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1704
Visit : www.refordgardens.com/
Photo taken close to REFORD GARDENS. (Sainte-Flavie)
Mrs Elsie Reford loved those beautiful sunsets.
Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!
''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)
" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)
''One thing I can do that no one else can is to pass the love that I feel for this place and this woman'' Alexander Reford
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
I was struck be this modern seating group with its dramatic lighting at our Wichita Art Museum. I didn’t expect the exposure to be about a second, nor did I expect the result to be this good while hand holding the camera.
Sunset at Souter Lighthouse, with its dramatic red and white hoops, is an iconic landmark on the North East coast and the first in the world to be purpose built for electricity.
You can experience what life was like for the Lighthouse Keeper, with a reconstructed Victorian Keepers cottage and many hands on activities. And for the kids there's also an open-air play area and fun activity trail, along with some fantastic regular events such as craft activities and rockpool rambles.
The enchanting beauty of Lauterbrunnen, Switzerland - a valley so magical it inspired J.R.R. Tolkien's vision of Rivendell in "The Lord of the Rings." Nestled amidst towering cliffs and cascading waterfalls, Lauterbrunnen is a masterpiece of nature that has captivated artists and dreamers for centuries. As I wandered through this picturesque valley, I couldn't help but feel the presence of Middle-earth all around me. The lush greenery, the tranquil streams, and the majestic peaks transport you to another world, much like Rivendell itself. It's no wonder Tolkien was moved by this place during his travels. As I stood in this picturesque valley, I felt a deep connection to Bierstadt's vision. The serene beauty of Lauterbrunnen, with its dramatic contrasts and tranquil atmosphere, is a perfect embodiment of the luminist ideals. The light here is truly extraordinary, casting a golden glow over the landscape and creating an almost otherworldly feel.Inspired by the luminist approach,I aimed to capture the ethereal light and natural splendor of Lauterbrunnen in my photograph. This valley is a place where art and nature converge, offering endless inspiration for those who seek beauty in the world around them.
A special thanks to @johnhowe, whose incredible artwork brought Tolkien's world to life and continues to inspire adventurers and artists alike. Your work helps us see the magic in the world around us.
Whether you're a fan of art, literature, or simply the wonders of nature, Lauterbrunnen is a destination that will leave you spellbound.
Mount Dhaulagiri is the seventh highest mountain in the world, standing at 8,167 meters (26,795 feet) above sea level. It is located in the Dhaulagiri mountain range of north-central Nepal, just northwest of the Annapurna range. The name "Dhaulagiri" comes from Sanskrit, meaning "White Mountain" (Dhavala = white, Giri = mountain). Known for its massive size and steep slopes, Dhaulagiri is one of the most challenging mountains to climb. It was first successfully ascended on May 13, 1960, by a Swiss-Austrian-Nepali expedition. The mountain is also famous for its dramatic rise above the Kali Gandaki Gorge, one of the world’s deepest.
This photograph of the Stadhuis (City Hall) of Antwerp showcases the grandeur and elegance of one of Belgium’s most iconic Renaissance buildings. The Stadhuis, with its impressive facade, stands as a testament to the architectural prowess of the 16th century. The building's ornate decorations, intricate carvings, and balanced symmetry exemplify the opulence and sophistication of Flemish Renaissance architecture. Flags from various countries adorn the front, adding vibrant colors and symbolizing the city's international connections and rich trade history.
In front of the Stadhuis, the Brabo Fountain commands attention with its dramatic and dynamic composition. At the top of the fountain, a statue depicts the legendary Roman soldier Silvius Brabo. He stands triumphantly holding the severed hand of the giant Antigoon, a formidable figure from local folklore. The statue, sculpted with meticulous detail, captures the moment of victory and adds a sense of mythic grandeur to the scene. Water cascades around the statue, adding a lively and refreshing element to the historic square.
The legend behind the fountain and statue is deeply embedded in Antwerp’s cultural identity. According to the myth, the giant Antigoon used to terrorize the city by demanding a toll from those wishing to cross the River Scheldt. If the travelers refused to pay, Antigoon would cut off their hands and throw them into the river. Silvius Brabo, a brave Roman soldier, eventually confronted and defeated Antigoon, severing the giant’s hand and throwing it into the river as retribution. This act of heroism is said to have inspired the name of the city, with "Antwerp" believed to derive from “hand werpen,” meaning “hand throwing” in Dutch.
