7281-305

REFORD GARDENS | LES JARDINS DE MÉTIS

MECONOPSIS BETONICIFOLIA

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

-------------------------------------------------------------------------------------

Visit : www.refordgardens.com/

------------------------------------------------------------------------------------------

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Explored 30 November 2009 #111

1761

REFORD GARDENS | LES JARDINS DE MÉTIS

MECONOPSIS BETONICIFOLIA

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

-------------------------------------------------------------------------------------

Visit : www.refordgardens.com/

------------------------------------------------------------------------------------------

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

2686

REFORD GARDENS | LES JARDINS DE METIS

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Lots of beautiful sceneries like that one in the countryside near REFORD GARDENS | LES JARDINS DE METIS

Photo taken a few kilometers away from Reford Gardens | Les Jardins de Metis located at Grand Metis.

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Garden of the Gods is a breathtaking public park in Colorado Springs, Colorado, famous for its dramatic red sandstone rock formations that tower against the backdrop of Pikes Peak and the Rocky Mountains. Designated a National Natural Landmark, the park offers miles of scenic trails for hiking, biking, and horseback riding, as well as opportunities for world-class rock climbing. Its unique geological formations, combined with panoramic mountain views and abundant wildlife, make Garden of the Gods a must-visit destination for nature lovers, adventurers, and travelers exploring the American West.

Selinunte is a remarkable ancient Greek archaeological site on the southwest coast of Sicily, famous for its dramatic ruins of massive Doric temples overlooking the sea. Founded in the 7th century BC, it became one of the most powerful cities in the region before being destroyed by the Carthaginians in 409 BC. Today, visitors can explore wide open landscapes filled with temple remains, ancient streets, and panoramic coastal views—one of the most impressive classical sites in Italy.

The Nishi Building in Canberra was designed by a large team including Fender Katsalidis Architects, Suppose Design Office (Japan), and March Studio, among others. Its interior is known for using recycled and natural materials, especially in its dramatic timber staircase made from over 2,000 reclaimed wooden beams. The lobby combines hotel, residential, and social spaces with a mix of concrete, timber, and plants. Hotel Hotel (now part of Ovolo Nishi) occupies several floors and features handcrafted furniture, local artworks, and inward- or outward-facing rooms that connect with the natural light and atrium garden.

The building focuses strongly on sustainability and received a 6-Star Green Star rating and an 8-star NatHERS rating. It uses solar power, natural ventilation, and recycled water systems. The interior design prioritizes energy efficiency and local materials. Nishi has won multiple awards, including International Project of the Year (2015) in London and several honors from the Australian Institute of Architects. Its design combines environmental performance with striking, artistic interiors.

The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign. Yet there is still much to see in this best-preserved of Cumbrian monasteries. The east end of the noble 13th century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.

Lunar Eclipse From Trondheim. Picture has been taken from Utsikten.

"Cardinal Leap - Selective Color" by Patti Deters. A bright red male Northern Cardinal (Cardinalis cardinalis) bird takes flight above a reflective shallow pond, his wings fully spread and leaving gentle water droplets as he takes flight. It’s as if the cardinal was practicing its dramatic exit from a Broadway stage - complete with a splashy encore. With its wings arched like a crimson parachute and the reflection doubling the flair, this scene could be mistaken for a ballet mid-performance. Cardinals are often seen as symbols of passion, vitality, and even messengers from the beyond. Whether you believe in signs or just love a splash of red in flight, this cardinal clearly knows how to make an entrance… and an exit. This particular bird was photographed at Santa Clara Ranch in Starr County, Texas, USA at GPS 26°32'45.9312N, 98°31'54.1704W. Thank you for viewing this picture. It is also available in full color at the link below. If you like outdoor nature photography, you can purchase or just enjoy more birds, animals, and other wildlife images at patti-deters.pixels.com.

Full Color: patti-deters.pixels.com/featured/cardinal-leap-with-refle...

Centaurus A, also known as NGC 5128, is well known for its dramatic dusty lanes of dark material. Hubble’s new observations, using its most advanced instrument, the Wide Field Camera 3, are the most detailed ever made of this galaxy. They have been combined here in a multi-wavelength image which reveals never-before-seen detail in the dusty portion of the galaxy. As well as features in the visible spectrum, this composite shows ultraviolet light, which comes from young stars, and near-infrared light, which lets us glimpse some of the detail otherwise obscured by the dust.

9313-2

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Sword Bridge

The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier

Ivanna stuns again with a jaw-dropping runway moment that radiates sultry elegance and fierce confidence. Against a dreamy ocean backdrop, she commands attention in this daring, body-hugging gown from [B.D.R.], sculpted to celebrate curves and confidence.

The dress features a hypnotic tribal-inspired print in rich earth tones, with hints of gold, rust, and amber, perfectly echoing the glow of a sunset on the water. Its dramatic cutouts and form-fitting silhouette evoke strength and sensuality, allowing Ivanna’s natural grace to shine. The gathered keyhole bodice and skin-baring design walk the line between bold and beautiful, effortlessly capturing the eye with every step.

Her hair—styled in a soft topknot with waves cascading down—adds a casual, beachside glamor that balances the powerful energy of the dress. This look isn’t just fashion—it’s a mood, a declaration of confidence, and a celebration of bold femininity.

Whether walking the pier or the catwalk, Ivanna reminds us that fashion isn’t just what you wear—it’s how you own it.

Dress: B.D.R. Soleil

* This stunning dress is offered in two enchanting styles: a flowing long version and a playful mini. Both options come with a versatile HUD that allows you to customize the color, fabric, metal, and pattern to match your unique style. Designed for the perfect fit, it is compatible with Legacy/Perky, Reborn/Waifu, and Maitreya/Lara X mesh bodies, ensuring you look and feel fabulous no matter the occasion.

Pose: Psycho Pose/ Blogger 4

* This enchanting pose package features five dynamic poses, accompanied by a delightful pose ball, to elevate your posing journey to new heights.

Beautiful Dirty Rich

Flickr → www.flickr.com/groups/beautifuldirtyrich/

Facebook → www.facebook.com/pages/Beautiful-Dirty-Rich/106362909424441

In-world → maps.secondlife.com/secondlife/Beautiful%20Dirty%20Rich/1...

