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Wandelend tussen Glenlivet en Tomintoul als zijsprong van de Speyside wandeling zoals wij die in de zomer van 2007 hebben gemaakt. De plaats op de kaart is slechts een globale indicatie van waar de foto genomen is.
Walking the Tomintoul spur, between Glenlivet and Tomintoul, as part off the Speyside walk wich we made in the summer off 2007. The point on the map is just a rough indication because it was difficult to find te correct spot on the map.
The Thirty-Fourth Session of WIPO's Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT) took place in Geneva, Switzerland from November 16 to November 18, 2015.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
An event co-organized by WIPO and the Indian Government on the sidelines of the WIPO Assemblies of Member States themed “Make in India” on October 6, 2015 featured an exhibition on India’s varied geographical indications, a recital of traditional Indian music and Indian artisans demonstrating their handiwork.
The event began with the screening of a WIPO-produced film on a capacity building project sponsored by WIPO’s Accessible Books Consortium in India and a keynote address by India’s Permanent Representative to the United Nations in Geneva, Ambassador Ajit Kumar, followed by a screening of a film on the “Make in India” initiative.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
The Thirty-Sixth Session of WIPO's Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT) took place in Geneva, Switzerland from October 17 to October 19, 2016.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Urbex Benelux -
Shelters Type 1918 / I and Type 1918 / II were built in 1918 at various locations in the western Netherlands according to a standard design.
Both types are single-layer, approximately 100 cm thick reinforced cast concrete, made of grenade-free, military shelters and complied with coverage class W 12-15 or W 15-21. The coverage class is an indication of the resistance capacity. The shelter could at least withstand continued bombardment with 12 cm high-explosive shells and a few 15 cm direct hits. The concrete at the front was about 1 meter thick; the other walls and the roof between 50 cm and 70 cm.
Richly decorated carved transom window with year indication above the entrance of the Sint-Augustinus Kerk.
The church is finished in 1742 after a design of the Middelburg city architect Jan de Munck. The facade has a richly ornamented frame around entrance and first floor window. The architectural style is a transition from sober Dutch Baroque to Rococo style.
This hall church was in use by the Oud-Katholiek Zeeland community. Now it is the church of the Lutheran community.
About the history of the use of year stones in architecture:
English: en.wikipedia.org/wiki/Anchor_plate
Dutch: nl.wikipedia.org/wiki/Muuranker
And: nl.wikipedia.org/wiki/Jaartallen_op_gebouwen
Middelburg (Z.), Zuidsingel, Jan. 8, 2019.
© 2019 Sander Toonen Amsterdam/Halfweg | All Rights Reserved
Carved from white Italian Carrara marble, the "Maiden with a Lute" sits picturesquely amid a well established tree Rhododendron. There is no indication as to which studio or artist carved her, but she is very elegant and beautiful in an almost melancholic way. She has obviously paused to gain some inspiration before taking up the lute to play again. How could she not find inspiration amid the beautiful Forest Glade Gardens in Mount Macedon where she resides?
The Forest Glade Gardens are well established European inspired landscaped gardens of six hectares that are to be found on the Mount Macedon Road in the hill station town of Mount Macedon.
The Forest Glade Gardens are just shy of one hundred years old. The gardens were originally two adjoining properties that comprised orchards and lush grazing paddocks. In 1941 local family the Newtons purchased and extended the property and set about creating one of Mount Macedon's most stunning gardens.
In 1971 the Forest Glade Gardens were acquired by Melbourne property developer Mr. Cyril Stokes who together with his partner Trevor Neil Bell, developed the gardens even further. Cyril was a great collector of European antiques, and his love of European antiquity is reflected in the gardens, particularly in the many classical marble and bronze statues dotted about the grounds.
