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Cartiers SA is a French jeweller and watch manufacturer that is a subsidiary of Switzerland's Compagnie Financière Richemont SA. The corporation carries the name of the Cartier family of jewelers whose control ended in 1964 and who were known for numerous pieces including the "Bestiary" (best illustrated by the Panthère brooch of the 1940s created for Wallis Simpson), the diamond necklace created for Yadavindra Singh the Maharaja of Patiala and in 1904 the first practical wristwatch, the "Santos." Cartier SA is headquartered in Paris.
The company has a long and distinguished history of serving royalty, as well as stars and celebities. One Prince of Wales hailed Cartier as "Joaillier des Rois, Roi des Joailliers" (Jeweller to Kings, King of Jewellers"). Cartier received an order for 27 tiaras for the coronation of the future King. King Edward VII was crowned in 1902 and in 1904 he honoured the Company with the Royal warrant of supplier to the Royal Court of England. Similar warrants soon followed from the courts of Spain, Portugal, Russia, Siam, Greece, Serbia, Belgium, Romania, Egypt and finally Albania, and also from the House of Orleans and the Principality of Monaco.
Cartier is at present the no. 1 seller of luxury jewellery in the world, and the no. 2 seller of luxury watches (after Rolex)
Cartier is de naam van een Frans juweliershuis gespecialiseerd in het maken van zeer luxueuze sieraden, waaronder ringen, armbanden, oorbellen, kettingen en horloges.
Cartier is vooral bekend van de internationaal beroemde horloges die wereldwijd gezien worden als statussymbool. Cartier werd omstreeks 1900 opgericht door Louis Cartier, een Franse goudsmid die in 1904 het eerst echt werkende polshorloge uitvond. Cartier was het eerste sieradenmerk ter wereld, voorheen waren er alleen zelfstandige opererende sieradenmakers. Na de Eerste Wereldoorlog vestigde Cartier zich in Zwitserland en groeide uit tot grootste sieradenfabriek ter wereld.
Cartier heeft slechts vijf verschillende horlogemodellen. Deze modellen zijn echter in ontelbare verschillende variaties verkrijgbaar.
A Photo by "Ali Mannan"
Camera; Samsung Galaxy S7 Edge
Location; Istanbul, Turkey (View from Galata Tower)
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The Galata Tower (Galata Kulesi in Turkish) — called Christea Turris (the Tower of Christ in Latin) by the Genoese — is a medieval stone tower in the Galata/Karaköy quarter of Istanbul, Turkey, just to the north of the Golden Horn's junction with the Bosphorus. One of the city's most striking landmarks, it is a high, cone-capped cylinder that dominates the skyline and offers a panoramic vista of Istanbul's historic peninsula and its environs.
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DESCRIPTION; The nine-story tower is 66.90 m (219.5 ft) (62.59 m (205.3 ft) without the ornament on top, 51.65 m (169.5 ft) at the observation deck), and was the city's tallest structure when it was built. The elevation at ground level is 35 m (115 ft) above sea-level. The tower has an external diameter of 16.45 m (54.0 ft) at the base, an inside diameter of 8.95 m (29.4 ft), and walls that are 3.75 m (12.3 ft) thick.
There is a restaurant and café on its upper floors which command a magnificent view of Istanbul and the Bosphorus. Also located on the upper floors is a night club which hosts a Turkish show. There are two operating elevators that carry visitors from the lower level to the upper levels.
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HISTORY: The Romanesque style tower was built as Christea Turris (Tower of Christ) in 1348 during an expansion of the Genoese colony in Constantinople. Galata Tower was the tallest building in Istanbul at 219.5 ft (66.9 m) when it was built in 1348. It was built to replace the old Tower of Galata, an original Byzantine tower named Megalos Pyrgos (English: Great Tower) which controlled the northern end of the massive sea chain that closed the entrance to the Golden Horn. That tower was on a different site and was largely destroyed in 1203, during the Fourth Crusade of 1202–1204.
The upper section of the tower with the conical cap was slightly modified in several restorations during the Ottoman period when it was used as an observation tower for spotting fires.
According to the Seyahatname of Ottoman historian and traveller Evliya Çelebi, in circa 1630-1632, Hezarfen Ahmet Çelebi flew as an early intercontinental aviator using artificial wings for gliding from this tower over the Bosphorus to the slopes of Üsküdar on the Anatolian side, nearly six kilometres away. Evliyâ Çelebi also tells of Hezarfen's brother, Lagari Hasan Çelebi, performing the first flight with a rocket in a conical cage filled with gunpowder in 1633.
