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Credits for the content on the tables:

Design - Suzanne Martin, Emma Noble, Lindsay Robertson.

Photography, design for textiles - Mark Parker

Photography, fashion - Students own.

3d Programming - the texturelab ( www.macs.hw.ac.uk/texturelab )

Producer - Mark Eley ( www.eleykishimoto.com )

Bat - Note robot image and more realistic representation comparison on interpretive sign

The guy by the tree in the safari hat is Fil, our super badass guide

 

5 апреля 2017 года в Scenario Cafe прошли две встречи с Interactive Brokers: бизнес-завтрак для фондов, банков, финансовых советников и брокеров и семинар по личному кабинету IB, терминалу TWS и другим вопросам трейдинга. Ведущий – Максим Ланин, менеджер по развитию бизнеса Interactive Brokers LLC в России и странах Восточной Европы. Видео доступно на Youtube-канале Алины Ананьевой, LowRisk.ru: www.youtube.com/channel/UCHMjbvItcYaU0czo5N1WtmA

Tasila Banda, National Project Coordinator for the Zambia Integrated Forest Landscape Project (ZIFLP) speak at Rights, results, and rewards: Managing production landscapes sustainably interactive session, Global Landscapes Forum Bonn 2019.

 

Photo by Pilar Valbuena/GLF

 

globallandscapesforum.org

 

news.globallandscapesforum.org

 

If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org

My first interview of the day was at BBC. BBC Radio Interactive Division to be exact. I'm just giddy about having an interview there and getting a visitor pass with my name of it! I'll even forgive the incorrect spelling on the pass this time. BBC boy that was interviewing me was very cute! Here's hoping I get to have 4 months working with this chap!

 

On another note I had to give the pass back so I snuck into a washroom and took a macro shot in the stall. I am such a nerd I know.

For details, please visit my blog, Paper Pursuits: barspaperpursuits.blogspot.com

 

Stamps: Swimming Hole Friends

Die-namics: Swimming Hole Friends, Grassy Fields, Interactive Swing

Stencils: Mini Cloud Edges, Ocean Motion

Dye Ink: Sour Apple

Hybrid Ink: Extreme Black

MFT Card Stock/Specialty Papers: Sweet Tooth, Sour Apple, No Line Coloring

Supplies/Tools: foam mounting tape, MISTI, Steel Snips, Large Metal Adapter Plate for Die-namics

 

Other: Die-cutting machine, paper cutter, MISTI Grid Paper Pad, MISTI Bar Magnets, Copic markers, Strathmore Bristol Smooth paper, tape runner, QuickStik Pick-up Tool, plastic eraser, Mini Ink Blending Tool, Mini Ink Blending Foam Pads, Scor-Buddy, Smart Grid Paper Pad, clear acetate card stock

Listening Heads, 2006 - Interactive video portraiture.

 

In the film shoot for Listening Heads, Kentaro directed his friends to act as characters which he thought would represent the nature of his friends. For example one of the friends was instructed to act as a stockbroker in Manhattan. The character was chosen to bring him/her-ness in body language and expression. According the character's nature, a number of scenario was created. For example stockbroker on cocaine is trying to pretend he is straight. Then these facial expressions of various scenarios were captured at a photography studio on HD video.

 

In the interactive video installation, the software responds to sound through the microphone, and talking to the microphone would trigger these different facial expressions, created from this scenario based portrait shoot, at random.

 

The facial expression (response) that is triggered by the viewer's voice (word/sentence) would make sense as a response for most of the time. Viewers were left to interpret the facial expressions in ways which suited for whatever they said.

This complete disconnections of two communication scenarios, one at the studio and one at the installation site, brings attention to absurd nature of language and communication, and context in which art works exist.

