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BT ArtBox project celebrating 25 years of Childline
ArtBox Title: The Heart London Box
Artist: Heart FM
Location: Covent Garden
Open-air art exhibition across London - Summer 2012
• BT marked 25th anniversary of ChildLine with launch of open-air art exhibition in London
• BT ArtBox project saw leading artists, designers and creatives transform full-size replicas of iconic Gilbert Scott–designed red telephone box into stunning artworks
• Throughout June and July 2012, BT ArtBoxes were on display in high-profile locations across the capital
• The National Portrait Gallery hosted a gala auction on July 18 where the ArtBoxes were auctioned to raise money for ChildLine
To celebrate the 25th anniversary of ChildLine, BT announced the launch of the BT ArtBox project – a new public art exhibition set to take over the capital Summer 2012.
Leading artists, designers and creatives from around the world were invited to apply their individual talents to re-style that much-loved icon of British design, the traditional red telephone box.
Each artist or designer took delivery of a full-size, fibre-glass replica of the Sir Giles Gilbert Scott-designed original K6 telephone kiosk, which was introduced in 1936 to commemorate the Silver Jubilee of the coronation of King George V.
Participating artists included 2002 Turner prize winner Keith Tyson, Romero Britto and Royal Academician Professor of Sculpture David Mach, along with fashion designers Giles Deacon and Zandra Rhodes.
The BT ArtBoxes were on display in high-profile locations around the capital between June 18 and July 16 before being auctioned off at a VIP Gala Auction at the National Portrait Gallery on July 18 to raise funds for BT’s long-time partner ChildLine.
Esther Rantzen OBE, founder of ChildLine and patron of the BT ArtBox project, said: “I’m thrilled that ChildLine’s 25th birthday is to be celebrated by such a unique and inspiring project as BT Artbox.
“The red phone box is a much loved symbol of British culture and I’m keen to see how the artists involved will create new masterpieces from such an iconic canvas. It’s fantastic that the proceeds from the sale of the boxes will raise vital funds to support the work of ChildLine, enabling us to help many more children and young people to get comfort, advice and protection when they need it most.”
Sandy Nairne, director of the National Portrait Gallery and patron of the BT ArtBox project, said: “The Gilbert Scott telephone box is a truly iconic British design, and I’m looking forwards to seeing how artists and designers transform the replica boxes into works of art on London’s streets.”
David Mach, said: “It’s great to be involved with the ArtBox Exhibition. I get to kill more than two birds with one stone...work with a great charity (hopefully make money for it) and a classic British design. I love all things Gilbert Scott. Anything that encourages us to get his design back on our streets does it for me”.
Suzi Williams, director of BT Group Marketing and Brand, said: “BT has a history of supporting British cultural initiatives and 2012 is no exception. What better way to celebrate ChildLine's 25th anniversary than transforming replicas of the classic red phone box into a public art exhibition that can be enjoyed by all in the build-up to the Games this summer."
Martine Ainsworth-Wells, London & Partners, Marketing and Communications director, said:
“London & Partners is excited to support BT ArtBox in the run up to London 2012. BT ArtBox will bring some of the UK’s finest artistic talents to London’s streets, adding a new creative dimension to the capital at such an important time in its history.”
Artists and creatives who were interested in designing an ArtBox visited btartbox.com for more information about how to get involved.
The BT ArtBox project was supported by the Mayor of London, Professor Malcolm Garrett RDI, London & Partners, The May Fair Hotel, Harvey Nichols, The Times and The Sunday Times and borough councils across the capital.
Images of Malcolm Garrett, Interaction Designer, Sandy Nairne, Director of the National Portrait Gallery, David Mach RA, Sculptor, Esther Rantzen, founder of ChildLine and Lauren O'Farrell, Artist at the launch of the BT ArtBox project at the St Pancras Renaissance Hotel, central London today are available at:
imagelibrary.btplc.com/assetbank-btplc/action/browseItems...