Unfortunately the Forest Glade Gardens were partly destroyed by the tragic Ash Wednesday bushfires of 1983. However, after many years of hard labour put in by Cyril and Trevor, The Forest Glade Gardens were reborn from the ashes. The gardens are built on a sloping block and consist of a range of terraces all of which offer wonderful vistas. A garden designed to give pleasure all year round, the Forest Glad Gardens contain several heritage listed trees and are made up of smaller themed gardens including; the Italian Garden, the Japanese Garden, the Daffodil Meadow, the Peony Walk, Hydrangea Hill, the Topiary Gardens, the Bluebell Meadow, the Fern Gully and the Laburnum Arch.
In 2011 the property was gifted to a registered charity - The Stokes Collection Limited - with the intention of keeping the Forest Glade Gardens maintained and open to the public.
I spent a delightful Saturday with the Famous Flickr Five+ Group in Mount Macedon, where I have never been before. Now I have, I would very much like to go back to such a picturesque place again.
The Mount Macedon township is located east of the Mount Macedon summit, which is approximately 60 km north-west of Melbourne.
The name of Mount Macedon is apparently derived from Philip II, who ruled Macedon between 359 and 336BC. The mountain was named by Thomas Mitchell, the New South Wales Surveyor General.
Settled in the 1850s by gold miners and timber cutters, the railway arrived at the Mount Macedon township in 1861, providing a vital connection to Melbourne, and sealing the town's future as a 'hill station' resort for wealthy Melburnians escaping the summer heat in the 1870s. With the land deforested, large blocks were sold and beautiful and extensive gardens were planted around the newly built homes. The rich soil and good rainfall also made the area suitable for large orchards and plant nurseries who could send fruit and flowers back to Melbourne. Newspaper owner, David Syme, built a house, "Rosenheim" in 1869. It was acquired in 1886 for Victorian Governors to use as a country retreat, making Mount Macedon an attractive destination for the well heeled of Melbourne society. A primary school was built in Mount Macedon in 1874, and as the decades progressed, hotels, guest houses, shops, a Presbyterian Church and Church of England were built. In 1983, Mount Macedon was devastated by the Ash Wednesday Bush Fires. A large portion of the town was raised, and a number of lives were lost. However, like a phoenix from the ashes, Mount Macedon has risen and rebuilt. Today it is still a popular holiday destination, particularly during spring time when the well established gardens flourish with flowers and in autumn when the exotic trees explode in a riot of reds and yellows.
From breakfast tea to afternoon coffee....an indication of how long I spend in this delicious dress....
An indication of the power of the ex-Deutsche Reichsbahn 'Neubaulok' 2-10-2Ts, built specially for the Harz system in the mid-1950s, is well illustrated here as No. 99 7245-6 lifts Train 8904 from Eisfelder Talmühle on 22nd October 2016. This is the 1408 to The Brocken, which will reverse Drei Annen Hohne before heading for the summit. The autumnal colours serve to brighten a gloomy day, itself greatly enhanced by this storming departure. Copyright Photograph John Whitehouse - all rights reserved
Items on display at an exhibition of India’s varied geographical indications, taking place at WIPO from October 6-14, 2015.
Co-organized by WIPO and the Government of India on the sidelines of the WIPO Assemblies of Member States, it was inaugurated with an event themed “Make in India” on October 6, 2015 featuring a recital of traditional Indian music and Indian artisans demonstrating their handiwork.
The event began with the screening of a WIPO-produced film on a capacity building project sponsored by WIPO’s Accessible Books Consortium in India and a keynote address by India’s Permanent Representative to the United Nations in Geneva, Ambassador Ajit Kumar, followed by a screening of a film on the “Make in India” initiative.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Approach indication at West Cairo! Southward view on the CSXT Toledo Sub at West Cairo where former B&O CPL signals still reign, on May 3, 2019.
The Thirty-Sixth Session of WIPO's Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT) took place in Geneva, Switzerland from October 17 to October 19, 2016.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Sadly there are only two street view images of this site which gives no indication as to when this site closed down and was vacated.
