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A breathtaking lily, the Casablanca is known for its dramatic white blossoms and irresistible scent. Among the most famous of Lilies from the Oriental family, it's as elegant as the name implies.
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Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
The Square Chapel in Halifax, West Yorkshire, England, was designed by Thomas Bradley and James Kershaw at the instigation of Titus Knight, a local preacher. Construction started in 1772 and the chapel was visited by John Wesley in July of that year.
The Congregationalist chapel was typical of Nonconformist design in offering an uninterrupted view of the preacher, having no internal supporting structures. As its name suggests, the chapel has a square base. Atypically for the Calderdale region, it was built of red brick rather than local stone.
In the 1850s a new chapel, which became the Square Congregational Church, was built on a site to the north, adjoining the chapel; the 1772 building was then used as a Sunday school.
The steeple of the Square Congregational Church survives; the rest of the building was demolished in 1976. The steeple has been incorporated into a library built on the site of the church. Since 1992 the chapel has been used as an arts centre. The steeple and the chapel are Grade II* listed buildings.
The Piece Hall is a Grade I listed building in Halifax, West Yorkshire, England. It was built as a cloth hall for handloom weavers to sell the woollen cloth "pieces" they had produced.
History
The earliest known reference to the new Piece Hall was a handbill dated 19 March 1774, although this no longer survives. The hall was built for "the purpose of depositing and exposing to sale the worsted and woollen goods manufactured in this town and neighbourhood". It was seen that bringing merchants and buyers together in one place would create a more competitive and efficient market and discourage fraudsters. Initially, two sites were proposed, one at Talbot Croft and the other at Cross Field (which was used in 1948 for the construction of the new bus station). After consideration, Talbot Croft was chosen and was purchased in September 1774.
It opened on 1 January 1779, with 315 separate rooms arranged around a central open courtyard.
The architect of Piece Hall has never been identified, and there is a lack of documentary evidence surrounding its design and construction; F. A. Leyland cited Thomas Bradley as the most likely architect in 1887, although others have suggested Samuel and John Hope and John Carr.
An 1831 description of Piece Hall says:
The Piece Hall was erected by the manufacturers and is a large quadrangular building of freestone occupying an area of ten thousand square yards with a rustic basement storey and two upper storeys fronted with two interior colonnades which are spacious walks leading to arched rooms where goods in an unfinished state were deposited and exhibited for sale to the merchants every Saturday from ten to twelve o clock. This structure which was completed at an expense of £12,000 and opened on 1 January 1779 unites elegance convenience and security. It contains three hundred and fifteen separate rooms and is proof against fire.
— Samuel Lewis, A Topographical Dictionary of England
The Industrial Revolution saw a shift away from small producers and traders, with new larger mills in the Halifax area trading directly with merchants and exporters. After years of decline, the Piece Hall was acquired from the trustees in 1868 by Halifax Corporation. They converted it into a wholesale market hall and some of the small rooms were combined to make larger shop units; cellars were created and the south pedestrian gate was enlarged to allow vehicles to enter the courtyard with Iron Gates installed over the entrance (supplied by George Smith of the Sun Foundry, Glasgow for £120). Sheds and latrines were constructed in the courtyard.
In 1971, after the Piece Hall had become seen as unsuitable for a wholesale market, the businesses were dispersed elsewhere throughout the town and demolition of the then two-century-old building was considered. Government grants were made available and the Halifax Corporation received funding to make the building a tourist attraction. The sheds that had been built in the 19th century were demolished and the courtyard landscaped; further, walls were removed from the original rooms to create shops, and a new museum–art gallery was opened on the east side. The new Piece Hall opened on 3 July 1976. The museum–art gallery closed in 1998.
In 2010, the Heritage Lottery Fund awarded Calderdale Council first round funding to restore and redevelop the Piece Hall.
The Piece Hall reopened on 1 August 2017, after a £19 million restoration project started in 2014.
The Piece Hall hosted its first major music event with Father John Misty headlining.
Piece Hall Trust has been set up as a charity responsible for managing the Piece Hall.
