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INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
Some results of my "physical constructive discussion". The audience is claying the human figure that would correspond ideally with a given (natural) user interface.
Photos by Aldo Hoeben taken at Design by Fire 2010
Trying to decide on weight of interfacing, sew in canvas or fusible. Went with a combination. Hair canvas from Fashion Sewing Supply for the undercollar. Fusible weft medium weight from Fashion Sewing Supply for the front facings.
I ended up using wigan for the sleeve and garment hems. Was going to cut the hair canvas on the bias to make facings, but decided since I had the wigan around, I'd use that.
The Android user interface, like any other mobile phone's, has an information bar at the top which tells you how much battery you have left, which network you're on and what time it is. The main screen area is a blank slate much like the desktop space on a PC. Swiping the finger at the sides of the screen will move this desktop around as it is larger than the actual resolution of the LCD. As expected, there are many Google applications by default, 20 in total, according to Rubin. These include a YouTube program with which you can search and view all YouTube clips, a Gmail app and Google Maps.
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
I do love how Ocado have designed the inline trolley message, which also includes a minus button. Some could argue that from a business perspective this is a bad idea. But from a user side – it’s quiet handy. Ocado does a nice job all round when it comes to controlling items in your trolley. I am waiting for some smarter ways of browsing to products though. But that’s another story.
We recently developed this flow for an intranet site. The purpose is to provide multiple types of downloads but only one button. The user will likely only ever need to choose one of three options. In this case there is only one.
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
The transformation from an unused Warehouse to Interface's "Awarehouse" – a stunning new state-of-the-art brand experience and learning centre for our customers and partners in Europe, Middle East, Africa and India. Reflecting InterfaceFLOR's heritage in design and sustainability, the Awarehouse has been created by transforming a disused factory building in Scherpenzeel, The Netherlands into a beautiful, functional, and inspiring space.
To See a video of the development of The Awarehouse from start to finish on our website click here: youtu.be/Jppr66xW5ZM
Photos by the lovely Sonia Arrepia: www.soniaarrepia.com/
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
International Co-production between Idan Cohen and Sapphire Creations Dance
Company Dancers Musician and Composer: Mayookh Bhaumik. Israeli
choreographer: Idan
Cohen Dancers: Ran Ben Dror, Noa Shiloh, Koushik Das, Ankita Duttagupta Collab: Idan
Cohen and Sapphire Creations Dance Company
Campus Exhibition
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan
opening interface menu, as the interface is rotated a hidden button is revealed adding to the mystery and discovery moments in the game.
Like the Skype and Flickr footers, I think this is the best way to put lists of links on your site. Great for academic sites that are so full of audiences, subsites and departments (who all want main page real estate)
The juxtaposition of power lines and cacti on the fringe of Phoenix delineate the wildland-urban interface of the area.
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
My Fridge : Temperature control, goes from 1 to 7.
What the heck does that mean, there are no units on the scale, does one mean cooler like in degrees or does 7 mean that it is working harder to cool the fridge? All this control needed was units on the side, or to replace the 1 and 7, with "warmer" and "cooler"!
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
Campus Exhibition
Playful Interface Cultures
This year‘s presentation by students in the Interface Cultures program showcases newly emerging artistic skill profiles at the nexus of interactive media technology and interface technology.
credit: rubra
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002
INTERFACE TO GOD
Kunsthalle zu Kiel.
Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos
(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.
©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002