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It was the S shape of the fence - albeit an inverted S - that attracted me to this motive. An arch typical composition element in photography.

Its ended up as a heavily processed, monochrome, split-tone processed winter landscape shot.

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This one had to be documented immediately. A drop or two of water got in the camera, probably through the pinhole, allowing mold to grow in a filigreed network of nearly microscopic filaments. Who knows if the object will last with a biological element living on and in its fibers? Also, once it’s fixed and rinsed, that delicate tracery may wash away.

This is an inverted version of 'Knautia Reflecting' posted earlier...

www.flickr.com/photos/teepee1/70929214/

 

The more I've looked at it - the more compelling I have found it (but maybe I've just been mesmerised by the 'other-worldliness' of it....hmmmmmm..)

 

Disclaimer...

'Trapac cannot take any responsibility for headaches, eye-strain, brain-ache, wincing, blurred vision, confusion, disorientation, general weirdness or altered consciousness states that may arise as a result of looking at this image. Any possible association between aforementioned conditions and above image are purely co-incidental. The viewer scrutinises this picture at their own risk. Always keep a bar of chocolate and a bottle of single malt handy, you never know when or for what purpose you might need it!' :-)

  

See where this picture was taken. [?]

Now there's something different to do with a badly exposed shot, invert the colours. Maybe not everyone's taste but I think it works here. Taken whilst on The Slip at Macduff.

Waxing Gibbous, 67% illuminated. Captured in London, England. July 2021

 

(Copyright: Epiphany Appleseed / @FunkyAppleTree)

  

This is a photo looking up an old drain pipe in my friend's yard. I can't remember what program I used but I know I applied some sort of invert filter and this is what came out. I gotta remember to try this again elsewhere. :-)

The description of this week's theme of the '52 weeks of 2014' group triggered me to use an old negative from the family archives. The negative shows my oldest son at the age of 9, back in 1997. Oh my, I feel old suddenly.

 

After taking the picture, I inverted the colours, having the effect that the negative looks normal now, but the rest gets inverted. Then, I used a bunch of effects from Color Efex Pro for further cross processing.

 

52 weeks of 2014 - Week 8 - Cross Process

ODC - Theme (17-02-2014): Detail

This is what happens if you accidentally on purpose hit CMD + I in Photoshop.

Drawn with colored pencil, mirrored four times twice inverted twice not.

Hibiscus

 

Experimenting for the Sunday challenge

this image was converted to black and white and then inverted...

No ideas this evening so I got the camera out and started shooting. I stumbled upon this swirling effect which I'm looking forward to using again.

Long exposure light painting converted to mono and rotated 180 degrees.

This is number 287 of the 366.

I didn't see it at first, but the end of day shade sort of isolated the shot for me. I also knew that the colors would be enhanced by the warmer light of the time. Fortunately or unfortunately, I couldn't do a thing about the small speck at the bottom of the T, because I was on the wrong side of the fence. Does it add or detract, what do you think?

La Pyramide Inversée (The Inverted Pyramid) is a skylight constructed in the Carrousel du Louvre shopping mall in front of the Louvre Museum in France. It may be thought of as a smaller sibling of the more famous Louvre Pyramid proper, yet turned upside down: its upturned base is easily seen from outside.

 

iPhone.

 

Underground mall at the Louvre. Paris, 2016

vertiges inversé

Camera toss that was inverted from the original image. Just some sharpening and balancing of the image, but no other filters...

gravity need not apply for this tiny leaf-footed bug nymph gaining an unusual perspective on its new world

 

backyard capture in chesterfield

red drips, blue stripes and a bit of rust. Graffiti on a shipping container

Another cross processed Fujifilm Tungsten shot, this had a slightly shorter exposure time and it's quite amazing how it affects the colour in the clouds.

Cimetière du Père-Lachaise

Aperture: f/22

Exposure: 20 seconds

ISO: 100

Camera: Nikon D90

Lens: 18-105 @ 18mm

Filters: B+W ND110

Processing: Aperture & Silver Efex Pro & CS5

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