Listing
The Piece Hall was listed on 3 November 1954 and has Grade I listed protection. Reasons for the listing were given as:
Historic interest: citing the scale and architectural grandeur and its illustration of the wealth of Halifax at the time of its construction.
Rarity: citing the rarity of surviving purpose built cloth halls.
Architectural interest: citing its dramatic design, its detailed galleries and courtyard as well as a high degree of craftsmanship and the high quality of materials used
Architectural layout: citing the courtyard plan but the provision of individual rooms to enable confidentiality in transactions. Despite the combination of some rooms internally the building remains externally unchanged and "visually readable".
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
White point State Pack West Paseo Del Mar Kay Fiorentino Dr San Pedro, CA this park, with its dramatic views of Catalina Island and the many boats and ships sailing in and out of the Port of Los Angeles and on the the Pacific Ocean, is a site for many photographs.The beach and tide pools of Royal Palms State Beach lie below the cliffs and are a short distance away bring your walking shoes and then right cross the street is the Nature and Wildlife Center this is were your hawk's Owl and so on are at.
is a canyon system of the Caprock Escarpment located in the Texas Panhandle near the city of Amarillo, Texas, United States. As the second largest canyon in the United States, it is roughly 193 km (120 mi) long and has an average width of 10 km (6.2 mi), but reaches a width of 32 km (20 mi) at places. Its depth is around 250 m (820 ft), but in some locations it can increase up to 304 m (997 ft). Palo Duro Canyon has been named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls similar to those in the Grand Canyon.
One of the most amazing places that I have ever seen! The Lighthouse Trail was awesome and unforgettable!
More information:
English: en.wikipedia.org/wiki/Palo_Duro_Canyon
German: de.wikipedia.org/wiki/Palo_Duro_Canyon
Don't use this image on websites, blogs or other media
without my explicit permission. © All rights reserved.
US Forest Service: US Route 89A, specifically in the stretch through Oak Creek Canyon, is a popular scenic drive connecting Flagstaff and Sedona, Arizona. It's known for its dramatic descent into the canyon via a series of switchbacks and for the beautiful scenery it offers along the way. The drive is approximately 13 miles long within the canyon itself.
3428a
Ajuy is a small coastal village on the west coast of Fuerteventura, known for its dramatic black sand beach and ancient volcanic rock formations. The area is famous for the Ajuy Caves, once used by pirates and now a popular attraction showcasing geological history. With its rugged cliffs, ocean views, and traditional fishing village charm, Ajuy offers a unique contrast to the island’s more touristy areas.
The Lost Pleiad, c. 1874-82, marble. Made by Randolph Rogers, American, born 1825, died 1892.
The Lost Pleiad personifies one of seven sister stars described by the Roman poet Ovid in his opem Fasti. Her brightness dimmed by the shame of marrying a mortal, the Pleiad anxiously searches through the night sky to be reunited with her sisters. Regarded as Randolph Rogers's last great work, The Lost Pleiad examplifies his flair for dynamic compositions and successfully evokes weightless flight in a freestanding sculpture. Its dramatic form and quasi-erotic, sentimental subject made it an extremely popular work; Rogers received over one hundred requests for replicas following its completion in 1875. Ultimately, it was replicated in two sizes, the Museum's example being the larger version. Gift of Lydia Thompson Morris, 1929-162-1. Philadelphia Museum of Art.
The Li River or Li Jiang (Chinese: 漓江, pinyin: Lí Jiāng) is a river in Guangxi Province, China.
The Li River originates in the Mao'er Mountains in Xing'an county and flows through Guilin, Yangshuo and Pingle, down into the Xi Jiang, the western tributary of the Pearl River in Wuzhou.
Its course of 437 kilometers is flanked by green hills and its unusual karst topography that is often compared to Halong Bay, Vietnam (see kk_wpg's photostream - Vietnam 2008 (Set)).
Cormorant fishing is often associated with the Lijiang.