The photograph captures not only the architectural splendor of the Stadhuis but also the rich tapestry of stories and legends that contribute to Antwerp’s unique charm. The interplay between history, mythology, and art is palpable, inviting viewers to delve deeper into the city’s past. The combination of the grandiose Stadhuis and the evocative Brabo Fountain encapsulates the essence of Antwerp, where every corner holds a piece of history waiting to be discovered. The serene morning light casts a soft glow on the scene, enhancing the timeless beauty and historical significance of this remarkable location.
RX_08809_20240404_Amberes
Lanzarote, a Spanish island, is the easternmost of the autonomous Canary Islands, in the Atlantic Ocean, approximately 125 km off the coast of Africa and 1,000 km from the Iberian Peninsula. Covering 845.9 km2, it stands as the fourth largest of the islands. The first recorded name for the island, given by Angelino Dulcert, was Insula de Lanzarotus Marocelus, after the Genoese navigator Lancelotto Malocello, from which the modern name is derived. The island's name in the native language was Titerro(y)gatra, which may mean "the red mountains".
Lanzarote is situated at 29°00' north, 13°40' west. It is located 11 km north-east of Fuerteventura and 1 mile from Graciosa. The dimensions of the island are 60 km from north to south and 25 km from west to east. Lanzarote has 213 km of coastline, of which 10 km are sand, 16.5 km are beach, and the remainder are rocky. Its dramatic landscape includes the mountain ranges of Famara (671 m)[1] in the north and Ajaches (608 m) to the south. South of the Famara massif is the El Jable desert which separates Famara and Montañas del Fuego.
The mountainous area of Lanzarote is called Timanfaya National Park. The tallest mountain is Peñas del Chache elevating 670 m above sea level. The "Tunnel of Atlantis" is the largest submerged volcanic tunnel in the world. Lanzarote is the easternmost island of the Canary Islands and has volcanic origin. It was born out of fiery eruptions and has solidified lava streams as well as extravagant rock formations.
en.wikipedia.org/wiki/Lanzarote"> Wikipedia, the free encyclopedia
Smith Rock State Park, Oregon (USA), is one of the seven wonders of Oregon. The towering rock formations created by volcanic activity in Oregon’s high desert create a sense of awe, and yet there is also a delicate beauty. The air smells of juniper and songbirds call from the branches of ponderosa pines. Along your trip through the canyon, you might see golden eagles, prairie falcons, mule deer, river otter and beaver.
Although a massively popular climbing destination, one of the best ways to get to know Smith Rock is by exploring the hiking trails, which go around, below, and on top of its dramatic peaks and spires.
The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.
Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.
By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a sky lobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also, its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.
The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.
The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.
On January 1, 2010, the building was renamed the Miami Tower.
Credit for the data above is given to the following website:
Badlands National Park is in South Dakota. Its dramatic landscapes span layered rock formations, steep canyons and towering spires. Bison, bighorn sheep and prairie dogs inhabit its sprawling grasslands. The Badlands Loop Road (Highway 240) winds past scenic lookouts. Several trails begin near the Ben Reifel Visitor Center. The Fossil Exhibit Trail is a boardwalk with displays on fossils uncovered in the park.
8040-2 MECONOPSIS BETONICIFOLIA
Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.
Visit : www.refordgardens.com/
From Wikipedia: Visit : en.wikipedia.org/wiki/Elsie_Reford
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
A sweeping view across Scarborough towards the Grand Hotel at England’s original seaside resort. With its dramatic cliffs, sweeping bays, and red-roofed town nestled between sea and hill, Scarborough has drawn visitors since the 17th century. The South Bay, with its historic harbour and golden sands, contrasts beautifully with the quieter North Bay beyond the headland. Above it all stands Scarborough Castle, watching over a town shaped by centuries of tourism, trade, and tide.
It is a popular beach and the name of the surrounding suburb in Sydney, New South Wales, Australia. Bondi Beach is located 7 km east of the Sydney central business district, in the local government area of Waverley Council, in the Eastern Suburbs. Bondi, North Bondi, and Bondi Junction are neighbouring suburbs. Bondi Beach is one of the most visited tourist sites in Australia. The sweeping white-sand crescent of Bondi is one of Australia’s most iconic beaches. Reliable waves draw surfers while, nearby, hardy locals swim in the Icebergs ocean pool year-round. Trendy, health-conscious Sydneysiders head to laid-back cafes around Hall Street, while hip backpackers frequent the area's casual pubs. Walkers and joggers use the clifftop Bondi to Coogee Coastal Walk, with its dramatic scenery. 8104
This astonishing Sitka spruce defies nature in Olympic National Park along Washington's coast where it hangs in mid air, suspended on either side by roots that appear to be barely holding on. Its seemingly impossible living arrangements are the result of erosion caused by a stream that has carved a cave beneath the tree's roots where it flows onto the beach. It's popularly referred to as the Tree of Life and while I assume that name comes from its dramatic appearance, its precarious situation seems to more aptly deserve that name. The constant erosion from the stream that flows beneath it combined with the vigorous west coast surf threatens it's existence daily, so I feel incredibly fortunate to have been able to see it before it is claimed by the elements.