Blog → bdrbeautifuldirtyrich.blogspot.com

Instagram → www.instagram.com/bdr_beautifuldirtyrich/

Psycho Pose

Flickr: www.flickr.com/photos/194478607@N02/

Flickr Group: flic.kr/g/3e2j9e

Facebook: www.facebook.com/profile.php?id=61557243192883

Facebook Page: www.facebook.com/profile.php?id=61558570251468

Instagram: www.instagram.com/lpsycho_storel/

Primfeed: www.primfeed.com/haru.takeda

5700

REFORD GARDENS | LES JARDINS DE MÉTIS

Beautiful flowers at Reford Gardens.

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

----------------------------------------------------------------------------------

Visit : www.refordgardens.com/

--------------------------------------------------------------------------------

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

See: www.refordgardens.com/

The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.

Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.

By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a skylobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.

The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.

The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.

On January 1, 2010, the building was renamed the Miami Tower.

Credit for the data above is given to the following website:

en.wikipedia.org/wiki/Miami_Tower

Die verlassene Felsenstadt Petra (arabisch ‏البتراء‎ al-Batrā’) im heutigen Jordanien war in der Antike die Hauptstadt des Reiches der Nabatäer. Wegen ihrer Grabtempel, deren Monumentalfassaden direkt aus dem Fels gemeißelt wurden, gilt sie als einzigartiges Kulturdenkmal. Am 6. Dezember 1985 wurde Petra in die Liste des UNESCO-Welterbes aufgenommen.

Petra (Arabic: البتراء, Al-Batrāʾ, Ancient Greek Πέτρα) is a historical and archaeological city in the southern Jordanian governorate of Ma'an. It has been the capital of the Nabataeans. Because of their grave temple, whose monumental facades have been dug out of the rock, it is considered as a unique cultural monument. On 6 December 1985 Petra was included in the UNESCO list of World Heritage Sites.

en.wikipedia.org/wiki/Petra

66725 passes Torr Vale Mill as it skirts the River Goyt at New Mills with GB Railfreight's 6H33 Small Heath Lafarge-Hindlow working. A wonderful place to watch the river in its dramatic gorge and the passing trains.

REFORD GARDENS | LES JARDINS DE METIS

Coucher de soleil, Sainte-Flavie.

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

Beautiful flowers at Reford Gardens.

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Prints and Canvasses Available

Holwick in its dramatic setting, made all the more so by low angled, strong late autumn sunshine. Taken across the dale from Middle Side.

Prints and Canvasses Available

The remote farming hamlet of Holwick in its dramatic setting nestling beneath Holwick Scar. Taken from Miry Lane above Newbiggin in slightly hazy summer sunshine.

Sword Bridge

The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier

This was the furthest extent of our flight over the Grand Canyon. The aircraft is approaching the point (almost vertically below to the right of this shot) at which the Little Colorado River, one of the largest tributaries of the Grand Canyon, flows into the Colorado River. The plateau on the right is over 1,000m above the level of the river in the canyon below.

The land to the east of the Grand Canyon at this point (to the right, above) and as far as the eye can see above is part of the Navajo Indian Reservation. It covers some 71,000 sq. km and is one of the few reservations whose lands overlap the nation's traditional homelands.

The land to the west of the Grand Canyon (here running north-south) is part of the Grand Canyon National Park, although in the top of the image some of that land is beyond the park's northern boundary.

The dark-green Colorado River is one of the principal rivers of the south-western United States and northern Mexico (the other being the Rio Grande). The 2,330 km-long river drains an expansive, arid watershed that encompasses parts of seven US and two Mexican states. Known for its dramatic canyons, white-water rapids, and 11 US National Parks, the Colorado River and its tributaries are a vital source of water for 40 million people.

Scanned from a negative.

Waterton, Alberta, Canada

August 2019

"Nestled in the heart of Waterton Lakes National Park in Alberta, the Prince of Wales Hotel stands as a breathtaking symbol of history, luxury, and natural beauty. This iconic landmark, with its Swiss Chalet-style architecture and dramatic location overlooking Waterton Lake, has been captivating visitors since its completion in the late 1920s. Whether you’re a history enthusiast, a nature lover, or a traveler seeking a unique experience, the Prince of Wales Hotel offers an unforgettable journey into the Canadian Rockies.

A Glimpse into History

The Prince of Wales Hotel was constructed between 1926 and 1927 by the Great Northern Railway, a project aimed at enticing American tourists to explore the Canadian Rockies. Named in honor of the Prince of Wales, who later became King Edward VIII, the hotel’s name reflects the grandeur and prestige associated with its heritage. While the Prince of Wales never visited the site, the hotel’s legacy has endured, becoming a National Historic Site of Canada.

Designed in the romantic Swiss Chalet architectural style, the hotel’s wooden structure, steep gabled roofs, and tall central tower evoke a sense of rustic elegance, perfectly complementing its rugged mountain surroundings. This fusion of European-inspired design and Canadian wilderness aesthetics continues to enchant visitors from around the globe.

A Location Like No Other

Perched on a windswept bluff, the Prince of Wales Hotel boasts unparalleled views of Waterton Lake and the surrounding mountain peaks. Its dramatic position, high above the town of Waterton, provides guests with a front-row seat to one of the most stunning vistas in the Canadian Rockies. The picturesque setting makes it one of the most photographed landmarks in the region, capturing the hearts of photographers and travelers alike.

Timeless Features and Offerings

Architectural Charm: The seven-story wooden structure features a blend of rustic charm and historic elegance. Inside, guests are greeted by wooden beams, a grand lobby, and large windows that frame the stunning natural surroundings.

Dining Excellence: The Royal Stewart Dining Room offers a delightful dining experience with a menu inspired by local and international cuisine, allowing guests to savor delicious meals while soaking in panoramic views.

Historic Accommodations: While the rooms are smaller compared to contemporary standards, they exude a quaint charm that transports guests back to the golden age of mountain tourism.

Exploring the Surroundings

The hotel serves as a gateway to the wonders of Waterton Lakes National Park, part of the UNESCO-designated Waterton-Glacier International Peace Park. Activities and attractions include:

Hiking and Wildlife: The park’s diverse trails and abundant wildlife make it a paradise for outdoor enthusiasts.

Boat Tours: Scenic cruises on Waterton Lake offer visitors a unique perspective of the park’s natural beauty, with glimpses of both the Canadian and U.S. sides of the Peace Park.

