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Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
After the faliure of the original corinthian basilica design a Ruskin inspired lombardic, Italianate design was begun in the 1870's by the architect Hansom.It was abandoned half-complete and without its dramatic campinile.
The former Catholic pro-Cathedral, Clifton Bristol. After suffering a long indignity of abandoned and compromised designs the building was abandoned in the 1970's when the congregation moved into a new building. For a while the building served as a school, but is now derelict and awaiting a reconstruction as a large scale housing scheme.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
While exploring the Pennington Bog in northern Minnesota, I came across three examples of one of Minnesota's most beautiful native orchids, the Dragon's Mouth (Arethusa bulbosa). Standing only a few inches high, it doesn't seem to deserve such a fearsome name, but if one gets up close, as a pollinator would, it begins to appear more dragon-like. Its dramatically spotted and spiky labellum, ruffled all around the edges, draws one inward.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Canyonlands National Park in southeastern Utah is known for its dramatic desert landscape carved by the Colorado River. Island in the Sky is a huge, flat-topped mesa with panoramic overlooks. Other notable areas include the towering rock pinnacles known as the Needles, the remote canyons of the Maze and the Native American rock paintings in Horseshoe Canyon. Whitewater rapids flow through Cataract Canyon.
Ahu Tongariki, on Easter Island, is the island’s largest ceremonial platform, showcasing 15 imposing moai statues standing in a striking row against the Pacific Ocean. Located on the southeastern coast, this iconic site was restored after a devastating tsunami in 1960, highlighting the resilience of Rapa Nui culture. The towering stone figures, some reaching 30 feet with their pukao topknots, face inland, symbolizing ancestral protection. Its dramatic setting and historical significance make it a must-see landmark.
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
www.pinterest.com/carnavalbz/bible-stories/cain-and-able/
Fernand Cormon’s giant 1880 painting almost fills an entire gallery wall at the Musee d’Orsay, Paris, not just because it is almost 23 feet long (7 meters) but also because its dramatic starkness directly strikes the viewer in the often-darkened room. The biblical background of Genesis 4:11-12 is alluded in Cormon’s most known picture: “4:11 And now you are cursed from the ground, which has opened its mouth to receive your brother’s blood from your hand. 4:12 When you till the ground, it will no longer yield to you its strength; you will be a fugitive and a wanderer on the earth.” This story of Cain murdering his brother Abel details some of the narrative of the first homicide in the Bible, occurring ominously within the first few pages of literary human history almost as a foresight of the dysfunctional human family to come. The inspiration Cormon (1845-1924) noted for the vast canvas comes from the first lines of Victor Hugo’s poem, itself developed from the biblical text:
“When with his children clothed in animal skins
Dishevelled, livid, buffeted by the storms
Cain fled from Jehovah,
In the fading light, the grim man came
To the foot of a mountain in a vast plain…”
Victor Hugo, “Conscience”, La Legende des siecles (1859)
The GE Building at 30 Rockefeller Plaza
The centerpiece of the Center, the GE Building is one of the world's most famous and most honored office buildings. Designed by the great skyscraper architect Raymond Hood, it takes its shape from his belief in the virtues of natural light. To guarantee all office space was no more than 27 feet from a window, Hood chose not to build any enclosed space above each elevator bank. This gives the façade its dramatic sculptural effect, narrowing and drawing back as it climbs. One critic called it "the largest frozen fountain ever built.”
Since the building opened in 1933 (it was called the RCA Building then, after its lead tenant), it has been home to some of the most important and well-known companies in America. The fifty-sixth floor is the private offices of the Rockefeller family itself. The "father” of Rockefeller Center, John D. Rockefeller Jr., was not a particular fan of modern architecture, and his personal office was decorated in 16th century wood paneling and leaded-glass bookcases with an ancient fireplace was vented into the Manhattan sky.
Signed picture of Cosmonaut Boris Volynov
Boris Valentinovich Volynov is a Soviet cosmonaut who flew two space missions of the Soyuz programme: Soyuz 5, and Soyuz 21. He was the first Jewish cosmonaut to enter space, preceding Judith Resnik in the United States. Following the death of Alexei Leonov in October 2019, he is the last surviving member of the original group of cosmonauts.
