View allAll Photos Tagged its_dramatic
REFORD GARDENS | LES JARDINS DE METIS
I like to move it.
Our granddaughters loved that garden. Cool !
Our two granddaughters are moving it... A Japanese Tree Lilac / Lilas du Japon / Syringa Reticulata
Visit : www.refordgardens.com/
I LIKE TO MOVE IT, 2015
DIXNEUFCENTQUATREVINGTSIX Architecture
Mathilde Gaudemet & Arthur Ozenne
PARIS, FRANCE
Visit: www.19-86.fr
(From the plaque)
In this garden, the visitor will face a seemingly wild meadow.Grasses and a few birch trees grow together against the backdrop of dense greenery. There seem to be little going on there.
But the straight lines at ground level, punctuating the space , create a rythm and attract the visitor's attention. On approaching one turns around, scans, wonders and finaly touches. This when the trees begin to move. Visitors can slide the trees along their tracks and create their own garden, The banal becomes strange. Nature domesticated transform the landscape into a garden.
Trees, immobile and mute, are rootless and move as living beings. All due to human interaction.
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Texte de la plaque:
Dans ce jardin, le visiteur se retrouve face à une parcelle en friche. De l'herbe, quelques bouleaux se fondant aux autres et au loin, une densité végétale. L'intervention de l'homme y semble inexistante.
Mais des lignes régulières , rythmant la perspective, attirent l'oeil du visiteur. Il se rapproche, tourne autour, scrute, s'interroge, finit par le toucher. Et l'arbre se met à bouger. Le visiteur peut le faire glisser et ainsi créer son propre jardin. Le banal devient insolite. La nature ainsi domestiquée transfome le paysage en jardin.
Les arbres, immobiles et muets, quintessence même de l'enracinement se déplacent tel des êtres vivants. À la merci de l'homme.
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REFORD GARDENS | LES JARDINS DE METIS
Visit : www.refordgardens.com/
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
REFORD GARDENS | LES JARDINS DE METIS
MECONOPSIS BETONICIFOLIA
Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
7281-305
REFORD GARDENS | LES JARDINS DE MÉTIS
MECONOPSIS BETONICIFOLIA
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
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Visit : www.refordgardens.com/
------------------------------------------------------------------------------------------
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Smailholm Tower is located at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Selinunte is a remarkable ancient Greek archaeological site on the southwest coast of Sicily, famous for its dramatic ruins of massive Doric temples overlooking the sea. Founded in the 7th century BC, it became one of the most powerful cities in the region before being destroyed by the Carthaginians in 409 BC. Today, visitors can explore wide open landscapes filled with temple remains, ancient streets, and panoramic coastal views—one of the most impressive classical sites in Italy.
White Sands National Monument is in the northern Chihuahuan Desert in the U.S. state of New Mexico. It's known for its dramatic landscape of rare white gypsum sand dunes.
Some radical processing (by my standards) for an image made in radical conditions – I was wearing The North Face's 3-in-1 gloves (i.e., very warm) yet my fingers were frozen.
"Union Point United Church and its cemetery are significant as the last built features that remain on the original site of the former Union Point settlement. The cemetery’s earliest burial, from 1879, recalls the agricultural community’s pioneer origins. The landmark building, an enduringly simple Gothic Revival-style structure that succeeded an 1887 Presbyterian facility, likewise serves as a prominent and poignant memorial to Union Point because of its dramatic location between the lanes of one of the busiest divided highways in southern Manitoba."
(Quoted from the Manitoba Municipal Heritage Site designation: www.gov.mb.ca/chc/hrb/mun/m342.html.)
Close to REFORD GARDENS | JARDINS DE METIS
Lots of beautiful flowers at Reford Gardens.
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
-------------------------------------------------------------------------------------
Visit : www.refordgardens.com/
------------------------------------------------------------------------------------------
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.
Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.
By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a skylobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.
The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.
The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.
On January 1, 2010, the building was renamed the Miami Tower.
Credit for the data above is given to the following websites:
Copyright - All Rights Reserved - Black Diamond Images
Belvédère Hotel History
When it was built
The Belvédère Hotel was originally built in 1882 by a young hotelier named Josef Seiler. It started as a small mountain lodge nestled in a sharp hairpin bend on the Furka Pass and was later expanded into a multi-story hotel with its iconic gabled roof by 1890.
When and why it closed
The hotel closed indefinitely around 2015–2016. Its decline and ultimate closure were caused by a few main factors:
Climate Change (The Retreating Glacier)
Historically, the spectacular Rhône Glacier extended practically to the hotel's entrance. Over the last century, the glacier has retreated dramatically. Because the glacier was the hotel's primary visual attraction, its disappearance heavily impacted tourism.
Modern Transportation: In the early to mid-20th century, crossing the Alps took time, and the hotel was a vital and luxurious overnight stop. As modern cars became faster and more efficient, travelers could easily navigate the Furka Pass in a single day, eliminating the need to book a room.
High Maintenance Costs
Operating a historic building at an altitude of nearly 8,000 feet proved incredibly difficult and expensive. The hotel had to be entirely winterized every year, and maintenance costs simply outweighed the declining revenue.
What it has been known for
Goldfinger and James Bond The hotel achieved global pop-culture fame when it was featured in the 1964 James Bond film Goldfinger. Agent 007 (played by Sean Connery) famously drives his Aston Martin DB5 past the hotel during a thrilling car chase on the pass.
The Rhône Glacier Ice Grotto
During its prime, guests flocked to the hotel to explore a 100-meter-long tunnel and ice chamber that was carved directly into the adjacent glacier each summer.
Architectural Icon
Its dramatic position perched precariously on a panoramic 180-degree hairpin turn makes it one of the most photographed and recognizable buildings in the Swiss Alps.
The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble beach
Colorado River at the Dead Horse Point State Park
The Colorado River is the principal river of the Southwestern United States and northwest Mexico. The 1,450-mile (2,330 km) river drains an expansive, arid watershed that encompasses parts of seven U.S. and two Mexican states. Rising in the central Rocky Mountains in the U.S., the river flows generally southwest across the Colorado Plateau and through the Grand Canyon before reaching Lake Mead on the ArizonaâNevada border, where it turns south toward the international border. After entering Mexico, the Colorado approaches the large Colorado River Delta at the tip of the Gulf of California between Baja California and Sonora.
Known for its dramatic canyons and whitewater rapids, the Colorado is a vital source of water for agricultural and urban areas in the southwestern desert lands of North America.[6] The river and its tributaries are controlled by an extensive system of dams, reservoirs, and aqueducts, which divert 90% of its water in the U.S. alone to furnish irrigation and municipal water supply for almost 40 million people both inside and outside the watershed.[7][8] The Colorado's large flow and steep gradient are used for generating hydroelectric power, and its major dams regulate peaking power demands in much of the Intermountain West. Intensive water consumption has dried the lower 100 miles (160 km) of the river such that it has not consistently reached the sea since the 1960s. Source: en.wikipedia.org/wiki/Colorado_River
Central Park is an urban park in New York City, between the Upper West and Upper East Sides of Manhattan. It is the fifth largest park in the city, covering 843 acres. It is the most visited urban park in the United States, with an estimated 42 million visitors annually as of 2016, and is the most filmed location in the world.
After proposals for a large park in Manhattan during the 1840s, it was approved in 1853 to cover 778 acres. In 1857, landscape architects Frederick Law Olmsted and Calvert Vaux won a design competition for the park with their "Greensward Plan". Construction began the same year; existing structures, including a majority-Black settlement named Seneca Village, were seized through eminent domain and razed. The park's first areas were opened to the public in late 1858. Additional land at the northern end of Central Park was purchased in 1859, and the park was completed in 1876. After a period of decline in the early 20th century, New York City parks commissioner Robert Moses started a program to clean up Central Park in the 1930s. The Central Park Conservancy, created in 1980 to combat further deterioration in the late 20th century, refurbished many parts of the park starting in the 1980s.
Main attractions include landscapes such as the Ramble and Lake, Hallett Nature Sanctuary, the Jacqueline Kennedy Onassis Reservoir, and Sheep Meadow; amusement attractions such as Wollman Rink, Central Park Carousel, and the Central Park Zoo; formal spaces such as the Central Park Mall and Bethesda Terrace; and the Delacorte Theater. The biologically diverse ecosystem has several hundred species of flora and fauna. Recreational activities include carriage-horse and bicycle tours, bicycling, sports facilities, and concerts and events such as Shakespeare in the Park. Central Park is traversed by a system of roads and walkways and is served by public transportation.
Its size and cultural position make it a model for the world's urban parks. Its influence earned Central Park the designations of National Historic Landmark in 1963 and of New York City scenic landmark in 1974. Central Park is owned by the New York City Department of Parks and Recreation but has been managed by the Central Park Conservancy since 1998, under a contract with the municipal government in a public–private partnership. The Conservancy, a non-profit organization, raises Central Park's annual operating budget and is responsible for all basic care of the park.