Yangshuo, a county and resort town in southern China’s Guangxi region, is known for its dramatic karst mountain landscape and outdoor recreation. The town is set amid pinnacles like Bilian Feng (Green Lotus Peak), which has a hiking trail to the top. Tour boats offer cruises on the Li River past picturesque countryside from the town of Guilin to the north. ― Google
One of the many carvings adorning the wall arcading in the north aisle.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Llyn Llech Owain Country Park is is a stunning 158-acre expanse of woods and lakeland near Cross Hands with nature trails, an adventure area and visitor centre. At the heart of this spectacular park is its dramatic lake which is surrounded by peat bog and there’s a lovely myth associated with Llyn Lech Owain. Legend has it that Owain Lawgoch ("Owain of the Red Hand" - who led an army of French mercenaries against the English in the Hundred Years' War), was entrusted to look after a well on the mountain named Mynydd Mawr. Each day, after extracting enough water for himself and his horse, Owain was always careful to replace the stone but on one occasion he forgot and a torrent of water poured down the side of the mountain. The resultant lake was hence named Llyn Lech Owain - the lake of Owain’s slab. Today, specially constructed paths allow for safe access over the bog and around the lake. The paths are well-surfaced and accessible to wheelchair-users. A forest track provides a longer walk or cycle ride around the country park and there’s a rough mountain bike trail for the more adventurous cyclist. Much of the park consists of coniferous woodland, planted by the Forestry Commission during the 1960s and there are also areas of dry heath and broad-leaved woodland.
All Saints in Pavement, York is distinguished by its dramatic octagonal tower, a major landmark of the city and masterpiece of late medieval architecture. The church itself is of mainly 14th/15th century date, though lost its chancel in the following centuries. The west window contains reset late 14th century panels depicting the Passion.
This church is generally open and welcoming to visitors.
The Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
Pace is a leading technology developer for the global payTV industry.
Our brief was to design publicity material for the launch of their latest set-top receiver - a product which only differs from its predecessor by having a more stylish exterior casing. Apart from its shape, it is exactly the same product.
But history shows that sometimes a simple change in shape is enough to create a retail bestseller.
Our solution was to recall examples of where a change in a product's shape was responsible for its dramatic increase in popularity. We illustrated these examples - these design classics - and applied them to publicity posters, advertisements and launch invitations - and refrained from showing the new product altogether, so as to create anticipation at the launch event.
The monk sleep moved here from koh @chesterljc #its_dramatic #hdroftheday #hdrpotters #hdr_lovers #hdreality #hdreality #hdr_arts #hdr #instago #iphone4s #james_favourites #gang_family #iphoneography #igersjapan #inhil_community #iphonesia #ig_nesia #b_ig #instagood #instagramhub #instagram #hdrstyles_gf #hdr_indonesia #photooftheday #webstagram
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sumsus: Mantab!
ryosky: @sumsus makasi selalu koh
alexicr: Cool!!!✨✨
ryosky: @alexicr thanks man
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ryosky: @spacelord_mf thanks always ma man
chesterljc: Gokilness!!! cepat bro
ryosky: @chesterljc aahahhaaaa sabar postman sudah berangkat
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Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
After the faliure of the original corinthian basilica design a Ruskin inspired lombardic, Italianate design was begun in the 1870's by the architect Hansom.It was abandoned half-complete and without its dramatic campinile.
The former Catholic pro-Cathedral, Clifton Bristol. After suffering a long indignity of abandoned and compromised designs the building was abandoned in the 1970's when the congregation moved into a new building. For a while the building served as a school, but is now derelict and awaiting a reconstruction as a large scale housing scheme.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623
All Saints in Pavement, York is distinguished by its dramatic octagonal tower, a major landmark of the city and masterpiece of late medieval architecture. The church itself is of mainly 14th/15th century date, though lost its chancel in the following centuries. The west window contains reset late 14th century panels depicting the Passion.
This church is generally open and welcoming to visitors.
Signed picture of Cosmonaut Boris Volynov
Boris Valentinovich Volynov is a Soviet cosmonaut who flew two space missions of the Soyuz programme: Soyuz 5, and Soyuz 21. He was the first Jewish cosmonaut to enter space, preceding Judith Resnik in the United States. Following the death of Alexei Leonov in October 2019, he is the last surviving member of the original group of cosmonauts.