After being bumped from the crew of the Voskhod 1 mission and training for Voskhod 3 prior to its cancellation, Volynov finally flew as Commander of Soyuz 5. Launched on 15 January 1969, it docked with Soyuz 4 in orbit. It was the first docking of two crewed spacecraft of any nation.
The flight was also memorable for its dramatic re-entry. The craft's service module did not separate, so it entered the atmosphere nose-first, leaving cosmonaut Boris Volynov hanging by his restraining straps. As the craft aerobraked, the atmosphere burned through the module. But the craft righted itself before the escape hatch was burned through. Then, the parachute lines tangled and the landing rockets failed, resulting in a hard landing which broke Volynov's teeth.
The capsule came down in the Ural Mountains, far short of its target landing site in Kazakhstan. The local temperature was −38 °C, and knowing that it would be many hours before rescue teams could reach him, Volynov abandoned the capsule and walked for several kilometers to find shelter at a local peasant's house. It would be seven years until Volynov flew again, on Soyuz 21.
Years later, speaking about the Soyuz 5 experience, Volynov said that “there was no fear but a deep-cutting and very clear desire to live on when there was no chance left.”
On 6 July 1976 Volynov and Flight Engineer Vitaliy Zholobov were launched on board Soyuz 21 to spend between 54 and 66 days aboard the space station Salyut 5. Following a deterioration in the health of Zholobov, the decision was made to return the crew at the earliest available opportunity and they boarded their Soyuz on 24 August. However, as Volynov tried to undock from Salyut, the latch failed to release properly. As he fired the jets to move the spacecraft away, the docking mechanism jammed, resulting in the Soyuz being undocked but still linked to Salyut. As the two spacecraft moved out of range of ground communications, only the first set of emergency procedures was received. Volynov tried a second time to undock but managed only to slightly loosen the latches. This situation persisted for an entire orbit (90 minutes), then the final set of emergency procedures were received and the latches finally disengaged.
Because Soyuz 21 was returning early, it was outside the normal recovery window, and encountered strong winds as it descended, which caused uneven firing of the retrorockets. It made a hard landing around midnight 200 km southwest of Kokchetav, Kazakhstan. Zholobov's illness was apparently caused by nitric acid fumes leaking from the Salyut's propellant tanks.
After resigning from the space program in 1982, he spent eight years as a senior administrator at the Gagarin Cosmonaut Training Centre. After 30 years of service in Star City, in 1990, he retired in the rank of colonel due to age limit.
All Saints in Pavement, York is distinguished by its dramatic octagonal tower, a major landmark of the city and masterpiece of late medieval architecture. The church itself is of mainly 14th/15th century date, though lost its chancel in the following centuries. The west window contains reset late 14th century panels depicting the Passion.
This church is generally open and welcoming to visitors.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623
is a canyon system of the Caprock Escarpment located in the Texas Panhandle near the city of Amarillo, Texas, United States. As the second largest canyon in the United States, it is roughly 193 km (120 mi) long and has an average width of 10 km (6.2 mi), but reaches a width of 32 km (20 mi) at places. Its depth is around 250 m (820 ft), but in some locations it can increase up to 304 m (997 ft). Palo Duro Canyon has been named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls similar to those in the Grand Canyon.
One of the most amazing places that I have ever seen! The Lighthouse Trail was awesome and unforgettable!
More information:
English: en.wikipedia.org/wiki/Palo_Duro_Canyon
German: de.wikipedia.org/wiki/Palo_Duro_Canyon
Don't use this image on websites, blogs or other media
without my explicit permission. © All rights reserved.