Photography: With its striking architecture and awe-inspiring backdrop, the hotel is a dream location for photographers.

Seasonal Charm and Challenges

The Prince of Wales Hotel operates seasonally, typically welcoming guests from late spring to early fall. Its remote location and exposure to harsh weather conditions present ongoing challenges in preserving its historic structure, but these efforts ensure that the hotel’s charm and heritage are maintained for future generations."

(ChatGPT)

The Ijen National Park situated in East Java near the city of Banyuwangi, is the easternmost volcanic centre in the island of Java, Indonesia. The large caldera complex hosts a large number of volcanic edifices of which Ijen and Raung are the most active. The Ijen crater (Kawah Ijen) contains the world?s largest lakes of highly acid (pH<0.5) and mineralised volcanic water.

Besides its dramatic volcano scenery, Ijen National Park also offers collections of animals such as Javanese porcupine (hystrix brachyuran javanica), and other species of rare trees and flowers commonly grow in tropical rain forest.

In August to September, beautiful edelweiss blooms everywhere in the mountain. Green coffee plantations are variously scattered on the floor of the caldera.

Another photo from Paltuding meeting point: Mt. Papak panorama

Canon EOS 50D + EF-S 10-22mm f/3.5-4.5 USM

EXIF: 0.025 sec • f/14• 10 mm • ISO 160

Exposure Mode + White Balance: Manual

Filters: Lee Soft 3stop

Software: Digital Photo Pro + Adobe Photoshop CS4

View Large

VIEW MY STREAM ON BLACK

Thanks everyone for your visit, comments, critiques, fave,invite..etc. I really appreciate it.

Have a nice weekend :)

♫Rammstein - Ich Tu Dir Weh

REFORD GARDENS | LES JARDINS DE MÉTIS

MECONOPSIS BETONICIFOLIA

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

-------------------------------------------------------------------------------------

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Étretat, a picturesque coastal town in Normandy, France, is renowned for its dramatic cliffs and natural arches sculpted by the relentless forces of the English Channel. These towering limestone formations, such as the famous "Needle" and "Elephant," create a stunning backdrop along the Alabaster Coast. The region's geography is characterized by its rugged coastline, pristine pebble beaches, and lush countryside, making it a haven for nature enthusiasts and a source of artistic inspiration for painters like Claude Monet.

Shark Fin Cove, located near Davenport along the rugged coast of Northern California, is a hidden gem known for its dramatic rock formations and stunning ocean views. Named for the prominent, shark fin-shaped rock jutting out of the cove, this picturesque spot is a favorite among photographers and nature enthusiasts. At night, Shark Fin Cove transforms into a magical setting under the Milky Way. The absence of city lights allows for an unspoiled view of the starry sky, with the Milky Way arching beautifully over the distinctive rock formations and the crashing waves below. This celestial display, combined with the natural beauty of the cove, creates an unforgettable experience for stargazers and photographers aiming to capture the essence of the night sky.

There were plenty of these little birds singing their hearts out last night just behind where I live...but as usual with the small feathered ones they scarper as soon as you're anywhere near close enough for a decent shot! So here we are..messy surroundings...but joyous and uplifting in song!

The Corn Bunting is a nondescript lowland farmland bird and is the largest of the buntings and is most usually seen perched on a wire or post. It is a stout, dumpy brown bird which flies off with a fluttering flight and with its legs characteristically 'dangling'. Its dramatic population decline in the UK makes it a Red List species. This is mainly because fewer seed and insect food sources are available to them on farmland.

Also, because corn buntings are a late nesting species, their nests can be destroyed during harvesting or cutting.

So although it's not the most exciting bird to look at it is still wonderful to see them hanging on in there against the odds!☺️

3601

REFORD GARDENS | LES JARDINS DE METIS

Coucher de soleil, Sainte-Flavie.

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

Beautiful flowers at Reford Gardens.

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Close to REFORD GARDENS | JARDINS DE METIS

Lots of beautiful flowers at Reford Gardens.

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

-------------------------------------------------------------------------------------

Visit : www.refordgardens.com/

------------------------------------------------------------------------------------------

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

After visiting Kilt Rock Waterfall, we drove west inland to the Quiraing Viewpoint. We had heard it boasts one of the most amazing landscapes in the country. Located in the northern part of the Isle of Skye, within the Trotternish Ridge, the Quiraing is a massive landslip that has created high cliffs, hidden plateaus, rugged terrain, and towering rock formations. The view is truly spectacular! We also learned that this place is a favorite spot for filmmakers, thanks to its dramatic and untouched scenery - Quiraing Viewpoint, Isle of Sky, Scotland, UK

REFORD GARDENS | LES JARDINS DE METIS

I like to move it.

Our granddaughters loved that garden. Cool !

Our two granddaughters are moving it... A Japanese Tree Lilac / Lilas du Japon / Syringa Reticulata

Visit : www.refordgardens.com/

I LIKE TO MOVE IT, 2015

DIXNEUFCENTQUATREVINGTSIX Architecture

Mathilde Gaudemet & Arthur Ozenne

PARIS, FRANCE

Visit: www.19-86.fr

(From the plaque)

In this garden, the visitor will face a seemingly wild meadow.Grasses and a few birch trees grow together against the backdrop of dense greenery. There seem to be little going on there.

But the straight lines at ground level, punctuating the space , create a rythm and attract the visitor's attention. On approaching one turns around, scans, wonders and finaly touches. This when the trees begin to move. Visitors can slide the trees along their tracks and create their own garden, The banal becomes strange. Nature domesticated transform the landscape into a garden.

Trees, immobile and mute, are rootless and move as living beings. All due to human interaction.

------------------------------------------------------------------------------------------

Texte de la plaque:

Dans ce jardin, le visiteur se retrouve face à une parcelle en friche. De l'herbe, quelques bouleaux se fondant aux autres et au loin, une densité végétale. L'intervention de l'homme y semble inexistante.

Mais des lignes régulières , rythmant la perspective, attirent l'oeil du visiteur. Il se rapproche, tourne autour, scrute, s'interroge, finit par le toucher. Et l'arbre se met à bouger. Le visiteur peut le faire glisser et ainsi créer son propre jardin. Le banal devient insolite. La nature ainsi domestiquée transfome le paysage en jardin.