After being bumped from the crew of the Voskhod 1 mission and training for Voskhod 3 prior to its cancellation, Volynov finally flew as Commander of Soyuz 5. Launched on 15 January 1969, it docked with Soyuz 4 in orbit. It was the first docking of two crewed spacecraft of any nation.
The flight was also memorable for its dramatic re-entry. The craft's service module did not separate, so it entered the atmosphere nose-first, leaving cosmonaut Boris Volynov hanging by his restraining straps. As the craft aerobraked, the atmosphere burned through the module. But the craft righted itself before the escape hatch was burned through. Then, the parachute lines tangled and the landing rockets failed, resulting in a hard landing which broke Volynov's teeth.
The capsule came down in the Ural Mountains, far short of its target landing site in Kazakhstan. The local temperature was −38 °C, and knowing that it would be many hours before rescue teams could reach him, Volynov abandoned the capsule and walked for several kilometers to find shelter at a local peasant's house. It would be seven years until Volynov flew again, on Soyuz 21.
Years later, speaking about the Soyuz 5 experience, Volynov said that “there was no fear but a deep-cutting and very clear desire to live on when there was no chance left.”
On 6 July 1976 Volynov and Flight Engineer Vitaliy Zholobov were launched on board Soyuz 21 to spend between 54 and 66 days aboard the space station Salyut 5. Following a deterioration in the health of Zholobov, the decision was made to return the crew at the earliest available opportunity and they boarded their Soyuz on 24 August. However, as Volynov tried to undock from Salyut, the latch failed to release properly. As he fired the jets to move the spacecraft away, the docking mechanism jammed, resulting in the Soyuz being undocked but still linked to Salyut. As the two spacecraft moved out of range of ground communications, only the first set of emergency procedures was received. Volynov tried a second time to undock but managed only to slightly loosen the latches. This situation persisted for an entire orbit (90 minutes), then the final set of emergency procedures were received and the latches finally disengaged.
Because Soyuz 21 was returning early, it was outside the normal recovery window, and encountered strong winds as it descended, which caused uneven firing of the retrorockets. It made a hard landing around midnight 200 km southwest of Kokchetav, Kazakhstan. Zholobov's illness was apparently caused by nitric acid fumes leaking from the Salyut's propellant tanks.
After resigning from the space program in 1982, he spent eight years as a senior administrator at the Gagarin Cosmonaut Training Centre. After 30 years of service in Star City, in 1990, he retired in the rank of colonel due to age limit.
A National Historic Landmark
New York County, NY
Listed in NR: 01/17/1975
Designated an NHL: 12/08/1976
Constructed in the early 20th century, this monumental Beaux-Arts structure is a triumph of architecture, planning, and engineering. Its dramatically lit grand concourse centers a complex transportation network and provides an unrivaled first impression of New York to countless commuters and travelers. Grand Central made preservation history in 1978, when – thanks to efforts of Jacqueline Kennedy Onassis and others – the U.S. Supreme Court decreed that its status as a New York City Landmark protected it from demolition. This decision upheld the rights of local authorities across the country to protect and preserve their landmarks. The terminal was restored in 1998 and now appears every bit as grand as it did when it first opened.
Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
The Amalfi Coast, a UNESCO World Heritage Site in southern Italy’s Campania region, is renowned for its dramatic cliffs, colorful seaside villages, and Mediterranean charm. Stretching along the Sorrentine Peninsula, it includes iconic destinations such as Sorrento, Positano, and Amalfi town.
Sorrento, perched above the Bay of Naples, offers sweeping views of Mount Vesuvius and serves as a gateway to the coast. Positano is famed for its pastel-hued houses cascading down steep hillsides to pebble beaches and turquoise waters. Amalfi, once a powerful maritime republic, is known for its historic cathedral, lively piazza, and lemon-based delicacies like limoncello.
The region’s narrow, winding roads and scenic boat routes connect these destinations, making the Amalfi Coast one of the world’s most picturesque coastal journeys.