The view along Sleeping Giant Parkway after dark in Winter. The Sleeping Giant (Nanabijou) in the glow of a Super Moon.
The Sleeping Giant is a formation of mesas and sills on Sibley Peninsula which resembles a giant lying on its back when viewed from the west to north-northwest section of Thunder Bay, Ontario, Canada. As one moves southward along the shoreline toward Squaw Bay the Sleeping Giant starts to separate into its various sections. Most distinctly in the view from the cliffs at Squaw Bay the Giant appears to have an Adam's Apple. The formation is part of Sleeping Giant Provincial Park. Its dramatic steep cliffs are among the highest in Ontario (250 m). The southernmost point is known as Thunder Cape, depicted by many early Canadian artists such as William Armstrong.
One Ojibway legend identifies the giant as Nanabijou, who was turned to stone when the secret location of a rich silver mine now known as Silver Islet was disclosed to white men.[3]
The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.
Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.
By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a sky lobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also, its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.
The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.
The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.
On January 1, 2010, the building was renamed the Miami Tower.
Credit for the data above is given to the following website:
Endicott Arm is a stunning 30-mile-long fjord in southeastern Alaska's Tongass National Forest, famous for its dramatic scenery, waterfalls, and abundant wildlife
Viewed from Bondi Walk route. It is a popular beach and the name of the surrounding suburb in Sydney, New South Wales, Australia. Bondi Beach is located 7 km east of the Sydney central business district, in the local government area of Waverley Council, in the Eastern Suburbs. Bondi, North Bondi, and Bondi Junction are neighbouring suburbs. Bondi Beach is one of the most visited tourist sites in Australia. The sweeping white-sand crescent of Bondi is one of Australia’s most iconic beaches. Reliable waves draw surfers while, nearby, hardy locals swim in the Icebergs ocean pool year-round. Trendy, health-conscious Sydneysiders head to laid-back cafes around Hall Street, while hip backpackers frequent the area's casual pubs. Walkers and joggers use the clifftop Bondi to Coogee Coastal Walk, with its dramatic scenery. 8013
REFORD GARDENS | LES JARDINS DE METIS
MECONOPSIS BETONICIFOLIA
Himalayan flower imported by Elsie Reford in the early 1930s that has since become the floral emblem of the Gardens.
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.
Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.
By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a skylobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.
The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.
The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.
On January 1, 2010, the building was renamed the Miami Tower.
Credit for the data above is given to the following websites:
It is a popular beach and the name of the surrounding suburb in Sydney, New South Wales, Australia. Bondi Beach is located 7 km east of the Sydney central business district, in the local government area of Waverley Council, in the Eastern Suburbs. Bondi, North Bondi, and Bondi Junction are neighbouring suburbs. Bondi Beach is one of the most visited tourist sites in Australia. The sweeping white-sand crescent of Bondi is one of Australia’s most iconic beaches. Reliable waves draw surfers while, nearby, hardy locals swim in the Icebergs ocean pool year-round. Trendy, health-conscious Sydneysiders head to laid-back cafes around Hall Street, while hip backpackers frequent the area's casual pubs. Walkers and joggers use the clifftop Bondi to Coogee Coastal Walk, with its dramatic scenery. 8081
Do you ever thank God for our atmosphere? It lifts water from the ocean and carries it far inland, satisfying every living thing. It is ever changing, parading an endless pageant of colors and shapes before our eyes. Its dramatic lightning bolts and rainbows, glorious sunrises and sunsets arouse our awe. And when the clouds part, it opens its window to the stars beyond. The unique ratio of nitrogen and oxygen flowing over vast bodies of surface water in a wondrous cycle makes this all possible. Photography would be pretty monotonous on any other planet. We are blessed.
This was taken north of Island in the Sky, Canyonlands National Park, on the way back to Moab after a productive day of exploring.