Between 1821 and 1855, New York City's population nearly quadrupled. As the city expanded northward up Manhattan Island, people were drawn to the few existing open spaces, mainly cemeteries, for passive recreation. These were seen as escapes from the noise and chaotic life in the city, which at the time was almost entirely centered on Lower Manhattan. The Commissioners' Plan of 1811, the outline for Manhattan's modern street grid, included several smaller open spaces but not Central Park. As such, John Randel Jr. had surveyed the grounds for the construction of intersections within the modern-day park site. The only remaining surveying bolt from his survey is embedded in a rock north of the present Dairy and the 66th Street transverse, marking the location where West 65th Street would have intersected Sixth Avenue.
By the 1840s, members of the city's elite were publicly calling for the construction of a new large park in Manhattan. At the time, Manhattan's seventeen squares comprised a combined 165 acres of land, the largest of which was the 10-acre Battery Park at Manhattan island's southern tip. These plans were endorsed in 1844 by New York Evening Post editor William Cullen Bryant, and in 1851 by Andrew Jackson Downing, one of the first American landscape designers.
Mayor Ambrose Kingsland, in a message to the New York City Common Council on May 5, 1851, set forth the necessity and benefits of a large new park and proposed the council move to create such a park. Kingsland's proposal was referred to the Council's Committee of Lands, which endorsed the proposal. The committee chose Jones's Wood, a 160-acre tract of land between 66th and 75th streets on the Upper East Side, as the park's site, as Bryant had advocated for Jones Wood. The acquisition was controversial because of its location, small size relative to other potential uptown tracts, and cost. A bill to acquire Jones's Wood was invalidated as unconstitutional, so attention turned to a second site: a 750-acre area known as "Central Park", bounded by 59th and 106th streets between Fifth and Eighth avenues. Croton Aqueduct Board president Nicholas Dean, who proposed the Central Park site, chose it because the Croton Aqueduct's 35-acre, 150-million-US-gallon collecting reservoir would be in the geographical center. In July 1853, the New York State Legislature passed the Central Park Act, authorizing the purchase of the present-day site of Central Park.
The board of land commissioners conducted property assessments on more than 34,000 lots in the area, completing them by July 1855. While the assessments were ongoing, proposals to downsize the plans were vetoed by mayor Fernando Wood. At the time, the site was occupied by free black people and Irish immigrants who had developed a property-owning community there since 1825. Most of the Central Park site's residents lived in small villages, such as Pigtown; Seneca Village; or in the school and convent at Mount St. Vincent's Academy. Clearing began shortly after the land commission's report was released in October 1855, and approximately 1,600 residents were evicted under eminent domain. Though supporters claimed that the park would cost just $1.7 million, the total cost of the land ended up being $7.39 million (equivalent to $215 million in 2021), more than the price that the United States would pay for Alaska a few years later.
In June 1856, Fernando Wood appointed a "consulting board" of seven people, headed by author Washington Irving, to inspire public confidence in the proposed development. Wood hired military engineer Egbert Ludovicus Viele as the park's chief engineer, tasking him with a topographical survey of the site. The following April, the state legislature passed a bill to authorize the appointment of four Democratic and seven Republican commissioners, who had exclusive control over the planning and construction process. Though Viele had already devised a plan for the park, the commissioners disregarded it and retained him to complete only the topographical surveys. The Central Park Commission began hosting a landscape design contest shortly after its creation. The commission specified that each entry contain extremely detailed specifications, as mandated by the consulting board. Thirty-three firms or organizations submitted plans.
In April 1858, the park commissioners selected Frederick Law Olmsted and Calvert Vaux's "Greensward Plan" as the winning design. Three other plans were designated as runners-up and featured in a city exhibit. Unlike many of the other designs, which effectively integrated Central Park with the surrounding city, Olmsted and Vaux's proposal introduced clear separations with sunken transverse roadways. The plan eschewed symmetry, instead opting for a more picturesque design. It was influenced by the pastoral ideals of landscaped cemeteries such as Mount Auburn in Cambridge, Massachusetts, and Green-Wood in Brooklyn. The design was also inspired by Olmsted's 1850 visit to Birkenhead Park, in the Liverpool City Region in England, which is generally acknowledged as the first publicly funded civil park in the world. According to Olmsted, the park was "of great importance as the first real Park made in this country—a democratic development of the highest significance".
Construction of Central Park's design was executed by a gamut of professionals. Frederick Law Olmsted and Calvert Vaux were the primary designers, assisted by board member Andrew Haswell Green, architect Jacob Wrey Mould, master gardener Ignaz Anton Pilat, and engineer George E. Waring, Jr. Olmsted was responsible for the overall plan, while Vaux designed some of the finer details. Mould, who worked frequently with Vaux, designed the Central Park Esplanade and the Tavern on the Green building. Pilat was the park's chief landscape architect, whose primary responsibility was the importation and placement of plants within the park. A "corps" of construction engineers and foremen, managed by superintending engineer William H. Grant, were tasked with the measuring and constructing architectural features such as paths, roads, and buildings. Waring was one of the engineers working under Grant's leadership and was in charge of land drainage.
Central Park was difficult to construct because of the generally rocky and swampy landscape. Around five million cubic feet of soil and rocks had to be transported out of the park, and more gunpowder was used to clear the area than was used at the Battle of Gettysburg during the American Civil War. More than 18,500 cubic yards of topsoil were transported from Long Island and New Jersey, because the original soil was neither fertile nor sufficiently substantial to sustain the flora specified in the Greensward Plan. Modern steam-powered equipment and custom tree-moving machines augmented the work of unskilled laborers. In total, over 20,000 individuals helped construct Central Park. Because of extreme precautions taken to minimize collateral damage, five laborers died during the project, at a time when fatality rates were generally much higher.
During the development of Central Park, Superintendent Olmsted hired several dozen mounted police officers, who were classified into two types of "keepers": park keepers and gate keepers. The mounted police were viewed favorably by park patrons and were later incorporated into a permanent patrol. The regulations were sometimes strict. For instance, prohibited actions included games of chance, speech-making, large congregations such as picnics, or picking flowers or other parts of plants. These ordinances were effective: by 1866, there had been nearly eight million visits and only 110 arrests in the park's history.
In late August 1857, workers began building fences, clearing vegetation, draining the land, and leveling uneven terrain. By the following month, chief engineer Viele reported that the project employed nearly 700 workers. Olmsted employed workers using day labor, hiring men directly without any contracts and paying them by the day. Many of the laborers were Irish immigrants or first-or-second generation Irish Americans, and some Germans and Italians; there were no black or female laborers. The workers were often underpaid, and workers would often take jobs at other construction projects to supplement their income. A pattern of seasonal hiring was established, wherein more workers would be hired and paid at higher rates during the summers.
For several months, the park commissioners faced funding issues, and a dedicated workforce and funding stream was not secured until June 1858. The landscaped Upper Reservoir was the only part of the park that the commissioners were not responsible for constructing; instead, the Reservoir would be built by the Croton Aqueduct board. Work on the Reservoir started in April 1858. The first major work in Central Park involved grading the driveways and draining the land in the park's southern section. The Lake in Central Park's southwestern section was the first feature to open to the public, in December 1858, followed by the Ramble in June 1859. The same year, the New York State Legislature authorized the purchase of an additional 65 acres at the northern end of Central Park, from 106th to 110th Streets. The section of Central Park south of 79th Street was mostly completed by 1860.
The park commissioners reported in June 1860 that $4 million had been spent on the construction to date. As a result of the sharply rising construction costs, the commissioners eliminated or downsized several features in the Greensward Plan. Based on claims of cost mismanagement, the New York State Senate commissioned the Swiss engineer Julius Kellersberger to write a report on the park. Kellersberger's report, submitted in 1861, stated that the commission's management of the park was a "triumphant success".
Olmsted often clashed with the park commissioners, notably with Chief Commissioner Green. Olmsted resigned in June 1862, and Green was appointed to Olmsted's position. Vaux resigned in 1863 because of what he saw as pressure from Green. As superintendent of the park, Green accelerated construction, though having little experience in architecture. He implemented a style of micromanagement, keeping records of the smallest transactions in an effort to reduce costs. Green finalized the negotiations to purchase the northernmost 65 acres of the park which was later converted into a "rugged" woodland and the Harlem Meer waterway.
When the American Civil War began in 1861, the park commissioners decided to continue building Central Park, since significant parts of the park had already been completed. Only three major structures were completed during the Civil War: the Music Stand and the Casino restaurant, both later demolished, and the Bethesda Terrace and Fountain. By late 1861, the park south of 72nd Street had been completed, except for various fences. Work had begun on the northern section of the park but was complicated by a need to preserve the historic McGowan's Pass. The Upper Reservoir was completed the following year.
