View allAll Photos Tagged interaction
Normally water creates life.
In this case, new life created this beautiful drop of water.
A difficult, handheld high ISO shot.
was when two small children and their mother were literally stopped in their tracks as they walked through the stream and came across my two stone arches
A snapshot taken through partitioning pillars in the NY subway, showing people in social interaction, while not interacting. The slight blur of the picture gives the situation a touch of being unreal, dreamlike.
Back on the streets, I love these moments when all the pieces of the day click into place in the puzzle of life - dogs, people, sidewalks and buildings, just the pattern of interactions.
Pigeon Guillemot PIGU (Cepphus Columba)
Ogden Point Breakwater
Victoria BC
DSCN3801
Field Mark Cues ^i^
Some of their trademark high pitched vocalization is apparent in Vic Doc
Orange feet and white feature on wings are diagnostic for this species in the our area
...with vocalization one gets a chance to view this "other aspect "
Quite a bit of flying and interactions
i was thinking most/some of it may be sub adult posturing and pair bonding competition & displays.....but they are also nesting in close proximity ....so i don't really know
Taken on July 13, 2020
I am slowly sorting through my old pictures. This is a scan from a shot taken in Zimbabwe with a film camera sometime in 1999. View Large On Black
"Walking and talking is just a natural thing; It's social interaction" -Richard Knight
"Setiap makhluk hidup pada dasarnya diciptakan untuk berinteraksi, tolong menolong karena disanalah makna dari kehidupan tercipta" -Early Bird
Date taken : 6th May 2017
Indonesia
"Egret Intimate Interaction" by Patti Deters. A Great White Egret (Ardea alba) parent gently nurtures her very alert chick in a nest made of twigs and branches. The intimate scene lasted just long enough for me to capture the tender moment. It was almost as if they were silently communicating - perhaps "discussing" some important survival lessons. There were other chicks in the nest as you can see by the white fluffy feathers, but this particular baby was the most eager to nestle with mama. These wading birds are found throughout the USA, and this particular spring nest was seen in Fergus Falls, Minnesota. Thank you for viewing this picture. If you like outdoor nature photography, please enjoy more birds, animals, and other wildlife images at patti-deters.pixels.com/featured/egret-intimate-interacti....
Might have been defending the occupied nest nearby, but there were several other males close to it and the guy in the back just wouldn't let go of the one in front even though they were far from the nest.
Quite a different image from the usual things I take and display,, a totally different genre, but nothing wrong with diversifying a little, especially while the chance is available to shoot these fantastic sea birds. Puffins are always a joy to shoot or indeed just to sit and watch if you find a good place to see them.
This was taken on the fantastic Isle of May off the coast of Fife, where up to 120,000 Puffins nest between April at the beginning of August, this particular pair were quite comical and I shot them for a while, this being my favourite image with the interaction between the two of them clear to see.
acrylic on canvas, 2013, 70 x 100 cm
Interaction of stellar wind with diffuse nebulae.
A stellar wind is a flow of neutral or charged gas ejected from the upper atmosphere of a star. It is distinguished from the bipolar outflows characteristic of young stars by being less collimated, although stellar winds are not generally spherically symmetric.
Different types of stars have different types of stellar winds.
Jan Theuninck is a Belgian painter
www.boekgrrls.nl/BgDiversen/Onderwerpen/gedichten_over_sc...
www.forumeerstewereldoorlog.eu/wiki/index.php/Yperite-Jan...
www.graphiste-webdesigner.fr/blog/2013/04/la-peinture-bel...
The Whirlpool Galaxy M51 (NGC 5194/5195) in the constellation Canes Venatici.
Equipment:
main scope: GSO 200mm reflector f=800mm/4.0
coma corrector: GPU Newton Coma Corrector
guide scope: TS 60mm refractor f=240mm/4.0
main camera: Meade DSI III pro
guide camera: Starlight Xpress Lodestar.
mount: Celestron Advanced VX with StarSense.
remote control: Raspberry PI 2
guiding/control software: kstars/Ekos
filters: Meade LRGB, Baader neodymium filter
Total exposure time:
10120s luminance, 3000s for each RGB color
Exposures:
14 x 280s luminance
31 x 200s luminance
15 x 200s each for r,g,b
Processing:
data reduction: Theli
post processing: Fitswork, Aftershot Pro and Gimp
The wonderful Fatoumata Diawara from her gig in Vincennes, a suburb of Paris, in May 2014.