The Tour de France 27th July 2025 Racing Along the Champs-Élysées
If you are lucky to already been in Paris, or if you’re thinking of a daytrip to the city, then do not forget about the Tour de France bike race that finishes in Paris
A Triumph of Tradition and Sporting Excellence
Very few spectacles in the world of sports can rival the breathtaking finale of the Tour de France as it unfurls along the storied Champs-Élysées. And on 27th of July 2025 the race finale stage is back in Paris, as ever, this moment will be a dazzling confluence of athletic prowess, pageantry, and Parisian grandeur, a tradition that has become synonymous with cycling’s greatest challenge. The final stage, with its dramatic laps on the iconic boulevard, stands as a testament to endurance, teamwork, and the indomitable spirit of competition that has defined the Tour de France for over a century.
Official webpage www.letour.fr/en/stage-21
Kirkjufellsfoss is along the Kirkjufellsá river, which runs from a volcano called Helgrindur. Kirkjufell, or 'Church Mountain', is a distinctly shaped peak found on the north shore of Iceland’s Snæfellsnes Peninsula, only a short distance away from the town of Grundarfjörður. It is often called ‘the most photographed mountain in Iceland’ due to its dramatic formation and perfect coastal location.
The beautiful and now tranquil setting of Augustinian Lanercost Priory belies an often troubled history. Standing close to Hadrian's Wall, it suffered frequent attacks during the long Anglo-Scottish wars, once by Robert Bruce in person. The mortally sick King Edward I rested here for five months in 1306-7, shortly before his death on his final campaign.
The east end of the 13th-century church survives to its full height, housing within its dramatic triple tier of arches some fine monuments.
More photos of Lanercost Priory here: www.flickr.com/photos/davidambridge/albums/72157624989399623
As many of you have noticed I haven't been posting much here-- when I can post at all I usually do it on Instagram, as I'm posting iPhone shots or old pictures I've posted here on flickr (between work and fatherhood and enjoying my spare time to read I really don't have time to scan new prints).
Anyways, I realized I hadn't even posted an image of my first photo book, Sunlanders. The project took about five years to do-- I traveled all over Japan over that time (not the whole time of course) shooting strange surreal places, looking for the comfortably weird, the beautifully askew, and the images I liked best have been collected here.
It was printed in Bolzano, Italy in August, 2016, and published by Bemojake soon after in September. This is my publisher's website where you'll see links for the book's press.
I do hope you'll consider purchasing the book if you like the images. All 48 pictures were darkroom prints and I really tried to make a book that no one had not only never seen of Japan but that was really novel to photography itself in its dramatic color scheme.
If you do want to get a copy and you live in Europe or North America, please contact my publisher. Otherwise, contact me directly for a copy if you are in Asia, Australia, South America, or Africa or you would like a signed copy. Buying from me it is about $40US plus shipping fee (depending on where you are).
I self-financed the book and it was quite expensive because I printed 1000 copies and decided on high quality materials (Italian cloth for the cover, German paper for the images, a European printer for production). All I wanted was to make a beautiful book and I'm grateful for all the support friends and allies have already made in buying copies. The letters I've received from people who have loved Sunlanders has really meant the world to me.
I'll try to post more here on flickr and rejoin the community, even if it is iPhone shots.
Really thank all of you for your support all through the years, and hope some of you will contact me soon regarding Sunlanders.
Onwards!
Palo Duro Canyon has been named "The Grand Canyon of Texas" both for its size and for its dramatic geological features, including the multicolored layers of rock and steep mesa walls, which are similar to those in the Grand Canyon. It is part of Palo Duro Canyon State Park. The State Park had 442,242 visitors in 2022.
This image was generated and has been enhanced with the assistance of several digital imaging software programs, including Topaz Photo AI, Photoshop CC, Snapseed, and Midjourney..
Press "L" to view the image in greater detail.
Kirkjufell, or 'Church Mountain', is a distinctly shaped peak found on the north shore of Iceland’s Snæfellsnes Peninsula, only a short distance away from the town of Grundarfjörður. It is often called ‘the most photographed mountain in Iceland’ due to its dramatic formation and perfect coastal location.
8745-2 | AZALÉES
REFORD GARDENS | LES JARDINS DE MÉTIS
Visit : www.refordgardens.com/
From Wikipedia: Visit : en.wikipedia.org/wiki/Elsie_Reford
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
8222-2 | Gentiane croisette
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
🗻 Mount Shuksan is one of the most iconic peaks in the North Cascades of Washington State, often considered the crown jewel of the range for its dramatic beauty and alpine character. It’s located just east of Mount Baker and about 11.6 miles south of the Canadian border.
