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www.greenhomeenergysolutions.co.uk/ 08452 413444, 126 Whyke Lane , Chichester , West Sussex, PO19 8AS
solar panel installation chichester
Reference Code: 001.02.180
Title: Installation Photo 69
Date: 22 November 1977
Extent (inches): 8 x 10
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▶ from Bishop Ottenweller Photographs (001.002.1)
▶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
"The Beasts of Love", 2014,
Permanent installation at the University Child Development School, Seattle, Washington.
Plastic fencing, chicken wire, fabric, zip ties.
Each is about 3ft tall x ft wide x 2ft long
THE RESTLESS EARTH
28 APR - 20 AUG 2017
Triennale Milan
www.triennale.org/en/mostra/la-terra-inquieta/
The Restless Earth borrows its title from a collection of poems by Édouard Glissant, a Caribbean writer who probed the question of how different cultures can coexist. The exhibition shares in Glissant’s project—a pressing and necessary one that tries to describe this unstable and agitated present as a polyphony of voices and narratives. Through the works of more than sixty artists from more than forty countries—such as Albania, Algeria, Bangladesh, Egypt, Ghana, Iraq, Lebanon, Morocco, Syria, and Turkey—and with historical documents and objects of material culture, this exhibition charts both experiences and perceptions of migration and the current refugee crisis as an epoch-making transformation that is reframing contemporary history, geography, and culture.
The Restless Earth explores real and imaginary geographies, reconstructing the odyssey of migrants through personal and collective tales of exodus inspired by varying degrees of urgency and longing. The exhibition revolves around a series of geographic and thematic lines of inquiry—the war in Syria, the state of emergency in Lampedusa, life in refugee camps, the figure of the nomad or stateless person, and Italian migration in the early 20th century—which intersect with works that serve as visual metaphors for conditions of mobility and precariousness.
The Restless Earth focuses in particular on how artists bear witness to historic events, and how art can describe social and political change in the first person. The works on view point to a renewed faith that art and artists have a responsibility to portray and transform the world, creating not just images of conflict, but images that provide a space for critical thinking and exchange. Together, these stories—poised between historical epic and real-time diary—yield a vision of art as lyrical journalism, emotional documentary, and vivid, vital testimony.
Participants:
Adel Abdessemed, John Akomfrah, Pawel Althamer, Francis Alÿs, El Anatsui, Ziad Antar, Kader Attia, Brendan Bannon, Yto Barrada, John Berger and Jean Mohr, Alighiero Boetti, Anna Boghiguian, Andrea Bowers, Tania Bruguera, Banu Cennetoğlu and Nihan Somay in collaboration with UNITED for Intercultural Action, Phil Collins, Comitato 3 Ottobre, Constant, Thierry De Cordier, La Domenica del Corriere, Forensic Oceanography / Charles Heller and Lorenzo Pezzani, Meschac Gaba, Charles Gaines and Ashley Hunt for Gulf Labor Artist Coalition, Giuseppe “Pinot” Gallizio, Rokni Haerizadeh, Ramin Haerizadeh and Hesam Rahmanian, Manaf Halbouni, Mona Hatoum, Lewis Wickes Hine, Thomas Hirschhorn, Wafa Hourani, Pravdoliub Ivanov, Khaled Jarrar, Isaac Julien, Hiwa K, Yasmine Kabir, Šejla Kamerić, Bouchra Khalili, Runo Lagomarsino, Dorothea Lange, Zoe Leonard, Glenn Ligon, Liu Xiaodong, Ahmed Mater, Steve McQueen, Aris Messinis, multiplicity, Paulo Nazareth, Adrian Paci, Maria Papadimitriou, 2016 Pulitzer Prize for Breaking News Photography (Daniel Etter, Tyler Hicks, Mauricio Lima, Sergey Ponomarev), Marwan Rechmaoui, Hrair Sarkissian, Thomas Schütte, Hassan Sharif, Augustus Sherman, Xaviera Simmons, Mounira Al Solh, Hamid Sulaiman, Rayyane Tabet, Pascale Marthine Tayou, Wolfgang Tillmans, Andra Ursuta, Danh Võ, Henk Wildschut, Zarina.