A National Historic Landmark
New York County, NY
Listed in NR: 01/17/1975
Designated an NHL: 12/08/1976
Constructed in the early 20th century, this monumental Beaux-Arts structure is a triumph of architecture, planning, and engineering. Its dramatically lit grand concourse centers a complex transportation network and provides an unrivaled first impression of New York to countless commuters and travelers. Grand Central made preservation history in 1978, when – thanks to efforts of Jacqueline Kennedy Onassis and others – the U.S. Supreme Court decreed that its status as a New York City Landmark protected it from demolition. This decision upheld the rights of local authorities across the country to protect and preserve their landmarks. The terminal was restored in 1998 and now appears every bit as grand as it did when it first opened.
Smailholm Tower is a peel tower at Smailholm, around five miles west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Xinjiang Tianshan, a UNESCO World Heritage Site in China, is a majestic mountain range renowned for its dramatic landscapes, including snow-capped peaks, deep valleys, and diverse ecosystems. Spanning deserts, meadows, and forests, it hosts unique biodiversity with rare species like the Tianshan snow lotus. The region’s striking red sandstone formations and glacier-fed rivers create a stunning natural spectacle, while its cultural significance as a historical Silk Road corridor adds depth. Ideal for trekking and exploration, Tianshan offers a blend of rugged beauty and ecological richness.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Wald bodykit for the BMW 3-series
Wald’s 3-series bodykit is something of a change of pace, then, although its dramatic looks definitely let onlookers know this is not a stock BMW.
Available in white (pictured) and gun-metal grey, the Wald E90 Sport Line 3-series appearance kit features side-skirts, a trunk-lid spoiler, a completely reworked front and rear appearance, plus four fog lamps. Custom 19in wheels with low-profile tires five the Wald the mean stance that befits its aggressive new trim.
A custom exhaust system offers a high-performance sound, though that’s the extent of the driveline modifications, so don’t expect to go running down M3s, despite the car’s mean look.
Pace is a leading technology developer for the global payTV industry.
Our brief was to design publicity material for the launch of their latest set-top receiver - a product which only differs from its predecessor by having a more stylish exterior casing. Apart from its shape, it is exactly the same product.
But history shows that sometimes a simple change in shape is enough to create a retail bestseller.
Our solution was to recall examples of where a change in a product's shape was responsible for its dramatic increase in popularity. We illustrated these examples - these design classics - and applied them to publicity posters, advertisements and launch invitations - and refrained from showing the new product altogether, so as to create anticipation at the launch event.
Mystical Bronze Age site of Bryn Cader Faner
"Bryn Cader Faner is a small cairn just 8m across and less than 1m high, but around the edge is a ring of tall, thin slabs set at an angle, projecting from the mass of the cairn like the rays of the sun, or as some say the "Welsh Crown of Thorns". The monument may be classified as a cairn circle, and was probably a site of burial rather than ceremonial function. It has been disturbed and a hole in the centre no doubt indicates the position of a cist or grave, the content of which is unknown. The army, on manoeuvres before the second world war, pulled out stones on the east side but, miraculously, the striking silhouette remained intact.
It is a monument of simple but brilliantly effective design, placed with sophisticated precision in its dramatic setting so as to achieve maximum impact on travellers approaching from the south. It is arguably the most beautiful Bronze Age monument in Britain."
Acknowledgement: A guide to ancient and historic Wales by Frances Lynch
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
My post this evening is driven a bit by a show that happens to be on this evening. On Discovery HD, a show called China Rising is giving insight into the social economic challenges that are accompanying China and especially Shanghai as it springboards into its dramatic new future. Although I was only able to visit for a couple of days when I was there, I could feel the energy of this city as change was unfolding. This show unveils some of the resistance of the locals and a little of the ugly side of rapid capitalistic growth.
This image was created from a snap out of the old G10 as was wandering around one afternoon looking for "Old Shanghai". I particularly liked the grungy feeling of some of these older neighborhoods, however, I feel that all of this will be bulldozed over and gone by the time I make it back there someday. Every inch of this evolving city seems to be giving way "New Shanghai". Exciting for some, yet kind of sad for many.
Danbury High coach Ricky Shook cheers on his team during its dramatic win over Mt. Anthony Union Friday night at the O’Neill Center.