I've loved Fatoumata since I first saw her at WOMAD 2009 as a backing singer to Oumou Sangare. She just shows such great joy when she's performing...and I love her music.
I'd arranged a photo pass via her assistant, Sophie. When I turned up at the gig, security said (en français, naturellement!) that I could only shoot the first three songs.
However, before the gig, Sophie came out to introduce herself. When I checked about the three songs, she replied: "Three songs? Who told you that? She's barely getting warmed up after three songs. Shoot the whole gig, I'll square it!"
Music to my ears. :-)
You can see a video of Fatoumata singing 'Bissa' here: www.youtube.com/watch?v=E82BifytoYY
You can see more of my shots of her, here: Fatoumata Diawara
My profound thanks are due to Sophie Cragg, for arranging my photo pass and particularly for allowing me to shoot the full show.
She was taking a break, on her thoughts I guess she would never expect someone was about to approach her asking for a photo... but she agreed and approved the result, so here it is for you!
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- February 5th: During the popular religious feast, I perceive a strong interaction between me, who is photographing them, and the devotees who know they are being photographed. It is the "magic" that can be captured and felt in popular feast like this; a group photo of the devotees next to their large candles, later, anticipating the "evening" procession of the so-called "noble tour" of the float of Saint Agatha, they will be the protagonists of a Catania "ablaze," lighting itself with indescribable beauty and tradition.
- giorno 05 febbraio: durante la festa popolare - religiosa, percepisco una forte interazione tra me, che li fotografo, ed i devoti che sanno di essere fotografati, è la "magia" che si può cogliere-sentire in feste di popolo come questa; una foto di gruppo dei devoti accanto ai loro grossi ceri, più tardi, anticipando l'uscita "serale" del cosiddetto "giro nobile" della vara di Sant'Agata, si renderanno protagonisti di una Catania "in fiamme", che si accenderà di indescrivibile bellezza e tradizione..!
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clicca sulla piccola icona per attivare lo slideshow: sulla facciata principale del photostream, in alto a destra c'è un piccolo rettangolo (rappresenta il monitor) con dentro un piccolo triangolo nero;
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Religious devotion, at times, in Sicily seems to take on the face of women, like that of the two Sicilian saints Agata and Lucia along the Ionian coast of Sicily, or the face of Rosalia, on the opposite side, in Palermo. The lives of Saint Agatha and Saint Lucia are closely linked, even though they never met. Agatha was martyred in 251, Lucia was not yet born, she was born 32 years later. On February 5, 301, she went to Catania to pray at Agatha's tomb to invoke her intercession, hoping to obtain the healing of her mother, who was seriously ill. Agatha appeared to her in a dream, confirmed her mother's healing (her mother was healed), but also confided in her that she would be martyred because of her faith in Christ: Lucia was martyred on December 13, 304, during the persecutions of Diocletian. What has been said as an incipit of the photographic story that I present here, created on the occasion of the celebration that Catania dedicates to its Patron Saint Agatha, described as the most important religious celebration in Catania, also considered the third Catholic religious celebration in the world (first are the “Semana Santa” in Seville, and the “Corpus Domini” in Cuzco in Peru), a ranking that takes into account the huge number of people who participate every year. The celebration of Saint Agatha takes place on several dates, from 3 to 6 February, on 12 February and on 17 August: the February celebration is linked to her martyrdom, the August celebration commemorates the return to Catania of her mortal remains, initially taken to Constantinople as spoils of war by the Byzantine general Maniaces, and remained there for 86 years. The young Agatha lived in the 3rd century, she belonged to a rich patrician family of Catania, since she was young she had embraced the cult of the Christian religion, the governor Quinziano (or Quintiliano) fell in love with her, Agatha to escape him hid in his house in Palermo, Quinziano managed to find out where she was hiding, so he had her taken to Catania, here his attempts to bend Agatha's will and make her give in to his flattery were in vain, after her umpteenth refusal he changed his intentions, accused her of being of the Christian religion, condemned her to death, not without first having led her to martyrdom, he amputated her by tearing off both her breasts, in this way in addition to the torment of physical pain, the psychological one was added, humiliating the girl in her femininity, then he gave her death by dragging her on burning coals, Agata was 20 years old. After her death, the cult of her began to spread, even the