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Michael Stumpf : This Song Belongs to Those who Sing It, The Mackintosh Museum, Glasgow School of Art, 4th April- 4th May 2014. Part of Glasgow International Festival of Visual Art.
Photograph by Janet Wilson
The installation of Brian H Hargrove as Northfield Mount Hermon Head of School at Memorial Chapel on September 15, 2019. Photography by Glenn Minshall.
Installation Views
Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974–2014
March 13–June 3, 2015
5th Ave at 89th Street
New York City
Monir Shahroudy Farmanfarmaian: Infinite Possibility. Mirror Works and Drawings 1974–2014 is the first U.S. museum exhibition of mirror works and drawings by Iranian artist Monir Shahroudy Farmanfarmaian. This presentation includes plaster and mirror reliefs, large-scale mirror sculptures, and works on paper. This body of work is characterized by a merging of visual and spatial experience, coupled with the aesthetic traditions of Islamic architecture and decoration.
Photos: David Heald
Learn more: www.guggenheim.org/monir
The set of instrument shelters that comprise the third ARM Mobile Facility (AMF3) was installed at the end of August 2013 at Oliktok Point, Alaska. The instrument deck, arctic entry, fuel tank, generator set, and storage containers were installed.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”
At the Table is a group exhibition that explores our intimate and communal relationships with food and investigates the many ways these connections were severed or challenged during the 2020-21 lockdown triggered by the COVID-19 pandemic. Through artworks, documentary photography, recorded narratives, and ephemera, this exhibition creates space for reflection on the role food plays in our lives as individuals and in our communities and traces the effects of the pandemic on the ways we interact with and consume food.
Artworks and documentation on view will use food as both subject and material to speak to and create community, examine personal histories and narratives through ingredients and culinary traditions, and respond to social injustices related to food production and distribution.
The artists, projects, and collaborations included in the exhibition are Jackie Amezquita, Champions Feed Champions presented by the Inglewood Community Fridge, domingo presented by The Crenshaw Dairy Mart and The Mistake Room, Yrneh Gabon, Yeu “Q” Nguyen, Francisco Palomares, and alvaro parra.
Organized by Heber Rodriguez, Exhibition Manager / Assistant Curator, Armory Center for the Arts.
Learn more at armoryarts.org/table.
Photo by Ian Byers-Gamber. Courtesy Armory Center for the Arts.
This installation in Tate Britain by Lydia Ourahmane is called The Third Choir. Each of the oil drums contains a mobile 'phone playing a sound which resonates inside the drum. (See here)
A member of staff told me that the sign is to protect the public from the sharp edges and dirt rather than to protect the work.
A Ford and a Chevy. Pasture Installation= Rust Never Rests, a 1962 Chevy S-10 pickup; A 1950 model Ford, Fill The Ford (Fully) Folly.
Seatlle Seahawks Practice facility under construction. Installation of Trespa Meteon panels in a back drained rainscreen facade.
These books are displayed in a way that is different from what we normally expect. They are dangling from the ceiling and are all books about landscape architecture and urban planning. The installation art without the hidden meaning is still a work of art. However, the meaning I get from this is showing that even the smallest things can be used for different purposes in art - something we have been studying this whole semester.
Photo © João Paglione
Vielen Dank für Deine Arbeit, Franz! Jetzt können wir unsere Geheimwaffe nutzen.. :)
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