2007-12-21
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Lake Como, in Northern Italy’s Lombardy region, is an upscale resort area known for its dramatic scenery, set against the foothills of the Alps. The lake is shaped like an upside-down Y, with three slender branches that meet at the resort town of Bellagio. At the bottom of the southwest branch lies the city of Como, home to Renaissance architecture and a funicular that travels up to the mountain town of Brunate.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
One of the many carvings adorning the wall arcading in the north aisle.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Harpa Concert Hall and Conference Centre, Reykjavík, Iceland
Mies van der Rohe Award 2013
The opening concert was held on May 4, 2011
Name:
Icelandic woman's name meaning "harp."
Also the first month of the Icelandic summer in the old Icelandic
calendar.
Mies van der Rohe Award 2013:
"Harpa's crystalline structure was inspired by Icelandic landscapes and traditions. Its dramatic design captures and reflects the light of the city, ocean and sky to thrilling effect.”
Wiel Arets, Chair of the Jury:
“Harpa has captured the myth of a nation – Iceland – that has consciously acted in favour of a hybrid-cultural building during the middle of the ongoing Great Recession. The iconic and transparent porous 'quasi brick' appears as an ever-changing play of coloured light, promoting a dialogue between the city of Reykjavik and the building's interior life. By giving an identity to a society long known for its sagas, through an interdisciplinary collaboration between Henning Larsen Architects and artist Olafur Eliasson, this project is an important message to the world and to the Icelandic people, fulfilling their long expected dream.”
The Design
Architects, Designers, Lighting Design
The main designers of the Harpa Concert Hall and Conference Centre are Danish architectural firm Henning Larsen Architects and Icelandic architectural firm Batteríið Architects.
Henning Larsen Architects has gained a reputation for superb design, including the new Opera House in Copenhagen. Batteríið Architects have won numerous awards for their design, including the extension for the Icelandic Parliament. The firm works internationally in close cooperation with contractors and renowned architects and engineers in the Nordic countries, North America and Australia.
Danish-Icelandic artist Olafur Eliasson designed the south facade, and developed the principle for the remaining north/east/west facades and roof in collaboration with Henning Larsen Architects and Batteríið Architects. Elíasson deploys light, colour and natural phenomena to test how physical movement, sensual engagement, and the interaction of body and brain influence our perception of our surroundings.
The US consulting firm Artec Consultants Inc. is responsible for the acoustics, sound isolation and design of the theatre and sound equipment in all the venues.
The monk sleep moved here from koh @chesterljc #its_dramatic #hdroftheday #hdrpotters #hdr_lovers #hdreality #hdreality #hdr_arts #hdr #instago #iphone4s #james_favourites #gang_family #iphoneography #igersjapan #inhil_community #iphonesia #ig_nesia #b_ig #instagood #instagramhub #instagram #hdrstyles_gf #hdr_indonesia #photooftheday #webstagram
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White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes.
The Square Chapel in Halifax, West Yorkshire, England, was designed by Thomas Bradley and James Kershaw at the instigation of Titus Knight, a local preacher. Construction started in 1772 and the chapel was visited by John Wesley in July of that year.
The Congregationalist chapel was typical of Nonconformist design in offering an uninterrupted view of the preacher, having no internal supporting structures. As its name suggests, the chapel has a square base. Atypically for the Calderdale region, it was built of red brick rather than local stone.
In the 1850s a new chapel, which became the Square Congregational Church, was built on a site to the north, adjoining the chapel; the 1772 building was then used as a Sunday school.
The steeple of the Square Congregational Church survives; the rest of the building was demolished in 1976. The steeple has been incorporated into a library built on the site of the church. Since 1992 the chapel has been used as an arts centre. The steeple and the chapel are Grade II* listed buildings.
The Piece Hall is a Grade I listed building in Halifax, West Yorkshire, England. It was built as a cloth hall for handloom weavers to sell the woollen cloth "pieces" they had produced.