Les arbres, immobiles et muets, quintessence même de l'enracinement se déplacent tel des êtres vivants. À la merci de l'homme.

------------------------------------------------------------------------------------------

REFORD GARDENS | LES JARDINS DE METIS

Visit : www.refordgardens.com/

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

3081

REFORD GARDENS | LES JARDINS DE METIS

MECONOPSIS BETONICIFOLIA

Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

Visit : www.refordgardens.com

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission

TORRES-FLAK-ANTIAEREAS-FLAKTÜRME-BERLIN-ARTE-PINTURA-BATALLA DE BERLIN-ASPECTO ESPECTRAL-NOCHE-PINTOR-ERNEST DESCALS-

Edición de las pinturas sobre la Batalla de Berlin y los aspectos relacionados con la defensa de la ciudad ante los sucesivos bombardeos de la aviación, aspecto espectral y casi siniestro de las torres flak, o torres antiaéreas en la Flaktürme o Flakturm del Zoo en Tiergarten, un edificio muy sólido de hormigón que albergaba a las baterías antiaéreas para disparar contra los bombarderos que regaban, con sus bombas, de destrucción y muerte a los ciudadanos berlineses en la Segunda Guerra Mundial, casi todas las grandes ciudades de Alemania fueron implacablemente bombardeadas. La megaestructura también tenia usos de hospital para los heridos y de bunquer para los civiles. En esta pintura con cargados tintes dramáticos he dado espacio para la serie de ventanas que mosraban sus robustas paredes, arriba, en el patio del techo se disparaba a loa terirbles superbombarderos, escena nocturna. Obras del artista pintor Ernest Descals, profundizando en los aspectos historicos y arquitectonicos del III Reich. Estoy volviendo a editar todas las obras plásticas para acentuar el tiempo y sus circunstancias.

This edition of paintings depicts the Battle of Berlin and aspects related to the city's defense against successive air raids. It features the spectral and almost sinister aspect of the flak towers, or anti-aircraft towers, specifically the Flaktürme (or Flakturm) at the Zoo in Tiergarten. This very solid concrete building housed anti-aircraft batteries that fired upon the bombers raining destruction and death upon Berlin's citizens during World War II, when almost all major German cities were relentlessly bombed. The megastructure also served as a hospital for the wounded and a bunker for civilians. In this painting, with its dramatic overtones, I have given space to the series of windows that revealed its robust walls. Above, in the courtyard on the roof, the fearsome super-bombers were being fired upon—a nighttime scene. These works by the artist Ernest Descals delve into the historical and architectural aspects of the Third Reich. I am re-editing all the plastic works to accentuate the time and its circumstances.

view from Vratnik Fortress (Utvrda Vratnik) to the town of Senj and Krk island, with a rainbow cutting through the stormy sky

Vratnik Fortress (Utvrda Vratnik) is a historic site located on a strategic mountain pass, nearly 700 meters above sea level in the Velebit range. For centuries, this pass served as a vital military checkpoint guarding the trade route between continental Croatia and the Adriatic coast. Situated right where the harsh mountain climate meets the sea breeze, the area is famous for its dramatic and rapid weather shifts. It is also well-known as one of the main pathways for the Bura, a powerful, hurricane-force wind that rushes down the slopes toward the town of Senj.

REFORD GARDENS | LES JARDINS DE METIS

MECONOPSIS BETONICIFOLIA

Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Smailholm Tower is located at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.

White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes.

The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble beach

Some radical processing (by my standards) for an image made in radical conditions – I was wearing The North Face's 3-in-1 gloves (i.e., very warm) yet my fingers were frozen.

"Union Point United Church and its cemetery are significant as the last built features that remain on the original site of the former Union Point settlement. The cemetery’s earliest burial, from 1879, recalls the agricultural community’s pioneer origins. The landmark building, an enduringly simple Gothic Revival-style structure that succeeded an 1887 Presbyterian facility, likewise serves as a prominent and poignant memorial to Union Point because of its dramatic location between the lanes of one of the busiest divided highways in southern Manitoba."

(Quoted from the Manitoba Municipal Heritage Site designation: www.gov.mb.ca/chc/hrb/mun/m342.html.)

The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.

Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.

By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a skylobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.

The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.

The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.

On January 1, 2010, the building was renamed the Miami Tower.

Credit for the data above is given to the following websites:

en.wikipedia.org/wiki/Miami_Tower

www.emporis.com/buildings/122283/miami-tower-miami-fl-usa

Central Park is an urban park in New York City, between the Upper West and Upper East Sides of Manhattan. It is the fifth largest park in the city, covering 843 acres. It is the most visited urban park in the United States, with an estimated 42 million visitors annually as of 2016, and is the most filmed location in the world.

After proposals for a large park in Manhattan during the 1840s, it was approved in 1853 to cover 778 acres. In 1857, landscape architects Frederick Law Olmsted and Calvert Vaux won a design competition for the park with their "Greensward Plan". Construction began the same year; existing structures, including a majority-Black settlement named Seneca Village, were seized through eminent domain and razed. The park's first areas were opened to the public in late 1858. Additional land at the northern end of Central Park was purchased in 1859, and the park was completed in 1876. After a period of decline in the early 20th century, New York City parks commissioner Robert Moses started a program to clean up Central Park in the 1930s. The Central Park Conservancy, created in 1980 to combat further deterioration in the late 20th century, refurbished many parts of the park starting in the 1980s.

Main attractions include landscapes such as the Ramble and Lake, Hallett Nature Sanctuary, the Jacqueline Kennedy Onassis Reservoir, and Sheep Meadow; amusement attractions such as Wollman Rink, Central Park Carousel, and the Central Park Zoo; formal spaces such as the Central Park Mall and Bethesda Terrace; and the Delacorte Theater. The biologically diverse ecosystem has several hundred species of flora and fauna. Recreational activities include carriage-horse and bicycle tours, bicycling, sports facilities, and concerts and events such as Shakespeare in the Park. Central Park is traversed by a system of roads and walkways and is served by public transportation.

Its size and cultural position make it a model for the world's urban parks. Its influence earned Central Park the designations of National Historic Landmark in 1963 and of New York City scenic landmark in 1974. Central Park is owned by the New York City Department of Parks and Recreation but has been managed by the Central Park Conservancy since 1998, under a contract with the municipal government in a public–private partnership. The Conservancy, a non-profit organization, raises Central Park's annual operating budget and is responsible for all basic care of the park.