During this period Central Park began to gain popularity. One of the main attractions was the "Carriage Parade", a daily display of horse-drawn carriages that traversed the park. Park patronage grew steadily: by 1867, Central Park accommodated nearly three million pedestrians, 85,000 horses, and 1.38 million vehicles annually. The park had activities for New Yorkers of all social classes. While the wealthy could ride horses on bridle paths or travel in horse-drawn carriages, almost everyone was able to participate in sports such as ice-skating or rowing, or listen to concerts at the Mall's bandstand.
Olmsted and Vaux were re-hired in mid-1865. Several structures were erected, including the Children's District, the Ballplayers House, and the Dairy in the southern part of Central Park. Construction commenced on Belvedere Castle, Harlem Meer, and structures on Conservatory Water and the Lake.
The Tammany Hall political machine, which was the largest political force in New York at the time, was in control of Central Park for a brief period beginning in April 1870. A new charter created by Tammany boss William M. Tweed abolished the old 11-member commission and replaced it with one with five men composed of Green and four other Tammany-connected figures. Subsequently, Olmsted and Vaux resigned again from the project in November 1870. After Tweed's embezzlement was publicly revealed in 1871, leading to his imprisonment, Olmsted and Vaux were re-hired, and the Central Park Commission appointed new members who were mostly in favor of Olmsted.
One of the areas that remained relatively untouched was the underdeveloped western side of Central Park, though some large structures would be erected in the park's remaining empty plots. By 1872, Manhattan Square had been reserved for the American Museum of Natural History, founded three years before at the Arsenal. A corresponding area on the East Side, originally intended as a playground, would later become the Metropolitan Museum of Art. In the final years of Central Park's construction, Vaux and Mould designed several structures for Central Park. The park's sheepfold (now Tavern on the Green) and Ladies' Meadow were designed by Mould in 1870–1871, followed by the administrative offices on the 86th Street transverse in 1872. Even though Olmsted and Vaux's partnership was dissolved by the end of 1872, the park was not officially completed until 1876.
By the 1870s, the park's patrons increasingly came to include the middle and working class, and strict regulations were gradually eased, such as those against public gatherings. Because of the heightened visitor count, neglect by the Tammany administration, and budget cuts demanded by taxpayers, the maintenance expenses for Central Park had reached a nadir by 1879. Olmsted blamed politicians, real estate owners, and park workers for Central Park's decline, though high maintenance costs were also a factor. By the 1890s, the park faced several challenges: cars were becoming commonplace, and with the proliferation of amusements and refreshment stands, people were beginning to see the park as a recreational attraction. The 1904 opening of the New York City Subway displaced Central Park as the city's predominant leisure destination, as New Yorkers could travel to farther destinations such as Coney Island beaches or Broadway theaters for a five-cent fare.
In the late 19th century the landscape architect Samuel Parsons took the position of New York City parks superintendent. A onetime apprentice of Calvert Vaux, Parsons helped restore the nurseries of Central Park in 1886. Parsons closely followed Olmsted's original vision for the park, restoring Central Park's trees while blocking the placement of several large statues in the park. Under Parsons' leadership, two circles (now Duke Ellington and Frederick Douglass Circles) were constructed at the northern corners of the park. He was removed in May 1911 following a lengthy dispute over whether an expense to replace the soil in the park was unnecessary. A succession of Tammany-affiliated Democratic mayors were indifferent toward Central Park.
Several park advocacy groups were formed in the early 20th century. To preserve the park's character, the citywide Parks and Playground Association, and a consortium of multiple Central Park civic groups operating under the Parks Conservation Association, were formed in the 1900s and 1910s. These associations advocated against such changes to the park as the construction of a library, sports stadium, a cultural center, and an underground parking lot. A third group, the Central Park Association, was created in 1926. The Central Park Association and the Parks and Playgrounds Association were merged into the Park Association of New York City two years later.
The tree-lined mall with people walking and others seated on benches on either side
The Heckscher Playground—named after philanthropist August Heckscher, who donated the play equipment—opened near its southern end in 1926, and quickly became popular with poor immigrant families. The following year, mayor Walker commissioned landscape designer Herman W. Merkel to create a plan to improve Central Park. Merkel's plans would combat vandalism and plant destruction, rehabilitate paths, and add eight new playgrounds, at a cost of $1 million. One of the suggested modifications, underground irrigation pipes, were installed soon after Merkel's report was submitted. The other improvements outlined in the report, such as fences to mitigate plant destruction, were postponed due to the Great Depression.
In 1934, Republican Fiorello La Guardia was elected mayor of New York City. He unified the five park-related departments then in existence. Newly appointed city parks commissioner Robert Moses was given the task of cleaning up the park, and he summarily fired many of the Tammany-era staff. At the time, the lawns were filled with weeds and dust patches, while many trees were dying or already dead. Monuments had been vandalized, equipment and walkways were broken, and ironwork was rusted. Moses's biographer Robert Caro later said, "The once beautiful Mall looked like a scene of a wild party the morning after. Benches lay on their backs, their legs jabbing at the sky..."
During the following year, the city's parks department replanted lawns and flowers, replaced dead trees and bushes, sandblasted walls, repaired roads and bridges, and restored statues. The park menagerie and Arsenal was transformed into the modern Central Park Zoo, and a rat extermination program was instituted within the zoo. Another dramatic change was Moses' removal of the "Hoover valley" shantytown at the north end of Turtle Pond, which became the 30-acre Great Lawn. The western part of the Pond at the park's southeast corner became an ice skating rink called Wollman Rink, roads were improved or widened, and twenty-one playgrounds were added. These projects used funds from the New Deal program, and donations from the public. Moses removed Sheep Meadow's sheep to make way for the Tavern on the Green restaurant.
Renovations in the 1940s and 1950s include a restoration of the Harlem Meer completed in 1943, and a new boathouse completed in 1954. Moses began construction on several other recreational features in Central Park, such as playgrounds and ball fields. One of the more controversial projects proposed during this time was a 1956 dispute over a parking lot for Tavern in the Green. The controversy placed Moses, an urban planner known for displacing families for other large projects around the city, against a group of mothers who frequented a wooded hollow at the site of a parking lot. Though opposed by the parents, Moses approved the destruction of part of the hollow. Demolition work commenced after Central Park was closed for the night and was only halted after the threat of a lawsuit.
Moses left his position in May 1960. No park commissioner since then has been able to exercise the same degree of power, nor did NYC Parks remain in as stable a position in the aftermath of his departure. Eight commissioners held the office in the twenty years following his departure. The city experienced economic and social changes, with some residents moving to the suburbs. Interest in Central Park's landscape had long since declined, and it was now mostly being used for recreation. Several unrealized additions were proposed for Central Park in that decade, such as a public housing development, a golf course, and a "revolving world's fair".
The 1960s marked the beginning of an "Events Era" in Central Park that reflected the widespread cultural and political trends of the period. The Public Theater's annual Shakespeare in the Park festival was settled in the Delacorte Theater, and summer performances were instituted on the Sheep Meadow and the Great Lawn by the New York Philharmonic Orchestra and the Metropolitan Opera.[199] During the late 1960s, the park became the venue for rallies and cultural events such as the "love-ins" and "be-ins" of the period. The same year, Lasker Rink opened in the northern part of the park; the facility served as an ice rink in winter and Central Park's only swimming pool in summer.
By the mid-1970s, managerial neglect resulted in a decline in park conditions. A 1973 report noted that the park suffered from severe erosion and tree decay, and that individual structures were being vandalized or neglected. The Central Park Community Fund was subsequently created based on the recommendation of a report from a Columbia University professor. The Fund then commissioned a study of the park's management and suggested the appointment of both a NYC Parks administrator and a board of citizens. In 1979, Parks Commissioner Gordon Davis established the Office of Central Park Administrator and appointed Elizabeth Barlow, the executive director of the Central Park Task Force, to the position. The Central Park Conservancy, a nonprofit organization with a citizen board, was founded the following year.
Under the leadership of the Central Park Conservancy, the park's reclamation began by addressing needs that could not be met within NYC Parks' existing resources. The Conservancy hired interns and a small restoration staff to reconstruct and repair unique rustic features, undertaking horticultural projects, and removing graffiti under the broken windows theory which advocated removing visible signs of decay. The first structure to be renovated was the Dairy, which reopened as the park's first visitor center in 1979. The Sheep Meadow, which reopened the following year, was the first landscape to be restored. Bethesda Terrace and Fountain, the USS Maine National Monument, and the Bow Bridge were also rehabilitated. By then, the Conservancy was engaged in design efforts and long-term restoration planning, and in 1981, Davis and Barlow announced a 10-year, $100 million "Central Park Management and Restoration Plan". The long-closed Belvedere Castle was renovated and reopened in 1983, while the Central Park Zoo closed for a full reconstruction that year. To reduce the maintenance effort, large gatherings such as free concerts were canceled.