Top 10 facts about the K6 red phone box
1. Kiosk number 6 or “Jubilee Kiosk” commemorates the Silver Jubilee of the coronation of King George V.
2. Sir Giles Gilbert Scott also designed Liverpool’s Anglican Cathedral, Battersea Power Station and Bankside Power Station now Tate Modern.
3. More than 1,600 decommissioned red phone boxes, mostly K6s, have been sold to local communities for just a £1 under BT’s Adopt a Kiosk scheme. Uses include being fitted with lifesaving defibrillation machines, turned into art galleries and public libraries.
4. The K6 was the first kiosk installed nationwide and the standard kiosk across the UK until the introduction of the K8 in 1968.
5. The K6 kiosk is made from cast iron with a teak door. It is 8’3” tall (2.4 metres) and weighs three quarters of a ton (762 kilograms).
6. The K6 design was approved by the Post Office and the Royal Fine Arts Commission, which endorsed “Post Office red” as the standard colour.
7. Although Scott agreed to the use of “Post Office red” he was never a supporter of the colour and initially suggested the outside of the kiosk be painted silver and the inside greenish-blue. He strongly urged rural kiosks be painted dove-grey.
8. Two K6 kiosks were installed in France during 1995, for the 50th anniversary of the D-Day landings.
9. Several red K6’s have been transformed into combined payphones and cash machines.
10.There are 11,000 red phone boxes in use in the UK.
About ChildLine
ChildLine on 0800 1111 and www.childline.org.uk is the UK’s only free, 24-hour helpline for children in danger or distress. Trained volunteer counsellors comfort, advice and protect children and young people. ChildLine is a service within the NSPCC. In Scotland it is delivered by CHILDREN 1ST on behalf of the NSPCC. Calls to ChildLine on 0800 1111 are confidential, but if a child is in immediate danger the counsellor will let the caller know if they have to break confidentially and contact the emergency services to save the child’s life.
Every £20 raised could help ChildLine answer another five calls from children who dial our helpline. If you are worried about a child or would like to make a donation, please visit the NSPCC website www.nspcc.org.uk
A barber (from the Latin barba, "beard") is a person whose occupation is mainly to cut, dress, groom, style and shave men's and boys' hair. A barber's place of work is known as a "barber shop" or a "barber's". Barber shops are also places of social interaction and public discourse. In some instances, barbershops are also public forums. They are the locations of open debates, voicing public concerns, and engaging citizens in discussions about contemporary issues. They were also influential in helping shape male identity.
In previous times, barbers (known as barber surgeons) also performed surgery and dentistry. With the development of safety razors and the decreasing prevalence of beards, in English-speaking cultures, most barbers now specialize in cutting men's scalp hair as opposed to facial hair.
TERMINOLOGY
In modern times, the term "barber" is used both as a professional title and to refer to hairdressers who specialize in men's hair. Historically, all hairdressers were considered barbers. In the 20th century, the profession of cosmetology branched off from barbering, and today hairdressers may be licensed as either barbers or cosmetologists. Barbers differ with respect to where they work, which services they are licensed to provide, and what name they use to refer to themselves. Part of this terminology difference depends on the regulations in a given location.
Different states in the US vary on their labor and licensing laws. For example, in Maryland, a cosmetologist cannot use a straight razor, strictly reserved for barbers. In contrast, in New Jersey both are regulated by the State Board of Cosmetology and there is no longer a legal difference in barbers and cosmetologists, as they are issued the same license and can practice both the art of straight razor shaving, colouring, other chemical work and haircutting if they choose.
In Australia, the official term for a barber is hairdresser; barber is only a popular title for men's hairdressers, although not as popular now as it was in the middle of the 20th century. Most would work in a hairdressing salon.
HISTORY
The barber's trade has a long history: razors have been found among relics of the Bronze Age (around 3500 BC) in Egypt. In ancient Egyptian culture, barbers were highly respected individuals. Priests and men of medicine are the earliest recorded examples of barbers. In some early tribes, a barber was one of the most important members, as it was believed that certain evil spirits could enter a person's body through their hair, and that cutting it was a way to drive them out. Due to their spiritual and religious beliefs, barbers even performed religious ceremonies, such as marriages and baptizing children. During these ceremonies, they would leave people's hair hanging down until after dancing; they would then cut the hair and tie it back tightly so that no evil spirits could enter and no good spirits could escape.