pagans began to venerate her figure, there is news about her origins starting from 252, the year after her death: the inhabitants of Catania were proud of this young woman who rebelled against the will of the dictator. The feast of Saint Agatha begins on February 3, there is the procession "for the offering of wax", the two eighteenth-century carriages of the senate pulled by horses come out along the streets of the city, "the candlestick" make their appearance; on February 4th the celebration begins with the “Mass of Dawn” which is celebrated in the cathedral, after the reliquary bust of the Saint and the silver casket, they are placed on the “float” (or “fercolo”), to be carried in procession in its “external tour”, the procession begins by crossing the “Porta Uzeda” and thus reaching the arches of the marina, the procession then circumscribes the historic center of the city, going to the places where Agatha’s martyrdom took place; : On February 5th the “Pontifical Mass” is celebrated, on this occasion by lining up in the cathedral, you can go and see the reliquary bust of the Saint, as evening comes, the bust and the casket are placed back on the heavy float for the last procession, which goes along the “internal tour” (or “noble tour”), which crosses the historic center of Catania, a procession preceded by the passage of lit candles carried on the shoulders of devotees (of various weights and sizes, some reach exceptional dimensions and weight, historically these candles illuminated, when electricity did not exist, the passage of the Saint), then the “candlestick” pass, they are gigantic and heavy wooden “candlestick”, in baroque style, painted in gold, each one represents an ancient corporation (butchers, fishmongers, bakers, pork butchers, greengrocers, etc.), finally the float with Saint Agatha passes, the long-awaited moment, with the reliquary bust that it contains inside some parts of her body, the other parts of her body are inside the casket, so, with both on the float, Agatha's entire body can travel the streets of the city of Catania. The float is pulled by hand, by the many devotees who wish to participate spontaneously in this very particular rite, using two large cords more than 200 meters long, to the end of which are connected four handles. The photographs were taken on February 4 and 5, of this year 2026, they are not organized in series taking into account either the year or the days; I made portraits of the devotees, the "citizens" (synonym of "devotees") of Catania towards this young martyr, who has become a symbol of those who oppose violence against women, and protector of women suffering from breast cancer. I captured in some images, the custom of some devotees, to carry with them images of loved ones who passed away too soon (photos placed on candles or printed on the characteristic white habit, called "sacco (bag) ", which is part of the characteristic way of dressing of the devotees). Finally, I conclude with some brief observations on this traditional religious and popular feast, year 2026:
a- This year, during the "outer tour" or "plebeian tour," it rained. I don't recall photographing the Saint Agatha procession in the rain in past years, but the presence of umbrellas was a pleasant surprise for me.
b- Devotees carry candles on their shoulders, sometimes very heavy, weighing 50 kilos or even more than 100-120 kilos. These enormous candles are padded with foam rubber, placed by the devotees themselves, to prevent excessive pain when touching the shoulder carrying them.
c- Devotees carrying very heavy candles, flameless or with a burning candle, rely on the presence of another devotee, who, anticipating the procession, warns those present of the arrival of "a heavy load." This is to avoid accidents along the way, both for those on the road and for the bearer himself. Sometimes, the assistant devotee supports part of the weight of the candle itself.
d- Aware of the risk of people slipping in the streets after the devotees pass by with burning candles, releasing a considerable amount of melted wax onto the ground, on the afternoon of February 5th, before the ritual of lighting the large candles begins, the municipality of Catania sprinkles Catania's main street, Via Etnea, first with water from tankers and then immediately after with sawdust, which, mixing with the water, prevents it from being lifted into the air by the wind (risking irritation to the airways and eyes);
e- As the float of Saint Agatha passes by, countless smartphones are now raised in the air, to take with them, almost every present, a memento of "this beautiful magic." I couldn't resist the temptation to "seize upon" this modern-day custom, also because I'm fascinated by the well-groomed female hands;
f- although I have not respected the temporal presentation of the photographs, I will insert a small comment in the caption, with the day during which it was taken, whether the 4th (during the “plebeian tour” or “external tour”), or if during the 5th (“day of the “internal tour” or “noble tour”).