Date: 2014
Location: San Francisco Public Safety Building
Photo credit: Bruce Damonte
Shimone Attie’s memorial to fallen San Francisco Police Officers, Spiral of Gratitude, combines the elements of glass, sky and light, together with the written word to create an immersive memorial within the building’s lobby. Spiral of Gratitude announces itself from a distance with its dramatic glass cylinder anchored by bold text embedded into the rear concrete wall that reads “Look Up, Their Courage Shines”. The phrase, which contextualizes and frames the memorial, leads the viewer’s gaze up through the open cylinder that culminates in a circular skylight. The poem was written specifically for the memorial by Margo Perin based on interviews with families and colleagues of fallen officers, and in collaboration with Attie and members of the Bay Area Law Enforcements Assistance Fund.
Photo by: Tanz Der Vampire,
Tanz der Vampire, More details on Wcities.com. Inspired by Roman Polanski's 1967 film, Tanz der Vampire is a German-language musical set in the heart of Transylvania. Michael Kunze's music and lyrics explore a Gothic underworld populated by vampires and vampire hunters, innkeepers and innocents. It centers around a vampire pursuer and his bumbling assistant who takes to the innkeeper's daughter at the inn where they stay. When she is kidnapped by a vampire, a haunting chase ensues. The musical has been widely performed around the world, a hit with audiences for its dramatic visuals and music, transporting audiences to the dark world of mythical Transylvania.
Xinjiang Tianshan, a UNESCO World Heritage Site in China, is a majestic mountain range renowned for its dramatic landscapes, including snow-capped peaks, deep valleys, and diverse ecosystems. Spanning deserts, meadows, and forests, it hosts unique biodiversity with rare species like the Tianshan snow lotus. The region’s striking red sandstone formations and glacier-fed rivers create a stunning natural spectacle, while its cultural significance as a historical Silk Road corridor adds depth. Ideal for trekking and exploration, Tianshan offers a blend of rugged beauty and ecological richness.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Wald bodykit for the BMW 3-series
Wald’s 3-series bodykit is something of a change of pace, then, although its dramatic looks definitely let onlookers know this is not a stock BMW.
Available in white (pictured) and gun-metal grey, the Wald E90 Sport Line 3-series appearance kit features side-skirts, a trunk-lid spoiler, a completely reworked front and rear appearance, plus four fog lamps. Custom 19in wheels with low-profile tires five the Wald the mean stance that befits its aggressive new trim.
A custom exhaust system offers a high-performance sound, though that’s the extent of the driveline modifications, so don’t expect to go running down M3s, despite the car’s mean look.
Pace is a leading technology developer for the global payTV industry.
Our brief was to design publicity material for the launch of their latest set-top receiver - a product which only differs from its predecessor by having a more stylish exterior casing. Apart from its shape, it is exactly the same product.
But history shows that sometimes a simple change in shape is enough to create a retail bestseller.
Our solution was to recall examples of where a change in a product's shape was responsible for its dramatic increase in popularity. We illustrated these examples - these design classics - and applied them to publicity posters, advertisements and launch invitations - and refrained from showing the new product altogether, so as to create anticipation at the launch event.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
Ahu Tongariki, on Easter Island, is the island’s largest ceremonial platform, showcasing 15 imposing moai statues standing in a striking row against the Pacific Ocean. Located on the southeastern coast, this iconic site was restored after a devastating tsunami in 1960, highlighting the resilience of Rapa Nui culture. The towering stone figures, some reaching 30 feet with their pukao topknots, face inland, symbolizing ancestral protection. Its dramatic setting and historical significance make it a must-see landmark.
Date: 2014
Location: San Francisco Public Safety Building
Photo credit: Bruce Damonte
Shimone Attie’s memorial to fallen San Francisco Police Officers, Spiral of Gratitude, combines the elements of glass, sky and light, together with the written word to create an immersive memorial within the building’s lobby. Spiral of Gratitude announces itself from a distance with its dramatic glass cylinder anchored by bold text embedded into the rear concrete wall that reads “Look Up, Their Courage Shines”. The phrase, which contextualizes and frames the memorial, leads the viewer’s gaze up through the open cylinder that culminates in a circular skylight. The poem was written specifically for the memorial by Margo Perin based on interviews with families and colleagues of fallen officers, and in collaboration with Attie and members of the Bay Area Law Enforcements Assistance Fund.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
My post this evening is driven a bit by a show that happens to be on this evening. On Discovery HD, a show called China Rising is giving insight into the social economic challenges that are accompanying China and especially Shanghai as it springboards into its dramatic new future. Although I was only able to visit for a couple of days when I was there, I could feel the energy of this city as change was unfolding. This show unveils some of the resistance of the locals and a little of the ugly side of rapid capitalistic growth.