The earliest image (2009) shows the site in its finery, a lovely, tidy, well presented site with a nice row of Gilbarco Highline pumps, although a sign at the forecourt entrance indicates that the garage was only selling diesel, so I think no more than two pumps were in use.
Another pump appears to be situated at the edge of the forecourt, concealed within the bushes and seems to have remained unused for a considerable amount of time
The totem pole is dominated by the name of the owner with the One Green Route logo secondary to this, also the totem displays Bio Plus, which appears to be bio fuels.
The latest street view image is from August 2024, which was four months before I got my photographs of the site, this again doesn't give any indication of when the site closed but looking at the state of the place It's clearly been some time.
There is plenty of evidence showing that this had been a Burmah site, possibly the last brand before the change to One Green Route.
The pump at the edge of the forecourt, now the only one left on the site which now bears the previous brand.
This is one of several filling stations in the A68 that have closed down.
2009 Google street view
www.google.com/maps/place/A.+G.+East/@54.6786438,-1.78139...
The Thirty-Fifth Session of WIPO's Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT) took place in Geneva, Switzerland from April 25 to April 27, 2016.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
The first known indication of the presence of a ferry comes from a map of Ile Bizard dated 1869.
The text tells us that in 1861 a ferry linked Île Bizard to Ste-Dorothée and moved with the help of oars and poles in the current of the Rivière des Prairies.
This way of proceeding was modernized in 1903 when Vital Bigras installed an aerial cable between the two banks at twenty-five feet above the river. This cable has of course been changed several times, but the trailing principle has been retained.
The ferry consumes little energy since it is propelled solely by the force of the current of the river.
Omer Bigras acquired this ferry in 1933.
On April 18, 1987, the third boat since 1903, the Paule II was inaugurated. This steel ferry works with the same means of propulsion. It is guided by cables connected to a hydraulic system and can now accommodate six vehicles instead of two.
Montréal (L'Île-Bizard–Sainte-Geneviève), Québec.
Durante il percorso, notammo un piccola indicazione che indicava "Anfiteatro Romano". Optammo per la deviazione e imboccamo la stradina. Lì per lì pensammo di aver sbagliato strada ed esserci persi nel labirinto di case (bellissime!)...eppure doveva esser visibile...si poteva però salire più su e dalla piccola altura lo scorgemmo.
Quello che rimaneva dell'anfiteatro I sec d.C., quel muro/i, era parte delle gradinate ancora parzialmente conservate e visibili, perfettamente incastonato tra le case medievali XII sec., disposte in modo da preservare la sua forma elittica.
Infatti se fate una ricerca da satellite per Assisi (dai dai! :)!) potete benissimo vedere TUTTA la struttura, incredibile.!.. (non so come postarlo qui :((!, dai dai!).
E' un bellissimo esempio di riutilizzazione di un edificio romano.
Buon giorno!!
*Starlight*
---------------------------------------* * * * * -------------------------------
During the walk we noticed a little indication that showed "Roman Anphitheatre". We decided to make the diversion and walk in that direction. At certain point we come up with the doubt to have taken the wrong path and be lost in the labirint of houses (so beautiful!)...yet it should be visible (!)...we could climb a little bit higher and from that point we notice it.
The rest of the Anphitheatre (I sec. after C.), that wall/s, was part of the tiers part preserved and visible, perfectly set between medieval houses (XII sec.), disposed in a way to preserve the "oval" form (don't know exact translation :(!).
Infact If you make a search on satellite for Assisi (googl..please please do it :)!) you can see it perfectly, ALL the structure!!, incredible!...(I don't know how to post it here so..:((! come on, how can I explain you, is ALL, not only walls...go and see :)))!). It's a beautiful example of roman structure's reuse.
Buon giorno!!
*Starlight*
Totnes is a market town and civil parish at the head of the estuary of the River Dart in Devon, England within the South Devon Area of Outstanding Natural Beauty. It is about 22 miles (35 km) south of the city of Exeter and is the administrative centre of the South Hams District Council.
