ARTS ET INSTALLATION SONORES - SOUND ART AND SOUND INSTALLATION
View allAll Photos Tagged installations
Chiharu Shiota
"Für den WhiteCube der Kunsthalle Rostock kreierte Chiharu Shiota eine ortsspezifische Installation namens „Letters of Thanks“. Dafür wurden Dankesbriefe in einer lokalen, Kampagne gesammelt und zusammen mit verschickten Briefen aus Japan, Dänemark und Brasilien, wo sie diese Arbeit schon realisiert hat, in die Installation der Kunsthalle Rostock integriert. Der Realisierung dieser Arbeit ging als Impuls die Dankbarkeit der Künstlerin gegenüber ihrem persönlichen Kontext voraus. Sie überträgt ihre eigenen Erfahrungen in einen Versuch, die Menschen dazu anzuregen, Gefühle, die schwer zu formulieren sind, in Worte zu fassen. Durch die Verwendung der neuen Medien sind die Beziehungen virtuell und abstrakter geworden. Die Geschwindigkeit von SMS, WhatsApp, WeChat, Facebook, Twitter und anderer Kommunikationsmedien verhindert die Auswahl spezifischer und persönlicher Begriffe. Das Briefeschreiben soll hier Teil des Entschleunigungsprozesses der Ausstellungsteilnehmer werden. Die Empfänger der Briefe sind Gott, Familienmitglieder, Freunde, das Universum..."
Quelle:http://www.kunsthallerostock.de/kunsthalle-rostock/2017/chiharu-shiota/
Près de 250 pendules suspendus au plafond se balancent selon un rythme savamment orchestré, dessinant un labyrinthe en mouvement constant.
Le visiteur est alors invité à observer ce fascinant ballet ou à tenter de traverser cet environnement aux évolutions imprévisibles.
Contraint à éviter les pendules, il est aussi amené à anticiper ses déplacements.
As part of Singapore's Light to Night Festival 2023, two light installations were put up at the Padang.
Hearing Padang is comprises 2 large curved structures that creates an acoustic experience that allows sound to travel from one end to another.
pienw.blogspot.com/2022/01/de-wereld-volgens-roger-ballen...
Installation by Roger Ballen at the fotomuseum, The Hague
Une nouvelle installation de l’artiste britannique Linder Sterling dans le jardin de Chatsworth House s’inspire de l’un des épisodes les plus intrigants de l’histoire du domaine, vieille de 500 ans: l’emprisonnement de Mary, reine d’Écosse.
La «Bower of Bliss» de Sterling est une réponse du Queen Mary's Bower, une structure surélevée située dans un jardin de 100 hectares, qui aurait été construite dans les années 1570 pour permettre à Mary d'exercer son activité alors qu'elle était retenue en captivité pour son implication présumée dans des crimes d'assassinat. sa cousine Elizabeth I.
Mary fut forcée d’abdiquer en 1567 après avoir été impliquée dans le meurtre de son mari. Elle fut ensuite emprisonnée en Angleterre par Elizabeth I à partir de 1568 et exécutée en 1587.
L’installation de Sterling est l’un des points forts de la nouvelle exposition de sculptures intitulée «Chatsworth Outdoors: motifs de sculptures», qui s’ouvre dans le jardin du domaine de Derbyshire le 14 septembre. 2018.
Parmi les 35 œuvres présentées, on trouve une figurine masculine en fonte dressée par Antony Gormley intitulée «Learning to be I» et «Into the Wind», une sculpture en bronze de la tête d’un cheval réalisée par Nic Fiddian-Green.
Traduit de :
uk.reuters.com/article/uk-britain-art/captive-queen-inspi...
_____________________________________
A new installation by British artist Linder Sterling in the garden of Chatsworth House draws on one of the most intriguing episodes in the estate’s 500-year-old history: the imprisonment of Mary, Queen of Scots.
Sterling’s “Bower of Bliss” is a response the Queen Mary’s Bower, a raised structure in the 105-acre garden which some believe was built in the 1570s as a space for Mary to exercise while she was held captive for her alleged involvement in plots assassinate her cousin Elizabeth I.
Mary was forced to abdicate in 1567 after she was implicated in her husband’s murder and was then imprisoned in England by Elizabeth I from 1568 and executed in 1587.
Sterling’s installation is one of the highlights of a new sculpture exhibition called “Chatsworth Outdoors: Grounds for Sculpture”, which opens in the garden of the Derbyshire estate on Sept. 14. 2018.
Among the 35 works on show is a standing male cast iron figure by Antony Gormley called “Learning to be I”, and “Into the Wind”, a bronze sculpture of a horse’s head by Nic Fiddian-Green.
uk.reuters.com/article/uk-britain-art/captive-queen-inspi...
Do you imagine they are installing updates or viruses? I only have a few of these figures to work with so I am experimenting and trying out different ideas. There are many creative artists who have already shot lots of interesting and clever images with miniatures but I haven't, there is always room for different interpretations.
...
detail of Conversation, Tim Lowly © 2005, installation (in the North Park University Art Faculty exhibition 2005) with drawing, microphone, cable, spackle and text
The following text, which was displayed on the wall beside the installation, apparently is a transcription of people discussing this artwork as recorded via the microphone suspended above the piece. The cable from the microphone goes into the wall and it is unclear whether the microphone is actually functional or not.
Text part two (part one)
Humming woman: “…springtime calls her children until she lets them go at last…”
Loud woman: Not that song again! My room-mate said her art prof listened to that guy all the time last year!
Humming woman: You mean the guy who made this?