Men in Ancient Greece would have their beards, hair, and fingernails trimmed and styled by the κουρεύς (cureus), in an agora (market place) which also served as a social gathering for debates and gossip.
Barbering was introduced to Rome by the Greek colonies in Sicily in 296 BC, and barber shops quickly became very popular centres for daily news and gossip. A morning visit to the tonsor became a part of the daily routine, as important as the visit to the public baths, and a young man's first shave (tonsura) was considered an essential part of his coming of age ceremony.
A few Roman tonsores became wealthy and influential, running shops that were favourite public locations of high society; however, most were simple tradesmen, who owned small storefronts or worked in the streets for low prices.Starting from the Middle Ages, barbers often served as surgeons and dentists. In addition to haircutting, hairdressing, and shaving, barbers performed surgery, bloodletting and leeching, fire cupping, enemas, and the extraction of teeth; earning them the name "barber surgeons". The barber pole, featuring red and white spiraling stripes, symbolized different aspects of the craft. Barbers received higher pay than surgeons until surgeons were entered into British warships during naval wars. Some of the duties of the barber included neck manipulation, cleansing of ears and scalp, draining of boils, fistula and lancing of cysts with wicks.
19th CENTURY AND LATER
Barbershops were influential at the turn of the 19th century in helping to develop African American culture and economy. According to Trudier Harris, "In addition to its status as a gathering place, the black barbershop also functioned as a complicated and often contradictory microcosm of the larger world. It is an environment that can bolster egos and be supportive as well as a place where phony men can be destroyed, or at least highly shamed, from participation in verbal contests and other contests of skill. It is a retreat, a haven, an escape from nagging wives and the cares of the world. It is a place where men can be men. It is a place, in contrast to Gordone's bar, to be somebody."Late in the 19th century there were several noteworthy events in the barber profession that gave it an upward trend, and the effects are still carrying onward and upward. In 1893, A. B. Moler of Chicago, established a school for barbers. This was the first institution of its kind in the world, and its success was apparent from its very start. It stood for higher education in the ranks, and the parent school was rapidly followed by branches in nearly every principal city of the United States. In the beginning of barber schools, only the practical work of shaving, hair-cutting, facial treatments, etc., was taught as neither the public nor the profession were ready to accept scientific treatments of hair, skin and scalp. Not until about 1920 was much effort made to professionalize the work.
In the early 1900s an alternative word for barber, "chirotonsor", came into use in the USA.
The barber Sam Mature, whose interview with Studs Terkel was published in Terkel's 1974 book Working, says "A man used to get a haircut every couple weeks. Now he waits a month or two, some of 'em even longer than that. A lot of people would get manicured and fixed up every week. Most of these people retired, moved away, or passed away. It's all on account of long hair. You take old-timers, they wanted to look neat, to be presentable. Now people don't seem to care too much."
Despite the economic recession in 2008, the barber shop industry has seen continued positive growth.
Training to be a barber is achieved through various means around the world. In the USA, barber training is carried out at "Barber Schools".
Cost—Many states require a barber license in order to practice barbering professionally. The cost of barber school varies from state to state, and also from metro area to metro area. Schools in larger metropolitan areas tend to cost more than those located in more rural towns. Brand names can also affect the cost of barber school. Most barber schools cost between $6,500 and $10,000 to complete. Because each state has different minimums for training hours, the length and cost of the program can vary accordingly. Some schools tuition includes supplies and textbooks, whereas others do not. Barber license exam fees typically range from $50 to $150.
Length—Most states require the same amount of training hours for barbers as they do for cosmetologists. The number of hours required ranges from 800 to 2,000 training hours, depending on the state's licensing requirements. Most programs can be completed in 15 months or fewer.
