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Detail in Belton House. Belton is an Anglo-Dutch Restoration house built between 1685-88 in the last years of Charles II's reign.
They had an open house this weekend, I love their work and own many pieces - Bill and Martha do fine work.
This set produced by Hall for GE Refrigerators is a real beauty. It is of the Art Deco movement, and has holdup well over the years.
There are couple of chips on the lid, but on the whole, this unit displays well.
Artist Statement
In today's commercialized, mechanized, specialized, computerized homogenized, society, the act of producing handmade pottery is one of social commentary. Mass produced commercial dinnerware and kitchenware are economical and readily available to fulfill our daily functional needs. In this light, creating individual ceramic vessels by hand is inefficient and even archaic. Indeed, any business person will tell you that there are easier ways to make a living.
The creation of handmade pottery resists the ceaseless homogenization of our society. There are very few objects in contemporary society that are produced by a single person beginning with their own design and taking raw materials through an entire process resulting in a final product. This kind of act of creation resonates powerfully in our collective history and psyche, but is becoming less and less common in today's world.
As such, the creation of unique handmade pottery questions the direction our society is moving. It asks questions about what our society is leaving behind as we hastily press relentlessly towards "progress". What are we losing when we consume industrial goods? What are we losing when fewer and fewer of us have the capacity to create a finished product from raw, materials? What are we losing when regional styles and differences vanish? And are we even aware of such loses?
Issues of individualism, sense of place, the creative spirit, and the role of dishes in social and family rituals are all brought into question. Indeed, the act of producing unique handmade pottery is a far more political act than it initially appears to most.
Professor Shynkaruk Began his artistic journey in his native country of Canada, where he was born and raised. After coming to the United States to pursue graduate degrees at the University of Iowa, he remained in the USA, where he has made his home for the past 20 years. Professor Shynkaruk has shown his work across the USA and internationally in over 80 professional exhibitions. He continues to actively explore the importance of the concept of beauty and the value of handwork to society and the human psyche. Professor Shynkaruk has taught at MSUM since 1998 as a Professor of Ceramics and is currently serving as Department Chair.
www.mnstate.edu/art/faculty/Wil_Shynkaruk/wil_shynkaruk.html
Man I'd love to make some mince just so I can use the super SPONG mincer in here!! They really did love the yellow/red colour combo for Kitcheware packaging of the 50s
Fortune Arts & Crafts factory is the main manufacturer and exporter of many kinds of arts and crafts in China located in The Weaven Town of China --- Bobai Town. We have a very wide product line including basketware, gardenware, houseware, lighting, giftware, toys, boxes, cookware，hamper, tablecraft and can be made of many material such as bamboo, willow, rattan, metal, cloth, paper, wood, awn, plastic, seagrass and so on.
If any question interested you or you have any handmade items please contact us by hongcraft@gmail.com We will offer you our best service and quality.
At Camicado store, Praia de Belas mall. I just photographed this because I'm so girlie and love cute stuff... :-)
Mad Men Mondays-April 15
"We made it for ladies who want more than just slickness from their Teflon. Mirro"
Repository: Hartman Center, Rubenstein Library, Duke University.
Trying to locate this ad? It's found in the JWT Archives, Competitive Advertisements Collection.
This awesome thing holds about 5 cups of tea. She's super gorgeous with Platinum details and it's in like new condition.
Hotdamn! It's sooooo pretty!
I can't stop looking at it!
Ripe pear on white background. The cultivation of the pear in cool temperate climates extends to the remotest antiquity, and there is evidence of its use as a food since prehistoric times.
Cast Iron Dutch Ovens and Cast Iron Pots are perfect for cooking soups, stews, and casseroles. Available in seasoned ,semi-enamelled and full enamelled .
We are producing manufacturer and exporter .
¿A que al mirarlas te transportan de inmediato a los días de nieve de tu infancia…? Son de la firma Alessi y es un diseño de Mirri Mirim en cerámica stoneware. blog.decoratrix.com/vajilla-de-nieve/16617/
Voordat men in Suriname ging koken op gasfornuizen, werd er gekookt op houtskool. Vanwege de rookontwikkeling en de geur daarvan, maar ook vanwege het brandgevaar in de houten huizen, was in Suriname de keuken daarom in aparte stenen gebouwen buiten achter het huis. Op Morgenstond heeft ook zo'n aparte stenen keuken gestaan rechts achter het huis.
