View allAll Photos Tagged interaction
When I grabbed this shot, most of the evening light was gone and it was getting time to retire to our campsite before the demon mosquitos came out in earnest. There was nothing to get exited about in the scene but it stuck with me and I keep coming back to it. What I did like about it is the interaction of the kids and their father at the water's edge as well as the point of interest with the paddleboarders in the distance. It tells a story, I guess, and brings back pleasant memories of that day's end at the beginning of our trip west last May.
THE WORLD OF HOB
Hob is an indie adventure game that tells its story through interaction with the environment rather than through dialogue. We chose this game as the basis of our theme because of the unique artstyle and atmosphere that the game has, and believe that its enthralling visuals will cultivate creativity and give us plenty of room to experiment.
Serpentine Sackler Gallery, London - Duane Hanson`s hyperreal sculptures exhibition. Profoundly unsettling...
Tétouan is famed for its fine craftsmanship and musical delicacy and has been part of the UNESCO Creative Cities Network in the area of Crafts and Folk Art since 2017. Its cultural heritage is the product of the interaction between different cultural influences throughout centuries. It is mainly characterized by its Andalusian style and way of living but both Berber, Jewish and Colonial Spanish influences are present too.
The streets are fairly wide and straight, and many of the houses belonging to aristocratic families, descendants of those expelled from Al-Andalus by the Spanish Reconquista, possess marble fountains and have groves planted with orange trees. Within the houses and riads the ceilings are often exquisitely carved and painted in Hispano-Moresque designs, such as are found in the Alhambra of Granada, and the tile-work for which Tetuan is known may be seen on floors, pillars and dados. The city has seven gates which were closed at night up until early 20th century. Many Sufi Zawiyas are scattered inside the walled old city.
Art Landscape Maas Tunnel - Dune 4.1 by Daan Roosegaarde.
"Dune 4.1 is an interactive landscape in Rotterdam's Maas Tunnel. It was developped specially for Rotterdam 2007 City of Architecture. This amalgamation of art and technology consists of hundreds of fibers that light up when the sound and motion of people walking through the tunnel strike it. Strollers will experience the artifcial landscape by looking, walking and interacting under the river."
the interaction was a bit disappointing, it made no difference whether we moved or not, whistled or were silent... :)
Pigeon Guillemot PIGU (Cepphus Columba)
Ogden Point Breakwater
Victoria BC
DSCN3801
Field Mark Cues ^i^
Some of their trademark high pitched vocalization is apparent in Vic Doc
Orange feet and white feature on wings are diagnostic for this species in the our area
...with vocalization one gets a chance to view this "other aspect "
Quite a bit of flying and interactions
i was thinking most/some of it may be sub adult posturing and pair bonding competition & displays.....but they are also nesting in close proximity ....so i don't really know
Taken on July 13, 2020
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Louisiana
28,001 confirmed cases
1,862 deaths
Temp
97.7am
98.5pm
I am slowly sorting through my old pictures. This is a scan from a shot taken in Zimbabwe with a film camera sometime in 1999. View Large On Black
I found this Whooper Swan with the Mute Swan flock roosting on the sand bar along with Black tailed Godwits at Mistley Quay. Interesting interaction between the two Swan species.The Whooper acting aggressively if a Mute Swan came to close.
I didn't notice Dennis until we downloaded the photos. It is either a very large daffodil or a very small Dennis. If Dennis doesn't count as interacting with the daffodil then he is interacting with the map.
Taken in Camphill Country Park, near Woolton, Liverpool.
I was surprised to see daffodils in full bloom in January - it was a sheltered, south facing, and on a gentle slope.
Quite a different image from the usual things I take and display,, a totally different genre, but nothing wrong with diversifying a little, especially while the chance is available to shoot these fantastic sea birds. Puffins are always a joy to shoot or indeed just to sit and watch if you find a good place to see them.
This was taken on the fantastic Isle of May off the coast of Fife, where up to 120,000 Puffins nest between April at the beginning of August, this particular pair were quite comical and I shot them for a while, this being my favourite image with the interaction between the two of them clear to see.
This was taken on Prince, near Lafayette St. ... down in the SoHo district of Manhattan.
Note: I chose this as my "photo of the day" for Jun 24, 2015.
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This set of photos is based on a very simple concept: walk every block of Manhattan with a camera, and see what happens. To avoid missing anything, walk both sides of the street.
That's all there is to it …
Of course, if you wanted to be more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that's more than I'm willing to commit to at this point, and I'll leave the remaining boroughs of New York City to other, more adventurous photographers.