 

Special Thanks to Lee Bergman, Luke Duncalfe, Holly Shepherd, Tu Rapana, Katrin Hagen, Daniel Munn, and Lisa Taylor

  

Essay by Jaenine Parkinson

window.auckland.ac.nz/archive/2006/06/onsite.php

 

Exhibitions

 

Window gallery, Auckland, New Zealand July 2006

Cloudland: Digital Art from Aotearoa New Zealand - Substation, ISEA Singapore, July 2008

 

Links

 

www.isea2008singapore.org/exhibitions/pe_cloudland.html

The projection mapping display created by Queserser at the UOB City Hall Court Yard, National Gallery Singapor or the Gallery Night to Night Festival.

Space-graphic interactive art installation.

Authors: Mathrioshka (Eduard Haiman, Vadim Smakhtin), Tatiana Plakhova, Sergey Kasich. Assistances: Elena Zhdanova, Sergey Balta.

Galery M'ars, Moscow, 2015

Interactive Installation exploring specific sites from Agueda’s town

 

Presented at Centro Artes Agueda.Portugal. 2017

 

Via an interactive touch-table, visitors at Primetal Technologies' stand can inform themselves about the portfolio of the company.

 

credit: Stephan Pointner

This is a new interactive art piece installed in the underground bus loop. LED lighting shines shimmering light in different shades onto the reflective wave-form. As pedestrians walk in front of the piece (which is several hundred feet long) the lighting will change color and track their movement.

My 2.5 year old daughter reading an interactive ipad app by Potrus Interactive Fun for Children.

 

itunes.apple.com/ca/artist/potrus-interactive-fun-for/id4...

Via an interactive touch-table, visitors at Primetal Technologies' stand can inform themselves about the portfolio of the company.

 

credit: QUPIK Creative Technologies

Magnetic wall containing over 400 paw prints. Grade school children colored in the paw prints and each was given the paw they colored at the end of the event. ©Bombshell Productions

Katherine Sorensen (9) and Reyna Bray (9) eat Oreo yogurt in Mrs. Dhoot's room during the Tuesday Interact meeting, while they listen to the club brainstorm ideas to make a difference locally. Reyna joined Interact club because she thought the club sounded engrossing, and she and Katherine wanted to make a difference in the world. "It sounded interesting, and I wanted to charge the opportunity to help our community." - Reyna

This is me interacting with bottlenose dolphins at Madrid Zoo, this afternoon.

 

Taken in December 2010

Going Interactive designed these free iPhone wallpapers. Download and enjoy. www.goinginteractive.com

“Plan 10″ is an interactive installation that uses sound, lights and animated video that users control trough a controlboard, where they can sequence and control events in a tactile miniature sciencefiction city."

 

Part of the exhibition "Intermation" - Marieke Verbiesen, Cassandra C. Jones & Jakob Ciocci.

marieke.nu/blog/?p=842

 

www.portlandart.net/archives/2011/07/first_thursday_64.html

How many cool facts, photos, and interactive displays can you fit in a 1,000-square-foot exhibition? PLENTY!

 

"Animal Connections: Our Journey Together" is a traveling exhibit on an 18-wheel truck that introduces visitors of all ages to the complex bond between humans and animals. Presented by the Smithsonian Institution Traveling Exhibition Service to mark the 150th anniversary of the American Veterinary Medical Association, the project is made possible through the generous support of Zoetis, an independent company that discovers, develops and manufacturers veterinary vaccines and medicines.

 

www.sites.si.edu/animalconnections/

www.animalconnections.com

A friend of mine asked me to do a wedding card with woodgrain BG so I decided to make it an interactive card. I wrote Tina and Rok (names of the newlyweds) and the date of the wedding...I wanted to look like when you scratch in the wood...for example on a tree :) On the left there is brown pearl...you have to pull it on the left....and then you see......(check the other picture)....>>>>

Knox College students work on projects in Interactive Design, a multidisciplinary course that brings together students and faculty in computer science, art, theatre and graphic design.

