View allAll Photos Tagged input
The car, a 1932 Buick Model 95 Sport Phaeton was recorded (following a heavy rain shower) at the Buick Club of America show June 25, 2022 in Lisle, Illinois
The display placard indicated this was a "Model 95" but I didn’t find anything on the internet that made mention of a “Model 95” Buick Phaeton. Perhaps classic Buick’s used a confusing nomenclature to designate their various Models or Series back in the 1930’s. I guess [ we ] will just have to take its owner’s word that the pictured car is, in fact, a Model 95 Buick Phaeton. If any viewer is able to offer further information, I would welcome your input.
_________________________________________________
During the first three decades of the 20th century, Buick's popularly priced automobiles were equipped with overhead-valve engines. By the early 1930s, Buick engineers felt the long-lived six-cylinder engine had reached its limits in size and efficiency. In 1931, Buick introduced an all-new straight eight-cylinder engine used to power an entire line of models, with the top-of-the-line being the Series 90. Its eight-cylinder engine offered just over 100 horsepower and incorporated such innovations as an oil temperature regulator to cool the engine at high speeds and warm it in cold weather, as well as thermostat-ically controlled radiator shutters, as found on Packards and Duesenbergs. Many of the Fisher bodies fitted to the Series 90 Buick were shared with Cadillac.
The all-eight cylinder Buick lineup ranged from 221- to 345- cubic-inches and only a few parts were interchanged among the three engines. Buick offered four different series of cars which included the 50, 60, 80, and 90. The Series 90 was available in eight different body styles and had a wheelbase of 132 inches. The convertible coupe was introduced partway through the year and had a leather interior in a similar fashion to the other open body styles. The closed body styles had mohair interiors with silk roller shades for the rear side and rear window.
The entry-level model for Buick in 1931 was the eight-cylinder Series 50 priced from $1,035 to $1,095. The sedan and convertible body style were both the most expensive of the range, with a price of $1,905. The sedan was also the most popular of the entire list of 1931 Buicks, with 33,184 of the Series 50, 30,665 of the Series 60, and 14,731 of the Series 80. The Series 50 rested on a 114-inch wheelbase platform, the Series 60 measured 118-inches, and the Series 80 at 124-inches. The 220.7 CID OHV inline-8 powering the Series 50 produced 77 horsepower while the Series 60's inline-8 displaced 272.6 CID and produced 90 horsepower. The Series 80 shared its 344.8 CID inline-8 with the Series 90. All 1931 Buick engines were backed by a sliding gear, three-speed synchromesh transmission, rode on wooden spoke wheels on demountable rims, and had mechanical brakes on all wheels. The Series 60 was priced from $1,285 to $1,355, and the Series 80 was priced at $1,535 for the coupe and $1,565 for the Sedan.
All 1931 Buicks wore a radiator cap bearing a figure 8, had a revamped instrument panel, a new cooling system, and lower front seats with deeper seat cushions. The interior of the Series 50 was either mohair or cloth upholstery, the Series 60 had either mohair plush or cloth of higher quality than that of the Series 50, and the Series 90 used mohair plush interior on closed body styles.
Three of the eight body styles of the Series 90 had seating for seven passengers, including the sedan priced at $1,935, the limousine at $2,035, and the phaeton priced at $1,620. 4,159 examples were built of the sedan, 514 of the limousine, and 392 of the Phaeton. The five-passenger sport sedan priced at $1,785 was the most popular Series 90 body style with 7,853 units built, followed closely by the five-passenger coupe with 7,705 built with a base price of $1,765. The Country Club Coupe with seating for four was fairly popular with 2,990 examples built, priced at $1720. The two-door sport roadster with seating for four was priced at $1,610 and 824 units were built and 1,066 examples of the four-passenger convertible coupe were built with a base price of $1,785.
For 1931, roughly 25,503 examples of the Series 90 were built which accounted for about 18 percent of total Buick production. The 1931 Series 90 represented the beginning of a Cadillac-Buick rivalry for high-end luxury sales that would continue throughout the remainder of the 1930s.
Source: conceptcarz
Hope Ya’all enjoy……………
Includes a HUD with 6 presets, custom color input, and 3 blinking modes (because static neon is a crime).
Fully modular. Fully dramatic. Fully irresponsible in the best way.
📍 Available now at Equal10: maps.secondlife.com/secondlife/equal10/226/128/89
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2018 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2013 Winkler
IAPP Member: US#12002
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2020 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
IAPP Member: US#12002
As shot..