Curriculum—The barber school curriculum consists of hair cutting, coloring and styling for men's hair and women's short hair. Chemical processes such as bleaching, dyeing, lightening and relaxing hair may also be taught. All cosmetology disciplines learn safety and sanitation best practices. Barber students can expect to learn some elements of anatomy, physiology, bacteriology and some small elements of pharmacology. It also teaches facial hair techniques, including traditional and modern shaves. Generally barber programs touch on scalp massage and treatments. Advanced barber training may include custom shave designs. It is more common in barbering schools than other cosmetology disciplines to get some business and ethics education, since entrepreneurship is especially common in the barbering trade with many professionals choosing to open their own barbershops. All the skills learned in barber school will be tested at the board exams, which typically feature a written and practical exam.
WIKIPEDIA
Saffer says public restrooms are a prima candidate for novel ways of interaction. This foot pumping action has been part of the Rotterdamse Schouwburg for some years now.
Uploaded with AirMe
#concept #génératif #comportement
Un trio d'objets lumineux qui évoluent au sein d'un système.
L'action de l'un provoque la réaction de l'autre, la lumière générée évolue ainsi de manière autonome.
Chaque module possède une personnalité qui s'exprime au travers de son matériau et de son comportement.
#concept #génératif #comportement
Un trio d'objets lumineux qui évoluent au sein d'un système.
L'action de l'un provoque la réaction de l'autre, la lumière générée évolue ainsi de manière autonome.
Chaque module possède une personnalité qui s'exprime au travers de son matériau et de son comportement.
#concept #génératif #comportement
Un trio d'objets lumineux qui évoluent au sein d'un système.
L'action de l'un provoque la réaction de l'autre, la lumière générée évolue ainsi de manière autonome.
Chaque module possède une personnalité qui s'exprime au travers de son matériau et de son comportement.
Book published in April 2008, focused in media art.
It was done by El Niuton team / Colombia.
Editor. Gabriel Vanegas.
Artist____
Eugenio Tisselli
Kevin Simon
Rejane Cantoni
Karen Aune
Seb Janiak
Antonio Urquijo
Blast Theory
Christa Sommerer
Franco Mattes
Santiago Ortiz
Erwin Olaf
Gunter Von Hagens
Manabu Yamanaka
Stelarc
Danilo Pasquali
Grupo Vizoo
H.R Giger
Marie Sester
Reactable
Simon Blackmore
Alejandro Tamayo
Nelson Vergara
Hernando Barragan
Adriana Salazar
Planktum / Alejandro Duque
Slow / Andres Burbano, Gabriel Zea,Camilo Martínez
Randall Paker
Edgar Puentes
Felipe César Londoño
Iliana Hernandez
#concept #génératif #comportement
Un trio d'objets lumineux qui évoluent au sein d'un système.
L'action de l'un provoque la réaction de l'autre, la lumière générée évolue ainsi de manière autonome.
Chaque module possède une personnalité qui s'exprime au travers de son matériau et de son comportement.
2 Pacific white-sided dolphin(Seven and Cross) and my sister
We had a really good time with them;)
Enoshima Aquarium
Formal interactions that the instructor has with the content, both in terms of design and development as well as in teaching or facilitating the course
Content interactions with other content informally, outside the formal course environment. Examples include mashups, RSS feeds, etc.
Informal interaction in the learning environment includes: learner-learner, instructor-content, content-content, instructor-learner, learner-content, learner-network, & learner-collective
#concept #génératif #comportement
Un trio d'objets lumineux qui évoluent au sein d'un système.
L'action de l'un provoque la réaction de l'autre, la lumière générée évolue ainsi de manière autonome.
Chaque module possède une personnalité qui s'exprime au travers de son matériau et de son comportement.
An interaction of a total different kind is the basis of „Interfight" by César Escudero Andaluz. He uses an Android app, which he developed by duplicating the Android GUI. In it, desktop icons are made to behave like animals and react aggressively to the physical interface.
credit: César Escudero Andaluz
See the video via Vimeo: www.vimeo.com/14031747
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This simple video projection window display installation was a collaborative art project between Chairman Ting and Tangible Interaction in Vancouver, Canada.
