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This is one of the images I've been able to find of the installation I participated in earlier this month. Spencer Tunick took a series of Polaroids using one of only five 20x24 Polaroid cameras in the world (one of which you see here, to be auctioned for FreeArtsNYC), and then a number for his personal portfolio. It was a privilege to volunteer on this shoot and I can't wait to see more of the finished images.
Exhibition & installation ARIA, by Eliza Wierwight.
Worth the trip.... slurl.com/secondlife/Originalia/236/76/30
A construction worker on the West Approach Bridge North project measures to make sure that the pile is installed just right.
Construction crews were busy along the SR 520 corridor during the Nov. 14 - 17 weekend closure. Critical work activities included demolition of the R.H. Thomson “Ramps to Nowhere” over SR 520, necessary tree removal within project limits in the Montlake area and installation of piles on Foster Island and near the Montlake shoreline for the SR 520 West Approach Bridge North Project. Crews working on the Eastside Transit and HOV Project installed drainage systems along the 108th Avenue East direct-access ramps. Find out more about the new SR 520 on our website.
The SR 520 West Approach Bridge North Project is the next construction phase of the SR 520 Program. When complete in summer 2017, WABN will be built to modern earthquake standards and connect westbound-traveling vehicles, transit/HOV, bicycles and pedestrians from the new floating bridge to the Montlake area.
I was lucky to catch this installation at the Cathedral in April 2018, it was only up for a few more days but looked amazing while it lasted.
Hereford Cathedral is a fascinating place, not one of largest cathedrals or considered amongst the most architecturally significant, but one of the most interesting and rewarding nonetheless. It follows the usual cruciform plan for large churches but here the nave is the longest limb, the choir being relatively short for a cathedral, though the church extends further eastwards in the fine retrochoir and lady chapel. there are an eastern pair of transepts too, though here they do not rise above aisle roof level.
The central tower dominates the small city's skyline, but much less today than it once did, for originally it was crowned by a tall lead spire, and in addition there was a similar, slightly smaller tower at the west end (without a spire) thus the building's profile was very different to what we see today. Sadly this fine building has suffered several tragedies in it's history, the greatest of which was in 1786, when the west tower suddenly collapsed following an earth tremor, taking much of the nave with it. The architect chosen for the reconstruction was the notorious James Wyatt, who demolished all the remaining upper sections of the nave and substituted them with his own rather bland interpretation of Gothic. He also shortened the nave by one bay and built a rather mean west facade without rebuilding the west tower (the main tower also lost it's spire around this time). The present west facade is a more exuberant rebuilding by John Oldrid Scott from 1902-8.
The cathedral has generally been heavily restored throughout the 19th century (largely due to the red sandstone of it's construction) and parts of the exterior betray this, particularly the east facades of choir and Lady Chapel. There is still much to enjoy though, especially the 14th century tower with it's rich ballflower decoration. Entry is normally via the grand north porch, whichj has a large upper chapel and staircases either side, formerly for the veneration of relics.
The interior shows much more 12th century Norman work than the exterior suggests, with the main nave arcade, crossing arches, and much of the choir and south transept still substantially Romanesque structures. Aside from Wyatt's 1788 rebuilding of the upper parts of the nave, the rest is mostly of late 13th - early 14th century date, with distinctive window design of the Decorated period found throughout the nave and choir aisles. The most remarkable feature is the north transept, a unique design dating to c1260, where the Gothic arches and window heads are almost triangular in form.
There is a substantial complex of additional monastic buildings, including two cloisters, the main one being south of the nave (only the east and south sides remain) and the Vicar's Choral cloister, accessed via a long walkway off the south east corner, and still inhabited by cathedral staff and thus private. The real tragedy here is the chapter house, of which very little remains. This was once arguably the most exceptionally beautiful in the country, being ten-sided and covered by an exquisite fan vault. It was sadly neglected following the Civil War and demolished soon afterwards, a grevious loss.
The cathedral retains a fine set of 14th century choir stalls with carved misercords complete with the canopied bishop's throne. The font is Norman and features defaced figures of apostles and is guarded by four lions. The stained glass is mostly Victorian with only a few 15th century fragments in a south nave window and some good (but restored) 13th century scenes and grisaille in a Lady Chapel window. The best of the glass is found in the two smallest chapels, the Stanbury and Audley chantries, with Arts & Crafts and stunning contemporary work by Denny respectively. There was a rich Victorian metal choir screen at the crossing by G.G.Scott, but this was removed in the 1950s and is now (after years of storage and neglect) a major feature in the entrance to the Victoria & Albert Museum, London. A contemporary candleabrum, the 'Corona', now hangs in it's place.