On completion of the planning stage in 1985, the Conservancy launched its first campaign and mapped out a 15-year restoration plan. Over the next several years, the campaign restored landmarks in the southern part of the park, such as Grand Army Plaza and the police station at the 86th Street transverse; while Conservatory Garden in the northeastern corner of the park was restored to a design by Lynden B. Miller. Real estate developer Donald Trump renovated the Wollman Rink in 1987 after plans to renovate it were delayed repeatedly. The following year, the Zoo reopened after a $35 million, four-year renovation.
Work on the northern end of the park began in 1989. A $51 million campaign, announced in 1993, resulted in the restoration of bridle trails, the Mall, the Harlem Meer, and the North Woods, and the construction of the Dana Discovery Center on the Harlem Meer. This was followed by the Conservancy's overhaul of the 55 acres near the Great Lawn and Turtle Pond, which was completed in 1997. The Upper Reservoir was decommissioned as a part of the city's water supply system in 1993, and was renamed after former U.S. first lady Jacqueline Kennedy Onassis the next year. During the mid-1990s, the Conservancy hired additional volunteers and implemented a zone-based system of management throughout the park. The Conservancy assumed much of the park's operations in early 1998.
Renovations continued through the first decade of the 21st century, and a project to restore the pond was commenced in 2000. Four years later, the Conservancy replaced a chain-link fence with a replica of the original cast-iron fence that surrounded the Upper Reservoir. It started refurbishing the ceiling tiles of the Bethesda Arcade, which was completed in 2007. Soon after, the Central Park Conservancy began restoring the Ramble and Lake, in a project that was completed in 2012. Bank Rock Bridge was restored, and the Gill, which empties into the lake, was reconstructed to approximate its dramatic original form. The final feature to be restored was the East Meadow, which was rehabilitated in 2011.
In 2014, the New York City Council proposed a study on the viability of banning vehicular traffic from the park's drives. The next year, mayor Bill de Blasio announced that West and East drives north of 72nd Street would be closed to vehicular traffic, because the city's data showed that closing the roads did not adversely impact traffic flows. Subsequently, in June 2018, the remaining drives south of 72nd Street were closed to vehicular traffic.
Several structures were renovated. Belvedere Castle was closed in 2018 for an extensive renovation, reopening in June 2019. Later in 2018, it was announced that the Delacorte Theater would be closed from 2020 to 2022 for a $110 million rebuild. The Central Park Conservancy further announced that Lasker Rink would be closed for a $150 million renovation between 2021 and 2024.
When 18th-century industrialist Walter Barton May thought his wife was having an affair with a local farmer, he wanted to be sure she would never escape his sight. His excessive solution can still be seen today: a 64m tall observation tower that soars above the surrounding Kent landscape like a gothic space rocket – from it he could survey the entire village!
While the jealous origins of Hadlow Tower may be the stuff of local legend, its dramatic physical presence can't be denied. The tallest folly in the UK, it climbs into the air with telescopic ambition. That it stands here today, honey-coloured in the winter sunshine, is thanks to a £4.2m restoration by the Vivat Trust, which has now transformed the long-derelict tower into a rentable holiday home.
Set in the village of Hadlow, near Tonbridge, Barton May's folly is the work of naval architect George Ledwell Taylor, who built the dockyards at Woolwich and Sheerness, and brought his marine expertise to bear here in 1838. While it looks like stone from a distance, it is in fact a brick structure, rendered in Roman cement – a hard-wearing clay and lime mix that Taylor had used on his dockside buildings for its durability in the abrasive sea air. It was also the cheap option for a man with aspirations, but not much cash.. If Barton-May was around today, he would be the guy that wants bling.
I've been wanting to photograph the tower for ages and finally got round to fulfilling that wish. It's not open to the public at the moment but you can access this point via local footpaths and rights of ways.
Tripod mounted, 7 exposure hdr -4 to +2 pp with acr, photomatix, photoshop, topaz clarity & de-noise. Nikon D700 with 24-70 f2.8 at 55mm, f13, 1/60 average sec's, ISO 100.
Full of colors and contrast...of beauty and madness...
SUNSET in SABANG
In my journey around pagsanjan and its neighboring towns, never ive seen a sunset more dramatic than sabang. Located in magdalena, sabang is also known as a quarry site. Rich in rivers rock filled...I tried capturing its dramatic sunset at a location i just discovered.
I would like to share...the drama in the sunset of Sabang.
This was the furthest extent of our flight over the Grand Canyon. The aircraft is approaching the point (almost vertically below to the right of this shot) at which the Little Colorado River, one of the largest tributaries of the Grand Canyon, flows into the Colorado River. The plateau on the right is over 1,000m above the level of the river in the canyon below.
The land to the east of the Grand Canyon at this point (to the right, above) and as far as the eye can see above is part of the Navajo Indian Reservation. It covers some 71,000 sq. km and is one of the few reservations whose lands overlap the nation's traditional homelands.
The land to the west of the Grand Canyon (here running north-south) is part of the Grand Canyon National Park, although in the top of the image some of that land is beyond the park's northern boundary.
The dark-green Colorado River is one of the principal rivers of the south-western United States and northern Mexico (the other being the Rio Grande). The 2,330 km-long river drains an expansive, arid watershed that encompasses parts of seven US and two Mexican states. Known for its dramatic canyons, white-water rapids, and 11 US National Parks, the Colorado River and its tributaries are a vital source of water for 40 million people.
Scanned from a negative.
The yellow-crowned bishop (Euplectes afer), also known as the Napoleon weaver or golden bishop, is a small, striking passerine bird native to sub-Saharan Africa. This species is known for its dramatic sexual dimorphism during the breeding season.
Physical Characteristics
Size and Weight: These are small birds, typically measuring 10–11 cm (4 inches) in length and weighing around 15 grams. They are described as having a dumpy appearance with a short tail.
Breeding Males: During the breeding season, males display vibrant and distinctive golden-yellow and black plumage. Their forehead, crown, back, rump, and a patch on the shoulder are bright yellow, while the lower face, throat, chest, and belly are black. They have a short, conical black bill.
Females and Non-breeding Males: Outside of the breeding season, males lose their vibrant colors and resemble females. Both are a dull, streaked brown and yellow, appearing similar to sparrows, which helps them camouflage in the grass. They have a pale eyebrow and a horn-colored bill.
Habitat and Behavior
Habitat: Yellow-crowned bishops are typically found in grasslands, marshes, swamps, and other wet, reedy areas, often near water. They are nomadic and move to breeding areas in response to rainfall.
Diet: They primarily feed on seeds, particularly grass seeds, but also eat insects and grains, especially when feeding their young.
Social Structure and Breeding: They are highly social and live in flocks, sometimes mixing with other weaver or sparrow species outside of the breeding season. During breeding, males are polygynous and become highly territorial, using their bright feathers in display flights to attract females. Males build multiple oval-shaped nests from grass strips, which females then line and use to lay their eggs.
Vocalization: They produce a high-pitched, rasping, buzzing, and insect-like call, described as "zzzzzzzz, zzit, zzit, zzzz".
Conservation Status
The yellow-crowned bishop is classified as Least Concern on the IUCN Red List because it has an extremely large range and a stable population across Africa. Small populations have also been introduced to other parts of the world, including Spain, Portugal, Puerto Rico, and Jamaica, mainly due to the pet trade.
REFORD GARDENS | LES JARDINS DE METIS
Coucher de soleil, Sainte-Flavie.
Visit : www.refordgardens.com/
Photo taken close to REFORD GARDENS. (Sainte-Flavie)
Mrs Elsie Reford loved those beautiful sunsets.
Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!
''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)
" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)
Beautiful flowers at Reford Gardens.
''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford
Visit : www.refordgardens.com/
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From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Badlands National Park is in South Dakota. Its dramatic landscapes span layered rock formations, steep canyons and towering spires. Bison, bighorn sheep and prairie dogs inhabit its sprawling grasslands. The Badlands Loop Road (Highway 240) winds past scenic lookouts. Several trails begin near the Ben Reifel Visitor Center. The Fossil Exhibit Trail is a boardwalk with displays on fossils uncovered in the park.
The Majestic Ultar Peak and LadyFinger are bathed in full moonlight - Hunza Valley Pakistan.
Ultar Sar (also Ultar, Ultar II, Bojohagur Duanasir II) 7,388 metres (24,239 feet) is the southeasternmost major peak of the Batura Muztagh, a subrange of the Karakoram range. It lies about 10 km (6 miles) northeast of the Karimabad, a town on the Karakoram Highway in the Hunza Valley, part of the Gilgit District of the Northern Areas of Pakistan.While not one of the highest peaks of the Karakoram, Ultar Sar is notable for its dramatic rise above local terrain. Its south flank rises over 5,300 metres (17,388 feet) above the Hunza River near Karimabad, in only about 10 km (6 miles) of horizontal distance. Combined with its strategic position at the end of the Batura Muztagh, with the Hunza River bending around it, this makes Ultar a visually striking peak.