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La devozione religiosa, a volte, in Sicilia sembra assumere il volto delle donne, come quello delle due sante siciliane Agata e Lucia lungo la fascia Ionica della costa sicula, od il volto di Rosalia, sul versante opposto, in quel di Palermo. Le vite di Agata e Lucia sono tra loro legate in maniera strettamente indissolubile, pur non essendosi mai conosciute, Agata morì martirizzata nel 251, Lucia non era ancora nata, nascerà 32 anni dopo, il 5 febbraio del 301 si recherà a Catania a pregare sul sepolcro di Agata per invocare la sua intercessione sperando così di ottenere la guarigione di sua madre, gravemente malata, Agata le appare in sogno, le conferma la guarigione di sua madre (sua madre ebbe la guarigione), ma anche, le confida, che per lei ci sarà il martirio a causa della sua fede in Cristo: Lucia fu martirizzata il 13 dicembre del 304, durante le persecuzioni di Diocleziano. Quanto detto come incipit del racconto fotografico che qui presento, realizzato in occasione della festa che Catania dedica alla sua Santa Patrona Agata, descritta come la più importante festa religiosa di Catania, considerata anche la terza festa religiosa cattolica al mondo (prime la “Semana Santa” di Siviglia, ed il “Corpus Domini” di Cuzco in Perù), graduatoria che tiene conto del grandissimo numero di persone ogni anno vi partecipano. La festa di Santa’Agata si svolge in più date, dal 3 al 6 febbraio, il 12 febbraio ed il 17 agosto: la ricorrenza di febbraio è legata al suo martirio, quella di Agosto rievoca il ritorno a Catania delle sue spoglie mortali, portate inizialmente a Costantinopoli come bottino di guerra dal generale bizantino Maniace, e li rimaste per 86 anni. La giovane Agata visse nel 3° secolo, apparteneva ad una ricca famiglia patrizia di Catania, sin dalla giovane età aveva abbracciato il culto per la religione cristiana, di lei si invaghì il governatore Quinziano (o Quintiliano), Agata per sfuggirgli si nascose in una sua casa a Palermo, Quinziano riuscì a sapere dove si nascondeva, quindi la fece condurre a Catania, qui i suoi tentativi di piegare la volontà di Agata e farla cedere alle sue lusinghe furono vani, all’ennesimo suo rifiuto egli mutò i suoi propositi, la accusò di essere di religione cristiana, la condannò a morte, non senza averla prima condotta al martirio, le amputò strappandole entrambi i seni, in tal modo oltre allo strazio del dolore fisico, si aggiungeva quello psicologico, umiliando la ragazza nella sua femminilità, poi le diede la morte trascinandola sui carboni ardenti, Agata aveva 20 anni. Dopo la sua morte si iniziò a diffondere il culto verso di lei, anche i pagani iniziarono a venerare la sua figura, si hanno notizie sulle sue origini già a partire dal 252, anno successivo alla sua morte: gli abitanti di Catania erano orgogliosi di questa giovane donna che si ribellò al volere del dittatore. La festa per Sant’Agata inizia il 3 febbraio, si ha la processione “per l’offerta della cera”, escono lungo le vie della città le due settecentesche carrozze del senato trainate da cavalli, fanno la loro comparsa “le candelore”; il 4 febbraio la festa inizia con la “Messa dell’Aurora” che si celebra nella cattedrale, dopo il busto reliquiario della Santa e lo scrigno d’argento, vengono messi sulla “vara” (o “fercolo”), per essere portati in processione nel suo “giro esterno” (o “giro plebeo”), la processione inizia attraversando la "Porta Uzeda" e giungendo così agli archi della marina, la processione quindi circoscrive il centro storico della città, recandosi nei luoghi ove avvenne il martirio di Agata; il 5 febbraio si celebra la “Messa Pontificale”, in questa occasione mettendosi in fila nella cattedrale, si può andare a vedere il busto reliquiario della Santa, col sopraggiungere della sera, busto e scrigno, vengono nuovamente messi sulla pesante vara per l’ultima processione, che percorre il “giro interno” (o “giro nobile”), che attraversa il centro storico di Catania, processione preceduta dal passaggio dei ceri accesi portati in spalla dai devoti (di vario peso e dimensioni, alcuni raggiungono dimensioni e peso eccezionali, storicamente questi ceri illuminavano, quando non esisteva