The set of monumental effigies is one of the most extensive in any English cathedral, but only a few are of the finest quality, and many have suffered later disfigurement, in the case of the medieval bishops' tombs several figures have been quite literally de-faced, whilst the post-Reformation tombs clearly offended Wyatt, who removed their architectural settings altogether leaving only the recumbent effigies randomly placed throughout the church.
But last word must go to the most famous relic of Hereford, the Mappa Mundi, the renowned c1280 map of the medieval World and the star exhibit of the famous chained library, now housed in a modern extension at the south west corner of the cloister.
Wanneroo Gas and Air Services provides the leading brands of air conditioners in Perth. Offered with air conditioning installation Perth and repairs. Evaporative Cooling Perth gives you the convenience of being able to keep your windows and doors open which serves as the exit for stale air. @ wanneroogasandair.com.au/air-conditioning-installation-re...
Installation of Miami Domino Dream by conceptual artist, Bo Droga, University Metrorail Station, Coral Gables, FL
Camera: Mamiya C330
Lense: Mamiya-Sekor 65mm, F3.5
Film: Fuji Provia 100 F
Processing: E6 by PS13, digitized with Epson V370
Designing an installation into a container of given dimensions with the name 'Living Environmet'. I chose a sociological approach, where I created spaces that represent different stages and aspects of life, be it aspects of financial, educational, nutritional, working or healthcare matters. I however became more interested in the actual spaces themselves, than the setting of the rooms, therefore I wanted to express the characteristics of each room using only spatial means, that is the sizes and shapes of the rooms, and the nature of the passages between each two.
foam board 15cm x 45cm x 15cm
Installation Error graphic available for download at http://dryicons.com/free-graphics/preview/installation-error/ in EPS (vector) format.
View similar vector graphics at DryIcons Graphics.
I only took the photo !! I have no claim to the artwork !!
artist : party polyp
detail : www.flickr.com/photos/55034210@N05/32426652090/in/datepos...
Shelf
Dimensions: 5 ft’ 5.5ft
Material: Wood and metal pipes
This installation is made out of waste pipes that have been rusted and are defunct due to any reason. A team of 5 boys, leaded by me, has developed this idea of making a productive installation that can be put to some use. The installation incorporates pipes of various sizes and with that it gives space to other material too like taps and valves. All the material used was obtained from either the construction sites of toilets or the waste collectors. The objects in the installation that were not obtained out of waste were wooden planks. These were cut out according to the requirement and to fulfil the desired design. The turns and twists in the design of the shelf gives it a very different look and attracts people to look at it closely.
This shelf is currently being used by the School’s Art department to display various Clay Models and other Sculptures.
Installation by David Wilson made up of multiple turntables with a soundtrack by Blanck Mass, aka Benjamin John Power of Fuck Buttons (not that you can hear the music in a photo). I'll Be Your Mirror festival, curated by Portishead and ATP, at Alexandra Palace, London, July 2011.
Title: [Winch Installation, Engineering Laboratories Inc.]
Creator: Robert Yarnall Richie
Date: 1946
Place: Garland, Dallas County, Texas
Part Of: Robert Yarnall Richie Photograph Collection
Physical Description: 1 negative: film, black and white; 10.1 x 12.7 cm
File: ag1982_0234_2868_19_engineeringlabinc_sm_opt.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information, see: digitalcollections.smu.edu/cdm/ref/collection/ryr/id/2497
View the Robert Yarnall Richie Photograph Collection digitalcollections.smu.edu/all/cul/ryr/
Concept art done for Installation 01, a Halo fan game. These were revealed in our new media page on our recently revealed website installation01.org/media
Partial Installation Seize HappyWallMaker Projet Lab14du 15/12/16 au 26/02/2017 - 140 Boulevard du Montparnasse 75014 Paris
www.greenhomeenergysolutions.co.uk/ 08452 413444, 126 Whyke Lane , Chichester , West Sussex, PO19 8AS
solar panel installation chichester
Reference Code: 001.02.180
Title: Installation Photo 69
Date: 22 November 1977
Extent (inches): 8 x 10
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▶ from Bishop Ottenweller Photographs (001.002.1)
▶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
CCS Presentation Systems is truly a leader in the Higher Education audio visual market. Our team of systems integrators works directly with clients to develop new approaches to education through technology and its dissemination across local networks and multiple campuses. We have a strong history of support for educational entities, and a great interest in our clients' ultimate goal of integrating technology into classroom instruction to increase student engagement and retention. bit.ly/10SE11i
Interzone is an audiovisual reactive installation, made for transition public places ( such as tunnels, hallways, stairs, …).