Just used CNX2 to input metadata.
No pushing whatsoever.
From my archive.
==============================
Have a great weekend everyone.
Thanks for your time and support.
Leafless trees lining up by the office lakeside on a winter sunset afternoon.
I did a single-RAW HDR with this shot, and applied HDR Toning in PS, and thought I'd play with some old paper textures and dialed down the saturation to give it a little faded look. Purely experimental.
Inputs / critiques are appreciated!
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2022 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
IAPP Member: US#12002
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2017 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002
good morning, herr doktor. what are you working on today?
hello, my boy. I'm about to begin my newest experiment. I've even come up with a title when I submit the results for publication.
great. what's the subject?
'colonoscopy in the sitting position: lessons learned from self-colonoscopy.'
you. . . you gave yourself a colonoscopy?
me? ha ha! no way! you're going to, though! now sit here.
me?
take this scope. wait. that's the short one. use this. and. . . in!
yow!
silence! we must all sacrifice for science, my boy!
(mmph)
Here are 30 illustrations from the book Elektroschutz in 132 Bildern. These diagrams outline causes of electrical accidents.
If you end up linking to this, it would be nice if you attributed me as bre pettis and linked to brepettis.com/blog.
Image ©Philip Krayna, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments.
No AI Training: Without in any way limiting the artist’s exclusive rights under copyright, any use of this photograph to “train” generative artificial intelligence (AI) technologies to produce images is expressly prohibited.
My loyalty remains with Flickr, however you can also see me more often on Instagram. Follow me: @dyslexsyk
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2017 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2020 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
IAPP Member: US#12002
The pessimist is a person, who is experiencing the same amount of problems like the optimist, but is having a worse time. For the pessimist, happyness is a logical AND operation (all inputs have to be true to make the result be true). For the optimist, it is a logical OR operation (one input has to be true to make the result be true).
This unhappy looking guy is a scorpaena scrofa.
I spent some time last evening down at one of our Piers.This brush you see is attached to a table that is used for cleaning the multitude of fish that come out of the Gulf of Mexico. Mmmm...Mmmm good!
I was thinking about how many things I use every day, that serve me well, that have gone through some process to get to me, arriving to me in it's final form. For example I would never want to eat fish that had not been scrubbed and cleaned etc. I just sit there enjoying the end product! But I must confess pondering all this increases my gratitude for all the many hands that go into preparing something from beginning to end, that I am oblivious too, although richly enjoy! I'm just on a personal journey to be more appreciative and thankful for all the people that make my life easier and in turn richer : )
And actually YOU are one of those people : ) Your encouragement, affirmation, wisdom and input also serve the same purpose to get me to the end result with photography...my final product is contributed to by YOU! The final product is what goes into my collection of items I sell: Embossed photo cards, Matted and framed 5x7,8x10, 11x4 photography, Combined Calligraphy with photography etc.
It's so cool to think about how we all in some way contribute to the end result in many peoples lives...through our Art, our jobs, our families etc.!
Thank You so much for the way you contribute to my life & my little business on the side : ) We are absolutely "BETTER TOGETHER" !
Can be viewed in Light box too : )
Our first visit to the Hogan-Wilson for this year, and an intriguing image of cars, carts and carriages across the entrance to a street as some form of barricade. The name on the premises behind may assist in a location but what was going on and why the blockage? (FYI - It was great to see the response to yesterdays image with that wonderful poster proving its worth more than 100 years after it was posted!)
And we had fantastic inputs on today's image also. There is clear consensus that Hogan took this image from the corner of Upper Gloucester Street (now Sean McDermott Street), looking south and down Marlborough Street. Probably in late June or very early July 1922. The business pictured behind the barricade, Farrell's Undertakers, was at 66 Marlborough Street. Immediately to the right, behind the wall and gate, was St Thomas' Church. This barricade was placed by anti-treaty irregulars during the 'Battle of Dublin' of the Irish Civil War. The church and much of the surrounding area was burned in early July 1922. In the decade after the civil war, the ruins were demolished, and the streets relaid to a sligtly different pattern. (The street is no longer the 'T-junction' we see here, and runs straight 'through' the wall and old church graveyard). A new St Thomas' Church was however built very closeby in 1930 - over what was the parish hall on Findlater Place....