l’energia elettrica, il passaggio della Santa), poi passano le “candelore”, sono dei giganteschi e pesanti "candelabri" in legno, in stile barocco, dipinti in oro, portati in spalla, ognuna rappresenta una antica corporazione (macellai, pescivendoli, panettieri, pizzicagnoli, fruttivendoli, ecc.), infine passa la vara con Sant’Agata, il momento tanto atteso, col busto reliquiario che racchiude al suo interno alcune parti del suo corpo, le altre parti del corpo si trovano all’interno dello scrigno, in tal modo, con entrambi sulla vara, tutto il corpo di Agata può percorrere le strade della città di Catania. La vara è trainata a mano con due grosse funi, dai tantissimi devoti che desiderano partecipare spontaneamente a questo rito così particolare, le due grosse funi sono lunghe più di 200 metri (una posta alla destra della vara, l’altra posta alla sua sinistra), al cui capo sono collegate quattro maniglie. Le fotografie sono state realizzate il 4 ed il 5 febbraio di quest’anno 2026, esse non sono organizzate in serie tenendo conto né dell’anno, nè delle giornate; ho realizzato ritratti dei devoti, dei “cittadini” (sinonimo di “devoti”) catanesi (e non) tutti legati “ed innamorati” di questa giovane martire, diventata simbolo di chi si oppone alla violenza sulle donne, e protettrice delle donne ammalate di cancro al seno. Ho colto in alcune immagini, l’usanza di alcuni devoti, di recare con se immagini di persone care scomparse troppo presto (foto messe sui ceri o stampate sul caratteristico saio bianco, chiamato “sacco”, che fa parte del modo caratteristico di vestire dei devoti). Infine, termino, con alcune osservazioni “in pillole” di questa festa tradizionale religiosa e popolare, anno 2026:
a- quest’ anno durante il “giro esterno” o “giro plebeo” è arrivata la pioggia, non ricordo di aver fotografato negli anni passati la processione di Sant’Agata sotto la pioggia, per me la presenza degli ombrelli è stata una piacevole novità;
b- i devoti portano in spalla ceri a volte molto pesanti, di 50 chili ma anche più di 100 – 120 chili, questi enormi ceri presentano delle imbottiture con gomma spugna, posizionate dagli stessi devoti, per evitare che il contatto con la spalla che li regge, diventi eccessivamente doloroso;
c- i devoti (o le devote) che portano in spalla ceri molto pesanti, senza fiamma, o con il cero che arde, si avvalgono della presenza di un altro devoto o devota, che anticipandone il passaggio, avvisa i presenti dell’arrivo “di un carico importante”, questo per evitare incidenti durante il percorso, sia per gli astanti, sia per il portatore stesso; a volte l’aiuto devoto regge parte del peso del cero stesso;
d- consapevole del rischio di scivoloni nelle strade, da parte delle persone, dopo che sono passati i devoti coi ceri che ardono, liberando un notevole quantitativo di cera sciolta per terra, il pomeriggio del 5 febbraio, prima che inizi il rito dell’accensione dei grossi ceri, il comune di Catania cosparge la via principale di Catania, via Etnea, prima con l’acqua delle autobotti, subito dopo con della segatura, che amalgamandosi con l’acqua impedisce alla stessa di venire sollevata in aria col vento (rischiando di irritare le vie aeree e gli occhi);
e- al passaggio della vara di Sant’Agata, oramai innumerevoli sono gli smartphone sollevati in aria, per portare con se, quasi ogni presente, un ricordo di “questa bellissima magia”, non ho saputo sottrarmi alla tentazione di “cogliere al volo” questa consuetudine dei nostri tempi, anche perché affascinato dalle mani femminili, così ben curate;
f- pur non avendo rispettato temporalmente la presentazione delle fotografie, inserirò in didascalia un piccolo commento, col giorno durante il quale è stata colta, se il 4 (durante il “giro plebeo” o “giro esterno”), o se durante il 5 (giorno del “giro interno” o “giro nobile”).
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27/11/2016; No idea what this lady was checking on her phone, but this was one of the more normal looks she had on her face in the minute that I was watching her. :D And it makes me wonder whether I make funny faces too whenever I'm checking something on my mobile phone.
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