Starting from 1717, the Ottomans began to use the tower for spotting fires in the city. In 1794, during the reign of Sultan Selim III, the roof of the tower was made of lead and wood, and the stairs were severely damaged by a fire. Another fire damaged the building in 1831, upon which a new restoration work took place.
In 1875, during a storm, the conical roof on the top of the building was destroyed. The tower remained without this conical roof for the rest of the Ottoman period. Many years later, during the restoration works between 1965 and 1967, the conical roof was reconstructed. During this final restoration in the 1960s, the wooden interior of the tower was replaced by a concrete structure and it was commercialized and opened to the public.
From the top of the tower, the first French panorama painter, Pierre Prévost, drew his "Panorama de Constantinople" in 1818, which was later exhibited in Paris in 1825. The panorama image was composed of ten photos taken from the Galata Tower by the photographic firm of Sébah & Joaillier, and is likely to have been taken in the 1880s.
Manchester Armenian History
Donor's mother, Araxie Papazian (nee Injidgjin) as a child. Photographer: Sebah and Joaillier, Photographes de la cour royale de Prusse 439, Grande Rue de Pera, Constantinople.
Maker: J.P. Sebah (1872-1947)
Born: Turkey
Active: Turkey/Egypt
Medium: albumen print
Size: 10.5 x 8 in
Location: Egypt
Object No. 2008.066
Shelf: D-32
Publication:
Other Collections:
Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Valentine's Day 101 - Fashion Jewelleries for Lovers
Summary: With the approaching of Saint Valentine's Day, most people has begun to search for the most suitable gifts for their lover. Do you have any ideas? Maybe, the fashionable jewelries should be your best choice!
Jewellery is the favourite for women always; and sometimes, it should be a surprise to the men, too. With the development of economy, there are more and more pretty jewelries for your selection. Are you confused about which kind of jewelry to pick?
Don't worry! It's not hard any more if you have known some famous and fashionable jewellery brand in the world. Just give me a chance to introduce several romantic fashion jewelries for you.
1 Tiffany & Co.
Tiffany & Co. is an American jewelry and silverware company founded by Charles Lewis Tiffany and Teddy Young in New York City in 1837 as a "stationery and fancy goods emporium." The store initially sold a wide variety of stationery items, and operated as Tiffany, Young and Ellis in lower Manhattan.
The name was shortened to Tiffany & Co in 1853 when Charles Tiffany took control, and the firm's emphasis on jewelry was established. Tiffany & Co. has since opened stores in major cities all over the world. At some point, it was acquired by Philadelphia-based investment company Bankers Securities Corporation.
Tiffany would be a best choice on Saint Valentine's Day, I think.
2 Cartier SA
Cartier SA, which is headquartered in Paris, is a French jeweller and watch manufacturer that is a subsidiary of Switzerland's Compagnie Financière Richemont SA. The company has a long and distinguished history of serving royalty, as well as stars and celebities. One Prince of Wales hailed Cartier as "Joaillier des Rois, Roi des Joailliers", which means "Jeweller to Kings, King of Jewellers".
Cartier is said to be the NO. 1 seller of luxury jewellery in the world, and the NO. 2 seller of luxury watches (after Rolex) at present. Of course, the jewelry is quite expensive, but if you are able to afford one, you will know that Cartier is worthy of such a high price.
3 Links of London
Links of London, as a world-renown brand of jewelry, has made a large deal of selections for people. The jewellery industry has developed so rapidly that Links of London has become one of the top industries in the world.
Presently, sweetie bracelets are rather popular, most people like the idea of having a sweetie bracelet, either for themselves or as a gift for friends. As well as bracelets, necklaces, rings, earrings and charms, Links of London also produce a number of attractive and great quality watches which should be taken into consideration when choosing that special something.
I think Links of London is more suitable for women than for men. A woman with London Links always looks elegant, so it could be a great gift for girls on Saint Valentine's Day.
4 Pandora
Pandora is a global jewelry brand found in Denmark. It is Per Enevoldsen and his wife Winnie who brought Pandora as a famous jewelry brand in the world. Per Enevoldsen and Winnie started their journey to Thailand in 1982 and gradually, the famous brand nowadays has been sold all over the world.