Photographer: W. D. Hogan
Collection: Hogan Wilson Collection
Date: Catalogue range c.1922. Likely June/July 1922
NLI Ref.: HOG144
You can also view this image, and many thousands of others, on the NLI’s catalogue at catalogue.nli.ie
Our brains are pattern-detection machines that connect the dots, making it possible to uncover meaningful relationships among the barrage of sensory input we face. Without such meaning-making, the natural and interpersonal world around us would be too chaotic.
Seeing no pattern where a pattern exists, is more dangerous...
As promised, here are my thoughts on the free version of FaceApp. Let me start by saying that it is an amazing piece of software that produces convincing results if we select a good photo to modify; at least for our feminine illusion purposes. What I am trying to say is that if we use a photo of our male selves as input, the feminization produced will most likely not work, particularly when it comes to blending in the clothes. If, like me, you are balding, the resulting long hair will rarely look convincing. Yes, it will feminize your face and if you add makeup (though exaggerated) it will look somehow feminine but not realistic or convincing. I could not make it work decently with a masculine photo of myself. Now, if you use a cross-dressed photo with makeup, wig and all, the results will be quite appealing and, as mentioned in a previous post, just the feminine option will suffice. If you use a feminine photo of yourself, the software will most likely recognize you as a woman and will only offer one feminine option as shown at the bottom of the left image in the upper left corner or the matrix (original-original hair).
The matrix above will speak more than any words I could use so I will limit myself to pointing out a few conclusions after explaining how the matrix works. Each cell has three images: in the middle you will always find the original photo to make the comparison easier; to the left a screen capture of the filter applied and to the right the resulting image. Rows show the results at different ages and columns hair length. Please note that the right image of the original age and original hair cell has the feminine filter applied.
The filters available on the free version of FaceApp let you modify age, from very young (3 different options) to old. Out of the three younger filters, I only used the “young” option since the other two make you look like a child. There is a “cool old filter” that produces an equivalent of an older you who has taken good care of herself and maybe has had a few nip tucks. The “old” filter results in a very similar but somehow not as glamorous image of an older you. There are two hair filters; one short and one long. I rarely got decent results with the short hair and the long hair looked better combined with the young filter. The problem with the short hair is that it will produce unrealistic blending with the context in the areas where it removes the hair, unless the background is uniform and the clothes you have on are easy to blend. There are filters to change your hair color but the only one available in the free version is black and will sometimes produce pixelated results. I did not use it because I was looking mainly into the feminization features. The other filter that I tried but did not include in the matrix is “makeup”. In my opinion, the only one provided with the free version is a bit exaggerated and looks unreal. I know the paid version offers more options and control over this feature, but I am not curios enough to get it. There are also other effects that I didn’t even bother to explore.
In conclusion, it is a fun application to play with, but you can always tell the photo has been manipulated and will not be able to fool a trained eye. As mentioned in my previous post on this topic, my favorite result was the one produced by simply applying the feminine filter to the already feminine looking photo. This simple one step filter will make your face look more femininely proportioned, will lengthen and lighten your hair a bit and will lower the neckline while smoothing the upper arms, if they show. This people did a great job and I can only imagine what will come in the future. I am sure that the paid version offers an endless array of possibilities but, in my case, I don’t find it worth the investment.
_____________________________________________________________
Tal y como les prometí, les comparto mis impresiones sobre la versión gratuita de FaceApp. Debo empezar por admitir que es una aplicación sorprendente que produce resultados convincentes si seleccionamos una buena foto para modificar; al menos para nuestro propósito de ilusión femenina. Lo que quiero decir es que, si utilizamos una foto de nuestra identidad masculina, el resultado de feminizarla generalmente será poco convincente; es especial cuando hace la transición a la ropa. Si, al igual que yo, ya no les queda mucho cabello, la melena resultante será poco convincente. Por supuesto que creará facciones más suaves y femeninas y si le agregan maquillaje (es algo exagerado) el resultado será bastante femenino, pero no real o convincente. Yo no pude lograr resultados decentes con una foto masculina mía. Ahora bien, si utilizan una foto de vestida de mujer con peluca, maquillaje y todo, el resultado será bastante aceptable y, como mencioné en anteriormente, será suficiente con únicamente utilizar la opción de feminizar. Si usan una foto de su personalidad femenina, lo más probable es que el programa las reconocerá como mujeres y solo les dará una opción para feminizar, como se muestra en la parte inferior de la imagen de la izquierda en la esquina superior izquierda de la matriz (original – original hair).