🌄
- Elevation: 9,131 feet (2,783 meters)
- Name Origin: Derived from the Lummi word šéqsən, meaning “high peak”
- Geology: Composed of Shuksan greenschist, a metamorphosed oceanic basalt formed around 120 million years ago
- Photogenic Views: Picture Lake offers a mirror-like reflection of the mountain and is one of the most photographed spots in North America
️ Outdoor Activities
- Summer: Hiking, camping, and mountaineering in the surrounding wilderness
- Winter: Snowshoeing and backcountry skiing (though conditions can be extreme)
- Artist Point: Offers panoramic views of both Shuksan and Baker, accessible via Mount Baker Highway
Thank you for your visit and any faves or comments are always greatly appreciated!
~Sonja
The Colorado River is one of the principal rivers (along with the Rio Grande) in the Southwestern United States and northern Mexico. The 1,450-mile-long river drains an expansive, arid watershed that encompasses parts of seven U.S. states and two Mexican states. The name Colorado derives from the Spanish language for "colored reddish" due to its heavy silt load. Starting in the central Rocky Mountains of Colorado, it flows generally southwest across the Colorado Plateau and through the Grand Canyon before reaching Lake Mead on the Arizona–Nevada border, where it turns south toward the international border. After entering Mexico, the Colorado approaches the mostly dry Colorado River Delta at the tip of the Gulf of California between Baja California and Sonora.
Known for its dramatic canyons, whitewater rapids, and eleven U.S. National Parks, the Colorado River and its tributaries are a vital source of water for 40 million people. A extensive system of dams, reservoirs, and aqueducts divert almost its entire flow for agricultural irrigation and urban water supply. Its large flow and steep gradient are used to generate hydroelectricity, meeting peaking power demands in much of the Intermountain West. Intensive water consumption has dried up the lower 100 miles of the river, which has rarely reached the sea since the 1960s.
Native Americans have inhabited the Colorado River basin for at least 8,000 years. Starting around 1 AD, large agriculture-based societies were established, but a combination of drought and poor land use practices led to their collapse in the 1300s. Their descendants include tribes such as the Puebloans, while others including the Navajo settled in the Colorado Basin after the 1000s. In the 1500s, Spanish explorers began mapping and claiming the watershed, which became part of Mexico upon its independence in 1821. Even after most of the watershed became US territory in 1846, much of the river's course remained unknown. Several expeditions charted the Colorado in the mid-19th century—one of which, led by John Wesley Powell, was the first to run the rapids of the Grand Canyon. Large-scale settlement of the lower basin began in the mid- to late-1800s, with steamboats sailing from the Gulf of California to landings along the river that linked to wagon roads to the interior. Starting in the 1860s, gold and silver strikes drew prospectors to the upper Colorado River basin.
Large-scale river management began in the early 1900s, with major guidelines established in a series of international and US interstate treaties known as the "Law of the River". The US federal government constructed most of the major dams and aqueducts between 1910 and 1970; the largest, Hoover Dam, was completed in 1935. Numerous water projects have also involved state and local governments. With all of its water fully allocated, the Colorado is now considered among the most controlled and litigated rivers in the world.
The environmental movement in the American Southwest has opposed the damming and diversion of the Colorado River system due to negative effects on the ecology and natural beauty of the river and its tributaries. During the construction of Glen Canyon Dam, environmental organizations vowed to block any further development of the river, and a number of later dam and aqueduct proposals were defeated by citizen opposition. Since 2000, extended drought has conflicted with increasing demands for Colorado River water, and the level of human development and control of the river continues to generate controversy.
The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.
Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.
By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a skylobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also, its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.
The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.
The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.
On January 1, 2010, the building was renamed the Miami Tower.
Credit for the data above is given to the following website:
(#12 in Explore Feb. 27, 2026)
The iconic little church in Val di Funes is the Church of San Giovanni in Ranui (St. Johann in Ranui), a 18th-century baroque chapel known for its dramatic backdrop of the Odle/Geisler peaks.
At sunrise, the first golden rays spill over the rugged Dolomite peaks, illuminating drifting clouds and casting a warm glow across the valley. A solitary chapel rests quietly amid lush green meadows and shadowed forests, as the landscape awakens in serene alpine splendor.
♥ Thank you very much for your visits, faves, and kind comments ♥
Mesa Arch is a pothole arch at Canyonlands National Park in southeastern Utah. The park is known for its dramatic desert landscape of canyons, mesas, and buttes carved by the Colorado River and its tributaries. Digitally painted from my photo. Print Size 13x19 inches. Happy Slider Sunday
7573
REFORD GARDENS | LES JARDINS DE METIS
-------------------------------------------------------------------------------
Visit : www.refordgardens.com/
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia) CF345SW
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.
Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.
By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a sky lobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also, its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.
The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.
The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.
On January 1, 2010, the building was renamed the Miami Tower.
