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Crews installing the main drive into the shield of our first Tunnel Boring Machine. The main drive is the mechanism that will turn the machine's cutterhead to bore the BSP tunnels.
Installation éphémère dans la cour de l'école.
Utilisation d'un stock important de marrons après étude de certaines des oeuvres de Robert Smithson.
My installation at PERMALESQUE, a gallery show held in our own CO Exhibitions, January 22 - February 18, 2011 in Northeast Minneapolis.
This is a collection of LP and CD covers, hand-painted wooden toys, prints, stickers, flyers, custom food packaging, patterns, and other designs I've created over the last several years. It's basically my brain on shelves.
Bridgette Guerzon Mills
Field Guides: Book of Moss
Book art installation, Art on the Trail, Lake Roland, Baltimore, MD 2015
Installation of a monumental sculpture for the 2017 Venice Biennale. Titled Support, the piece depicts a pair of gigantic hands rising from the water to support the sides of the Ca’ Sagredo Hotel, a visual statement of the impact of climate change and rising sea levels on the historic city.
My trip to Venice, Italy
More photos of Venezia in this Flickr album.
Glue the copper sheet to the backer board as per the instructions before. Outlet holes can be cut and trimmed after glueing.
The installation is complete. You can tell because Katie and Mark are no longer making adjustments or hooking up wires and I am in the recliner watching it between my feet.
constructed from pine cones. On the grounds of the MERA schoolhouse in McDonalds Corners, Lanark County, Ontario, Canada. Artist is Jennifer Noxon.
an installation in london made of wood, not carved though, its large planks of wood bolted together.
Installation of lanterns are in progress for the Mid-Autumn @ Gardens by the Bay for the official opening light-up from 22 September 2017.
Indiana University President Pamela Whitten presides over the installation of Ken Iwama as the seventh Chancellor of IU Northwest. The photo was taken at the Arts & Sciences Building Theater on Friday, October 1, 2021.
Dragonfly shaped lanterns installations at the Supertrees for the Mid-Autumn @ Gardens by the Bay for the official opening light-up from 22 September 2017.
An artists (MO. Raudies / Bewahrung) installation at an exhibition.
No digital manipulation but intentional unclean darkroom handling, incomplete fixation and paper decay. Additional sulfur toning.
The 25m high chandelier OLED lights installation by French artist Thierry Gaugain in the airwell at Robinsons Orchard.
Exhibition & installation ARIA, by Eliza Wierwight.
Worth the trip.... slurl.com/secondlife/Originalia/236/76/30
A construction worker on the West Approach Bridge North project measures to make sure that the pile is installed just right.
Construction crews were busy along the SR 520 corridor during the Nov. 14 - 17 weekend closure. Critical work activities included demolition of the R.H. Thomson “Ramps to Nowhere” over SR 520, necessary tree removal within project limits in the Montlake area and installation of piles on Foster Island and near the Montlake shoreline for the SR 520 West Approach Bridge North Project. Crews working on the Eastside Transit and HOV Project installed drainage systems along the 108th Avenue East direct-access ramps. Find out more about the new SR 520 on our website.
The SR 520 West Approach Bridge North Project is the next construction phase of the SR 520 Program. When complete in summer 2017, WABN will be built to modern earthquake standards and connect westbound-traveling vehicles, transit/HOV, bicycles and pedestrians from the new floating bridge to the Montlake area.
I was lucky to catch this installation at the Cathedral in April 2018, it was only up for a few more days but looked amazing while it lasted.
Hereford Cathedral is a fascinating place, not one of largest cathedrals or considered amongst the most architecturally significant, but one of the most interesting and rewarding nonetheless. It follows the usual cruciform plan for large churches but here the nave is the longest limb, the choir being relatively short for a cathedral, though the church extends further eastwards in the fine retrochoir and lady chapel. there are an eastern pair of transepts too, though here they do not rise above aisle roof level.
The central tower dominates the small city's skyline, but much less today than it once did, for originally it was crowned by a tall lead spire, and in addition there was a similar, slightly smaller tower at the west end (without a spire) thus the building's profile was very different to what we see today. Sadly this fine building has suffered several tragedies in it's history, the greatest of which was in 1786, when the west tower suddenly collapsed following an earth tremor, taking much of the nave with it. The architect chosen for the reconstruction was the notorious James Wyatt, who demolished all the remaining upper sections of the nave and substituted them with his own rather bland interpretation of Gothic. He also shortened the nave by one bay and built a rather mean west facade without rebuilding the west tower (the main tower also lost it's spire around this time). The present west facade is a more exuberant rebuilding by John Oldrid Scott from 1902-8.
The cathedral has generally been heavily restored throughout the 19th century (largely due to the red sandstone of it's construction) and parts of the exterior betray this, particularly the east facades of choir and Lady Chapel. There is still much to enjoy though, especially the 14th century tower with it's rich ballflower decoration. Entry is normally via the grand north porch, whichj has a large upper chapel and staircases either side, formerly for the veneration of relics.
The interior shows much more 12th century Norman work than the exterior suggests, with the main nave arcade, crossing arches, and much of the choir and south transept still substantially Romanesque structures. Aside from Wyatt's 1788 rebuilding of the upper parts of the nave, the rest is mostly of late 13th - early 14th century date, with distinctive window design of the Decorated period found throughout the nave and choir aisles. The most remarkable feature is the north transept, a unique design dating to c1260, where the Gothic arches and window heads are almost triangular in form.
There is a substantial complex of additional monastic buildings, including two cloisters, the main one being south of the nave (only the east and south sides remain) and the Vicar's Choral cloister, accessed via a long walkway off the south east corner, and still inhabited by cathedral staff and thus private. The real tragedy here is the chapter house, of which very little remains. This was once arguably the most exceptionally beautiful in the country, being ten-sided and covered by an exquisite fan vault. It was sadly neglected following the Civil War and demolished soon afterwards, a grevious loss.
The cathedral retains a fine set of 14th century choir stalls with carved misercords complete with the canopied bishop's throne. The font is Norman and features defaced figures of apostles and is guarded by four lions. The stained glass is mostly Victorian with only a few 15th century fragments in a south nave window and some good (but restored) 13th century scenes and grisaille in a Lady Chapel window. The best of the glass is found in the two smallest chapels, the Stanbury and Audley chantries, with Arts & Crafts and stunning contemporary work by Denny respectively. There was a rich Victorian metal choir screen at the crossing by G.G.Scott, but this was removed in the 1950s and is now (after years of storage and neglect) a major feature in the entrance to the Victoria & Albert Museum, London. A contemporary candleabrum, the 'Corona', now hangs in it's place.
The set of monumental effigies is one of the most extensive in any English cathedral, but only a few are of the finest quality, and many have suffered later disfigurement, in the case of the medieval bishops' tombs several figures have been quite literally de-faced, whilst the post-Reformation tombs clearly offended Wyatt, who removed their architectural settings altogether leaving only the recumbent effigies randomly placed throughout the church.
But last word must go to the most famous relic of Hereford, the Mappa Mundi, the renowned c1280 map of the medieval World and the star exhibit of the famous chained library, now housed in a modern extension at the south west corner of the cloister.
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Installation Error graphic available for download at http://dryicons.com/free-graphics/preview/installation-error/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.