View allAll Photos Tagged kitchenware
I found these yesterday in a trift store. I want to save some for me but not all. Let me know if you want to buy some. Thank you!
Cast Iron Dutch Ovens and Cast Iron Pots are perfect for cooking soups, stews, and casseroles. Available in seasoned ,semi-enamelled and full enamelled .
We are producing manufacturer and exporter .
Italian designer dining table by Calligaris, the modern dining table shiny gloss finish is stunning.
www.design55online.co.uk/brands/calligaris-furniture/call...
This is a stopperless salt shaker that dispenses salt from the bottom. Lisa threw the salt shaker, sketched out a plan, then Alex carved the wave design on it. It is going into a bisque firing soon and the plan is to use an oatmeal glaze at the top and our teal blue on the waves.
Vintage souvenir spoon rest with decal lettering. Thrift store find at Savers in Hawai'i, circa 2000.
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Detail in Belton House. Belton is an Anglo-Dutch Restoration house built between 1685-88 in the last years of Charles II's reign.
They had an open house this weekend, I love their work and own many pieces - Bill and Martha do fine work.
This set produced by Hall for GE Refrigerators is a real beauty. It is of the Art Deco movement, and has holdup well over the years.
There are couple of chips on the lid, but on the whole, this unit displays well.
I hate to admit that these photos are 7 months old! There is even more Pyrex overflowing them now!! :)
So I totally wanted to participate in the FGR challenge today (Down by the river and In a White t-Shirt), but due to some unfortunate, but expected circumstances earlier, I resorted to this one.
This weekend we're having a huge garage sale. What you don't see here is three tables off to the right, three tables to the left, three tables behind the camera and the garage. On those tables you would have found: Linens, another shelving unit of tools, a table of New York Jets memorabilia, a large table of wooden collectables, a smaller table of candles, a table of small appliances, a table of office supplies, a barrel of puzzles and a garage full of christmas, books, jewelry and religious figurines.
Hopefully the sale goes well. Stop by if you're in the area, Friday, Saturday and Sunday.
Kidding.
Just looks a bit more of a serious machine from the front..
All the ice cubes tremble in fear of being thrown to the Oster here in my kingdom....
Man I'd love to make some mince just so I can use the super SPONG mincer in here!! They really did love the yellow/red colour combo for Kitcheware packaging of the 50s
Artist Statement
In today's commercialized, mechanized, specialized, computerized homogenized, society, the act of producing handmade pottery is one of social commentary. Mass produced commercial dinnerware and kitchenware are economical and readily available to fulfill our daily functional needs. In this light, creating individual ceramic vessels by hand is inefficient and even archaic. Indeed, any business person will tell you that there are easier ways to make a living.
The creation of handmade pottery resists the ceaseless homogenization of our society. There are very few objects in contemporary society that are produced by a single person beginning with their own design and taking raw materials through an entire process resulting in a final product. This kind of act of creation resonates powerfully in our collective history and psyche, but is becoming less and less common in today's world.
As such, the creation of unique handmade pottery questions the direction our society is moving. It asks questions about what our society is leaving behind as we hastily press relentlessly towards "progress". What are we losing when we consume industrial goods? What are we losing when fewer and fewer of us have the capacity to create a finished product from raw, materials? What are we losing when regional styles and differences vanish? And are we even aware of such loses?
Issues of individualism, sense of place, the creative spirit, and the role of dishes in social and family rituals are all brought into question. Indeed, the act of producing unique handmade pottery is a far more political act than it initially appears to most.
Professor Shynkaruk Began his artistic journey in his native country of Canada, where he was born and raised. After coming to the United States to pursue graduate degrees at the University of Iowa, he remained in the USA, where he has made his home for the past 20 years. Professor Shynkaruk has shown his work across the USA and internationally in over 80 professional exhibitions. He continues to actively explore the importance of the concept of beauty and the value of handwork to society and the human psyche. Professor Shynkaruk has taught at MSUM since 1998 as a Professor of Ceramics and is currently serving as Department Chair.
www.mnstate.edu/art/faculty/Wil_Shynkaruk/wil_shynkaruk.html