Totnes has a long recorded history, dating back to AD 907 when its first castle was built; it was already an important market town by the 12th century. Indications of its former wealth and importance are given by the number of merchants' houses built in the 16th and 17th centuries.
Today, the town is a thriving centre for music, art, theatre and natural health. It has a sizeable alternative and "New Age" community.
The Thirty-Fifth Session of WIPO's Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT) took place in Geneva, Switzerland from April 25 to April 27, 2016.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Generally a good indication that the Sunday eve Tunstead - Bury St Edmunds will run is the tripping across of the empty wagons seen here passing through Rotherham Masborough , running on Sunday morning as the 6M76 0836 Hexthorpe Yard - Tunstead Sidings.
26 4 15
The shell of the keep contains indications of three internal levels, but there is thought to have once been a fourth. Like most such simple early keeps, the ground floor would have been used for storage; the first floor held the Hall, and the two upper floors, the Lord's apartments. Retainers and any garrison there may have been, would have been accommodated in the buildings out on the promontory.
There is no obvious doorway at ground-floor level, for the very good reasons that there wasn't one here! The door, as is usual for castle's of this period, was at first floor level, in the south-east corner, where the draw-bar socket is apparently still to be seen.
Items on display at an exhibition of India’s varied geographical indications, taking place at WIPO from October 6-14, 2015.
Co-organized by WIPO and the Government of India on the sidelines of the WIPO Assemblies of Member States, it was inaugurated with an event themed “Make in India” on October 6, 2015 featuring a recital of traditional Indian music and Indian artisans demonstrating their handiwork.
The event began with the screening of a WIPO-produced film on a capacity building project sponsored by WIPO’s Accessible Books Consortium in India and a keynote address by India’s Permanent Representative to the United Nations in Geneva, Ambassador Ajit Kumar, followed by a screening of a film on the “Make in India” initiative.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
The indication flips from "restricted proceed" to "approach" as the train ahead has cleared the block.
The Thirty-Fourth Session of WIPO's Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT) took place in Geneva, Switzerland from November 16 to November 18, 2015.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
No indication of the photographer for this cabinet card which has a plain back.
At first glance it appears that 4 people in the photo are wearing spotty white overalls and a pinafore! Though this mottling effect is seen throughout the photo so it is isn't some unusual Victorian dress . I presume these are workers for a bakers or butchers posing perhaps with the owner of the shop who is not wearing an overall. The two standing on the right are happy to rest hands on the gent sitting down but the fellow on the right doesn't get such a friendly advance
Bronzino (1503-1572), actif à Florence
Sainte Famille avec sainte Anne et petit saint Jean-Baptiste, 1540
Le petit Jean prend la position la plus avancée. Regard et geste montrent sur l'enfant Jésus, le spectateur frontalement présenté. Derrière lequel se tient Marie, celui-ci touchant affectueusement. La composition est élargie par Anna et Joseph. Bronzino augmente la représentation nettement définie et sculpturale jusqu'à une froide de pierre, surtout capturant les deux garçons - probablement aussi une indication de la rivalité des peintres avec la sculpture, dans la théorie de l'art du moment sans cesse thématisée.
Bronzino (1503-1572), tätig in Florenz
Heilige Familie mit Heiliger Anna und Johannesknaben, um 1540
Der Johannesknabe nimmt die vorderste Position ein. Blick und Geste deuten auf das dem Betrachter frontal präsentierte Jesuskind. Dahinter steht, diesen liebevoll berührend, Maria. Die Komposition wird durch Anna und Joseph erweitert. Bronzino steigert die scharf umrissene und skulpturale Darstellung bis hin zu steinerner Kälte, die besonders die beiden Knaben erfasst - wohl auch ein Indiz für den in der Kunsttheorie der Zeit immer wieder thematisierten Wettstreit der Maler mit der Bildhauerei.