This image was created from a snap out of the old G10 as was wandering around one afternoon looking for "Old Shanghai". I particularly liked the grungy feeling of some of these older neighborhoods, however, I feel that all of this will be bulldozed over and gone by the time I make it back there someday. Every inch of this evolving city seems to be giving way "New Shanghai". Exciting for some, yet kind of sad for many.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
The Piece Hall is a Grade I listed building in Halifax, West Yorkshire, England. It was built as a cloth hall for handloom weavers to sell the woollen cloth "pieces" they had produced.
History
The earliest known reference to the new Piece Hall was a handbill dated 19 March 1774, although this no longer survives. The hall was built for "the purpose of depositing and exposing to sale the worsted and woollen goods manufactured in this town and neighbourhood". It was seen that bringing merchants and buyers together in one place would create a more competitive and efficient market and discourage fraudsters. Initially, two sites were proposed, one at Talbot Croft and the other at Cross Field (which was used in 1948 for the construction of the new bus station). After consideration, Talbot Croft was chosen and was purchased in September 1774.
It opened on 1 January 1779, with 315 separate rooms arranged around a central open courtyard.
The architect of Piece Hall has never been identified, and there is a lack of documentary evidence surrounding its design and construction; F. A. Leyland cited Thomas Bradley as the most likely architect in 1887, although others have suggested Samuel and John Hope and John Carr.
An 1831 description of Piece Hall says:
The Piece Hall was erected by the manufacturers and is a large quadrangular building of freestone occupying an area of ten thousand square yards with a rustic basement storey and two upper storeys fronted with two interior colonnades which are spacious walks leading to arched rooms where goods in an unfinished state were deposited and exhibited for sale to the merchants every Saturday from ten to twelve o clock. This structure which was completed at an expense of £12,000 and opened on 1 January 1779 unites elegance convenience and security. It contains three hundred and fifteen separate rooms and is proof against fire.
— Samuel Lewis, A Topographical Dictionary of England
The Industrial Revolution saw a shift away from small producers and traders, with new larger mills in the Halifax area trading directly with merchants and exporters. After years of decline, the Piece Hall was acquired from the trustees in 1868 by Halifax Corporation. They converted it into a wholesale market hall and some of the small rooms were combined to make larger shop units; cellars were created and the south pedestrian gate was enlarged to allow vehicles to enter the courtyard with Iron Gates installed over the entrance (supplied by George Smith of the Sun Foundry, Glasgow for £120). Sheds and latrines were constructed in the courtyard.
In 1971, after the Piece Hall had become seen as unsuitable for a wholesale market, the businesses were dispersed elsewhere throughout the town and demolition of the then two-century-old building was considered. Government grants were made available and the Halifax Corporation received funding to make the building a tourist attraction. The sheds that had been built in the 19th century were demolished and the courtyard landscaped; further, walls were removed from the original rooms to create shops, and a new museum–art gallery was opened on the east side. The new Piece Hall opened on 3 July 1976. The museum–art gallery closed in 1998.
In 2010, the Heritage Lottery Fund awarded Calderdale Council first round funding to restore and redevelop the Piece Hall.
The Piece Hall reopened on 1 August 2017, after a £19 million restoration project started in 2014.
The Piece Hall hosted its first major music event with Father John Misty headlining.
Piece Hall Trust has been set up as a charity responsible for managing the Piece Hall.
Listing
The Piece Hall was listed on 3 November 1954 and has Grade I listed protection. Reasons for the listing were given as:
Historic interest: citing the scale and architectural grandeur and its illustration of the wealth of Halifax at the time of its construction.
Rarity: citing the rarity of surviving purpose built cloth halls.