History
The earliest known reference to the new Piece Hall was a handbill dated 19 March 1774, although this no longer survives. The hall was built for "the purpose of depositing and exposing to sale the worsted and woollen goods manufactured in this town and neighbourhood". It was seen that bringing merchants and buyers together in one place would create a more competitive and efficient market and discourage fraudsters. Initially, two sites were proposed, one at Talbot Croft and the other at Cross Field (which was used in 1948 for the construction of the new bus station). After consideration, Talbot Croft was chosen and was purchased in September 1774.
It opened on 1 January 1779, with 315 separate rooms arranged around a central open courtyard.
The architect of Piece Hall has never been identified, and there is a lack of documentary evidence surrounding its design and construction; F. A. Leyland cited Thomas Bradley as the most likely architect in 1887, although others have suggested Samuel and John Hope and John Carr.
An 1831 description of Piece Hall says:
The Piece Hall was erected by the manufacturers and is a large quadrangular building of freestone occupying an area of ten thousand square yards with a rustic basement storey and two upper storeys fronted with two interior colonnades which are spacious walks leading to arched rooms where goods in an unfinished state were deposited and exhibited for sale to the merchants every Saturday from ten to twelve o clock. This structure which was completed at an expense of £12,000 and opened on 1 January 1779 unites elegance convenience and security. It contains three hundred and fifteen separate rooms and is proof against fire.
— Samuel Lewis, A Topographical Dictionary of England
The Industrial Revolution saw a shift away from small producers and traders, with new larger mills in the Halifax area trading directly with merchants and exporters. After years of decline, the Piece Hall was acquired from the trustees in 1868 by Halifax Corporation. They converted it into a wholesale market hall and some of the small rooms were combined to make larger shop units; cellars were created and the south pedestrian gate was enlarged to allow vehicles to enter the courtyard with Iron Gates installed over the entrance (supplied by George Smith of the Sun Foundry, Glasgow for £120). Sheds and latrines were constructed in the courtyard.
In 1971, after the Piece Hall had become seen as unsuitable for a wholesale market, the businesses were dispersed elsewhere throughout the town and demolition of the then two-century-old building was considered. Government grants were made available and the Halifax Corporation received funding to make the building a tourist attraction. The sheds that had been built in the 19th century were demolished and the courtyard landscaped; further, walls were removed from the original rooms to create shops, and a new museum–art gallery was opened on the east side. The new Piece Hall opened on 3 July 1976. The museum–art gallery closed in 1998.
In 2010, the Heritage Lottery Fund awarded Calderdale Council first round funding to restore and redevelop the Piece Hall.
The Piece Hall reopened on 1 August 2017, after a £19 million restoration project started in 2014.
The Piece Hall hosted its first major music event with Father John Misty headlining.
Piece Hall Trust has been set up as a charity responsible for managing the Piece Hall.
Listing
The Piece Hall was listed on 3 November 1954 and has Grade I listed protection. Reasons for the listing were given as:
Historic interest: citing the scale and architectural grandeur and its illustration of the wealth of Halifax at the time of its construction.
Rarity: citing the rarity of surviving purpose built cloth halls.
Architectural interest: citing its dramatic design, its detailed galleries and courtyard as well as a high degree of craftsmanship and the high quality of materials used
Architectural layout: citing the courtyard plan but the provision of individual rooms to enable confidentiality in transactions. Despite the combination of some rooms internally the building remains externally unchanged and "visually readable".
Halifax is a minster and market town in the metropolitan borough of Calderdale in West Yorkshire, England. It is the commercial, cultural and administrative centre of the borough, and the headquarters of Calderdale Council. In the 15th century, the town became an economic hub of the old West Riding of Yorkshire, primarily in woollen manufacture. Halifax is the largest town in the wider Calderdale borough. Halifax was a thriving mill town during the Industrial Revolution. In 2011, it had a population of 88,134.