Pandora is known best for its modern twist on the classic charm bracelet. It is recognized around the world for its elegant and classic style. There are a variety of products in Pandora such as: beads in sterling silver, with or without stones, silver Pandora beads with gold or Pandora beads in pure gold.
Relatively, Pandora costs a little cheaper. Therefore, the charming jewelries with the reasonable prices make Pandora very popular during Valentine's Day.
The Saint Valentine's Day in 2010 is coming soon. Maybe you can take a consideration to the jewelleries above, will you?
Maker: Pascal Sebah (1823-1886)
Born: Turkey
Active: Turkey/Egypt
Medium: albumen print
Size: 4 1/2" x 6"
Location: Egypt
Object No. 2016.980c
Shelf: PHO-1891
Publication: Victor Bizot, Six months around the world, 1886-1887 Lyon, Imp. Schneider brothers, 1891. 8vo 134 pages with 15 albumen prints inset
Other Collections:
Provenance: Les Photographies dans Les Livres, Binoche et Giquello, Paris, November 4, 2011, Lot 60-A
Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Pascal Sébah (1832-1886) & Polycarpe Joaillier (1848-1904)
Born: Turkey
Active: Turkey/Egypt
Medium: albumen print
Size: 10.3" x 102.3"
Location: Turkey
Object No. 2014.655f
Shelf: C-9
Publication:
Other Collections: Library of Congress, GEM
Provenance: Dr Jens Mattow
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
My newly redesigned bench. I completely remade the top so it'd be more adapted to working full days on it
Paris. La place des joailliers parisiens. Boucheron, Cartier, Chaumet, Van Cleef and Arpel, etc.
Place of greaters Jewellers in Paris
Title
•Panorama de Constantinople, pris de La Tour de Galata / par Sebah & Joaillier.
Names
•Sebah & Joaillier, photographer
Created / Published
•[between 1890 and 1910]
Headings
•- Istanbul (Turkey)--1880-1890
•- Turkey--Istanbul
Headings
•Albumen prints--1880-1890.
•Cityscape photographs--1880-1890.
•Panoramic photographs--1880-1890.
Notes
•- Ten-part folding panorama bound in folio.
•- Title translated: Panorama of Constantinople, taken from the Galata Tower.
•- Image depicts the Ottoman Bank building, which was constructed starting in 1890.
•- Gift; Mrs. John A. Logan; 1931; DLC/PP-1931:47840.
Source Collection
•Panoramic photographs (Library of Congress)
Repository
•Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Library of Congress Control Number
•2007660407
LCCN Permalink
•https://lccn.loc.gov/2007660407
Biographie d'Yann Arthus-Bertrand
Issu d'une famille de joailliers, Yann Arthus-Bertrand s'intéresse très tôt à la nature. Après avoir dirigé une réserve naturelle dans le sud de la France, il part au Kenya étudier le comportement des lions en compagnie de son épouse. C'est là qu'il découvre que la photographie lui permet de faire passer des messages qu'aucun texte ne pourrait transmettre. En à peine vingt-cinq ans, Yann Arthus-Bertrand publie plus de cinquante ouvrages : albums de Roland Garros, de Paris-Dakar, reportages sur Diane Fossey... Parallèlement à ces ouvrages, il fait paraître ses photos dans des revues comme Paris Match ou Géo, et crée, en 1991, l'agence Altitude, une banque d'images aériennes. Mais c'est en 1994 que cet amoureux des voyages et de la nature démarre sa plus grande aventure, avec la complicité de l'Unesco : un inventaire des plus beaux paysages du monde, vus d'en haut ; 'La Terre vue du ciel' fera le bonheur de milliers d'amoureux de la nature... et de la planète.
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Biography of Yann Arthus-Bertrand
Born into a family of jewelers, Yann Arthus-Bertrand early interest in nature. After leading a nature reserve in southern France, he went to Kenya to study the behavior of lions in the company of his wife. There he discovered that photography allows him to convey messages that no text could convey. In just twenty-five years, Yann Arthus-Bertrand published over fifty books, albums of Roland Garros, Paris-Dakar, reporting to Diane Fossey ... Alongside these works, he published his photos in magazines like Paris Match and Geo, and created in 1991, the agency Altitude, a database of aerial images. But it was in 1994 that this lover of travel and nature began his greatest adventure, with the complicity of Unesco: an inventory of the most beautiful landscapes in the world, seen from above; 'La Terre vue du ciel 'will delight thousands of nature lovers ... and the planet.