Bublimotin, Bubli Motin, Bublimating or Ladyfinger Peak, is a distinctive rock spire in the Batura Muztagh, the westernmost subrange of the Karakoram range in Pakistan. It lies on the southwest ridge of the Ultar Sar massif, the most southeasterly of the major groups of the Batura Muztagh. The whole massif rises precipitously above the Hunza Valley to the southeast. Bublimotin, while having little prominence above the saddle with nearby Hunza Peak, is particularly notable for being a sharp, relatively snowless rock spire among snow peaks. This, combined with its height above the valley, makes it quite eye-catching; hence the distinctive name. It provides a 600m (1830 ft) rock climb (with a very serious alpine approach) and has been the scene of some notable paragliding.
(Source: Wikipedia - en.wikipedia.org/wiki/Ultar_Sar)
The Ijen National Park situated in East Java near the city of Banyuwangi, is the easternmost volcanic centre in the island of Java, Indonesia. The large caldera complex hosts a large number of volcanic edifices of which Ijen and Raung are the most active. The Ijen crater (Kawah Ijen) contains the world?s largest lakes of highly acid (pH<0.5) and mineralised volcanic water.
Besides its dramatic volcano scenery, Ijen National Park also offers collections of animals such as Javanese porcupine (hystrix brachyuran javanica), and other species of rare trees and flowers commonly grow in tropical rain forest.
In August to September, beautiful edelweiss blooms everywhere in the mountain. Green coffee plantations are variously scattered on the floor of the caldera.
Another photo from Paltuding meeting point: Mt. Papak panorama
Canon EOS 50D + EF-S 10-22mm f/3.5-4.5 USM
EXIF: 0.008 sec sec • f/14• 10 mm • ISO 160
Exposure Mode + White Balance: Manual
Filters: Lee Soft 3stops
Software: Digital Photo Pro + Adobe Photoshop CS3
Thanks everyone for your visit, comments, critiques, fave,invite..etc. I really appreciate it.
Have a nice weekend :)
6104
REFORD GARDENS | LES JARDINS DE METIS
GENTIANA SEPTEMFIDA Var. LAGODECHIANA
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site. 452
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Ivanna stuns again with a jaw-dropping runway moment that radiates sultry elegance and fierce confidence. Against a dreamy ocean backdrop, she commands attention in this daring, body-hugging gown from [B.D.R.], sculpted to celebrate curves and confidence.
The dress features a hypnotic tribal-inspired print in rich earth tones, with hints of gold, rust, and amber, perfectly echoing the glow of a sunset on the water. Its dramatic cutouts and form-fitting silhouette evoke strength and sensuality, allowing Ivanna’s natural grace to shine. The gathered keyhole bodice and skin-baring design walk the line between bold and beautiful, effortlessly capturing the eye with every step.
Her hair—styled in a soft topknot with waves cascading down—adds a casual, beachside glamor that balances the powerful energy of the dress. This look isn’t just fashion—it’s a mood, a declaration of confidence, and a celebration of bold femininity.
Whether walking the pier or the catwalk, Ivanna reminds us that fashion isn’t just what you wear—it’s how you own it.
Dress: B.D.R. Soleil
* This stunning dress is offered in two enchanting styles: a flowing long version and a playful mini. Both options come with a versatile HUD that allows you to customize the color, fabric, metal, and pattern to match your unique style. Designed for the perfect fit, it is compatible with Legacy/Perky, Reborn/Waifu, and Maitreya/Lara X mesh bodies, ensuring you look and feel fabulous no matter the occasion.
Pose: Psycho Pose/ Blogger 4
* This enchanting pose package features five dynamic poses, accompanied by a delightful pose ball, to elevate your posing journey to new heights.
Beautiful Dirty Rich
Flickr → www.flickr.com/groups/beautifuldirtyrich/
Facebook → www.facebook.com/pages/Beautiful-Dirty-Rich/106362909424441
In-world → maps.secondlife.com/secondlife/Beautiful%20Dirty%20Rich/1...
Blog → bdrbeautifuldirtyrich.blogspot.com
Instagram → www.instagram.com/bdr_beautifuldirtyrich/
Psycho Pose
Flickr: www.flickr.com/photos/194478607@N02/
Flickr Group: flic.kr/g/3e2j9e
Facebook: www.facebook.com/profile.php?id=61557243192883
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Primfeed: www.primfeed.com/haru.takeda
**Wadi Rum Desert** is a protected desert valley in southern Jordan, famous for its dramatic red sand, sandstone mountains, and vast open landscapes. Often called the **"Valley of the Moon,"** it has been inhabited for thousands of years and is closely associated with Bedouin culture.
Visitors come for activities such as:
* Jeep tours
* Camel rides
* Hiking and rock climbing
* Camping under the stars
* Watching sunsets and stargazing
Wadi Rum is a **UNESCO World Heritage Site** and has been used as a filming location for movies such as *Lawrence of Arabia*, *The Martian*, and *Dune*.
**Summary:** Wadi Rum is Jordan's iconic red desert, known for its stunning scenery, Bedouin heritage, outdoor adventures, and unforgettable desert camping experiences.
© Maxence Guillaume
REFORD GARDENS | LES JARDINS DE METIS
Coucher de soleil, Sainte-Flavie.
Visit : www.refordgardens.com/
Photo taken close to REFORD GARDENS. (Sainte-Flavie)
Mrs Elsie Reford loved those beautiful sunsets.
Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!
''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)
" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)
Beautiful flowers at Reford Gardens.
''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford
Visit : www.refordgardens.com/
-----------------------------------------------------------------------------------------
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
5790
REFORD GARDENS | LES JARDINS DE METIS
COUCHER DE SOLEIL - Sainte-Flavie
Visit : www.refordgardens.com/
Photo taken close to REFORD GARDENS. (Sainte-Flavie)
Mrs Elsie Reford loved those beautiful sunsets.
Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!
''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)
" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)
Beautiful flowers at Reford Gardens.
Visit : www.refordgardens.com/
-----------------------------------------------------------------------------------------
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com/
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
8876 Pommetier en fleurs
Visit : www.refordgardens.com/
From Wikipedia: Visit : en.wikipedia.org/wiki/Elsie_Reford
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
---------------------------------------------------------------------------------------
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Smailholm Tower was originally built in the 15th century or early 16th century by the Pringle family.This family, originally spelt Hoppringle, who were followers of the Earl of Douglas, held the lands of Smailholm from the early 15th century, and managed part of Ettrick Forest for their feudal superior. The word -holm stands for little island. And Smail might be Smale, Smail, Smaile, Small, Smalles, Smalls, and Smeal(l), derived from the Old English pre 7th Century "Smael" meaning "small, slender or thin", and was originally given as a nickname to one of slight stature.
Smailholm Tower was designed, in common with all Scottish peel towers, to provide its occupants with protection from sporadic English raids. The tower was attacked by English soldiers in 1543, 1544 and again in 1546, when the garrison of Wark Castle sacked the tower and carried off prisoners and cattle. The castle was successfully defended against the English in 1640, by Sir Andrew Ker of Greenhead.
Smailholm was obtained by the Scotts of Harden around this time. The Scotts – ancestors of Sir Walter – rebuilt parts of the tower and barmkin. In the 18th century the tower decayed, following the family's move into nearby Sandyknowe. The last owner, the Earl of Ellesmere, handed the property into state care in 1950. It was restored in the 1980s, and now operates as a museum.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
Yet there is still much to see in this best-preserved of Cumbrian monasteries. The east end of the noble 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
Space Science image of the week:
At first sight it might seem obvious which of these ‘models’ is the odd one out: standing between the satellites is apparently a Star Wars stormtrooper.
But the stormtrooper is actually our Rosetta project scientist, Matt Taylor, who is one of three ESA scientists taking the stage at science fiction convention ‘FedCon’ in Bonn, Germany, 2–5 June.
While Matt will present Rosetta’s incredible adventure at a comet, including its dramatic conclusion, ESA Senior Science Advisor Mark McCaughrean will highlight some of our other exciting missions, to Mercury, Mars and Jupiter, along with missions to study planets around other stars.
Paul McNamara, project scientist for LISA Pathfinder, will explore the science of gravitational waves, and how they are portrayed in the Star Trek universe. Think gravitational wavefronts, continuous graviton beams, fluctuating graviton fields and more.
Representatives from ESA’s science and operations teams will also be on hand to answer your questions at our exhibition stand. You can also try our ‘science meets science fiction quiz’ to win ESA goodies. And, of course, keep an eye out for our friendly stormtrooper!
The photograph featured here was taken at ESA’s technical heart, in the Netherlands, and shows test models of various satellites and hardware.
At the far right is ESRO-4, launched in 1972 to study Earth’s atmosphere, ionosphere and radiation belts.
HEOS-1 sits on the other side of the stormtrooper. Launched in 1968, it was the first European probe to venture beyond near-Earth space, in order to study the magnetic fields, radiation and the solar wind outside of Earth’s magnetosphere.