Credits
An exhibition curated by Massimiliano Gioni
This is the curved lamination portion of the keel. Before applying epoxy, I roughed up the inside keel raidius with a wood rasp to put some teeth into the wood. The forward end terminates at the start of the plumb portion of the stem. A separate straight laminated piece of keel will cover this plumb portion.
On the keel at the plumb stem, I put a 1/4" bevel on the keel edges to give the hint of an old time wooden boat stem. This shape is carried a short distance onto the knuckle portion of the laminated keel.
However, this beveling is underwhelming in appearance but with 1" wide stainless steel half round centered on the 1 1/2" wide keel edge the bevel can't be any wider but perhaps deeper. With the boat upright thus a better perspective of the plumb stem, I may glue some fir on the sides of the keel to expand the width say for a foot or two from the top of the stem. Then I can do some wood shaping to get the look I want.
Blocks of scrap wood were hot glued to the hull both port and starboard and then short strips of wood were glued to the blocks and then the keel in order to hold the keel in proper position as the epoxy cured. If someone tries to take your hot glue gun...kill them.
In this part of the Austin area we have about 6" of top soil and then limestone slabs, thus limestone is almost as cheap as dirt. The good news...houses don't settle and don't disappear in mud slides. The bad news...you need to rent a jack hammer to plant a shrub.
Installation
Copyright 2009 M. Fleur-Ange Lamothe
Exhibition continues the month of May at the Brantford Arts Block, Dalhousie St., Brantford.
Installation des griechischen Künstlers Jannis Markopoulos; das Gebäude beherbergte in der DDR die Bauakademie, heute die Deutsche Bank. Berlin 1996.
Reference Code: 001.02.190
Title: Installation Photo 79
Date: 22 November 1977
Extent (inches): 8 x 10
__________________________________________________
▶ from Bishop Ottenweller Photographs (001.002.1)
▶ The photos on the Diocese of Steubenville Archive's Flickr site may be used by non-commercial entities only for educational and/or research purposes as long as credit is given to the "Diocese of Steubenville Archive, Steubenville, OH." These photos may not be reproduced in any format for profit or other presentation without the permission of the Diocese.
Abandoned military installation from the sixties. One of the gates in the fence was open, and he forecourt is also used by a farmer. The parts of the building are not accessible. Switzerland, April 3, 2015. (4/6)
I was given the oportunity to do a one-weekend-only exhibition of my projection art at Pictura, "Teekengenootschap sinds 1774". Given the two weeks I had for planning and executing the exhibition, I am very proud of the results.
The two installations in this panorama focussed on the importance of having an audience for art. In both installations, the visitor became part of the exhibition.
The cupboard on the left has a soft, stretchy surface. By poking hands or other bodyparts or objects into the surface, the image projected onto the wall was deformed in real time.
Opposite the (printed) panorama on the right was a special "lamp" that threw a "negative shadow" on the picture if the audience stood in front of the image.
Join the exhibition in the interactive version.
Thanks go out to Flop of Pictura, my sponsor and friend Jeroen Degenaar of DNXR, and those who managed to visit this one weekend only exhibition.
Lynsay installing the Native Bee Hotel he made for us inside the new bee planting exclosure on the first planting working bee for 2021. We will be adding more elements for nesting in the Bee Holel over the coming weeks.
This site (one of three) is Dover Exclosure, situated where it may be seen by visitors alongside Dover Street carpark at the entrance to Aldinga Scrub.
Photo by Aidan
Hundreds of soldiers, civilians, family members and friends gathered at the Iron Mike Conference Center Oct. 30 at 11 a.m. for the 29th Annual Fort Bragg Installation Awards. The theme for the event was 29 Years of “Going the Extra Mile.”
I am working on a big installation w Kristin, and I decided to dedicate the colors to my good friend Shawn Whisenant who recently passed. The install will be for the Yerba Buena Art Center in July.
Shawn was a huge inspiration and I will never forget him, and know he is with me while I make this piece for him. RIP AKO
Verizon wants everyone still on the copper cables to be connected using their fiber optic cables. Me being still on copper they came and switched my connection to fiber optic. Here the tech is connecting the new line to my house.
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Concept art done for Installation 01, a Halo fan game. These were revealed in our new media page on our recently revealed website installation01.org/media