Credit for the data above is given to the following website:
7413-260
REFORD GARDENS | LES JARDINS DE METIS
COUCHER DE SOLEIL - Sainte-Flavie
Visit : www.refordgardens.com/
Photo taken close to REFORD GARDENS. (Sainte-Flavie)
Mrs Elsie Reford loved those beautiful sunsets.
Reference: Elsie's Paradise, The Reford Gardens, Alexander Reford, 2004, ISBN 2-7619-1921-1, That book is a must for Reford Gardens lovers!
''I shall always, all my life, want to come back to those sunsets.'' Elsie Reford, July 20, 1913. (page 25)
" It is just after 8 o'clock and I am sitting in front of my big window with the gorgeous panorama of a glorious afterglow from a perfect sunset. There is every hue of blue on the water of 'the Blue Lagoon' while Pointe-aux-Cenelles is bathed in pink and crimson and the dark hills of the north shore seem no further than two or three miles distant. I don't think in the whole world at this moment there could be anything more beautiful." Elsie Reford, June 2, 1931. (page 81)
Beautiful flowers at Reford Gardens.
Visit : www.refordgardens.com/
-----------------------------------------------------------------------------------------
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com/
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
A Brown Pelican makes its dramatic approach to a rocky roost already crowded with pelicans and cormorants at Elkhorn Slough, wings fully spread against the iconic Moss Landing skyline
A small storm gathers over the prairie south of Township Road 282, its darkened clouds standing in contrast to the vast openness of the Alberta landscape.
Taken just west of the QEII Highway north of Calgary, this panorama looks westward along Township Road 282—a road that cuts through a landscape shaped by agriculture, weather, and distance. Here, the horizon stretches uninterrupted for kilometres, offering a front-row seat to one of the defining features of life on the prairies: the sky.
Southern Alberta is known for its dramatic weather. Warm air rising from the plains, moisture moving in from the foothills, and shifting atmospheric conditions can quickly transform an otherwise calm afternoon into a scene filled with towering clouds and localized storms. Even relatively small systems can command attention when viewed across such an expansive landscape.
The fields beneath the storm reflect the region's long agricultural history. For generations, the land surrounding Calgary has supported farming and ranching communities, helping establish southern Alberta as one of Canada's most productive agricultural regions. Roads like Township Road 282 quietly connect these working landscapes, linking farms, highways, and communities across the prairie.
Kuokesu Grand Canyon, in the Karajun Grassland of Tekes County, Xinjiang, is known for its dramatic landscapes and biodiversity. Crocodile Bay (鳄鱼湾) is named after a rock formation around the bay shaped like a crocodile. The river’s milky color comes from glacial meltwater carrying fine rock flour that scatters light.
Above the frozen forest near Austervefsen in Trofors, Nordland, a sea of fog drifts like a soft veil, hiding the valleys below. To the east, Skinnfjellet and Nerlifjellet rise under a crisp blue sky, their snow-dusted peaks catching the first light of day. This aerial view captures the serene interplay of winter silence and rugged Norwegian wilderness—a timeless moment where earth meets sky in quiet harmony.
Fun Fact
Trofors is the administrative center of Grane municipality in Nordland and lies along the river Vefsna, a popular destination for salmon fishing. The surrounding mountains, including Skinnfjellet and Nerlifjellet, are part of the scenic Helgeland region, known for its dramatic landscapes and untouched nature.
By XPan, 30/5.6, Fuji Supreme 400.
The Mount Washington Cog Railway is one of the world’s great rail adventures, and an exhilarating journey through history, technology and nature. This first-in-the-world mountain climbing cog railway has been making its dramatic three-hour round trip to the summit of the highest peak in the Northeast (6288’) since 1869. With an average grade of 25% (some sections approach nearly 38%), it’s also the second steepest! Motive power is primarily provided by a fleet of seven powerful biodiesel locomotives, each custom designed, built and maintained on site. And with a nod to its steam heritage, the railway also continues to operate a pair of coal-fired steam engines in the warmer months, both well over a century old.
Located in the heart of the majestic White Mountains region of northern New Hampshire, Marshfield Base Station is 6 miles east of Route 302 on the western face of Mount Washington. Even the drive along Base Station Road is beautiful– every twist and turn reveals new perspectives on the Presidential Range.
Metropolitan Museum of Art
Simon Vouet (French)
1590-1649
Woman Playing a Guitar
ca.1618
Oil on canvas
This alluring depiction of a woman playing a guitar was painted during Voeut's years in Rome and reveals his interest in the work of Caravaggio with its dramatic lighting and psychological engagement with the beholder.Women playing guitars have a long history in European paintings.Seventeenth-century French engravings of modes and manners often shows them,as here,lost in reverie.One dated in 1630 has the caption,"Love Conquers All but Music Does Not Conquer Love."In 1627,Simon Vouet,already famous,returned to Paris to become painter to the king and the dominant force in French painting.