Next in line is the Automated Transport Vehicle docking assembly, used to dock the resupply ship to the International Space Station.
Finally, at the far left is COS-B, which, in 1975, was the first mission launched by ESA following its creation in 1973. COS-B studied gamma-ray objects, and was a precursor to Integral, which is still operating.
You can view this historic space hardware during our annual open day, which this year will be held on 8 October (full details coming soon).
Credit: ESA–C. Carreau, CC BY-SA 3.0 IGO
Arches National Park is known for its dramatic contrast in color and texture.
Skyline Arch
Arches National Park
Moab, Utah
5113
REFORD GARDENS | LES JARDINS DE METIS
Claudette '' making '' some photos...
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com/
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Deers Farm is located in the picturesque village of Hawthorn, County Durham, which is nestled between Seaham and Easington. The area is known for its rich history and natural beauty, particularly the nearby Hawthorn Dene, a site of significant ecological and geological interest. The village itself has medieval origins, with farming historically being the mainstay of its economy.
Hawthorn Dene, close to Deers Farm, is one of the largest semi-natural woodlands in County Durham and is home to diverse wildlife and rare plant species. The area is part of the Durham Heritage Coast, celebrated for its dramatic cliff-top views and limestone meadows.
Lots of beautiful sceneries like that one in the countryside near REFORD GARDENS | LES JARDINS DE METIS
Photo taken a few kilometers away from Reford Gardens | Les Jardins de Metis located at Grand Metis.
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
6531 Azalées.
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
REFORD GARDENS | LES JARDINS DE METIS
Visit: www.refordgardens.com
From the plaque:
SE MOUILLER (La belle échappée), 2015
Groupe A / Annexe U
Visit: www.groupea.qc.ca
The installation explores the discussion about invasive species and the delicate balance of ecosystems. Here plants will be kept in a kind of vise that visitors will be invited to enter. The plant will escape over the course of the summer . Loss of control? When what is beautiful becomes dangerous.
The experience will be repeated as the garden invites visitors to engage physically with the garden. Gone is the simple contemplation. The call to participate is also an invitation to interact and share in the common environment of the wetland.
"Don your boots and get wet" offers a chance to discover a completely different space.
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Beautiful flowers at Reford Gardens.
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Garden of the Gods is a breathtaking public park in Colorado Springs, Colorado, famous for its dramatic red sandstone rock formations that tower against the backdrop of Pikes Peak and the Rocky Mountains. Designated a National Natural Landmark, the park offers miles of scenic trails for hiking, biking, and horseback riding, as well as opportunities for world-class rock climbing. Its unique geological formations, combined with panoramic mountain views and abundant wildlife, make Garden of the Gods a must-visit destination for nature lovers, adventurers, and travelers exploring the American West.
The Snæfellsnes Peninsula is a region in western Iceland known for its dramatic landscapes. At its western tip, Snæfellsjökull National Park is dominated by Snæfellsjökull Volcano, which is topped by a glacier. Nearby, a trail leads through lava fields to black-pebble beach
REFORD GARDENS | LES JARDINS DE MÉTIS
4800
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
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Visit : www.refordgardens.com/
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LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
Afternoon light touches the cliffs and sea stacks near Arch Rock State Park at Windy Point, along the Samuel H. Boardman State Scenic Corridor north of Brookings, Oregon. This stretch of rugged coastline is known for its dramatic headlands, turquoise coves and wind-sculpted trees perched above the Pacific.
Spotted this blue heron across the lake on the shore. Suddenly he took off and fortunately I had my camera ready :-)) Cropped.
.
The Great Blue Heron
The Great Blue Heron (Ardea herodias) is a wading bird in the heron family Ardeidae, common over most of North and Central America as well as the West Indies and the Galapagos Islands, except for the far north, deserts and high mountains where there is no water in which for it to feed. It is an extremely rare vagrant to Europe, with records from Spain, the Azores and England.
The Great Blue Heron is the largest North American heron, with a head-to-tail length of between three and five feet, a wingspan of between 6-1/2 and 7-1/2 feet, and a weight of five to eight pounds. This magnificent creature is notable not only for its size, but also for its dramatic appearance. The deep blue and blue-gray of its flight plumage contrasts with its white feathers, and orange bill and wing patches. Once you've seen one of these sizable avians, you won't soon forget the encounter!
Great Blue Herons can be found in a range of habitats, in fresh and saltwater marshes, mangrove swamps, flooded meadows, lake edges, or shorelines, but they always live near bodies of water. Generally, they nest in trees or bushes near a body of water. The primary food for the Great Blue Heron is small fish, though they are also known to eat shellfish, insects, rodents, amphibians, reptiles, and small birds.
www.talismancoins.com/servlet/Detail?no=770
HMB!
Hope your take off into the new week is smooth and joyous!
Love it when you visit!
REFORD GARDENS | LES JARDINS DE METIS
COUCHER DE SOLEIL - Sainte-Flavie
Visit : www.refordgardens.com/
Photo taken close to REFORD GARDENS, (Sainte-Flavie)
Mrs Elsie Reford loved those beautiful sunsets.
Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!
''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)
" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)
Beautiful flowers at Reford Gardens.
Visit : www.refordgardens.com/
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From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
InterContinental, Hong Kong
Recognised as one of the world's top hotels, InterContinental Hong Kong is renowned for its dramatic location on the Kowloon waterfront, with spectacular views of Victoria Harbour and Hong Kong Island. Located on the edge of Victoria Harbour in the Tsim Sha Tsui area, the hotel is convenient to Kowloon’s business, entertainment and shopping districts and all forms of transportation.
香港洲際酒店
香港洲際酒店認可為世界頂級酒店之一，位於香港九龍尖沙咀東海旁，盡覽維多利亞港和香港島的壯麗景色。娛樂, 購物和交通都很方便。
Please view in large size^^
Light moves rapidly across the scape, tinted and tempered by weather that is its dramatic partner; a giant canvass bathed in shifting shades of white, gray, blue, aquamarine, teal and amethyst.
With its dramatic mountain-and-riverside setting, its lovely/stunning old houses, mosques and antiquities, Amasya is among Turkey's undiscovered treasures.
taken to show lovely colours and uniqueness of the Amasya Houses. Miniature effect was employed in order to lead eyes to the houses.
This stunning panoramic view captures the Rheinschleife (Rhine bend) near Boppard, Germany, with a blanket of fog partially covering the river. The meandering curve of the Rhine river can be seen as it winds through the lush green valley, bordered by small towns and vineyards. The fog adds an ethereal quality to the scene, with sunlight breaking through to reflect off the river’s surface, creating a peaceful yet dramatic atmosphere. The Rheinschleife is a famous section of the Rhine River, known for its dramatic and scenic curves.
First of July 2017 I made my way to Stonehaven, a small fishing town a few miles from Aberdeen, while there the sun shone high in the blue sky making it a perfect day to capture the scenery and landscape surrounding me, hence I packed my Nikon D750 and made full use of it, I left Stonehaven around 16pm and drove the few miles to this wonderful location Dunnottar Castle, absolutely breathtaking , I post a few of the photos I have taken along with a brief history of castles heritage .
Dunnottar Castle (Scottish Gaelic: Dùn Fhoithear, "fort on the shelving slope" is a ruined medieval fortress located upon a rocky headland on the north-east coast of Scotland, about 3 kilometres (1.9 mi) south of Stonehaven.
The surviving buildings are largely of the 15th and 16th centuries, but the site is believed to have been fortified in the Early Middle Ages. Dunnottar has played a prominent role in the history of Scotland through to the 18th-century Jacobite risings because of its strategic location and defensive strength. Dunnottar is best known as the place where the Honours of Scotland, the Scottish crown jewels, were hidden from Oliver Cromwell's invading army in the 17th century. The property of the Keiths from the 14th century, and the seat of the Earl Marischal, Dunnottar declined after the last Earl forfeited his titles by taking part in the Jacobite rebellion of 1715.
The castle was restored in the 20th century and is now open to the public.
The ruins of the castle are spread over 1.4 hectares (3.5 acres), surrounded by steep cliffs that drop to the North Sea, 50 metres (160 ft) below. A narrow strip of land joins the headland to the mainland, along which a steep path leads up to the gatehouse.
The various buildings within the castle include the 14th-century tower house as well as the 16th-century palace. Dunnottar Castle is a scheduled monument, and twelve structures on the site are listed buildings.
History
Early Middle Ages
A chapel at Dunnottar is said to have been founded by St Ninian in the 5th century, although it is not clear when the site was first fortified, but in any case the legend is late and highly implausible. Possibly the earliest written reference to the site is found in the Annals of Ulster which record two sieges of "Dún Foither" in 681 and 694.