Architectural interest: citing its dramatic design, its detailed galleries and courtyard as well as a high degree of craftsmanship and the high quality of materials used
Architectural layout: citing the courtyard plan but the provision of individual rooms to enable confidentiality in transactions. Despite the combination of some rooms internally the building remains externally unchanged and "visually readable".
Halifax is a minster and market town in the metropolitan borough of Calderdale in West Yorkshire, England. It is the commercial, cultural and administrative centre of the borough, and the headquarters of Calderdale Council. In the 15th century, the town became an economic hub of the old West Riding of Yorkshire, primarily in woollen manufacture. Halifax is the largest town in the wider Calderdale borough. Halifax was a thriving mill town during the Industrial Revolution. In 2011, it had a population of 88,134.
Toponymy
The town's name was recorded in about 1091 as Halyfax, from the Old English halh-gefeaxe, meaning "area of coarse grass in the nook of land". This explanation is preferred to derivations from the Old English halig (holy), in hālig feax or "holy hair", proposed by 16th-century antiquarians. The incorrect interpretation gave rise to two legends. One concerned a maiden killed by a lustful priest whose advances she spurned. Another held that the head of John the Baptist was buried here after his execution. The legend is almost certainly medieval rather than ancient, although the town's coat of arms carries an image of the saint. Another explanation is a corruption of the Old English hay and ley a clearing or meadow. This etymology is based on Haley Hill, the nearby hamlet of Healey (another corruption), and the common occurrence of the surnames Hayley and Haley around Halifax. The erroneous derivation from halig has given rise to the demonym Haligonian, which is of recent origin and not in universal use.
The Earldom of Halifax took the name of the town. Its first creation, in the Peerage of England in 1677, was for George Savile, who was created Baron Savile of Eland and Viscount Halifax in 1668 and later became the Marquess of Halifax (this creation of the earldom became extinct in 1700). George Montagu-Dunk, 2nd Earl of Halifax, (2nd order of the 3rd creation) became the President of the Board of Trade in 1748. In 1749 the city of Halifax, the capital of Nova Scotia, Canada, was named in his honour. The Halifax River in Central Florida, United States, was also named after him.
History
Halifax is not mentioned in the Domesday Book, and evidence of the early settlement is indefinite. By the 12th century the township had become the religious centre of the vast parish of Halifax, which extended from Brighouse in the east to Heptonstall in the west. Halifax Minster, parts of which date from the 12th century is dedicated to St John the Baptist. The minster's first organist, in 1766, was William Herschel, who discovered the planet Uranus. The coat of arms of Halifax include the chequers from the original coat of arms of the Earls Warenne, who held the town during Norman times.
Halifax was notorious for its gibbet, an early form of guillotine used to execute criminals by decapitation, that was last used in 1650. A replica has been erected on the original site in Gibbet Street. Its original blade is on display at Bankfield Museum. Punishment in Halifax was notoriously harsh, as remembered in the Beggar's Litany by poet John Taylor (1580–1654), a prayer whose text included "From Hull, from Halifax, from Hell, 'tis thus, From all these three, Good Lord deliver us.".
The town's 19th-century wealth came from the cotton, wool and carpet industries and like most other Yorkshire towns, it had a large number of weaving mills many of which have been lost or converted to alternative use.
In November 1938, in an incident of mass hysteria, many residents believed a serial killer, the Halifax Slasher, was on the loose. Scotland Yard concluded there were no attacks after several locals admitted they had inflicted wounds on themselves.
Halifax plc started as a building society, the Halifax Permanent Benefit Building and Investment Society, in the town in 1853. Today the bank operates as a trading name of HBOS, part of the Lloyds Banking Group. Yorkshire Bank, based in Leeds and known as the West Riding Penny Savings Bank, was established on 1 May 1859 by Colonel Edward Akroyd of Halifax. Halifax is twinned with Aachen in Germany. The A58 has a stretch called Aachen Way.
Lake Como, in Northern Italy’s Lombardy region, is an upscale resort area known for its dramatic scenery, set against the foothills of the Alps. The lake is shaped like an upside-down Y, with three slender branches that meet at the resort town of Bellagio. At the bottom of the southwest branch lies the city of Como, home to Renaissance architecture and a funicular that travels up to the mountain town of Brunate.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.