Aquamarine platinum ring: unusual natural gemstone with harmonious inclusions, pave set with Paraiba tourmaline, rare Hauyne, sapphire and diamond. One of a kind ring made in France by joaillier artisans.
The central stone is a Portuguese round cut natural aquamarine unusually reverse set. This gem is totally natural in color and is not treated in any way. The bubble inclusions add a refreshing touch to the stunning beauty of the high dome stone, like a snow globe! Paraiba tourmaline, hauyne, blue sapphire and diamond set in pavé style complement the design.
Place Vendôme 03/12/2024 19h53
My annual Christmas card was made this year at Place Vendôme.
I wish everyone a very Merry Christmas and a very happy and above all healthy 2025.
Place Vendôme
Place Vendôme is a square in the 1st arrondissement of Paris, France, located to the north of the Tuileries Gardens and east of the Église de la Madeleine. It is the starting point of the rue de la Paix. Its regular architecture by Jules Hardouin-Mansart and pedimented screens canted across the corners give the rectangular place Vendôme the aspect of an octagon. The original Vendôme Column at the centre of the square was erected by Napoleon I to commemorate the Battle of Austerlitz; it was torn down on 16 May 1871, by decree of the Paris Commune, but subsequently re-erected and remains a prominent feature on the square today. [ Wikipedia ]
Maker: Pascal Sebah (1823-1886)
Born: Turkey
Active: Turkey/Egypt
Medium: albumen print
Size: 10 1/4 in x 8 in
Location: Egypt
Object No. 2015.289
Shelf: D-32
Publication:
Other Collections: Auer Photo Foundation
Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Je réalise des manches de couteaux en cuir de galuchat avec lame damas ou lame forgée, ressort abeille forgée ciselage au burin. Présentation du cuir de galuchat en plusieur couleur pour la réalisation de manche de couteaux ou d'écrins pour les couteaux de table ou les étuis de couteaux pliant de André Ughetti. Atelier de coutellerie fine, couteaux d'art Christophe Lacaze Estaing Aveyron France
Maker: J.P. Sebah (1872-1947)
Born: Turkey
Active: Turkey/Egypt
Medium: albumen print
Size: 8.5" x 10.7"
Location: Egypt
Object No. 2012.625
Shelf: D-32
Publication:
Other Collections:
Provenance: Philippe Doublet
Rank: 35
Notes: Pascal Sébah (1823–1886) was a photographer in Constantinople (now Istanbul) and Cairo, who produced a prolific number of images of Egypt, Turkey and Greece to serve the tourist trade. Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother. He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857. Sébah's studio was known as ''El Chark (meaning "The Orient"), situated at 439 Grande Rue de Pera in the center of the city and close by the Embassies and hotels where tourists congregated. Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs. Sébah was amongst a group of early photographers, who made their way to Cairo and Istanbul to capitalise on this demand. By 1873 Sébah was successful enough to open a second studio in Cairo. He exhibited at Ottoman exhibition in Vienna, Austria in 1873. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn, Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish people, entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne published in 1873. Following his death on 25 June 1886, the studio continued in business. It was managed by his brother, Cosmi, and in 1888 Pollicarpe Joiallier became a partner. At this time the company was renamed Sebah & Joaillier. Pascal's son, Jean Pascal Sébah, also joined in 1888 and went on to run the studio with other photographers. The firm developed a reputation as the leading representative of Orientalist photography and in 1889 was appointed the Photographers by Appointment to the Prussian Court. Sébah's studio continued operations, in one form or another, until 1952 at the same address then moved until its closure in 1973. (source: Wikipedia).
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
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Bain News Service,, publisher.
Scutari, Turkey
[between ca. 1910 and ca. 1915]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
On negative: Sebah et Joaill[ier], Vue panoramique de Scutari.
Title from data provided by the Bain News Service on the negative.
Photo shows a distant view of Üsküdar (Scutari), Istanbul from the Galata Tower in Beyoglu. A similar image taken by Ottoman photographers Sebah and Joaillier is found at: hdl.loc.gov/loc.pnp/pan.6a35826 (LOT 8931, no. 1). (Source: Flickr Commons project, 2008)
Forms part of: George Grantham Bain Collection (Library of Congress).
Subjects:
Turkey
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.12260
Call Number: LC-B2- 2606-1
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo.
Please follow, like and leave a comment.
My websites:
Visit my portfolio sites:
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden