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People with umbrella in Sintra, a resort town in the foothills of Portugal’s Sintra Mountains, near the capital of Lisbon. A longtime royal sanctuary, its forested terrain is studded with pastel-colored villas and palaces. The Moorish- and Manueline-style Sintra National Palace is distinguished by its dramatic twin chimneys and elaborate tilework.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
Lake Como, in Northern Italy’s Lombardy region, is an upscale resort area known for its dramatic scenery, set against the foothills of the Alps. The lake is shaped like an upside-down Y, with three slender branches that meet at the resort town of Bellagio. At the bottom of the southwest branch lies the city of Como, home to Renaissance architecture and a funicular that travels up to the mountain town of Brunate.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
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Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Second largest canyon in the US located in the Texas panhandle. Being named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls similar to those in the Grand Canyon.
Citation: Texas Park Wildlife. Lighthouse Rock at Palo Duro Canyon State Park, Texas. Web. 25 Oct. 2012. .
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Castilleja scabrida Eastwood var. scabrida in Utah occurs mainly in the eastern half of the state and extending from the southeast towards the southwestern portion of the state (but this taxon does not extend much past eastern Washington County; a different variety occurs in Utah's west desert). It is perhaps better known for its dramatic appearances in sandstone crevices in Zion National Park, but occurs also in Arches as here on sandstone and soils derived from sandstone. The upper portion of the galea tends to be exserted from the calyx as above. The greenish leaves are mainly lanceolate but may have some small lobes, and its stems are usually decumbent. It may be confused with C. chromosa which also occurs both at Arches and Zion. C. chromosa however tends to bloom earlier, is mainly erect and has longer, subequally cleft leaves that aren't green, and other differences.
May 7, 1980, Arches National Park, Broken Arch area, Grand County, Utah
This was probably taken with an ancient Kodak Instamatic type camera, not known for its great clarity and resolution but better than nothing.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
Item #91301
The Sweet Smell Of Success
Véronique Perrin® Dressed Doll
Suggested Retail Price: $110.00 US
Limited Edition Size: 500 Dolls Worldwide
Estimated Delivery date: Early August 2012
Some say that Véronique Perrin is all about work and no fun, but she begs to differ. Ms. Perrin shows us her softer side dressed in this most provocative, yet totally romantic look. With its dramatic black and pink contrasts and soft lace accents, this look totally gives Véronique a new smoldering attitude. This will surely help the CEO of W Cosmetics seduce a new beau or convince a powerful investor to sign on the dotted line... you decide!
Véronique is a 12" vinyl doll that comes with a fully rooted hairstyle, hand applied eyelashes, fashion, jewelry, accessories, shoes, doll stand and certificate of authenticity.
Sintra, a resort town in the foothills of Portugal’s Sintra Mountains, near the capital of Lisbon. A longtime royal sanctuary, its forested terrain is studded with pastel-colored villas and palaces. The Moorish- and Manueline-style Sintra National Palace is distinguished by its dramatic twin chimneys and elaborate tilework.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
Fallen Roof Ruin, with its dramatic evidence of Ancestral Puebloan habitation, Bears Ears National Monument, southern Utah, USA
Torr Vale Mill in the Derbyshire town of New Mills was the longest continuous running textile mill in the UK until it closed in 2000. Inside are abandoned cotton racks and looms with half woven towels. Despite its dramatic location nestled in the deep Goyt Valley, it has proved difficult to convert to a new use due to restricted site access. Several failed attempts to rehabilitate the building mean that it lies derelict, with the owner taking only the bare essential steps to secure the site from vandalism and pigeon infestation.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623
Detail of the patchwork of medieval glass remaining from various windows throughout the Minster re-assembled to fill the great east window.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of the Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
The Renvyle peninsula is home to some of Connemara’s most spectacular scenery. Its dramatic sweeping beaches, bounded by mountain views, are awe inspiring. Most activity takes place in the lively villages of Tullycross and Tully, both of which offer warm and welcoming pubs, restaurants and accommodation.