The installation piece was created for only one night during the popular fireworks event to help maximize impact and generate awareness for Single Bicycles, a quality bicycle brand situated in downtown Vancouver on Robson Street.
From concept to production, this art installation took over a month to prepare, execute and test. The custom music track was composed and produced by Tom Pettapiece.
CREDITS + INFO:
Animation and production: Tangible Interaction
Illustration and artwork: Chairman Ting
Concept: Chairman Ting x Tangible Interaction
Music: Tom Pettapiece
Video edit: Chairman Ting
Client: Single Bicycles
Location: Vancouver, Canada
LINKS:
www.flickr.com/photos/tompettapiece/
FOLLOW:
#concept #génératif #comportement
Un trio d'objets lumineux qui évoluent au sein d'un système.
L'action de l'un provoque la réaction de l'autre, la lumière générée évolue ainsi de manière autonome.
Chaque module possède une personnalité qui s'exprime au travers de son matériau et de son comportement.
International Development Secretary Priti Patel visits Lokore dispensary to see UK support on health and nutrition, and interact with health workers and beneficiaries.
The Development Secretary has the opportunity to interact with beneficiaries at the dispensary, and see the outpatient therapeutic programme for severe acute malnutrition. She also had a discussion with a mother on her experiences and benefits from the nutrition programme.
Picture: Rob Oxley/DFID
Processing - Biologist Sarah Ciarrachi gets an update from Data Manager Santiago Garcia on the ear tag reader.
Grand Canyon, AZ September 19, 2019 - National Park Service staff closed the doors on livestock trailers yesterday, securing 31 bison inside to transfer them to the InterTribal Buffalo Council who will take them on the journey to join their new herd with the Quapaw tribe in Oklahoma.
The transfer of the bison concluded the Grand Canyon National Park's pilot program for corralling and relocating bison from the North Rim.
"It's an historic moment. These are the first bison ever captured and permanently removed from Grand Canyon," said Grand Canyon National Park Bison Project Manager Miranda Terwilliger.
Leading up to the corralling operations, a corral was regularly supplied with food and water to encourage bison to enter freely and increase their exposure to humans.
"It's a passive process. You want to work as quietly and calmly around the bison to keep their stress levels down because they have very little interactions with humans," said Chris Clark, the South Rim lead mule packer who served as the corral boss."
After a large group of bison entered the corral, during the operation period, staff closed the corral gates and began processing them in preparation for shipment. The processing included separating and releasing bison that were too young or too large or old to make the trip. They were guided into a squeeze chute, where the scientists took blood and genetic samples and tagged them per U.S. Department of Agriculture shipping regulations.
"We had an amazing team who worked really well together," said Terwilliger. "We did a lot of mock runs and training in advance with other parks and agencies."
Biologists from the Kaibab National Forest, Yellowstone National Park, Badlands National Park, the U.S. Geological Survey, and the InterTribal Buffalo Council assisted. Also present was a National Park Service veterinarian to oversee the well-being of the bison.
Several additional animals were outfitted with tracking collars and released during the corralling process. The collaring was conducted with the assistance of U.S. Geological Survey scientists for park wildlife biologists to study the bison migratory patterns and population size.
The goal of the pilot program was to capture and relocate up to 100 bison. The pilot program was conducted this year due to the bison migrating to a warmer location on the North Rim from early snowfall last year. There's approximately 600 bison on the North Rim, and Grand Canyon National Park is reducing the size to under 200 over the next three to five years to protect park resources from the impacts of the bison population.
#concept #génératif #comportement
Un trio d'objets lumineux qui évoluent au sein d'un système.
L'action de l'un provoque la réaction de l'autre, la lumière générée évolue ainsi de manière autonome.
Chaque module possède une personnalité qui s'exprime au travers de son matériau et de son comportement.