It represents a post-apocalyptic place that does not obey
to the laws of physics as we know, a place where occur space-time abnormalities, unexplained phenomena.
"I do not know that happens here when there is no human being.Places that were safe are now impassable "
6 infrared sensors connected to an arduino detects the user presence, and send his position to processing. With this input information processing triggers functions that will determine the projections and sounds.
sound loops by from : alva noto /ryoji ikeda
ambient sound by Miguel Neto
barcelona, december 2009.
rodrigo carvalho, dafne polyzos
WATCH THE INTERZONE VIDEO HERE ::
more info@ the projectWebPage ::
visiophone-lab.com/data/visiophone
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visiophone-lab.com
THE RESTLESS EARTH
28 APR - 20 AUG 2017
Triennale Milan
www.triennale.org/en/mostra/la-terra-inquieta/
The Restless Earth borrows its title from a collection of poems by Édouard Glissant, a Caribbean writer who probed the question of how different cultures can coexist. The exhibition shares in Glissant’s project—a pressing and necessary one that tries to describe this unstable and agitated present as a polyphony of voices and narratives. Through the works of more than sixty artists from more than forty countries—such as Albania, Algeria, Bangladesh, Egypt, Ghana, Iraq, Lebanon, Morocco, Syria, and Turkey—and with historical documents and objects of material culture, this exhibition charts both experiences and perceptions of migration and the current refugee crisis as an epoch-making transformation that is reframing contemporary history, geography, and culture.
The Restless Earth explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus inspired by varying degrees of urgency and longing. The exhibition revolves around a series of geographic and thematic lines of inquiry—the war in Syria, the state of emergency in Lampedusa, life in refugee camps, the figure of the nomad or stateless person, and Italian migration in the early 20th century—which intersect with works that serve as visual metaphors for conditions of mobility and precariousness.
The Restless Earth focuses in particular on how artists bear witness to historic events, and how art can describe social and political change in the first person. The works on view point to a renewed faith that art and artists have a responsibility to portray and transform the world, creating not just images of conflict, but images that provide a space for critical thinking and exchange. Together, these stories—poised between historical epic and real-time diary—yield a vision of art as lyrical journalism, emotional documentary, and vivid, vital testimony.
Participants:
Adel Abdessemed, John Akomfrah, Pawel Althamer, Francis Alÿs, El Anatsui, Ziad Antar, Kader Attia, Brendan Bannon, Yto Barrada, John Berger and Jean Mohr, Alighiero Boetti, Anna Boghiguian, Andrea Bowers, Tania Bruguera, Banu Cennetoğlu and Nihan Somay in collaboration with UNITED for Intercultural Action, Phil Collins, Comitato 3 Ottobre, Constant, Thierry De Cordier, La Domenica del Corriere, Forensic Oceanography / Charles Heller and Lorenzo Pezzani, Meschac Gaba, Charles Gaines and Ashley Hunt for Gulf Labor Artist Coalition, Giuseppe “Pinot” Gallizio, Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, Manaf Halbouni, Mona Hatoum, Lewis Wickes Hine, Thomas Hirschhorn, Wafa Hourani, Pravdoliub Ivanov, Khaled Jarrar, Isaac Julien, Hiwa K, Yasmine Kabir, Šejla Kamerić, Bouchra Khalili, Runo Lagomarsino, Dorothea Lange, Zoe Leonard, Glenn Ligon, Liu Xiaodong, Ahmed Mater, Steve McQueen, Aris Messinis, multiplicity, Paulo Nazareth, Adrian Paci, Maria Papadimitriou, 2016 Pulitzer Prize for Breaking News Photography (Daniel Etter, Tyler Hicks, Mauricio Lima, Sergey Ponomarev), Marwan Rechmaoui, Hrair Sarkissian, Thomas Schütte, Hassan Sharif, Augustus Sherman, Xaviera Simmons, Mounira Al Solh, Hamid Sulaiman, Rayyane Tabet, Pascale Marthine Tayou, Wolfgang Tillmans, Andra Ursuta, Danh Võ, Henk Wildschut, Zarina.
Credits
An exhibition curated by Massimiliano Gioni