157632021058807/
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My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka "Zoom Lens") and ALL my rights, including my exclusive rights, are reserved and protected by United States Copyright Laws and International Copyright Laws.
This photo is NOT authorized for use on blogs; pin boards such as Pinterest; Tumblr; Facebook; or any other use without my specific written permission.
ANY use without my permission in writing is forbidden by law.
In the vastness of knowing the sands drift
Encroaching from all perspectives
Envelop and consume
For what the eye does not see
The ear does not hear
For what the hands do not touch
The skin does not sense
For what the self does not do
The sandals don’t walk
In the vastness of being the sands move
Clearing a way, a path forward
Ania