Between 1821 and 1855, New York City's population nearly quadrupled. As the city expanded northward up Manhattan Island, people were drawn to the few existing open spaces, mainly cemeteries, for passive recreation. These were seen as escapes from the noise and chaotic life in the city, which at the time was almost entirely centered on Lower Manhattan. The Commissioners' Plan of 1811, the outline for Manhattan's modern street grid, included several smaller open spaces but not Central Park. As such, John Randel Jr. had surveyed the grounds for the construction of intersections within the modern-day park site. The only remaining surveying bolt from his survey is embedded in a rock north of the present Dairy and the 66th Street transverse, marking the location where West 65th Street would have intersected Sixth Avenue.

By the 1840s, members of the city's elite were publicly calling for the construction of a new large park in Manhattan. At the time, Manhattan's seventeen squares comprised a combined 165 acres of land, the largest of which was the 10-acre Battery Park at Manhattan island's southern tip. These plans were endorsed in 1844 by New York Evening Post editor William Cullen Bryant, and in 1851 by Andrew Jackson Downing, one of the first American landscape designers.

Mayor Ambrose Kingsland, in a message to the New York City Common Council on May 5, 1851, set forth the necessity and benefits of a large new park and proposed the council move to create such a park. Kingsland's proposal was referred to the Council's Committee of Lands, which endorsed the proposal. The committee chose Jones's Wood, a 160-acre tract of land between 66th and 75th streets on the Upper East Side, as the park's site, as Bryant had advocated for Jones Wood. The acquisition was controversial because of its location, small size relative to other potential uptown tracts, and cost. A bill to acquire Jones's Wood was invalidated as unconstitutional, so attention turned to a second site: a 750-acre area known as "Central Park", bounded by 59th and 106th streets between Fifth and Eighth avenues. Croton Aqueduct Board president Nicholas Dean, who proposed the Central Park site, chose it because the Croton Aqueduct's 35-acre, 150-million-US-gallon collecting reservoir would be in the geographical center. In July 1853, the New York State Legislature passed the Central Park Act, authorizing the purchase of the present-day site of Central Park.

The board of land commissioners conducted property assessments on more than 34,000 lots in the area, completing them by July 1855. While the assessments were ongoing, proposals to downsize the plans were vetoed by mayor Fernando Wood. At the time, the site was occupied by free black people and Irish immigrants who had developed a property-owning community there since 1825. Most of the Central Park site's residents lived in small villages, such as Pigtown; Seneca Village; or in the school and convent at Mount St. Vincent's Academy. Clearing began shortly after the land commission's report was released in October 1855, and approximately 1,600 residents were evicted under eminent domain. Though supporters claimed that the park would cost just $1.7 million, the total cost of the land ended up being $7.39 million (equivalent to $215 million in 2021), more than the price that the United States would pay for Alaska a few years later.

In June 1856, Fernando Wood appointed a "consulting board" of seven people, headed by author Washington Irving, to inspire public confidence in the proposed development. Wood hired military engineer Egbert Ludovicus Viele as the park's chief engineer, tasking him with a topographical survey of the site. The following April, the state legislature passed a bill to authorize the appointment of four Democratic and seven Republican commissioners, who had exclusive control over the planning and construction process. Though Viele had already devised a plan for the park, the commissioners disregarded it and retained him to complete only the topographical surveys. The Central Park Commission began hosting a landscape design contest shortly after its creation. The commission specified that each entry contain extremely detailed specifications, as mandated by the consulting board. Thirty-three firms or organizations submitted plans.

In April 1858, the park commissioners selected Frederick Law Olmsted and Calvert Vaux's "Greensward Plan" as the winning design. Three other plans were designated as runners-up and featured in a city exhibit. Unlike many of the other designs, which effectively integrated Central Park with the surrounding city, Olmsted and Vaux's proposal introduced clear separations with sunken transverse roadways. The plan eschewed symmetry, instead opting for a more picturesque design. It was influenced by the pastoral ideals of landscaped cemeteries such as Mount Auburn in Cambridge, Massachusetts, and Green-Wood in Brooklyn. The design was also inspired by Olmsted's 1850 visit to Birkenhead Park, in the Liverpool City Region in England, which is generally acknowledged as the first publicly funded civil park in the world. According to Olmsted, the park was "of great importance as the first real Park made in this country—a democratic development of the highest significance".

Construction of Central Park's design was executed by a gamut of professionals. Frederick Law Olmsted and Calvert Vaux were the primary designers, assisted by board member Andrew Haswell Green, architect Jacob Wrey Mould, master gardener Ignaz Anton Pilat, and engineer George E. Waring, Jr. Olmsted was responsible for the overall plan, while Vaux designed some of the finer details. Mould, who worked frequently with Vaux, designed the Central Park Esplanade and the Tavern on the Green building. Pilat was the park's chief landscape architect, whose primary responsibility was the importation and placement of plants within the park. A "corps" of construction engineers and foremen, managed by superintending engineer William H. Grant, were tasked with the measuring and constructing architectural features such as paths, roads, and buildings. Waring was one of the engineers working under Grant's leadership and was in charge of land drainage.

Central Park was difficult to construct because of the generally rocky and swampy landscape. Around five million cubic feet of soil and rocks had to be transported out of the park, and more gunpowder was used to clear the area than was used at the Battle of Gettysburg during the American Civil War. More than 18,500 cubic yards of topsoil were transported from Long Island and New Jersey, because the original soil was neither fertile nor sufficiently substantial to sustain the flora specified in the Greensward Plan. Modern steam-powered equipment and custom tree-moving machines augmented the work of unskilled laborers. In total, over 20,000 individuals helped construct Central Park. Because of extreme precautions taken to minimize collateral damage, five laborers died during the project, at a time when fatality rates were generally much higher.

During the development of Central Park, Superintendent Olmsted hired several dozen mounted police officers, who were classified into two types of "keepers": park keepers and gate keepers. The mounted police were viewed favorably by park patrons and were later incorporated into a permanent patrol. The regulations were sometimes strict. For instance, prohibited actions included games of chance, speech-making, large congregations such as picnics, or picking flowers or other parts of plants. These ordinances were effective: by 1866, there had been nearly eight million visits and only 110 arrests in the park's history.