Austria Kunsthistorisches Museum
Federal Museum
Logo KHM
Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture
Founded 17 October 1891
Headquartered Castle Ring (Burgring), Vienna 1, Austria
Management Sabine Haag
www.khm.at website
Main building of the Kunsthistorisches Museum at Maria-Theresa-Square
The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.
The museum
The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.
History
Archduke Leopold Wilhelm in his Gallery
The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building .
Architectural History
The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währingerstraße/ Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the opera ring, and Ludwig Zettl the southeast side of the grain market (Getreidemarkt).
From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience with of Joseph Semper at the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.
Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.
Construction of the two museums began without ceremony on 27 November 1871 instead. Semper moved to Vienna in the sequence. From the beginning, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, built in 1878, the first windows installed in 1879, the Attica and the balustrade from 1880 to 1881 and built the dome and the Tabernacle. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.
The lighting and air conditioning concept with double glazing of the ceilings made the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times .
Kuppelhalle
Entrance (by clicking the link at the end of the side you can see all the pictures here indicated!)
Grand staircase
Hall
Empire
The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891 , the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol will need another two years.
189, the farm museum was organized in seven collections with three directorates:
Directorate of coins, medals and antiquities collection
The Egyptian Collection
The Antique Collection
The coins and medals collection
Management of the collection of weapons, art and industrial objects
Weapons collection
Collection of industrial art objects
Directorate of Art Gallery and Restaurieranstalt (Restoration Office)
Collection of watercolors, drawings, sketches, etc.
Restoration Office
Library
Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.
1914, after the assassination of Franz Ferdinand, heir to the throne, his " Estonian Forensic Collection " passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d' Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.
The First World War went by, apart from the oppressive economic situation without loss. The farm museum remained during the five years of war regularly open to the public.
Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.
First Republic
The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.
It was not until the Treaty of Saint-Germain of 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.
On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House" , by the Republic. Of 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.
Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.
With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the
Egyptian and Near Eastern Collection (with the Oriental coins)
Collection of Classical Antiquities
Collection of ancient coins
Collection of modern coins and medals
Weapons collection
Collection of sculptures and crafts with the Collection of Ancient Musical Instruments
Picture Gallery
The Museum 1938-1945
Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.
With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the empire.
After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to perform certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.
The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. This was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.
The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.
The museum today
Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).
The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.
In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.
Management
1919-1923: Gustav Glück as the first chairman of the College of science officials
1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director
1933: Arpad Weixlgärtner first director
1934-1938: Alfred Stix first director
1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief in 1941 as first director
1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections in 1949 as general director of the historical collections of the Federation
1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections in 1949 as general director of art historical collections of the Federation
1949-1950: Hans Demel as administrative director
1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation
1951-1952: Fritz Eichler as administrative director
1953-1954: Ernst H. Buschbeck as administrative director
1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director
1967: Edward Holzmair as managing director
1968-1972: Erwin Auer first director
1973-1981: Friderike Klauner first director
1982-1990: Hermann Fillitz first director
1990: George Kugler as interim first director
1990-2008: Wilfried Seipel as general director
Since 2009: Sabine Haag as general director
Collections
To the Kunsthistorisches Museum are also belonging the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.