Pony trekking is a popular activity, as are many water sports, which take place at beaches Glassilaun, White Strand, Lettergesh and Tully. Derryinver Quay and Ballinakill Harbour are also well worth a visit. Nature lovers and bird watchers will enjoy the opportunity to discover a great variety of bird and marine life.
The traditional music scene is vibrant in Renvyle. Regular musical concerts and dancing take place at the Teach Ceol in Tully, and everyone is encouraged to join in. The Connemara Mussel Festival takes place on the May Bank Holiday annually showcasing the locally produced seafood specialities in a festival atmosphere.
The Renvyle Peninsula begins shortly after Letterfrack when driving North-West on the Tullycross road (Letterfrack is 15minutes from the town of Clifden).
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
Iceland, a Nordic island nation, is defined by its dramatic volcanic landscape of geysers, hot springs, waterfalls, glaciers and black-sand beaches. The capital, Reykjavik, home to the majority of the population, runs on geothermal power and offers a renowned nightlife scene as well as Viking history museums. The glaciers in Vatnajökull and Snæfellsnes national parks are popular for ice climbing, hiking and snowmobiling.
Timmelsjoch (Italian: Passo del Rombo), (elevation 2,474 metres (8,117 ft)) is a high mountain pass that creates a link through the Ötztal Alps along the border between Austria and Italy.
The Timmelsjoch connects the Ötztal valley in the Austrian state of Tyrol to the Passeier Valley in the Italian province of South Tyrol, as it bridges the saddle point between the Jochköpfl (3,141 metres (10,305 ft)) and Wurmkogl (3,082 metres (10,112 ft)) peaks to its northeast and southwest, respectively. The pass is sometimes called the "secret passage" because it is little-used compared to the much easier and lower Brenner Pass some 25 kilometres (16 mi) to its east, and Reschen Pass some 60 kilometres (37 mi) to its west.
History
During the early Stone Age, shepherds and their flocks lived in the Obergurgl area near Timmelsjoch. By the early Bronze Age, the glaciers of the last Ice Age were retreating and various hunters, adventurers, and wandering tribes entered the higher elevations in the area in search of game and treasure. The discovery of a brooch near the Schönbodenlacke dating from the La Tène period (around 300 BC) indicates that people were passing over the Timmelsjoch during this period.
By the Middle Ages, mining influenced the development of a road network in the area. Marble quarries, semiprecious stones, and oil shales were all exploited. The ancient path over the Timmelsjoch was one of many such roads in the Tyrol which helped facilitate trade and would have a profound social, cultural, political, and religious impact on the peoples of the region. The Timmelsjoch was a particularly important route because it provided one of the most direct routes between the upper Inntal valley and Meran, the regional capital at the time, as well as Tirol Castle and St. Leonhard in Passeier, where the road forks to the Jaufenpass, down to Sterzing, and on to the Brenner Pass road. During that time, cart tracks were relatively few, and travelers, peddlers, and people leading pack animals tended to choose the shortest route.
From the end of the thirteenth century to the beginning of the fifteenth century, the Timmelsjoch facilitated increased trade. Ötztaler Kraxenträger (basket bearers) transported flax, livestock, cured bacon, lard, vinegar, wine, and spirits across the pass. These early traders routes and techniques that would later inspire modern alpinists. The name "Thymelsjoch" first appeared in 1241 in a letter written by the Bavarian Count of Eschenlohe. For centuries, the spelling "Thimmeljoch" was widely used. The current spelling came into usage only in the twentieth century during the construction of the paved road.
Timmelsjoch Hochalpenstrasse
Timmelsjoch Hochalpenstrasse
The first plans to build a road across the Timmelsjoch were drawn up in 1897, when the Tyrolean Landtag (regional assembly) established a construction agenda which comprised the building of several "rival roads" including a road over the Timmelsjoch. Work would not begin until the autumn of 1955.[3] On July 7, 1959, after four years of construction, the 12-kilometre (7.5 mi) road was finally opened to the public. The Timmelsjoch Hochalpenstrasse was well-engineered and integrated into the landscape.