In late August 1857, workers began building fences, clearing vegetation, draining the land, and leveling uneven terrain. By the following month, chief engineer Viele reported that the project employed nearly 700 workers. Olmsted employed workers using day labor, hiring men directly without any contracts and paying them by the day. Many of the laborers were Irish immigrants or first-or-second generation Irish Americans, and some Germans and Italians; there were no black or female laborers. The workers were often underpaid, and workers would often take jobs at other construction projects to supplement their income. A pattern of seasonal hiring was established, wherein more workers would be hired and paid at higher rates during the summers.

For several months, the park commissioners faced funding issues, and a dedicated workforce and funding stream was not secured until June 1858. The landscaped Upper Reservoir was the only part of the park that the commissioners were not responsible for constructing; instead, the Reservoir would be built by the Croton Aqueduct board. Work on the Reservoir started in April 1858. The first major work in Central Park involved grading the driveways and draining the land in the park's southern section. The Lake in Central Park's southwestern section was the first feature to open to the public, in December 1858, followed by the Ramble in June 1859. The same year, the New York State Legislature authorized the purchase of an additional 65 acres at the northern end of Central Park, from 106th to 110th Streets. The section of Central Park south of 79th Street was mostly completed by 1860.

The park commissioners reported in June 1860 that $4 million had been spent on the construction to date. As a result of the sharply rising construction costs, the commissioners eliminated or downsized several features in the Greensward Plan. Based on claims of cost mismanagement, the New York State Senate commissioned the Swiss engineer Julius Kellersberger to write a report on the park. Kellersberger's report, submitted in 1861, stated that the commission's management of the park was a "triumphant success".

Olmsted often clashed with the park commissioners, notably with Chief Commissioner Green. Olmsted resigned in June 1862, and Green was appointed to Olmsted's position. Vaux resigned in 1863 because of what he saw as pressure from Green. As superintendent of the park, Green accelerated construction, though having little experience in architecture. He implemented a style of micromanagement, keeping records of the smallest transactions in an effort to reduce costs. Green finalized the negotiations to purchase the northernmost 65 acres of the park which was later converted into a "rugged" woodland and the Harlem Meer waterway.

When the American Civil War began in 1861, the park commissioners decided to continue building Central Park, since significant parts of the park had already been completed. Only three major structures were completed during the Civil War: the Music Stand and the Casino restaurant, both later demolished, and the Bethesda Terrace and Fountain. By late 1861, the park south of 72nd Street had been completed, except for various fences. Work had begun on the northern section of the park but was complicated by a need to preserve the historic McGowan's Pass. The Upper Reservoir was completed the following year.

During this period Central Park began to gain popularity. One of the main attractions was the "Carriage Parade", a daily display of horse-drawn carriages that traversed the park. Park patronage grew steadily: by 1867, Central Park accommodated nearly three million pedestrians, 85,000 horses, and 1.38 million vehicles annually. The park had activities for New Yorkers of all social classes. While the wealthy could ride horses on bridle paths or travel in horse-drawn carriages, almost everyone was able to participate in sports such as ice-skating or rowing, or listen to concerts at the Mall's bandstand.

Olmsted and Vaux were re-hired in mid-1865. Several structures were erected, including the Children's District, the Ballplayers House, and the Dairy in the southern part of Central Park. Construction commenced on Belvedere Castle, Harlem Meer, and structures on Conservatory Water and the Lake.

The Tammany Hall political machine, which was the largest political force in New York at the time, was in control of Central Park for a brief period beginning in April 1870. A new charter created by Tammany boss William M. Tweed abolished the old 11-member commission and replaced it with one with five men composed of Green and four other Tammany-connected figures. Subsequently, Olmsted and Vaux resigned again from the project in November 1870. After Tweed's embezzlement was publicly revealed in 1871, leading to his imprisonment, Olmsted and Vaux were re-hired, and the Central Park Commission appointed new members who were mostly in favor of Olmsted.

One of the areas that remained relatively untouched was the underdeveloped western side of Central Park, though some large structures would be erected in the park's remaining empty plots. By 1872, Manhattan Square had been reserved for the American Museum of Natural History, founded three years before at the Arsenal. A corresponding area on the East Side, originally intended as a playground, would later become the Metropolitan Museum of Art. In the final years of Central Park's construction, Vaux and Mould designed several structures for Central Park. The park's sheepfold (now Tavern on the Green) and Ladies' Meadow were designed by Mould in 1870–1871, followed by the administrative offices on the 86th Street transverse in 1872. Even though Olmsted and Vaux's partnership was dissolved by the end of 1872, the park was not officially completed until 1876.

By the 1870s, the park's patrons increasingly came to include the middle and working class, and strict regulations were gradually eased, such as those against public gatherings. Because of the heightened visitor count, neglect by the Tammany administration, and budget cuts demanded by taxpayers, the maintenance expenses for Central Park had reached a nadir by 1879. Olmsted blamed politicians, real estate owners, and park workers for Central Park's decline, though high maintenance costs were also a factor. By the 1890s, the park faced several challenges: cars were becoming commonplace, and with the proliferation of amusements and refreshment stands, people were beginning to see the park as a recreational attraction. The 1904 opening of the New York City Subway displaced Central Park as the city's predominant leisure destination, as New Yorkers could travel to farther destinations such as Coney Island beaches or Broadway theaters for a five-cent fare.

In the late 19th century the landscape architect Samuel Parsons took the position of New York City parks superintendent. A onetime apprentice of Calvert Vaux, Parsons helped restore the nurseries of Central Park in 1886. Parsons closely followed Olmsted's original vision for the park, restoring Central Park's trees while blocking the placement of several large statues in the park. Under Parsons' leadership, two circles (now Duke Ellington and Frederick Douglass Circles) were constructed at the northern corners of the park. He was removed in May 1911 following a lengthy dispute over whether an expense to replace the soil in the park was unnecessary. A succession of Tammany-affiliated Democratic mayors were indifferent toward Central Park.

Several park advocacy groups were formed in the early 20th century. To preserve the park's character, the citywide Parks and Playground Association, and a consortium of multiple Central Park civic groups operating under the Parks Conservation Association, were formed in the 1900s and 1910s. These associations advocated against such changes to the park as the construction of a library, sports stadium, a cultural center, and an underground parking lot. A third group, the Central Park Association, was created in 1926. The Central Park Association and the Parks and Playgrounds Association were merged into the Park Association of New York City two years later.