Maar binnenshuis was er dan een soort eetkamer met eettafel en stoelen. In rekken langs de wanden stond het serviesgoed in alle weelde uitgestald. Die kamer heette in de Surinaamse volksmond de bottelarie.
De bottelarie van plantagehuis Morgenstond was op de verdieping links achter in de achterbeuk. Het Surinaams Museum heeft ook een kopie van deze foto, en daar staat dat dit de bottelarie was. De deur linksachter op de foto gaat naar een uitbouw naar achteren boven de vierkante waterput achter het huis. Die uitbouw was ook een keuken voorzover de stenen keuken buiten niet werd geberuikt. Op de foto het serviesgoed van Louise Spiering.
Er was toen geen elektriciteit, die komt pas in 1954. Dus de witte bollamp op de tafel was de lichtvoorziening in de avond. Die werd ook gebruikt als mobiele lamp om mee rond te lopen en naar bed te gaan. Vooraan op tafel de vaste olielamp met blank glas als ronde cylinder die naar boven uitsteekt. Die gaf wat feller licht om een krant te kunnen lezen of wat borduurwerk te doen. Dat weet ik van een overeenkomstige oude lamp in dezelfde uitvoering in Nederland.
In de Encyclopedie van Nederlands West-Indië staat deze definitie van een bottelarie:
"In Suriname de naam van een vertrek waarin borden en ander tafel- en keukengerei bewaard wordt. Daar de keukens zich niet in huis maar in een afzonderlijk gebouwtje op het erf bevinden, wordt genoemd gerei daarin niet bewaard. In de bottelarie werd in vroeger jaren en nu nog bij oude families veel weelde aan aardewerk, porselein en koperwerk ten toon gespreid; de borden stonden in rekken langs de wanden. De goede stukken zijn voor het grootste gedeelte medegenomen naar Europa en de Vereenigde Staten."
Same in English.
Before cooking on gas furnace became common in Suriname, the cooking was done on charcoal stoves. Because of the smoke development and the smell that goes with it, but also because of the danger of fire in the mainly wooden houses, the kitchens in Paramaribo were situated in a separate stone building in the backyard outside the houses. Morgenstond also had such a separate stone built kitchen behind the house to the right. In the interior the houses there was instead of a kitchen a sort of dining room with a table and chairs and the crockery placed in racks along the interior walls exposing alle the wealth. This room with the wealth of crockery was in Suriname called the “bottelarie”, in English bottlery.
The bottelarie of the plantationhouse Morgenstond was on the first floor in the rear extension on the left side. The Suriname Museum calls this room the bottelarie too. The door in the picture left in the backside leads to an additional extension to the back situated above the square masonry waterwell. This room in the additional extension was also a kitchen for as much as the stone kitchen in the backyard was not in use. The picture shows the bottelarie of Louise Spiering.
The picture is when Hans Gonggrijp visited Suriname in 1921. Electricity was not available then, that came first at Morgenstond in 1954. On the table there is a standing lamp with a white crystal boll in top. That was the lumination of the room in the evening. It was also used as mobile lamp to walk about and go to bed. On the frontside of the table near the chair, there is a second lamp. It is an oil lamp with a clear glass tube sticking out in top. That type of lamp gave a much brighter light, good to read the newspaper by or do some embroidery. That I know of a similar old lamp among family in the Netherlands.
In the Encyclopedia of Dutch West-Indies it states this explanation for "bottelarie":
"In Suriname the name of a room in which plates and other table- and kitchenware are kept. As kitchens were not located inside the house but in a separate building on the yard outside the house, the kitchenware was not kept there. In the bottlery in the early years and still with old families, a lot of wealth on pottery, porcelain and copperwork was exposed; the plates stood in racks around the walls. The best pieces are in most cases taken away to Europe and the United States."