La matriz de arriba es más clara de lo que yo pueda expresar en palabras así que me limitaré a señalar algunas conclusiones después de explicarles cómo funciona la matriz. Cada cuadro tiene 3 imágenes: En el medio siempre aparecerá la foto original para facilitar la comparación; a la izquierda se presenta una captura de pantalla con el filtro que se aplicó y a la derecha el resultado de aplicar el filtro. Las filas muestran los resultados a diferentes edades y las columnas la longitud de cabello. Noten que la imagen de la derecha en la celda de edad y cabello originales tiene el filtro de feminidad aplicado.
Los filtros disponibles en la versión gratuita de FaceApp les permiten modificar la edad desde muy joven (3 opciones) hasta edad avanzada. De los tres filtros de edad, yo solo utilicé el “Young” ya que los otros te hacen lucir como una niña. Hay un filtro llamado “cool old” que te permite ver cómo te verías a una edad avanzada cuando has cuidado de tu imagen y, seguramente, más de una pasada por el bisturí. El filtro “old” produce resultados similares al anterior, pero con menos glamur. Hay dos filtros para longitud de cabello; uno corto y el otro largo. En muy pocos casos logré resultados decentes con el cabello corto y el cabello largo se ve mejor combinado con el filtro de juventud. El problema con el cabello corto es que por lo general produce una transición mala con el contexto en las áreas en las que elimina el cabello, a no ser que el fondo sea uniforme y la ropa fácil de integrar. También hay filtros para cambiar el color del cabello, pero con la versión gratuita solo se puede a negro y los resultados no son tan precisos. No lo utilicé porque me enfoqué puramente en feminización. El otro efecto que probé pero no incluí en la matriz es maquillaje. En mi opinión, el único que permite usar la versión gratuita es un poco exagerado y no se ve real. Sé que la versión pagada ofrece muchas más opciones y control sobre maquillaje, pero no soy tan curiosa como para comprarla. Hay algunos otros efectos que no me molesté en probar.
En conclusión, es una aplicación muy divertida para experimentar y hasta soñar, pero casi siempre se puede detectar que la foto ha sido manipulada y no engañará a alguien con un ojo entrenado. Como mencioné en mi publicación anterior, relacionada con este tema, los mejores resultados los obtuve con solamente aplicar el filtro para incrementar la feminidad. Este simple paso hará que tu rostro tenga facciones más femeninas, alargará y aclarará el cabello un poquito y reducirá el escote mientras suaviza la parte superior de los brazos, si aparecen en la foto. Esta gente ha hecho un gran trabajo y solo puedo imaginar lo que depara el futuro. Estoy segura de que la versión pagada ofrece un sinfín de posibilidades, pero en mi caso, no considero que valga la pena la inversión.
lymm services M56 - M6 ..............24.02.2016
if you have any information on any of my photographs and wish to have an input or correct me please do ..
Everybody's probably already seen these, but I really wanted to put my input out here, so... Anyway, to those who haven't seen them yet, here are some of the new Ever After High dolls that will be released in Spring/Summer 2016! The dolls I featured here are some of the dolls that I'm interested in adding to my collection (particularly the new-realease characters and the Signatures).
From left to right: Nina Thumbell, daughter of Thumbelina; Meeshell Mermaid, daughter of the Little Mermaid; Jillian Beanstalk, daughter of Jack (from Jack and the Beanstalk); Special Edition doll Crystal Winter, daughter of the Snow Queen; and the one and only Daring Charming!
Personally, I just wanna say kudos to Mattel's design team for creating the new dolls! They all look quite intricate and detailed this time around. I really like Nina, I love how whimsical she looks. Meeshell's tail/skirt looks a bit flat, but we'll just have to wait and see in person if her tail's that bad. Jillian's new face looks really cute, I can't wait to see how she photographs! Crystal's design looks wicked awesome...but I hope her skin isn't the same type of plastic as Faybelle's (I had a hard time photographing her because of her reflective, sparkly skin). I also think she looks a bit too similar to Abbey from Monster High, but that's just me.
And yay, we finally get Daring! I've been waiting for so long to have him. He actually comes with Rosabella Beauty in a 2-pack, though I personally hate Rosabella's design and her molded, plastic stockings.
Overall, I'm quite ecstatic for next year! I really love these new dolls, I can't wait for me to have them. There are more dolls being previewed, particularly from EAH's new line Epic Winter, so y'all can check 'em out online if you're interested.