The tree-lined mall with people walking and others seated on benches on either side

The Heckscher Playground—named after philanthropist August Heckscher, who donated the play equipment—opened near its southern end in 1926, and quickly became popular with poor immigrant families. The following year, mayor Walker commissioned landscape designer Herman W. Merkel to create a plan to improve Central Park. Merkel's plans would combat vandalism and plant destruction, rehabilitate paths, and add eight new playgrounds, at a cost of $1 million. One of the suggested modifications, underground irrigation pipes, were installed soon after Merkel's report was submitted. The other improvements outlined in the report, such as fences to mitigate plant destruction, were postponed due to the Great Depression.

In 1934, Republican Fiorello La Guardia was elected mayor of New York City. He unified the five park-related departments then in existence. Newly appointed city parks commissioner Robert Moses was given the task of cleaning up the park, and he summarily fired many of the Tammany-era staff. At the time, the lawns were filled with weeds and dust patches, while many trees were dying or already dead. Monuments had been vandalized, equipment and walkways were broken, and ironwork was rusted. Moses's biographer Robert Caro later said, "The once beautiful Mall looked like a scene of a wild party the morning after. Benches lay on their backs, their legs jabbing at the sky..."

During the following year, the city's parks department replanted lawns and flowers, replaced dead trees and bushes, sandblasted walls, repaired roads and bridges, and restored statues. The park menagerie and Arsenal was transformed into the modern Central Park Zoo, and a rat extermination program was instituted within the zoo. Another dramatic change was Moses' removal of the "Hoover valley" shantytown at the north end of Turtle Pond, which became the 30-acre Great Lawn. The western part of the Pond at the park's southeast corner became an ice skating rink called Wollman Rink, roads were improved or widened, and twenty-one playgrounds were added. These projects used funds from the New Deal program, and donations from the public. Moses removed Sheep Meadow's sheep to make way for the Tavern on the Green restaurant.

Renovations in the 1940s and 1950s include a restoration of the Harlem Meer completed in 1943, and a new boathouse completed in 1954. Moses began construction on several other recreational features in Central Park, such as playgrounds and ball fields. One of the more controversial projects proposed during this time was a 1956 dispute over a parking lot for Tavern in the Green. The controversy placed Moses, an urban planner known for displacing families for other large projects around the city, against a group of mothers who frequented a wooded hollow at the site of a parking lot. Though opposed by the parents, Moses approved the destruction of part of the hollow. Demolition work commenced after Central Park was closed for the night and was only halted after the threat of a lawsuit.

Moses left his position in May 1960. No park commissioner since then has been able to exercise the same degree of power, nor did NYC Parks remain in as stable a position in the aftermath of his departure. Eight commissioners held the office in the twenty years following his departure. The city experienced economic and social changes, with some residents moving to the suburbs. Interest in Central Park's landscape had long since declined, and it was now mostly being used for recreation. Several unrealized additions were proposed for Central Park in that decade, such as a public housing development, a golf course, and a "revolving world's fair".

The 1960s marked the beginning of an "Events Era" in Central Park that reflected the widespread cultural and political trends of the period. The Public Theater's annual Shakespeare in the Park festival was settled in the Delacorte Theater, and summer performances were instituted on the Sheep Meadow and the Great Lawn by the New York Philharmonic Orchestra and the Metropolitan Opera.[199] During the late 1960s, the park became the venue for rallies and cultural events such as the "love-ins" and "be-ins" of the period. The same year, Lasker Rink opened in the northern part of the park; the facility served as an ice rink in winter and Central Park's only swimming pool in summer.

By the mid-1970s, managerial neglect resulted in a decline in park conditions. A 1973 report noted that the park suffered from severe erosion and tree decay, and that individual structures were being vandalized or neglected. The Central Park Community Fund was subsequently created based on the recommendation of a report from a Columbia University professor. The Fund then commissioned a study of the park's management and suggested the appointment of both a NYC Parks administrator and a board of citizens. In 1979, Parks Commissioner Gordon Davis established the Office of Central Park Administrator and appointed Elizabeth Barlow, the executive director of the Central Park Task Force, to the position. The Central Park Conservancy, a nonprofit organization with a citizen board, was founded the following year.

Under the leadership of the Central Park Conservancy, the park's reclamation began by addressing needs that could not be met within NYC Parks' existing resources. The Conservancy hired interns and a small restoration staff to reconstruct and repair unique rustic features, undertaking horticultural projects, and removing graffiti under the broken windows theory which advocated removing visible signs of decay. The first structure to be renovated was the Dairy, which reopened as the park's first visitor center in 1979. The Sheep Meadow, which reopened the following year, was the first landscape to be restored. Bethesda Terrace and Fountain, the USS Maine National Monument, and the Bow Bridge were also rehabilitated. By then, the Conservancy was engaged in design efforts and long-term restoration planning, and in 1981, Davis and Barlow announced a 10-year, $100 million "Central Park Management and Restoration Plan". The long-closed Belvedere Castle was renovated and reopened in 1983, while the Central Park Zoo closed for a full reconstruction that year. To reduce the maintenance effort, large gatherings such as free concerts were canceled.

On completion of the planning stage in 1985, the Conservancy launched its first campaign and mapped out a 15-year restoration plan. Over the next several years, the campaign restored landmarks in the southern part of the park, such as Grand Army Plaza and the police station at the 86th Street transverse; while Conservatory Garden in the northeastern corner of the park was restored to a design by Lynden B. Miller. Real estate developer Donald Trump renovated the Wollman Rink in 1987 after plans to renovate it were delayed repeatedly. The following year, the Zoo reopened after a $35 million, four-year renovation.

Work on the northern end of the park began in 1989. A $51 million campaign, announced in 1993, resulted in the restoration of bridle trails, the Mall, the Harlem Meer, and the North Woods, and the construction of the Dana Discovery Center on the Harlem Meer. This was followed by the Conservancy's overhaul of the 55 acres near the Great Lawn and Turtle Pond, which was completed in 1997. The Upper Reservoir was decommissioned as a part of the city's water supply system in 1993, and was renamed after former U.S. first lady Jacqueline Kennedy Onassis the next year. During the mid-1990s, the Conservancy hired additional volunteers and implemented a zone-based system of management throughout the park. The Conservancy assumed much of the park's operations in early 1998.