The earlier event has been interpreted as an attack by Brude, the Pictish king of Fortriu, to extend his power over the north-east coast of Scotland. The Scottish Chronicle records that King Domnall II, the first ruler to be called rí Alban (King of Alba), was killed at Dunnottar during an attack by Vikings in 900. King Aethelstan of Wessex led a force into Scotland in 934, and raided as far north as Dunnottar according to the account of Symeon of Durham. W. D. Simpson speculated that a motte might lie under the present caste, but excavations in the 1980s failed to uncover substantive evidence of early medieval fortification.
The discovery of a group of Pictish stones at Dunnicaer, a nearby sea stack, has prompted speculation that "Dún Foither" was actually located on the adjacent headland of Bowduns, 0.5 kilometres (0.31 mi) to the north.
Later Middle Ages
During the reign of King William the Lion (ruled 1165–1214) Dunnottar was a center of local administration for The Mearns. The castle is named in the Roman de Fergus, an early 13th-century Arthurian romance, in which the hero Fergus must travel to Dunnottar to retrieve a magic shield.
In May 1276 a church on the site was consecrated by William Wishart, Bishop of St Andrews. The poet Blind Harry relates that William Wallace captured Dunnottar from the English in 1297, during the Wars of Scottish Independence. He is said to have imprisoned 4,000 defeated English soldiers in the church and burned them alive.
In 1336 Edward III of England ordered William Sinclair, 8th Baron of Roslin, to sail eight ships to the partially ruined Dunnottar for the purpose of rebuilding and fortifying the site as a forward resupply base for his northern campaign. Sinclair took with him 160 soldiers, horses, and a corps of masons and carpenters.
Edward himself visited in July, but the English efforts were undone before the end of the year when the Scottish Regent Sir Andrew Murray led a force that captured and again destroyed the defences of Dunnottar.
In the 14th century Dunnottar was granted to William de Moravia, 5th Earl of Sutherland (d.1370), and in 1346 a licence to crenellate was issued by David II. Around 1359 William Keith, Marischal of Scotland, married Margaret Fraser, niece of Robert the Bruce, and was granted the barony of Dunnottar at this time. Keith then gave the lands of Dunnottar to his daughter Christian and son-in-law William Lindsay of Byres, but in 1392 an excambion (exchange) was agreed whereby Keith regained Dunnottar and Lindsay took lands in Fife.
William Keith completed construction of the tower house at Dunnottar, but was excommunicated for building on the consecrated ground associated with the parish church. Keith had provided a new parish church closer to Stonehaven, but was forced to write to the Pope, Benedict XIII, who issued a bull in 1395 lifting the excommunication.William Keith's descendents were created Earls Marischal in the mid 15th century, and they held Dunottar until the 18th century.
16th century rebuilding
Through the 16th century the Keiths improved and expanded their principal seats: at Dunnottar and also at Keith Marischal in East Lothian. James IV visited Dunnottar in 1504, and in 1531 James V exempted the Earl's men from military service on the grounds that Dunnottar was one of the "principall strenthis of our realme".
Mary, Queen of Scots, visited in 1562 after the Battle of Corrichie, and returned in 1564.
James VI stayed for 10 days in 1580, as part of a progress through Fife and Angus, during which a meeting of the Privy Council was convened at Dunnottar.
During a rebellion of Catholic nobles in 1592, Dunnottar was captured by a Captain Carr on behalf of the Earl of Huntly, but was restored to Lord Marischal just a few weeks later.
In 1581 George Keith succeeded as 5th Earl Marischal, and began a large scale reconstruction that saw the medieval fortress converted into a more comfortable home. The founder of Marischal College in Aberdeen, the 5th Earl valued Dunnottar as much for its dramatic situation as for its security.
A "palace" comprising a series of ranges around a quadrangle was built on the north-eastern cliffs, creating luxurious living quarters with sea views. The 13th-century chapel was restored and incorporated into the quadrangle.
An impressive stone gatehouse was constructed, now known as Benholm's Lodging, featuring numerous gun ports facing the approach. Although impressive, these are likely to have been fashionable embellishments rather than genuine defensive features.
Civil wars
Further information: Scotland in the Wars of the Three Kingdoms
In 1639 William Keith, 7th Earl Marischal, came out in support of the Covenanters, a Presbyterian movement who opposed the established Episcopal Church and the changes which Charles I was attempting to impose. With James Graham, 1st Marquess of Montrose, he marched against the Catholic James Gordon, 2nd Viscount Aboyne, Earl of Huntly, and defeated an attempt by the Royalists to seize Stonehaven. However, when Montrose changed sides to the Royalists and marched north, Marischal remained in Dunnottar, even when given command of the area by Parliament, and even when Montrose burned Stonehaven.
Marischal then joined with the Engager faction, who had made a deal with the king, and led a troop of horse to the Battle of Preston (1648) in support of the royalists.
Following the execution of Charles I in 1649, the Engagers gave their allegiance to his son and heir: Charles II was proclaimed king, arriving in Scotland in June 1650. He visited Dunnottar in July 1650, but his presence in Scotland prompted Oliver Cromwell to lead a force into Scotland, defeating the Scots at Dunbar in September 1650.
The Honours of Scotland
Charles II was crowned at Scone Palace on 1 January 1651, at which the Honours of Scotland (the regalia of crown, sword and sceptre) were used. However, with Cromwell's troops in Lothian, the honours could not be returned to Edinburgh. The Earl Marischal, as Marischal of Scotland, had formal responsibility for the honours, and in June the Privy Council duly decided to place them at Dunnottar.
They were brought to the castle by Katherine Drummond, hidden in sacks of wool. Sir George Ogilvie (or Ogilvy) of Barras was appointed lieutenant-governor of the castle, and given responsibility for its defence.
In November 1651 Cromwell's troops called on Ogilvie to surrender, but he refused. During the subsequent blockade of the castle, the removal of the Honours of Scotland was planned by Elizabeth Douglas, wife of Sir George Ogilvie, and Christian Fletcher, wife of James Granger, minister of Kinneff Parish Church. The king's papers were first removed from the castle by Anne Lindsay, a kinswoman of Elizabeth Douglas, who walked through the besieging force with the papers sewn into her clothes.
Two stories exist regarding the removal of the honours themselves. Fletcher stated in 1664 that over the course of three visits to the castle in February and March 1652, she carried away the crown, sceptre, sword and sword-case hidden amongst sacks of goods. Another account, given in the 18th century by a tutor to the Earl Marischal, records that the honours were lowered from the castle onto the beach, where they were collected by Fletcher's servant and carried off in a creel (basket) of seaweed. Having smuggled the honours from the castle, Fletcher and her husband buried them under the floor of the Old Kirk at Kinneff.
Meanwhile, by May 1652 the commander of the blockade, Colonel Thomas Morgan, had taken delivery of the artillery necessary for the reduction of Dunnottar. Ogilvie surrendered on 24 May, on condition that the garrison could go free. Finding the honours gone, the Cromwellians imprisoned Ogilvie and his wife in the castle until the following year, when a false story was put about suggesting that the honours had been taken overseas.
Much of the castle property was removed, including twenty-one brass cannons,[28] and Marischal was required to sell further lands and possessions to pay fines imposed by Cromwell's government.
At the Restoration of Charles II in 1660, the honours were removed from Kinneff Church and returned to the king. Ogilvie quarrelled with Marischal's mother over who would take credit for saving the honours, though he was eventually rewarded with a baronetcy. Fletcher was awarded 2,000 merks by Parliament but the sum was never paid.
Whigs and Jacobites
Religious and political conflicts continued to be played out at Dunnottar through the 17th and early 18th centuries. In 1685, during the rebellion of the Earl of Argyll against the new king James VII, 167 Covenanters were seized and held in a cellar at Dunnottar. The prisoners included 122 men and 45 women associated with the Whigs, an anti-Royalist group within the Covenanter movement, and had refused to take an oath of allegiance to the new king.
The Whigs were imprisoned from 24 May until late July. A group of 25 escaped, although two of these were killed in a fall from the cliffs, and another 15 were recaptured. Five prisoners died in the vault, and 37 of the Whigs were released after taking the oath of allegiance.
The remaining prisoners were transported to Perth Amboy, New Jersey, as part of a colonisation scheme devised by George Scot of Pitlochie. Many, like Scot himself, died on the voyage.
The cellar, located beneath the "King's Bedroom" in the 16th-century castle buildings, has since become known as the "Whigs' Vault".
Both the Jacobites (supporters of the exiled Stuarts) and the Hanoverians (supporters of George I and his descendents) used Dunnottar Castle. In 1689 during Viscount Dundee's campaign in support of the deposed James VII, the castle was garrisoned for William and Mary with Lord Marischal appointed captain.
Seventeen suspected Jacobites from Aberdeen were seized and held in the fortress for around three weeks, including George Liddell, professor of mathematics at Marischal College.
In the Jacobite Rising of 1715 George Keith, 10th Earl Marischal, took an active role with the rebels, leading cavalry at the Battle of Sheriffmuir. After the subsequent abandonment of the rising Lord Marischal fled to the Continent, eventually becoming French ambassador for Frederick the Great of Prussia. Meanwhile, in 1716, his titles and estates including Dunnottar were declared forfeit to the crown.