Details best viewed in Original Size
The Mutianyu section of The Great Wall is situated 56 miles (90km) north of Beijing and is known for its dramatic mountainous setting, fewer visitors and its less intrusive tourist industry. With a series of watchtowers along its recently restored length, the wall you can see here dates from 1368 and was built upon the foundations of a wall built during the Northern Qi Dynasty (AD 550-577).
Chariots of Artists Group - Contest #12: Historical Architecture: Winner.
Featured in Worldwide Photography #19: Beijing
1359
Claudette taking some photos.
REFORD GARDENS | LES JARDINS DE METIS
Visit : www.refordgardens.com/
-----------------------------------------------------------------------------------------
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia) WP574UR
Visit : en.wikipedia.org/wiki/Elsie_Reford
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site. KL574FD
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
© Copyright
This photo and all those in my Photostream are protected by copyright. No one may reproduce, copy, transmit or manipulate them without my written permission.
The Miami Tower is a 47-story, landmark office skyscraper in Miami, Florida, United States. It is located in central Downtown. It is currently the 8th tallest building in Miami and Florida. On April 18, 2012, the AIA's Florida Chapter placed it on its list of Florida Architecture: 100 Years. 100 Places as the Bank of America Tower.
Built for CenTrust Bank in 1987, the 47-story building ranks in the top ten tallest skyscrapers in Miami and in Florida at a height of 625 feet (191 m) and is known for its elaborate night-time illuminations and its dramatic three glass tiers. Designed by the Pei Cobb Freed & Partners architectural firm, the tower consists of two separate structures: A 10-story parking garage owned by the city and the 47-story office tower built upon the air rights of the garage. Preliminary planning for the tower began in February 1980; construction on the garage began by November. The garage was completed in February 1983 and the tower began construction a year later. On August 1984, while the tower was under construction, a 5-alarm fire began on the ninth floor; construction was subsequently delayed for several weeks. On December 15, 1985, the tower was lit for the first time in Miami Dolphins aqua and snowflakes.
By mid-1986, the tower's exterior was complete and the grand opening for the complex was set for early fall that same year. Due to the uneven settling of the tower's foundation to one side by several inches, and the resulting misalignment of the tower's elevator rails, the grand opening for the complex was delayed until February 1987. The complete complex featured the world's only elevated metro station in a skyscraper (Knight Center station). It also gained notoriety for its luxurious interiors, including a sky lobby on the 11th floor covered in marble and gold and a 10,000 sq ft (930 m2) outdoor terrace. Also, its indoor gym features mahogany cabinets. The tower is connected to the James L. Knight Center by a pedestrian walkway and on the first floor is a retail spine covered with green marble. The tower contains 1,160,000 sq ft (108,000 m2) with 503,000 sq ft (46,700 m2) of office space and a 535,000 sq ft (49,700 m2), 1,500 space parking garage.
The building appears during the end credits of the 1986 movie Flight Of The Navigator in an aerial shot of Miami. The very top floors can clearly be seen still under construction.
The roof of the building was the set of Gloria Estefan's 1994 video for "Turn The Beat Around". The building is also one of many featured on the backdrop of the stage on The Tonight Show.
On January 1, 2010, the building was renamed the Miami Tower.
Credit for the data above is given to the following website:
YOUR BEST SHOT 2024 OPEN
9104-2
Photo taken close to REFORD GARDENS. (Metis Beach)
Visit : www.refordgardens.com/
-----------------------------------------------------------------------------------------
From Wikipedia:
Elsie Stephen Meighen - born January 22, 1872, Perth, Ontario - and Robert Wilson Reford - born in 1867, Montreal - got married on June 12, 1894.
Elsie Reford was a pioneer of Canadian horticulture, creating one of the largest private gardens in Canada on her estate, Estevan Lodge in eastern Québec. Located in Grand-Métis on the south shore of the St. Lawrence River, her gardens have been open to the public since 1962 and operate under the name Les Jardins de Métis and Reford Gardens.
Born January 22, 1872 at Perth, Ontario, Elsie Reford was the eldest of three children born to Robert Meighen and Elsie Stephen. Coming from modest backgrounds themselves, Elsie’s parents ensured that their children received a good education. After being educated in Montreal, she was sent to finishing school in Dresden and Paris, returning to Montreal fluent in both German and French, and ready to take her place in society.