Toponymy
The town's name was recorded in about 1091 as Halyfax, from the Old English halh-gefeaxe, meaning "area of coarse grass in the nook of land". This explanation is preferred to derivations from the Old English halig (holy), in hālig feax or "holy hair", proposed by 16th-century antiquarians. The incorrect interpretation gave rise to two legends. One concerned a maiden killed by a lustful priest whose advances she spurned. Another held that the head of John the Baptist was buried here after his execution. The legend is almost certainly medieval rather than ancient, although the town's coat of arms carries an image of the saint. Another explanation is a corruption of the Old English hay and ley a clearing or meadow. This etymology is based on Haley Hill, the nearby hamlet of Healey (another corruption), and the common occurrence of the surnames Hayley and Haley around Halifax. The erroneous derivation from halig has given rise to the demonym Haligonian, which is of recent origin and not in universal use.
The Earldom of Halifax took the name of the town. Its first creation, in the Peerage of England in 1677, was for George Savile, who was created Baron Savile of Eland and Viscount Halifax in 1668 and later became the Marquess of Halifax (this creation of the earldom became extinct in 1700). George Montagu-Dunk, 2nd Earl of Halifax, (2nd order of the 3rd creation) became the President of the Board of Trade in 1748. In 1749 the city of Halifax, the capital of Nova Scotia, Canada, was named in his honour. The Halifax River in Central Florida, United States, was also named after him.
History
Halifax is not mentioned in the Domesday Book, and evidence of the early settlement is indefinite. By the 12th century the township had become the religious centre of the vast parish of Halifax, which extended from Brighouse in the east to Heptonstall in the west. Halifax Minster, parts of which date from the 12th century is dedicated to St John the Baptist. The minster's first organist, in 1766, was William Herschel, who discovered the planet Uranus. The coat of arms of Halifax include the chequers from the original coat of arms of the Earls Warenne, who held the town during Norman times.
Halifax was notorious for its gibbet, an early form of guillotine used to execute criminals by decapitation, that was last used in 1650. A replica has been erected on the original site in Gibbet Street. Its original blade is on display at Bankfield Museum. Punishment in Halifax was notoriously harsh, as remembered in the Beggar's Litany by poet John Taylor (1580–1654), a prayer whose text included "From Hull, from Halifax, from Hell, 'tis thus, From all these three, Good Lord deliver us.".
The town's 19th-century wealth came from the cotton, wool and carpet industries and like most other Yorkshire towns, it had a large number of weaving mills many of which have been lost or converted to alternative use.
In November 1938, in an incident of mass hysteria, many residents believed a serial killer, the Halifax Slasher, was on the loose. Scotland Yard concluded there were no attacks after several locals admitted they had inflicted wounds on themselves.
Halifax plc started as a building society, the Halifax Permanent Benefit Building and Investment Society, in the town in 1853. Today the bank operates as a trading name of HBOS, part of the Lloyds Banking Group. Yorkshire Bank, based in Leeds and known as the West Riding Penny Savings Bank, was established on 1 May 1859 by Colonel Edward Akroyd of Halifax. Halifax is twinned with Aachen in Germany. The A58 has a stretch called Aachen Way.
Dunluce Castle on the North Antrim Coast is located in its dramatic position close to a headland which plunges straight into the sea. First records of its existence date back to 1513 when it belonged to the MacQuillans though it was built in the 13th century. A village surrounding the castle was destroyed by fire in 1641. It is famous for its kitchen falling into the sea one stormy night in 1639 taking its staff with it.
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Skala Pervyy Stolb, Stolby Nature Reserve
Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
© All rights reserved, don't use without permission
Skala Pervyy Stolb, Stolby Nature Reserve
Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
© All rights reserved, don't use without permission
Skala Pervyy Stolb, Stolby Nature Reserve
Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
The Sevens World Series reaches its dramatic conclusion this weekend at Twickenham!
It's FUN Day — watching Rugby at Twickenham Rugby Stadium.
Tatoosh Range, Mount Rainier National Park, Washington. Mount Rainier National Park offers smaller treasures in contrast to its dramatic views. In early July, glacier lilies(Erythronium grandiflorum) appear along the Bench and Snow Lake Trail. Scanned from a Kodachrome slide.