Loud woman: What? No the guy who made that big river painting last year.
Humming woman: I think that this is the same guy.
Loud woman: Oh, I guess so. This is pretty different. Maybe he got tired.
Humming woman: I think this is about the end times.
Loud woman: (laughing) You are so full of it!
Humming woman: (laughing) “…a baby sings in all our bones, so scared to be alone!”
(lobby noise)
Woman with Korean accent: Do you know Yoon Hee?
Tim Lowly: Yes. How did you…
Woman with Korean accent: She goes to my church. She said, “My teacher Tim Lowly looks like Jesus.”
Tim Lowly: (laughing) Do you think so?
Woman with Korean accent: Not really.
Tim Lowly: Actually I made this drawing on top of a sketch Yoon Hee left lying in the drawing studio.
Woman with Korean accent: You made this? Is this a painting?
Tim Lowly: Well there is some paint on it…
Woman with Korean accent: Are you recording?
Tim Lowly: I can never remember which way that on-off switch works on the microphone.
Woman with Korean accent: I like the shadow…
(lobby noise)
Man with soft voice: Look this is the one I was telling you about. I think it’s kind of funny.
Anxious Woman: Really? It makes me nervous. I don’t like things hanging over my head.
Man with soft voice: Well, I think it’s safe, but you can stand over here in case it falls.
Anxious Woman: Yes, but the drawing seems kind of insolent.
Man with soft voice: Insolent? You mean arrogant?
Anxious Woman: Asking, asking. Everybody always asking…
Man with soft voice: Relax Courtney…
(lobby noise)
Jock: (noise of ball bouncing on floor) This one makes me think of what is going on down on the Gulf Coast.
Skeptical Woman: What?
Jock: You know, people giving to other people. Like this hand is offering and the microphone is listening…
Skeptical Woman: (snorting) Jocks!
Jock: Hey, I took an art class!
Skeptical Woman: And that makes you some kind of expert!
Jock: (drifting off, bouncing ball) I didn’t say I was…
(lobby noise)
Man: Maybe it’s about gas prices.
Woman: What? (laughing) You are nuts! Everything is about cars for you.
Man: No, it’s kind of like one of those gas pump lines that hangs down…
Woman: All you need is a steering wheel for that hand to grab!
Man: (grumbling) I paid for lunch…
(lobby noise)
Art Major with Generic Voice: This reminds me of this art book I saw in the library. It was about an Italian artist…Margarita Mozerella or something like that. There was this long text based on a stenographer’s transcript of people at a gallery opening. No way I could read all that!
Man with mellow voice: I like to read things like that. And crossword puzzles. Have you played one of those new Japanese puzzle games in the paper.
Art Major with Generic Voice: I don’t like newspapers. That fence thing uses newspaper.
Man with mellow voice: This is kind of like a puzzle….maybe.
Art Major with Generic Voice: I’m taking advanced painting with this guy…he’s kind of strange….
Man with mellow voice: You’re one to talk.
Art Major with Generic Voice: Hey, just because I dress different…
(lobby noise)
A
Installation in the Collection Lambert, Avignon, by Claude Leveque, 2000. Neon, fog, and sonorous tape.
I don't know what this mesh of industrial metal is, but with the right light, it becomes an art installation.
Anne Imhof, still from installation with movie, at exhibition YOUTH in Stedelijk Museum Amsterdam, NL
Detail of this installation by Olafur Eliasson at museum Krona in Uden, the Netherlands, at the exhibition: Into the Light.
Thank you for taken your time to visit me, comments or faves are always much appreciated!
This revolving Image that changes its form is projected onto a Blacked out Shop Window .It is part of " The Awakening " Event in Hulls Old Town where magical light and sound installations are on view .."The Awakening" is to Celebrate the movement from Winter to Spring and Hulls Maritime Heritage and Folklore and Mythology ..
Laguna de Bay is a large lagoon located to the east of Manila. Talim island appears at the upper centre of the photo.
The lake is strangely called "Laguna Lake" among Japanese.
... in Brugge.
Last August, in Bruges, visitors could cross the water on his installation entitled BRUG (The Bridge) by Jarosław Kozakiewicz.
With the many bridges that span the canals in the city centre and link neighbourhoods with each other, BRUG is a contemporary interpretation with another function.
Instead of bricks and cobblestones, the artist uses metal profiles and canvas to create a bridge on which you can cross from one side of the canal to the other.
I waited until one of the many canal boats passed under it...
Thank you for your time and comments, M, (*_*)
For more: www.indigo2photography.com
Please do not use this image on websites, blogs or any other media without my explicit permission. © All rights reserved
An installation display that I was volunteering at over December.
Read about the display here: www.warringtonguardian.co.uk/news/19760581.no-25-golden-s...
This shot I took in museum K21 here in Düsseldorf. The building used to be the Parlament building. It’s now been renovated and turned into a beautiful museum, with many rooms on several levels in the interior. There’s a great café too!
This picture I took in a big room on two levels, with an enormous installation… and a great deal if very loud echoing noise!
Installation Shalekhet – Fallen leaves 10 000 faces punched out of steel are distributed on the ground of the Memory Void, the only "voided" space of the Libeskind Building that can be entered. Israeli artist Menashe Kadishman dedicated his artwork not only to Jews killed during the Shoah, but to all victims of violence and war. Visitors are invited to walk on the faces and listen to the sounds created by the metal sheets, as they clang and rattle against one another. Other art installations exhibited permanently in the museum are by Arnold Dreyblatt, Minka Hauschild, and Via Lewandowsky