She married Robert Wilson Reford on June 12, 1894. She gave birth to two sons, Bruce in 1895 and Eric in 1900. Robert and Elsie Reford were, by many accounts, an ideal couple. In 1902, they built a house on Drummond Street in Montreal. They both loved the outdoors and they spend several weeks a year in a log cabin they built at Lac Caribou, south of Rimouski. In the autumn they hunted for caribou, deer, and ducks. They returned in winter to ski and snowshoe. Elsie Reford also liked to ride. She had learned as a girl and spent many hours riding on the slopes of Mount Royal. And of course, there was salmon-fishing – a sport at which she excelled.
In her day, she was known for her civic, social, and political activism. She was engaged in philanthropic activities, particularly for the Montreal Maternity Hospital and she was also the moving force behind the creation of the Women’s Canadian Club of Montreal, the first women club in Canada. She believed it important that the women become involved in debates over the great issues of the day, « something beyond the local gossip of the hour ». Her acquaintance with Lord Grey, the Governor-General of Canada from 1904 to 1911, led to her involvement in organizing, in 1908, Québec City’s tercentennial celebrations. The event was one of many to which she devoted herself in building bridges with French-Canadian community.
During the First World War, she joined her two sons in England and did volunteer work at the War Office, translating documents from German into English. After the war, she was active in the Victorian Order of Nurses, the Montreal Council of Social Agencies, and the National Association of Conservative Women.
In 1925 at the age of 53 years, Elsie Reford was operated for appendicitis and during her convalescence, her doctor counselled against fishing, fearing that she did not have the strength to return to the river.”Why not take up gardening?” he said, thinking this a more suitable pastime for a convalescent woman of a certain age. That is why she began laying out the gardens and supervising their construction. The gardens would take ten years to build, and would extend over more than twenty acres.
Elsie Reford had to overcome many difficulties in bringing her garden to life. First among them were the allergies that sometimes left her bedridden for days on end. The second obstacle was the property itself. Estevan was first and foremost a fishing lodge. The site was chosen because of its proximity to a salmon river and its dramatic views – not for the quality of the soil.
To counter-act nature’s deficiencies, she created soil for each of the plants she had selected, bringing peat and sand from nearby farms. This exchange was fortuitous to the local farmers, suffering through the Great Depression. Then, as now, the gardens provided much-needed work to an area with high unemployment. Elsie Reford’s genius as a gardener was born of the knowledge she developed of the needs of plants. Over the course of her long life, she became an expert plantsman. By the end of her life, Elsie Reford was able to counsel other gardeners, writing in the journals of the Royal Horticultural Society and the North American Lily Society. Elsie Reford was not a landscape architect and had no training of any kind as a garden designer. While she collected and appreciated art, she claimed no talents as an artist.
Elsie Stephen Reford died at her Drummond Street home on November 8, 1967 in her ninety-sixth year.
In 1995, the Reford Gardens ("Jardins de Métis") in Grand-Métis were designated a National Historic Site of Canada, as being an excellent Canadian example of the English-inspired garden.(Wikipedia)
Visit : en.wikipedia.org/wiki/Elsie_Reford
Visit : www.refordgardens.com/
LES JARDINS DE MÉTIS
Créés par Elsie Reford de 1926 à 1958, ces jardins témoignent de façon remarquable de l’art paysager à l’anglaise. Disposés dans un cadre naturel, un ensemble de jardins exhibent fleurs vivaces, arbres et arbustes. Le jardin des pommetiers, les rocailles et l’Allée royale évoquent l’œuvre de cette dame passionnée d’horticulture. Agrémenté d’un ruisseau et de sentiers sinueux, ce site jouit d’un microclimat favorable à la croissance d’espèces uniques au Canada. Les pavots bleus et les lis, privilégiés par Mme Reford, y fleurissent toujours et contribuent , avec d’autres plantes exotiques et indigènes, à l’harmonie de ces lieux.
Created by Elsie Reford between 1926 and 1958, these gardens are an inspired example of the English art of the garden. Woven into a natural setting, a series of gardens display perennials, trees and shrubs. A crab-apple orchard, a rock garden, and the Long Walk are also the legacy of this dedicated horticulturist. A microclimate favours the growth of species found nowhere else in Canada, while the stream and winding paths add to the charm. Elsie Reford’s beloved blue poppies and lilies still bloom and contribute, with other exotic and indigenous plants, to the harmony of the site.
Commission des lieux et monuments historiques du Canada
Historic Sites and Monuments Board of Canada.
Gouvernement du Canada – Government of Canada
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