The 69th annual Canadian International Air Show (CIAS) inspiring show.
Canadian Forces Snowbirds bring the performance to its dramatic finale.
The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble Djúpalónssandur Beach. In Stykkishólmur fishing village, the 19th-century wood-frame Norwegian House is a regional museum with a craft shop.
The 69th annual Canadian International Air Show (CIAS) inspiring show.
Canadian Forces Snowbirds bring the performance to its dramatic finale.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
Selfie @ Harpa Concert Hall and Conference Centre, Reykjavík, Iceland
Mies van der Rohe Award 2013
The opening concert was held on May 4, 2011
Name:
Icelandic woman's name meaning "harp."
Also the first month of the Icelandic summer in the old Icelandic
calendar.
Mies van der Rohe Award 2013:
"Harpa's crystalline structure was inspired by Icelandic landscapes and traditions. Its dramatic design captures and reflects the light of the city, ocean and sky to thrilling effect.”
Wiel Arets, Chair of the Jury:
“Harpa has captured the myth of a nation – Iceland – that has consciously acted in favour of a hybrid-cultural building during the middle of the ongoing Great Recession. The iconic and transparent porous 'quasi brick' appears as an ever-changing play of coloured light, promoting a dialogue between the city of Reykjavik and the building's interior life. By giving an identity to a society long known for its sagas, through an interdisciplinary collaboration between Henning Larsen Architects and artist Olafur Eliasson, this project is an important message to the world and to the Icelandic people, fulfilling their long expected dream.”
The Design
Architects, Designers, Lighting Design
The main designers of the Harpa Concert Hall and Conference Centre are Danish architectural firm Henning Larsen Architects and Icelandic architectural firm Batteríið Architects.
Henning Larsen Architects has gained a reputation for superb design, including the new Opera House in Copenhagen. Batteríið Architects have won numerous awards for their design, including the extension for the Icelandic Parliament. The firm works internationally in close cooperation with contractors and renowned architects and engineers in the Nordic countries, North America and Australia.
Danish-Icelandic artist Olafur Eliasson designed the south facade, and developed the principle for the remaining north/east/west facades and roof in collaboration with Henning Larsen Architects and Batteríið Architects. Elíasson deploys light, colour and natural phenomena to test how physical movement, sensual engagement, and the interaction of body and brain influence our perception of our surroundings.
The US consulting firm Artec Consultants Inc. is responsible for the acoustics, sound isolation and design of the theatre and sound equipment in all the venues.
The 69th annual Canadian International Air Show (CIAS) inspiring show.
Canadian Forces Snowbirds bring the performance to its dramatic finale.
The Westmorland Dales In The Yorkshire Dales National Park
This is an area of tremendous history and there are stone circles, remains from the romans and medieval villages to be found.
In the Mallerstang valley you will find the atmospheric ruins of Pendragon Castle with its reputed connection to Uther Pendragon – the father of King Arthur. Towering over the castle is Wild Boar Fell where Sir Richard de Musgrave is thought to have killed the last wild boar in Britain. There could be something in this as his tomb is in Kirkby Stephen church and, when it was examined, in addition to his bones there were two wild boar tusks.
More modern history was created by the building of railways. The Settle to Carlisle railway cuts through the Westmorland Dales as part of its dramatic journey through the Dales with its stunning examples of Victorian engineering. There was also Stainmore Railway which was built to bring coal from the Tees Valley over to Cumbria for use in making iron. Although this railway closed in the 1960s it has left some tremendous reminders of its existence such as the viaducts over Podgill and Smardale and the station at Kirkby Stephen East.
The redness in the sky to the west was now alarming, although I knew the reason, it felt like something supernatural.
Palgrave was just a few miles from Hepworth, and one I hoped to find open, and at just after four in the afternoon, but nearly dar, it was.
It was really very gloomy inside the church, even with the lights on, shots were difficult to take. I was on a mission to snap all I could as soon as possible before the light failed altogether.
Church features a splendid Norman font, modern glass, and the remains of a spiral staircase leading to a room over the south porch, the floor of which has long since vanished. The stairs now a broom cupboard.