While the road up from the Ötztal valley was built for tourism purposes, the situation in the Passeier Valley (on the southern side) was very different. As in many other parts of the Italian Alps, Mussolini, the ruler from 1922 to 1945, had numerous military roads built up towards Italy's international borders. Construction of the road from Moos in Passeier, 10 km southeast from the pass, commenced in the 1930s. After the meeting between Mussolini and Hitler on the Brenner in 1939, construction work ceased. The road was narrow and rough, but had almost been completed. The last 700-metre (2,300 ft) tunnel had been dug through; just the remaining 2 km stretch from its end to the pass had not been built. The tunnel partly collapsed in the following years. From 1939 to the mid-1960s, the unfinished, grassed-over road was only used for forestry purposes. Construction work resumed in the mid-1960s and the road was completed to the pass and opened to through traffic in 1967.
The road on the Ötztal valley side is called the Timmelsjoch Hochalpenstrasse. The pass is now popular with car and motorbike tourists. Due to its elevation, steepness, and narrow road, the Timmelsjoch pass is closed to lorries and vehicles with trailers. With its dramatic scenery, particularly on the southern side, the road has become popular with cyclists. On the last Sunday in August, several thousand cyclists take part in the Ötztaler Cycling Marathon crawl up the 29-kilometre (18 mi) section from St. Leonhard in Passeier (672 metres (2,205 ft)) to the pass, gaining 1,800 metres (5,900 ft)—the fourth and final pass included in the grueling 238-kilometre (148 mi) marathon.
Large chairs at the pass, one on each side of the Austria-Italy border with a border marker in between
The Timmelsjoch pass is open to traffic from approximately the first half of June to the second half of October (the exact dates depend on snow conditions) daily from 7:00 am to 8:00 pm. The Ötztal valley side is subject to a toll charge. At the Timmelsjoch pass, the Rasthaus summit tavern offers travelers warm meals and drinks and a sun terrace.Overlooking the Rasthaus is a stone mountain hut with a summit cross nearby.
"White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. " A popular activity here is sledding on the dunes using plastic discs or elongated sleds.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble Djúpalónssandur Beach. In Stykkishólmur fishing village, the 19th-century wood-frame Norwegian House is a regional museum with a craft shop.
The 69th annual Canadian International Air Show (CIAS) inspiring show.
Canadian Forces Snowbirds bring the performance to its dramatic finale.
Chīori: Talk by Alex Kerr
www.japanhouselondon.uk/whats-on/2020/chiori-talk-by-alex...
Iya Valley, a secluded mountainous region in Tokushima Prefecture is often referred to as Togenkyō (lit. utopia) thanks to its dramatic landscapes and lush nature, which boasts precipitous gorges and hundreds of old thatched houses perched on its hillsides.
In this event, Japan House London dedicates an evening to explore regional revitalization and preservation of cultural traditions which have been carried over throughout centuries to the present day.
With contributions from members of Tokushima Prefecture and author Alex Kerr, this panel discussion chaired by Japan House London Programming Director Simon Wright discusses various aspects of culture in Tokushima, such as the awa-odori dance, and investigates Alex Kerr’s approach towards the renovation of Chīori (‘House of the Flute’), a wooden house with thatched roof, to help preserve the local lifestyle and the hundreds of kominka (lit. ‘old house’) in the area.
The book ‘Lost Japan’ by Alex Kerr will be available to purchase in The Shop at the Ground Floor on the day. Guests who purchase the book in The Shop have the opportunity to have their copy signed by the author during the drinks reception following this event, which features a selection of sake from Tokushima Prefecture.
