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In late November 2015, an “unprecedented deployment” of instruments from the second ARM Mobile Facility (AMF2) were installed at McMurdo Station for the ARM West Antarctic Radiation Experiment (AWARE) field campaign. These data will be used by scientists to understand how clouds affect melting glaciers.
Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”
A kinetic art installation by artist Chris Eckert at the Museum of Craft & Design in San Francisco. The machines are writing phrases (pulled from the internet) that contain the words "does not" -- Interesting on many levels.
From "INTERSECTION" by luke kurtis
Learn more about the project: bd-studios.com/portfolio/intersection/
Get the book: bd-studios.com/shop/intersection-book/
Its a conceptural design.I wanner explore the relations of the vision,hear,touch.
we can see through the glass
and talk through the cups
and touch through the packege
but we just can do one thing at the same time in the installation
Its based on architecture.
sorry,my english is very poor : )
Installation view: The Deutsche Bank Series at the Guggenheim, Julie Mehretu: Grey Area, Solomon R. Guggenheim Museum, New York, 2010. Photo: David Heald © The Solomon R. Guggenheim Foundation, New York
Designing an installation into a container of given dimensions with the name 'Living Environmet'. I chose a sociological approach, where I created spaces that represent different stages and aspects of life, be it aspects of financial, educational, nutritional, working or healthcare matters. I however became more interested in the actual spaces themselves, than the setting of the rooms, therefore I wanted to express the characteristics of each room using only spatial means, that is the sizes and shapes of the rooms, and the nature of the passages between each two.
paper&foam board, each element is 15cm high
Boris Chimp 504's interactive installation commissioned by VAVA.
Video: vimeo.com/99687534
RE-ENVISION is where BC504 & VAVA meet in outer space. It is a place where the space time continuum is not what it appears to be. The rules of known physics don't work here. All that is seen/heard/felt can be something else...
In this interactive installation the audience will enter into an immersive dark space where there will be exhibited an audiovisual voyage divided in 6 chapters:
- Post - industrial and futuristic landscapes;
- Mechanics and machines;
- The eye / the monocle / the vision;
- Faces – transformative reality;
- Basic shapes and geometries;
- Space and cosmos. The monolith.
In the middle of this dark space there will be a physical interface, through which the
audience will be able to experience, interact and transform the audiovisual phenomena
taking place.
--
Picture from Oukan store / Berlin.
Installation presented also at Oukan store / Berlin, and VAVA's stand at Sonar Festival / Barcelona
borischimp504.com
vavaeyewear.com/
The land art installation consisting natural materials such as rocks, dried fruits, dried leaves and twigs gathered around the Singapore Botanic Gardens, The themed of this land art installation is Beginnings, It is display behind the Botany Centre, Singapore Botanic Gardens for the coming Singapore Garden Festival 2012.
Installation with prism. Photo of a big black and white photo in a window with holes where the mirrors are and a prism behind reflecting the artist himself in colour just arranging his installation when I passed. Artist: Peter Dobroschke
Brightly lit underwear hanging in front of Queen Elizabeth Hall in London.
[Does anyone know the background of this installation -who/why/what?, we just happened to walk by one night last autumn and it was there!]
From the High Line Park's website:
Josh Kline (b. 1979, United States) creates sculptural installations that employ the language and strategies of advertising. For Archeo, Kline presents Skittles, an industrial refrigerator containing smoothies produced by the artist using unconventional and poetic combinations of ingredients including kale chips, squid ink, sneakers, phone bills, and pepper spray. Each smoothie stands as a portrait of a different contemporary lifestyle. When grouped together, they evoke a landscape of aspiration, taste, and – at times – deprivation in a metropolis like New York City.
- See more at: art.thehighline.org/project/archeo/#sthash.XEEemLa2.dpuf
detail from "Close to Home" installation at Yerba Buena Center for the Arts
ARTIST STATEMENT
Sita Kuratomi Bhaumik, Close to Home
What can we sniff out with our noses? Odors are linked to survival, memory, and our perception of difference. As invisible signifiers, what role do the senses play in our formation and recognition of each other? How do we taste, smell, and touch, and what are the politics of the senses? In my work as an installation artist, I explore how these themes are evidenced in the fleeting materials we consume every day. Food and scent are unruly substances — pervasive and polarizing. My materials do not want to be archived. I have to chase them down and sweep them up. It is partially for these reasons that the senses have been placed in a hierarchy: sight, sound, smell, taste, and touch. So what happens when I ask you to taste and smell art as much as you see it? As a strategy for engagement and shifting the relationship between the artist and viewer to artist and participant, my work is often site specific, rooted in and shaped by its location. But how do we define location in an age of diaspora and globalization? I am also interested in tracing movement: the movements we make today and the movements we've made for centuries. If globalization has been a long time in the making, how does it shape our experiences of home? I want my work to be challenging and impractical; I want art to ask questions.