Renovations continued through the first decade of the 21st century, and a project to restore the pond was commenced in 2000. Four years later, the Conservancy replaced a chain-link fence with a replica of the original cast-iron fence that surrounded the Upper Reservoir. It started refurbishing the ceiling tiles of the Bethesda Arcade, which was completed in 2007. Soon after, the Central Park Conservancy began restoring the Ramble and Lake, in a project that was completed in 2012. Bank Rock Bridge was restored, and the Gill, which empties into the lake, was reconstructed to approximate its dramatic original form. The final feature to be restored was the East Meadow, which was rehabilitated in 2011.

In 2014, the New York City Council proposed a study on the viability of banning vehicular traffic from the park's drives. The next year, mayor Bill de Blasio announced that West and East drives north of 72nd Street would be closed to vehicular traffic, because the city's data showed that closing the roads did not adversely impact traffic flows. Subsequently, in June 2018, the remaining drives south of 72nd Street were closed to vehicular traffic.

Several structures were renovated. Belvedere Castle was closed in 2018 for an extensive renovation, reopening in June 2019. Later in 2018, it was announced that the Delacorte Theater would be closed from 2020 to 2022 for a $110 million rebuild. The Central Park Conservancy further announced that Lasker Rink would be closed for a $150 million renovation between 2021 and 2024.

Colorado River at the Dead Horse Point State Park

The Colorado River is the principal river of the Southwestern United States and northwest Mexico. The 1,450-mile (2,330 km) river drains an expansive, arid watershed that encompasses parts of seven U.S. and two Mexican states. Rising in the central Rocky Mountains in the U.S., the river flows generally southwest across the Colorado Plateau and through the Grand Canyon before reaching Lake Mead on the ArizonaâNevada border, where it turns south toward the international border. After entering Mexico, the Colorado approaches the large Colorado River Delta at the tip of the Gulf of California between Baja California and Sonora.

Known for its dramatic canyons and whitewater rapids, the Colorado is a vital source of water for agricultural and urban areas in the southwestern desert lands of North America.[6] The river and its tributaries are controlled by an extensive system of dams, reservoirs, and aqueducts, which divert 90% of its water in the U.S. alone to furnish irrigation and municipal water supply for almost 40 million people both inside and outside the watershed.[7][8] The Colorado's large flow and steep gradient are used for generating hydroelectric power, and its major dams regulate peaking power demands in much of the Intermountain West. Intensive water consumption has dried the lower 100 miles (160 km) of the river such that it has not consistently reached the sea since the 1960s. Source: en.wikipedia.org/wiki/Colorado_River

3549

REFORD GARDENS | LES JARDINS DE METIS

Claudette and the lupins in the meadow...

Visit : www.refordgardens.com/

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

Thingvellir is one of Iceland’s most important historical and natural sites, located about 45 km northeast of Reykjavík. In 930 AD, it became the meeting place of the Alþingi, one of the world's oldest continuously existing parliaments, making Þingvellir a cornerstone of Icelandic history and national identity. The area is also famous for its unique geology, situated in a rift valley between the North American and Eurasian tectonic plates.

Today, Þingvellir is a UNESCO World Heritage Site and one of the three stops on Iceland’s famous Golden Circle route. Visitors come to explore its dramatic landscapes, historic assembly sites, lava fields, waterfalls, and crystal-clear fissures.

Notable locations within Þingvellir

Almannagjá – the largest rift in the park and the historic route to the assembly grounds.

Lögberg – the "Law Rock," where laws were recited and speeches delivered during Alþingi gatherings.

Öxarárfoss – a picturesque waterfall surrounded by lava formations.

Silfra – a famous water-filled fissure known for exceptional underwater visibility.

Þingvallavatn – Iceland’s largest natural lake.

When 18th-century industrialist Walter Barton May thought his wife was having an affair with a local farmer, he wanted to be sure she would never escape his sight. His excessive solution can still be seen today: a 64m tall observation tower that soars above the surrounding Kent landscape like a gothic space rocket – from it he could survey the entire village!

While the jealous origins of Hadlow Tower may be the stuff of local legend, its dramatic physical presence can't be denied. The tallest folly in the UK, it climbs into the air with telescopic ambition. That it stands here today, honey-coloured in the winter sunshine, is thanks to a £4.2m restoration by the Vivat Trust, which has now transformed the long-derelict tower into a rentable holiday home.

Set in the village of Hadlow, near Tonbridge, Barton May's folly is the work of naval architect George Ledwell Taylor, who built the dockyards at Woolwich and Sheerness, and brought his marine expertise to bear here in 1838. While it looks like stone from a distance, it is in fact a brick structure, rendered in Roman cement – a hard-wearing clay and lime mix that Taylor had used on his dockside buildings for its durability in the abrasive sea air. It was also the cheap option for a man with aspirations, but not much cash.. If Barton-May was around today, he would be the guy that wants bling.

I've been wanting to photograph the tower for ages and finally got round to fulfilling that wish. It's not open to the public at the moment but you can access this point via local footpaths and rights of ways.

Tripod mounted, 7 exposure hdr -4 to +2 pp with acr, photomatix, photoshop, topaz clarity & de-noise. Nikon D700 with 24-70 f2.8 at 55mm, f13, 1/60 average sec's, ISO 100.

REFORD GARDENS | LES JARDINS DE METIS

Coucher de soleil , Sainte-Flavie.

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

Beautiful flowers at Reford Gardens.

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

© Copyright

This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.

REFORD GARDENS | LES JARDINS DE METIS

Coucher de soleil, Sainte-Flavie.

Visit : www.refordgardens.com/

Photo taken close to REFORD GARDENS. (Sainte-Flavie)

Mrs Elsie Reford loved those beautiful sunsets.

Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!

''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)

" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)

Beautiful flowers at Reford Gardens.

''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford

Visit : www.refordgardens.com/

-----------------------------------------------------------------------------------------

From Wikipedia:

Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.

Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.

Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.

She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.

In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.

During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.

In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.

Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.

To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.

Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.

In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)

Visit : en.wikipedia.org/wiki/Elsie_Reford

LES JARDINS DE MÉTIS

Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.

Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.

Commission des lieux et monuments historiques du Canada

Historic Sites and Monuments Board of Canada.

Gouvernement du Canada – Government of Canada

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