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Here's a few pics of the finished NO BLOOD ON YOUR HANDS installation that was selected for the 'No Holds Barred' special projects at Art Amsterdam 2010.
It is mega difficult to capture the total effect with a few stills but after a few technical hitches the lighting changes from normal strip light to UV, Blacklight worked a treat.
If you want to check out the original proposal, with justification etc... www.k-guy.co.uk/pages/installation.php
Location: Dr. Djundjunan - HOS Tjokroaminoto Intersection
The AWA-made traffic lights was replaced with local made MARKTEL with its own ATCS (not SCATS anymore)
Creative Stars: Lost is Found
14 Jan - 19 Feb 2012
Installation shot
Jon Barraclough
Everything and Nothing (2011)
Image courtesy the artist and Cornerhouse, Manchester
Photo credit Paul Greenwood
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
Plein Air is a group exhibition that explores shifting ideas of western landscape, painting, and fieldwork. Traditional plein air painting, which typically involves painting outdoors in a single sitting to capture a vista in a certain quality of light, is taken as a point of departure to consider the ways in which humans use, observe, record, and commune with the land. In this exhibition, the practice of plein air painting is considered in the context of land surveying and settling, public and private space, multidisciplinary onsite research, art history, and the embodied experience of being there. Outdoor painting from observation is approached as ground truth—as bearing witness—a way to experience, process, and understand a range of physical landscapes, and our relationship to them.
The exhibition includes work by Susanna Battin, Esteban Cabeza de Baca, iris yirei hu, KB Jones, Hillary Mushkin, Sterling Wells, and Paula Wilson. The exhibition was organized by guest curator Aurora Tang for the Museum of Contemporary Art, Tucson. An expanded version will be on view in the Armory’s Caldwell Gallery from July 21 to December 10, 2023.
Learn more at armoryarts.org/exhibitions/2023/plein-air/
Photo by Jackie Castillo. Courtesy Armory Center for the Arts.
Installation view from the exhibition "harmageddon et exsolutio" in an old chapel
Starting from a icon like painting knitted bacteries were flying spirally through the room and disapeared in a sacral pot made out of cardboard.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
The tiles are hauled up to the platform at the top of three storey scaffolding. They are then laid out on the platform as they will be on the wall. In sets of five vertical lines the cement is applied to the wall and the tiles carefully pressed into place. Once this is completed the grouting between each tile is applied.
Cable Installation
As part of the installation of an offshore wind facility, a cable must be installed to bring the electricity to shore. A special cable laying ship is used. In this case, the method of installation is called jet plowing, where a high pressure stream of water is used to suspend sediments in a channel. The cable is laid into the trench of suspended sediment. The sediment settles in on top of the cable, thus burying it. The cable is brought to shore and connected to the grid.
You can learn more about the cable laying here: Observing Cable Laying and Particle Settlement During the Construction of the Block Island Wind Farm
For more information the RODEO program, please visit www.boem.gov/rodeo
(Photo by BOEM)
a color bath into installation
tomando un baño de color en la instalación
a color bath into installation
tomando un baño de color en la instalación
codar gallery reñaca 2005
sala codar reñaca 2005
hd movie on www.vimeo.com/1328126
Art of the Native Americans: The Thaw Collection
Coming Soon!
Sunday, October 24, 2010—Sunday, January 9, 2011
Target Gallery
Ticketed Exhibition (FREE for members!)
Photography: Martina Pipprich
For a detailed list of all authors please refer to lyriklabor.de/
Das LyrikLabor ist ein Projekt von Studierenden der Lehreinheiten Kommunikationsdesign und Innenarchitektur der Fachhochschule Mainz und des Deutschen Instituts der Johannes Gutenberg-Universität Mainz.
Das LyrikLabor entführt seine Besucher in eine literarische Traumwelt. Vom 19. bis zum 22. März entsteht in Mainz ein poetisches Design- und Kommunikationszentrum.
Poesie für alle Sinne
Auf drei Ebenen zeigt das LyrikLabor Installationen, die Traumgedichte aus verschiedenen Epochen künstlerisch interpretieren. Der Besucher kann hier selbst aktiv werden; er darf nicht nur entdecken, sondern mitgestalten. Lyrik wird aus den Anthologien befreit und zu einem Erlebnis für alle Sinne.
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