About the Speaker
Alex Kerr came to Yokohama with his family as a child in 1964 and has lived in Kameoka (near Kyoto) since 1977. Alex writes in both English and Japanese, and is author of numerous books on Japan, including Lost Japan (1993), Dogs and Demons (2001), Nippon Keikanron ‘Theory of Japanese Landscape’ (2014), Another Kyoto (2016) and Kanko Bokokuron (2019).
In addition to his involvement in Japanese arts in Kyoto, Alex worked as Japan representative of American real estate developer Trammell Crow in the 1980s. He is known for his work on restoration of old houses, having restored over forty houses in towns around Japan. Alex speaks to groups across Japan about ways to revive their local economies by preserving cultural heritage and developing sustainable tourism.
Sneffels Range Autumn - Dallas Divide - Colorado
The Sneffels Mountains, located in southwestern Colorado, are a stunning subrange of the San Juan Mountains, part of the larger Rocky Mountain chain. Dominated by the towering 14,157-foot Mount Sneffels, this rugged region is renowned for its jagged peaks, alpine meadows, and vibrant wildflowers that bloom each summer. Mount Sneffels itself, often called the “Queen of the San Juans,” is a favorite among climbers and photographers alike for its dramatic silhouette and panoramic views of the surrounding valleys. The range’s glacially carved terrain and colorful rock formations create some of the most picturesque mountain scenery in the state.
Situated near the towns of Ouray, Ridgway, and Telluride, the Sneffels Mountains offer countless opportunities for outdoor recreation, including hiking, mountain biking, and backcountry skiing. Yankee Boy Basin, one of the area’s most popular destinations, provides easy access to waterfalls, wildflower fields, and trailheads leading toward Mount Sneffels’ summit. The mountains are especially striking in autumn, when golden aspen groves contrast sharply with the dark, rugged peaks. With their combination of natural beauty and accessibility, the Sneffels Mountains embody the wild, unspoiled spirit of Colorado’s high country.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
Ahu Tongariki, on Easter Island, is the island’s largest ceremonial platform, showcasing 15 imposing moai statues standing in a striking row against the Pacific Ocean. Located on the southeastern coast, this iconic site was restored after a devastating tsunami in 1960, highlighting the resilience of Rapa Nui culture. The towering stone figures, some reaching 30 feet with their pukao topknots, face inland, symbolizing ancestral protection. Its dramatic setting and historical significance make it a must-see landmark.
Narrow street in the town of Sintra, a resort town in the foothills of Portugal’s Sintra Mountains, near the capital of Lisbon. A longtime royal sanctuary, its forested terrain is studded with pastel-colored villas and palaces. The Moorish- and Manueline-style Sintra National Palace is distinguished by its dramatic twin chimneys and elaborate tilework.
Item #91301
The Sweet Smell Of Success
Véronique Perrin® Dressed Doll
Suggested Retail Price: $110.00 US
Limited Edition Size: 500 Dolls Worldwide
Estimated Delivery date: Early August 2012
Some say that Véronique Perrin is all about work and no fun, but she begs to differ. Ms. Perrin shows us her softer side dressed in this most provocative, yet totally romantic look. With its dramatic black and pink contrasts and soft lace accents, this look totally gives Véronique a new smoldering attitude. This will surely help the CEO of W Cosmetics seduce a new beau or convince a powerful investor to sign on the dotted line... you decide!
Véronique is a 12" vinyl doll that comes with a fully rooted hairstyle, hand applied eyelashes, fashion, jewelry, accessories, shoes, doll stand and certificate of authenticity.
The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble Djúpalónssandur Beach. In Stykkishólmur fishing village, the 19th-century wood-frame Norwegian House is a regional museum with a craft shop.
Welcome . . . to Space Center Houston
the Official Visitors Center of NASA's Johnson Space Center.
Space Center Houston is a place where people can experience space -- from its dramatic history and exciting present to its compelling future. Space Center Houston is the only place on Earth that gives guests an out-of-this-world journey through human adventures into space.