Shot with a Brownie Hawkeye, flipped lens, on Acros 100
Image ©Philip Krayna, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments.
My loyalty remains with Flickr, however you can also see me more work on Instagram. Follow me: @dyslexsyk
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2020 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
IAPP Member: US#12002
I've ordered this figure from Brickmania, but after doing some research I can't find a single image of a Vietnam-era 1st Air Cav soldier with the emblem on his right sleeve, only on the left sleeve (like the image on the right). Does anybody have any confirmation that Vietnam troops could wear the emblem on their left sleeve? Was it a Helicopter-pilot-only thing? It's a new era for me, so help would be appreciated! I care about the historical accuracy of my figures, and a patch on the wrong arm would drive me crazy!
This series of silhouettes was shot from the Vagator beach in Goa a good hundred yards below this cliff line, looking due up and North. There is a plateau on the top which serves as a parking lot for the cars and motor cycles and its sides that run down to the beaches are home to countless tourists who throng the beach destination not for a swim, tan, booze or drugs but to just spend some time in the open 180 degree vista of the sea and breathe in and enjoy the salty raspy sea breeze that brings freedom from the Arabian Sea.
While escorting a bunch of friends to the place one hot sultry evening in May 2010, I noticed this heavy shooting and I managed to take this series of shots of young guys doing their photography against the setting sun.
This is Part 7 of the series and hopefully there will be one more to conclude the work. This is like a late dedication to Giacometti and his match-stickesque sculpture, (though the figurine reminiscent of his work is not in this particular frame but you can see it Part 2,3,4 and 6 of the series)
Credit to Gerrygoal from Flickr for Giacometti inputs.
Taken on May 30, 2010 at 6.39pm IST
Posted to Flickr August 9, 2010 at 11.47PM IST
Exif data
Camera Nikon D70
Exposure 1/2500 sec
Aperture f/4.5
Focal Length 70 mm
Exposure Bias -2/3 EV
DSC_0662 from jpeg mu cu tfm sh 250 pxl
Flash No Flash
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2014 Winkler
IAPP Member: US#12002
It was my second time come to Marshall's beach to do the sunset colors study with the Golden Gate Bridge. I got wet by the water blast to my lens and filters but it worth for this shot. However, I think the shutter speed was bit too long for the sea water movements. What do you think? Any input will be greatly appreciate it. Thanks of you visiting my website!
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2016 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2014 Winkler
IAPP Member: US#12002
If it ever seems like I'm slowing, there's no truth in the matter. There's nothing meditative about me, constant input and output and jacked-up thoughts. I never get what I need, there's so much short that I often wake up and drift off feeling like screaming. Talk about sleeping like a baby. When I was a kid, I was always edged out by emotion, took anxiety and obsession to this tornado tempo, straitjacketed by my mind. All I wanted back then was to grab hold of meaning, be worth something, somehow, live up to anything at all. But every time I slipped on some rung up the ladder, I'd drift back to killing time. Kicking around for months in the same old basement, until hope boiled up and I started trying. So now I go at unrepentant paces, make my life all crowded with adventures never finished. I want things in ways there are no words, to have my life pay off and calm the desperation – and to finally make a living where I'm most alive.
December 5, 2020
Annapolis County, Nova Scotia
facebook | instagram | twitter | tumblr | youtube | etsy
You can support my work
get things in the mail
and see everything
first on Patreon
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what I should try, drop me a note I would love to hear your input.
View On Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2016 Winkler
Remember to follow me on Twitter @BjarneWinkler and @NewTeamSoftware
IAPP Member: US#12002
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2021 Winkler
Remember to follow me on Social Media Facebook: Bjarne Winkler, We Capture Your Business, or Twitter @Bjarne Winkler, @CaptureWe, @NewTeamSoftware
IAPP Member: US#12002
When Helen saw this she said it looked like Rumplestiltskin had been weaving straw into gold. That kind of works for me.
I have finally decided what my 100x will be with some input from #3. It will be abstract macros.
Polaroids.
Image ©Philip Krayna, BoxxCarr, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments. See more at www.boxxcarr.com.
NOTE: I should point out that upon further Flickr input (Michael Tipton), this is quite possiblly not a harrow but, indeed a horse-drawn hayrake.
Thank you 'whisperlite for the clarification!
My musical suggestion is: 'Wichita Lineman' - Glenn Campbell