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INTERFACE TO GOD

Kunsthalle zu Kiel.

Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos

(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.

 

©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002

Assemblage of all hardware parts for the radio-interface used for Tales of Resilients

Interface voor "Werk voor Durvers" van de Sociaal Economische Raad Vlaanderen i.o.v. Commotie

Assemblage of all hardware parts for the radio-interface used for Tales of Resilients

This is the electronic alternate to the mechanical dobby for the Octado Loom. Programs compatible with this interface are: Fiberworks PCW, Patternland, PixieLoom, Weavemaker, Proweave and Weave It.

INTERFACE TO GOD

Kunsthalle zu Kiel.

Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos

(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.

 

©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002

Before the days of IDE/ATAPI CDROM drives, you had to have an interface card to go with your CDROM drive. This was the one I used with my first CDROM drive

INTERFACE TO GOD

Kunsthalle zu Kiel.

Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos

(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.

 

©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002

INTERFACE TO GOD

Kunsthalle zu Kiel.

Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos

(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.

 

©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002

INTERFACE TO GOD

Kunsthalle zu Kiel.

Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos

(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.

 

©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002

INTERFACE TO GOD

Kunsthalle zu Kiel.

Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos

(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.

 

©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002

Interface Zero logo revamp for Gunmetal Games.

INTERFACE TO GOD

Kunsthalle zu Kiel.

Collaboration with BjarneMelgaard and Snorre Ruch [music]. 2 CD’s, picture disc, four posters, 6 huge PVC banners, floor-texts, three tents with three videos

(Vortex, Nullo, Anim RMX), 132 page catalogue: Societé Anonyme.

 

©Halvor Bodin/Bjarne Melgaard/Snorre Ruch 2002

International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan

 

Game On by Theatre of Rhythm and Dance, Australia

Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen

Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen

These were the toilet flushes in a restaurant in Brighton. The handle was actually a toilet roll holder, but there wasn't any. Hence 2 out of 3 stalls had the handle turned as people tried to flush the toilet that way.

 

Mike Lee and what not to do...

Redesign concept for Monteiths Brewing United Kingdom website.

Refocus on improving the user experience and interaction with the brand.

Significant improvements between the site's functional design and communication design.

Built on new Fluid CSS page layout/ structure and degrades gracefully across all major browsers/ versions/ screen resolutions.

Sketch of a collaborative database of descriptions, with some additional instruction sets.

 

Also thinking that my mind works like the described interface...

The way you build should depend strongly on how often the software will be used.

User-interface of imaginary -uncodified- software (psd work)

Primeira versão de Interface desevolvida em bolsa PIBITI juntamente à Thiago Reginaldo com orientação de Marília Mattos e Cláudia Batista

Assemblage of all hardware parts for the radio-interface used for Tales of Resilients

International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan

 

Game On by Theatre of Rhythm and Dance, Australia

Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen

Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen

International festival of contemporary dance, IIC, Delhi; Groups from Australia, Israel, India and Taiwan

 

Game On by Theatre of Rhythm and Dance, Australia

Concept & Direction: Annalouise Paul Choreography: Annalouise Paul and Miranda Wheen

Classical Indian Tabla: Bobby Singh Contemporary Dance Miranda Wheen

SXSW Launchpad 2016 “Using VR in Storytelling”

 

PANELISTS:

· R.B. Brenner, Director, School of Journalism, The University of Texas at Austin

· Deepak Chetty, UT3D Lecturer in Virtual Reality, The University of Texas at Austin

· Shannon McGregor, Ph.D. Candidate, School of Journalism, The University of Texas at Austin

· Luis Francisco-Revilla, Manager and Research Associate, Visualization Interfaces and Applications Group, Texas Advanced Computing Center, The University of Texas at Austin

 

© Fahad Al-Hasan.

This was done for my Visual Design for Digital Media module for my course. This charity website interface incorporates many elements that I learnt from the module, including rule of thirds, logo design, typography and colour schemes.

 

We helped our client Gail Lozoff launch the first-casual restaurant chain, Einstein Bros. Bagels, in 1995. Her next restaurant concept was created around Neapolitan-style pizza and her love for Italian cycling. SPIN! is a “favoloso” fast-casual restaurant experience that is poised for national expansion. After the successful launch of the first location, Willoughby continues to extend brand experience to all additional locations and apply to various touchpoints including the website, the SPIN Bike Club, bike jerseys and additional in-store promotions including SPIN! Dough, which is a currency for their rewards program.

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