Space Center Houston's unparalleled exhibits, attractions, special presentations and hands-on activities tell the story of NASA's manned space flight program. SCH is the only place in the world where visitors can see astronauts train for missions, touch a real moon rock, land a shuttle, and take a behind-the-scenes tour of NASA.
At Space Center Houston, guests can understand the past, experience the present, and be a part of the future of the space Program
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
The Amalfi Coast, a UNESCO World Heritage Site in southern Italy’s Campania region, is renowned for its dramatic cliffs, colorful seaside villages, and Mediterranean charm. Stretching along the Sorrentine Peninsula, it includes iconic destinations such as Sorrento, Positano, and Amalfi town.
Sorrento, perched above the Bay of Naples, offers sweeping views of Mount Vesuvius and serves as a gateway to the coast. Positano is famed for its pastel-hued houses cascading down steep hillsides to pebble beaches and turquoise waters. Amalfi, once a powerful maritime republic, is known for its historic cathedral, lively piazza, and lemon-based delicacies like limoncello.
The region’s narrow, winding roads and scenic boat routes connect these destinations, making the Amalfi Coast one of the world’s most picturesque coastal journeys.
One of the many carvings adorning the wall arcading in the north aisle.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble Djúpalónssandur Beach. In Stykkishólmur fishing village, the 19th-century wood-frame Norwegian House is a regional museum with a craft shop.
I took this photo in Ronda, Andalusia, Southern Spain. An amazing place, built on a mountain top and famous worldwide for its dramatic escarpments and views, and for the deep El Tajo gorge that carries the rio Guadalevín through its centre. The 18th century Puente Nuevo 'new' bridge straddles the 100m chasm below, for its unparalleled views out over the Serranía de Ronda mountains. A gorgeous place.
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The Amalfi Coast, a UNESCO World Heritage Site in southern Italy’s Campania region, is renowned for its dramatic cliffs, colorful seaside villages, and Mediterranean charm. Stretching along the Sorrentine Peninsula, it includes iconic destinations such as Sorrento, Positano, and Amalfi town.
Sorrento, perched above the Bay of Naples, offers sweeping views of Mount Vesuvius and serves as a gateway to the coast. Positano is famed for its pastel-hued houses cascading down steep hillsides to pebble beaches and turquoise waters. Amalfi, once a powerful maritime republic, is known for its historic cathedral, lively piazza, and lemon-based delicacies like limoncello.
The region’s narrow, winding roads and scenic boat routes connect these destinations, making the Amalfi Coast one of the world’s most picturesque coastal journeys.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes. Trails through the dunes include the raised Interdune Boardwalk and the Dune Life Nature Trail, dotted with interpretive exhibits on wildlife and other features. Dunes Drive is a looped road from the White Sands Visitor Center to the dune field. Read the blog post - www.dvrawfiles.com/white-sands-new-mexico Watch the vlog - www.youtube.com/watch?v=GhwKZVqNfiU
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
One of the many carvings adorning the wall arcading in the north aisle.
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
Date: 2014
Location: San Francisco Public Safety Building
Photo credit: Bruce Damonte
Shimone Attie’s memorial to fallen San Francisco Police Officers, Spiral of Gratitude, combines the elements of glass, sky and light, together with the written word to create an immersive memorial within the building’s lobby. Spiral of Gratitude announces itself from a distance with its dramatic glass cylinder anchored by bold text embedded into the rear concrete wall that reads “Look Up, Their Courage Shines”. The phrase, which contextualizes and frames the memorial, leads the viewer’s gaze up through the open cylinder that culminates in a circular skylight. The poem was written specifically for the memorial by Margo Perin based on interviews with families and colleagues of fallen officers, and in collaboration with Attie and members of the Bay Area Law Enforcements Assistance Fund.
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Skala Pervyy Stolb, Stolby Nature Reserve
Stolby Nature Reserve is a Russian strict nature reserve located 10 km south of the city of Krasnoyarsk and known for its dramatic complexes of rocks.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.