View allAll Photos Tagged installations
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 50mm Shift, F4.0
Film: Fuji VELVIA 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Concept art done for Installation 01, a Halo fan game. These were revealed in our new media page on our recently revealed website installation01.org/media
Our Daily Challenge 19-25 June : Within the Moment.
I have spent the afternoon at AUB Summer shows and was very impressed by this very clever and though provoking installation.
The wooden pieces are suspended from a roof frame and lit to cast the shadows.
I cannot begin to imagine how long it took to get right! The left wall says 'Be mindful stay in the moment'.
I know many of you don't like this sort of thing but you don't have to like something to appreciate it!
The main wall says 'Thoughts are just thoughts, mental events, just because you think it, doesn't mean it's true'.
February 20th, 2009. Cube 4 Gallery at Ohio University.
REFLECTIONS
October 9, 2008
A DOCUMENTATION
The photos collected here are a small part of a larger series of “Reflection” photos I have been collecting for two years. They are close-up images of reflections found on the surface of the ponds and streams located within a short distance from my home outside of Logan, OH. The collection displayed here represent the photos taken during a two hour period on the afternoon of October 9, 2008. Viewers can refer to the time charts found along with the display to follow the sequence of the shoot.
As this project has developed I have begun grouping photos into set of three based on similarities in different formal, objective, or time based elements. The selection process has no specific rules, but is based more on personal editorial vision. The sets are the primary way in which the reflections are typically displayed.
In this specific exhibition, I have chosen to give a more general overview of the variety of images I might find during one shoot, rather than showing only selections of my personal editorial choices.
Jonas Hart
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 50mm Shift, F4.0
Film: Fuji VELVIA 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
Nikon D700 + AF Nikkor 80-200 f/2.8 D. Bague 77mm-82mm B+W 82E C-POL bague 82mm-86mm Sigma DG Circular et Cokin P160 polarisant.
www.flickr.com/photos/75468899@N05/51237150487/in/datepos...
Camera: Voigtländer BESSA L
Lense: Voigtländer HELIAR 15mm, F4.5
Film: Kodak PORTRA 160
Processing: C41 by PS13,
digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V370
I like to feature the contrast (which the artists themselves did very well) between the installation itself with the environment of the installation. I think the contrast is extreme. The art installation can be seen at far right. These photos were described by a tourist magazine as a “Rogue Wheat Paste art installation”. Further, they attribute one of these installations to local photographers Deon and Trish Reynolds. While I cannot say I know this to be their work as well, I have to suspect it is. These installations are located in Eureka, Nevada a few miles out of town at the abandoned Ruby Hill Mine. I am greatly inspired by this work. Kudo’s to the artists.
More photos of the gallery walls on the Expresh Letters Blog:
expreshletters.blogspot.com/2011/03/steven-powers-install...
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Velvia 100
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 210mm, F4.0
Film: Fuji Velvia RVP 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
Camera: Mamiya C330
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V370
Installation boredom
Masterstudiengang Bühnenbild_Szenischer Raum; z.Zt. www.lwl.org/industriemuseum/standorte/henrichshuette-hatt...
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 210mm Shift, F4.0
Film: Fuji Velvia RVP 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
Camera: Minolta X-700
Lense: Zeiss Flektogon 35mm,
F 2.4
Film: Rollei Superpan 200
Processing: Adox FX-39, 1+9,
13:30 min, 20°, digitized with Epson V370, Hybrid -> digital texture layering
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Zeiss Flektogon 35mm + 7D
Found in an abandoned office. Although I'm not impressed with Windows 10, I don't think I'd want to go back this far!
This was a test run of an installation I did as part of my Fine Art degree.
The concept was that as a way of showing my dedication and love of Japan, I folded a thousand origami cranes, which in Japanese legend will grant the folder one wish.
I had some stuck to the wall, referencing the The Wave by Hokusai.
Camera: Mamiya 645 1000 S
Lense: Mamiya-SEKOR 50mm Shift, F4.0
Film: Fuji Velvia RVP 50
Processing:
E-6 by PS13, digitized with Epson V850Pro
yashica mat 124g
kodak portra 160VC (expired)
I was really surprised when I saw this scan - I thought that there was no way this shot would come out. To take it I put my Yashica on my bag as I had no tripod and exposed for about a minute during a loud concert with everything vibrating from the powerful bass and also the wooden floor shaking from the movement of people. Still it looks quite sharp. The framing is almost completly random, I couldn't see much on the focusing screen and I couldn't really point the camera in the desired direction on my bag-tripod...
Camera: Mamiya C330
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Canon 7D + Zeiss FLEKTOGON 35mm
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Mamiya C330
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V370
Well framed automotive art looking a little like "The Nighthawks". London, like so many cities is a place of contrasts with rich and poor. This window is located in one of the more prestigious postcodes.
Thank you for any and all views, faves, invites to groups, comments and constructive critique. I’m not keen on: invitations to post 1 award 3; copy and paste comments (you know who you are); or links to your work. If you like my images there is a good chance I will like yours and I tend to reciprocate views as a matter of courtesy and personal interest. All my images are my own original work, under my copyright, with all rights reserved. This means asking the owner's permission, and obtaining it, before using the image for ANY purpose.
Copyright infringement is theft.
Camera: Mamiya C33
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V850 Pro
Camera: Voigtländer BESSA L
Lense: Voigtländer SKOPAR 25mm, F4.0
Film: Agfa CT Precisa 100
Processing: E6 by PS13,
digitized with Epson V850 Pro
Camera: YASHICA MAT 124 G
Lense: Yashinon 80mm, F3.5
Film: Fuji Pro 160NS
Processing: C41 by PS13, digitized with Epson V370