5 апреля 2017 года в Scenario Cafe прошли две встречи с Interactive Brokers: бизнес-завтрак для фондов, банков, финансовых советников и брокеров и семинар по личному кабинету IB, терминалу TWS и другим вопросам трейдинга. Ведущий – Максим Ланин, менеджер по развитию бизнеса Interactive Brokers LLC в России и странах Восточной Европы. Видео доступно на Youtube-канале Алины Ананьевой, LowRisk.ru: www.youtube.com/channel/UCHMjbvItcYaU0czo5N1WtmA

On the last Summer Streets Saturday within 26 Federal Plaza, BodyStories: Teresa Fellion Dance presented, "The Mantises Are Flipping W.3," the third work of their trilogy that has been performed internationally and in major cities around the United States, which brings together live and pre-recorded sound with choreographed dance to create an interactive “Candyland” inspired world that audience members are invited to participate in or observe. Through different environments created within the plaza, onlookers are able to walk, see, and hear from unique perspectives. As Summer Streets participants were led by guides through their journey, they experienced new textures, microcosms, and characters and had the opportunity to interact with the seven performers. With each new phase of the installation came a new imaginative and physical scenery change. The plantings, water features, paving, and benches found within the plaza animated the passageways the dancers took through the internal gardens of Federal Plaza that lent themselves to the imaginative world of "The Mantises Are Flipping W.3."

 

NYCDOT Art Program presented with Summer Streets

“The Mantises Are Flipping W.3” by BodyStories: Teresa Fellion Dance + John Yannelli with members of the SLC Experimental Music Ensemble

26 Federal Plaza, Manhattan

www.bodystoriesfellion.org

Space-graphic interactive art installation.

Authors: Mathrioshka (Eduard Haiman, Vadim Smakhtin), Tatiana Plakhova, Sergey Kasich. Assistances: Elena Zhdanova, Sergey Balta.

Galery M'ars, Moscow, 2015

5 апреля 2017 года в Scenario Cafe прошли две встречи с Interactive Brokers: бизнес-завтрак для фондов, банков, финансовых советников и брокеров и семинар по личному кабинету IB, терминалу TWS и другим вопросам трейдинга. Ведущий – Максим Ланин, менеджер по развитию бизнеса Interactive Brokers LLC в России и странах Восточной Европы. Видео доступно на Youtube-канале Алины Ананьевой, LowRisk.ru: www.youtube.com/channel/UCHMjbvItcYaU0czo5N1WtmA

Edited Hubble Space Telescope image of the interacting galaxies Arp 293. Color/processing variant.

 

Original caption: Some galaxies are closer friends than others. While many live their own separate, solitary lives, others stray a little too close to a near neighbour and take their relationship to the next level. The galaxy in this Picture of the Week, named NGC 6286, has done just that! Just out of frame lies its partner, NGC 6285. Together, the duo is named Arp 293 and they are interacting, their mutual gravitational attraction pulling wisps of gas and streams of dust from them, distorting their shapes, and gently smudging and blurring their appearances on the sky — to Earth-based observers, at least. The NASA/ESA Hubble Space Telescope has viewed a number of interacting pairs. These can have distinctive, beautiful, and downright odd shapes, ranging from sheet music to a spaceship entering a sci-fi-esque wormhole, a bouquet of celestial blooms, and a penguin fiercely guarding its precious egg. Arp 293 is located in the constellation of Draco (The Dragon), and lies over 250 million light-years from Earth.

Blending custom software, state of the art digital renderings, and HD projection, Potion’s Star Spangled Banner interactive flag at the National Museum of American History brings a national treasure back into the hands of over a million annual visitors.

 

Using two HD projections on a touch-sensitive, four million pixel surface inside the most popular exhibit at the most visited museum on the National Mall, Potion worked with C&G Partners to create an interactive that could withstand the battering of a small army while maintaining an intimate experience. Panning slowly over the full flag’s surface, the interactive table shows the flag at a 1:1 scale, revealing minute details nearly invisible to the naked eye. The unparalleled resolution allows visitors to see the individual threads of the Banner, examining its subtle stains and imperfections as they skim their fingers across its surface.

 

As visitors explore the flag’s surface, they are met with over 100 touch-sensitive hotspots, each containing stories and anecdotes of the flag’s dramatic history. Touching an area opens curators’ notes, engaging historic stories, and restoration facts from the flag’s rich history. The scale of the table, like the flag itself, brings large groups of people together to share in its story.

 

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