Later history
The seized estates of the Earl Marischal were purchased in 1720 for £41,172, by the York Buildings Company who dismantled much of the castle.
In 1761 the Earl briefly returned to Scotland and bought back Dunnottar only to sell it five years later to Alexander Keith, an Edinburgh lawyer who served as Knight Marischal of Scotland.
Dunnottar was inherited in 1852 by Sir Patrick Keith-Murray of Ochtertyre, who in turn sold it in July 1873 to Major Alexander Innes of Cowie and Raemoir for about £80,000.
It was purchased by Weetman Pearson, 1st Viscount Cowdray, in 1925 after which his wife embarked on a programme of repairs.
Since that time the castle has remained in the family, and has been open to the public, attracting 52,500 visitors in 2009.
Dunnottar Castle, and the headland on which is stands, was designated as a scheduled monument in 1970.In 1972 twelve of the structures at Dunnottar were listed.
Three buildings are listed at category A as being of "national importance": the keep; the entrance gateway; and Benholm's Lodging.
The remaining listings are at category B as being of "regional importance".[39] The Hon. Charles Anthony Pearson, the younger son of the 3rd Viscount Cowdray, currently owns and runs Dunnottar Castle which is part of the 210-square-kilometre (52,000-acre) Dunecht Estates.
Portions of the 1990 film Hamlet, starring Mel Gibson and Glenn Close, were shot there.
Description
Dunnottar's strategic location allowed its owners to control the coastal terrace between the North Sea cliffs and the hills of the Mounth, 3.5 kilometres (2.2 mi) inland, which enabled access to and from the north-east of Scotland.
The site is accessed via a steep, 800-metre (2,600 ft) footpath (with modern staircases) from a car park on the coastal road, or via a 3-kilometre (1.9 mi) cliff-top path from Stonehaven. Dunnottar's several buildings, put up between the 13th and 17th centuries, are arranged across a headland covering around 1.4 hectares (3.5 acres).
The dominant building, viewed from the land approach, is the 14th-century keep or tower house. The other principal buildings are the gatehouse; the chapel; and the 16th-century "palace" which incorporates the "Whigs' Vault".
Defences
The approach to the castle is overlooked by outworks on the "Fiddle Head", a promontory on the western side of the headland. The entrance is through the well-defended main gate, set in a curtain wall which entirely blocks a cleft in the rocky cliffs.
The gate has a portcullis and has been partly blocked up. Alongside the main gate is the 16th-century Benholm's Lodging, a five-storey building cut into the rock, which incorporated a prison with apartments above.
Three tiers of gun ports face outwards from the lower floors of Benholm's Lodging, while inside the main gate, a group of four gun ports face the entrance. The entrance passage then turns sharply to the left, running underground through two tunnels to emerge near the tower house.
Simpson contends that these defences are "without exception the strongest in Scotland", although later writers have doubted the effectiveness of the gun ports. Cruden notes that the alignment of the gun ports in Benholm's Lodging, facing across the approach rather than along, means that they are of limited efficiency.
The practicality of the gun ports facing the entrance has also been questioned, though an inventory of 1612 records that four brass cannons were placed here.
A second access to the castle leads up from a rocky cove, the aperture to a marine cave on the northern side of the Dunnottar cliffs into which a small boat could be brought. From here a steep path leads to the well-fortified postern gate on the cliff top, which in turn offers access to the castle via the Water Gate in the palace.
Artillery defences, taking the form of earthworks, surround the north-west corner of the castle, facing inland, and the south-east, facing seaward. A small sentry box or guard house stands by the eastern battery, overlooking the coast.
Tower house and surrounding buildings
The tower house of Dunnottar, viewed from the west
The late 14th-century tower house has a stone-vaulted basement, and originally had three further storeys and a garret above.
Measuring 12 by 11 metres (39 by 36 ft), the tower house stood 15 metres (49 ft) high to its gable. The principal rooms included a great hall and a private chamber for the lord, with bedrooms upstairs.
Beside the tower house is a storehouse, and a blacksmith's forge with a large chimney. A stable block is ranged along the southern edge of the headland. Nearby is Waterton's Lodging, also known as the Priest's House, built around 1574, possibly for the use of William Keith (died 1580), son of the 4th Earl Marischal.
This small self-contained house includes a hall and kitchen at ground level, with private chambers above, and has a projecting spiral stair on the north side. It is named for Thomas Forbes of Waterton, an attendant of the 7th Earl.
The palace
The palace, to the north-east of the headland, was built in the late 16th century and early to mid-17th century. It comprises three main wings set out around a quadrangle, and for the most part is probably the work of the 5th Earl Marischal who succeeded in 1581.
It provided extensive and comfortable accommodation to replace the rooms in the tower house. In its long, low design it has been compared to contemporary English buildings, in contrast to the Scottish tradition of taller towers still prevalent in the 16th century.
Seven identical lodgings are arranged along the west range, each opening onto the quadrangle and including windows and fireplace. Above the lodgings the west range comprised a 35-metre (115 ft) gallery. Now roofless, the gallery originally had an elaborate oak ceiling, and on display was a Roman tablet taken from the Antonine Wall.
At the north end of the gallery was a drawing room linked to the north range. The gallery could also be accessed from the Silver House to the south, which incorporated a broad stairway with a treasury above.
The basement of the north range incorporates kitchens and stores, with a dining room and great chamber above. At ground floor level is the Water Gate, between the north and west ranges, which gives access to the postern on the northern cliffs.
The east and north ranges are linked via a rectangular stair. The east range has a larder, brewhouse and bakery at ground level, with a suite of apartments for the Countess above. A north-east wing contains the Earl's apartments, and includes the "King's Bedroom" in which Charles II stayed. In this room is a carved stone inscribed with the arms of the 7th Earl and his wife, and the date 1654. Below these rooms is the Whigs' Vault, a cellar measuring 16 by 4.5 metres (52 by 15 ft). This cellar, in which the Covenanters were held in 1685, has a large eastern window, as well as a lower vault accessed via a trap-door in the floor.
Of the chambers in the palace, only the dining room and the Silver House remain roofed, having been restored in the 1920s. The central area contains a circular cistern or fish pond, 16 metres (52 ft) across and 7.6 metres (25 ft) deep, and a bowling green is located to the west.
At the south-east corner of the quadrangle is the chapel, consecrated in 1276 and largely rebuilt in the 16th century. Medieval walling and two 13th-century windows remain, and there is a graveyard to the south...
After visiting Kilt Rock Waterfall, we drove west inland to the Quiraing Viewpoint. We had heard it boasts one of the most amazing landscapes in the country. Located in the northern part of the Isle of Skye, within the Trotternish Ridge, the Quiraing is a massive landslip that has created high cliffs, hidden plateaus, rugged terrain, and towering rock formations. The view is truly spectacular! We also learned that this place is a favorite spot for filmmakers, thanks to its dramatic and untouched scenery - Quiraing Viewpoint, Isle of Sky, Scotland, UK
I thought the colour original of this Port Meadow shot, shown below, would make for a good mono conversion due to its dramatic sky. I'm not entirely convinced as the colours were just so good in the original.
Smailholm Tower is a peel tower at Smailholm, around five miles (8 km) west of Kelso in the Scottish Borders. Its dramatic situation, atop a crag of Lady Hill, commands wide views over the surrounding countryside. The tower is located at grid reference NT637346, just west of Sandyknowe farm, and is now a Scheduled Ancient Monument in the care of Historic Scotland. In June 2007 it was awarded the maximum "five-star" status as a tourist attraction from VisitScotland, a rating bestowed on only eight other sites in Scotland.
Smailholm Tower was originally built in the 15th century or early 16th century by the Pringle family. This family, originally spelt Hoppringle, who were followers of the Earl of Douglas, held the lands of Smailholm from the early 15th century, and managed part of Ettrick Forest for their feudal superior. The word -holm stands for little island. And Smail might be Smale, Smail, Smaile, Small, Smalles, Smalls, and Smeal(l), derived from the Old English pre 7th Century "Smael" meaning "small, slender or thin", and was originally given as a nickname to one of slight stature.
Smailholm Tower was designed, in common with all Scottish peel towers, to provide its occupants with protection from sporadic English raids. The tower was attacked by English soldiers in 1543, 1544 and again in 1546, when the garrison of Wark Castle sacked the tower and carried off prisoners and cattle. The castle was successfully defended against the English in 1640, by Sir Andrew Ker of Greenhead.
Smailholm was obtained by the Scotts of Harden around this time. The Scotts – ancestors of Sir Walter – rebuilt parts of the tower and barmkin. In the 18th century the tower decayed, following the family's move into nearby Sandyknowe. The last owner, the Earl of Ellesmere, handed the property into state care in 1950. It was restored in the 1980s, and now operates as a museum.