Oh, actually, there's one more small detail: leave the photos alone for a month -- unedited, untouched, and unviewed. By the time I actually focus on the first of these "every-block" photos, I will have taken more than 8,000 images on the nearby streets of the Upper West Side -- plus another several thousand in Rome, Coney Island, and the various spots in NYC where I traditionally take photos. So I don't expect to be emotionally attached to any of the "every-block" photos, and hope that I'll be able to make an objective selection of the ones worth looking at.
As for the criteria that I've used to select the small subset of every-block photos that get uploaded to Flickr: there are three. First, I'll upload any photo that I think is "great," and where I hope the reaction of my Flickr-friends will be, "I have no idea when or where that photo was taken, but it's really a terrific picture!"
A second criterion has to do with place, and the third involves time. I'm hoping that I'll take some photos that clearly say, "This is New York!" to anyone who looks at it. Obviously, certain landscape icons like the Empire State Building or the Statue of Liberty would satisfy that criterion; but I'm hoping that I'll find other, more unexpected examples. I hope that I'll be able to take some shots that will make a "local" viewer say, "Well, even if that's not recognizable to someone from another part of the country, or another part of the world, I know that that's New York!" And there might be some photos where a "non-local" viewer might say, "I had no idea that there was anyplace in New York City that was so interesting/beautiful/ugly/spectacular."
As for the sense of time: I remember wandering around my neighborhood in 2005, photographing various shops, stores, restaurants, and business establishments -- and then casually looking at the photos about five years later, and being stunned by how much had changed. Little by little, store by store, day by day, things change … and when you've been around as long as I have, it's even more amazing to go back and look at the photos you took thirty or forty years ago, and ask yourself, "Was it really like that back then? Seriously, did people really wear bell-bottom jeans?"
So, with the expectation that I'll be looking at these every-block photos five or ten years from now (and maybe you will be, too), I'm going to be doing my best to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010's (I have no idea what we're calling this decade yet). Or maybe they'll just say to us, "This is what it was like a dozen years after 9-11".
Movie posters are a trivial example of such a time-specific image; I've already taken a bunch, and I don't know if I'll ultimately decide that they're worth uploading. Women's fashion/styles are another obvious example of a time-specific phenomenon; and even though I'm definitely not a fashion expert, I suspected that I'll be able to look at some images ten years from now and mutter to myself, "Did we really wear shirts like that? Did women really wear those weird skirts that are short in the front, and long in the back? Did everyone in New York have a tattoo?"
Another example: I'm fascinated by the interactions that people have with their cellphones out on the street. It seems that everyone has one, which certainly wasn't true a decade ago; and it seems that everyone walks down the street with their eyes and their entire conscious attention riveted on this little box-like gadget, utterly oblivious about anything else that might be going on (among other things, that makes it very easy for me to photograph them without their even noticing, particularly if they've also got earphones so they can listen to music or carry on a phone conversation). But I can't help wondering whether this kind of social behavior will seem bizarre a decade from now … especially if our cellphones have become so miniaturized that they're incorporated into the glasses we wear, or implanted directly into our eyeballs.
If you have any suggestions about places that I should definitely visit to get some good photos, or if you'd like me to photograph you in your little corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me directly at ed-at-yourdon-dot-com
Stay tuned as the photo-walk continues, block by block ...
My computer is right next to a book shelf, so I've been stealing titles from there. xD I'm weird. But Wendi isn't, she's so pretty I love her!
The wonderful Fatoumata Diawara from her gig in Vincennes, a suburb of Paris, in May 2014.
I've loved Fatoumata since I first saw her at WOMAD 2009 as a backing singer to Oumou Sangare. She just shows such great joy when she's performing...and I love her music.
I'd arranged a photo pass via her assistant, Sophie. When I turned up at the gig, security said (en français, naturellement!) that I could only shoot the first three songs.
However, before the gig, Sophie came out to introduce herself. When I checked about the three songs, she replied: "Three songs? Who told you that? She's barely getting warmed up after three songs. Shoot the whole gig, I'll square it!"
Music to my ears. :-)
You can see a video of Fatoumata singing 'Bissa' here: www.youtube.com/watch?v=E82BifytoYY
You can see more of my shots of her, here: Fatoumata Diawara
My profound thanks are due to Sophie Cragg, for arranging my photo pass and particularly for allowing me to shoot the full show.
She was taking a break, on her thoughts I guess she would never expect someone was about to approach her asking for a photo... but she agreed and approved the result, so here it is for you!
This abstract multiple exposure image comprises three overlayed images: a macro of a circuit board, an integrated circuit, and wiring from an underground station in London.
Having just attended a funeral of a friend, my mind was drawn to the connections, interactions, relationships, and friendships we make during our life's journey, making a rich tapestry of experience, learning, memories, and satisfactions.