Wonderful painted roof, I thought maybe done in the last century, but might be much, much older than that.
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2015: I've visited Palgrave church several times since this account first appeared, most recently to take the photographs here. However, I hope I will be forgiven for retaining the original text from 2003, if only for its freshness, and perhaps also for what may be viewed at this distance as its charm.
2003: I arrived at Diss railway station in that gentle sunshine for which we’ll remember the Spring of 2003. Diss is in Norfolk; I had just crossed the border on my train journey from Ipswich, but I was bound for Diss's southern suburb, the Suffolk village of Palgrave. I cycled off from the station. I headed under the railway line, and over the infant Waveney. At this point, I entered Suffolk again, but there were no county signs in either direction. To be honest, it didn’t feel that different, apart from the way that the road surface improved, the schools came off special measures, the police force became efficient, and so on.
The countryside opened out into golden oilseed rape fields under a wide sky. It was good to be home. Soon, I was coming into Palgrave village, which seemed very pleasant indeed.
In medieval times, Palgrave was actually two parishes; the westerly one, Palgrave St John, has been subsumed into this one, and that church has completely disappeared. However, this pretty church is walled neatly into its graveyard at the heart of the village, which spreads neatly around it. As this was my first church of the day, I hoped it would be open; it always puts a crimp in a trip if the first one is a lock-out. I was not disappointed; St Peter is a friendly parish that knows that part of its Christian mission is to welcome strangers and pilgrims.
I stepped through the elaborate arch of the late 15th Century south doorway. An angel and a dragon contended in the spandrels, and there were characterful heads carved in the entrance arch. Inside, a very nice lady was busy with the flowers, and took time out to show me around. All the while, I was conscious that above my head the lovely painted roof of Palgrave. Marian monograms and symbols punctuate the whitewash; once, many small Suffolk churches must have been like this. Perhaps someone can explain to me why this one hasn’t faded like many of the others; I don’t think it has been redone.
The other famous treasure here is the font. It is unlike anything else in Suffolk. Clearly Norman, but much more elaborate than most, its most outstanding features are the faces in each corner. Again, this is a more intimate experience of the faces we normally see as corbels; but Palgrave has these too, stunning medieval characters along the lines of the arcades.
While we are on the subject of treasure, there were two modern features that were obviously loved by the locals. Firstly, Surinder Warboys has her studio nearby at Mellis, and here is one of her windows in the south aisle. The light flooded through it. The lady told me that everybody liked it, but that it was very hard to do a flower arrangement in front of it! I thought that they had done very well. Secondly, up in the chancel is the benefice millennium banner – people from all the parishes came together and produced this amazing patchwork cross. On the back, there are panels depicting the mission of the Church. Apparently, it is shared around the benefice churches for display for a few weeks at a time.
In the place where many churches now display the coat of arms, Palgrave has part of a suit of armour. I have seen an explanation in several books that it was from the parish armoury, which was once stored in the upper room of the porch, as at Mendlesham. This upper room has now gone, and the armoury has, as in most churches, been dispersed. However, I could find no evidence for this story, and it seems to be based on one of Arthur Mee’s fancies. I don't think it is even real armour; rather, it is similar to the mock plate armour behind the Bacon memorial at nearby Redgrave. It seems likely to me that this is also part of an old set of armour associated with a memorial of some kind, which the Victorians swept away. I don’t suppose we’ll ever know.
Back outside again, I took time out to photograph the famous grave of carter John Catchpole, with its relief of a wagon and horses – you can see it in the left-hand column. It seems a modern fashion to decorate headstones with symbols associated with the deceased; nice to know it was happening in the mid-18th century.
I turned, and looked back at the neat tower, the splendid porch with its dramatic niches. You can see that there was once an upper room, but it has now gone.
And it was time for me to be gone, too. Waving cheerily, I headed off in the direction of Thrandeston, all the road back to Ipswich open in front of me in the sunshine.
Simon Knott, August 2003, updated July 2015