Kunsthistorisches Museum (main building)
Picture Gallery
Egyptian and Near Eastern Collection
Collection of Classical Antiquities
Vienna Chamber of Art
Numismatic Collection
Library
New Castle
Ephesus Museum
Collection of Ancient Musical Instruments
Arms and Armour
Archive
Hofburg
The imperial crown in the Treasury
Imperial Treasury of Vienna
Insignia of the Austrian Hereditary Homage
Insignia of imperial Austria
Insignia of the Holy Roman Empire
Burgundian Inheritance and the Order of the Golden Fleece
Habsburg-Lorraine Household Treasure
Ecclesiastical Treasury
Schönbrunn Palace
Imperial Carriage Museum Vienna
Armory in Ambras Castle
Ambras Castle
Collections of Ambras Castle
Major exhibits
Among the most important exhibits of the Art Gallery rank inter alia:
Jan van Eyck: Cardinal Niccolò Albergati, 1438
Martin Schongauer: Holy Family, 1475-80
Albrecht Dürer : Trinity Altar, 1509-16
Portrait Johann Kleeberger, 1526
Parmigianino: Self Portrait in Convex Mirror, 1523/24
Giuseppe Arcimboldo: Summer 1563
Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07
Caravaggio: Madonna of the Rosary (1606-1607)
Titian: Nymph and Shepherd to 1570-75
Portrait of Jacopo de Strada, 1567/68
Raffaello Santi: Madonna of the Meadow, 1505 /06
Lorenzo Lotto: Portrait of a young man against white curtain, 1508
Peter Paul Rubens: The altar of St. Ildefonso, 1630-32
The Little Fur, about 1638
Jan Vermeer: The Art of Painting, 1665/66
Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559
Kids, 1560
Tower of Babel, 1563
Christ Carrying the Cross, 1564
Gloomy Day (Early Spring), 1565
Return of the Herd (Autumn), 1565
Hunters in the Snow (Winter) 1565
Bauer and bird thief, 1568
Peasant Wedding, 1568/69
Peasant Dance, 1568/69
Paul's conversion (Conversion of St Paul), 1567
Cabinet of Curiosities:
Saliera from Benvenuto Cellini 1539-1543
Egyptian-Oriental Collection:
Mastaba of Ka Ni Nisut
Collection of Classical Antiquities:
Gemma Augustea
Treasure of Nagyszentmiklós
Gallery: Major exhibits
This time, I believe one of the ugly black rocks from Utah is actually petrified wood - don't know if this qualifies as "redwood" or not.
The long railway platform, an indication that Marree has seen much better days and was an important outback town.
Items on display at an exhibition of India’s varied geographical indications, taking place at WIPO from October 6-14, 2015.
Co-organized by WIPO and the Government of India on the sidelines of the WIPO Assemblies of Member States, it was inaugurated with an event themed “Make in India” on October 6, 2015 featuring a recital of traditional Indian music and Indian artisans demonstrating their handiwork.
The event began with the screening of a WIPO-produced film on a capacity building project sponsored by WIPO’s Accessible Books Consortium in India and a keynote address by India’s Permanent Representative to the United Nations in Geneva, Ambassador Ajit Kumar, followed by a screening of a film on the “Make in India” initiative.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
I found this plane in an antique store in Two Rivers WI, on the (carpeted) floor in a back booth and bought it for $25.00 . Most worthwhile planes and tools I've found have been on the floor, shoved under other stuff, an indication, perhaps, of the value the booth owner placed on them. This plane, obviously, was the find of a lifetime - so far!
2007 01 14 - IMG_0894
Two final views at Loversall Carr Junction, Doncaster - c.05/1997.
This picture shows a newly reliveried (into early GNER liveried) class 91 working a down ECML express.
The actual date the image was made is unknown; the indication given is based on the film processing date imprinted on the original slide.
The year indication is carved in a relatively soft sandstone year stone.
A dark red ox is sculpted in a recessed central surface. The "bonte os" means "colorful ox."
The canal house is a three-story townhouse with an attic. Above the windows are wide semicircular relieving arches.
The house has a brick facade and is crowned with a step-gable, which was in fashion from about 1600 to 1665.
About the history of the use of year stones in architecture:
English: en.wikipedia.org/wiki/Anchor_plate
Dutch: nl.wikipedia.org/wiki/Muuranker
And: nl.wikipedia.org/wiki/Jaartallen_op_gebouwen
Amsterdam-Centrum, Prinsengracht, Jan. 29, 2019.
© 2019 Sander Toonen Amsterdam/Halfweg | All Rights Reserved
Walking around the remains of the walls of the Grade I Listed remains of Old Sarum a former Iron Age fort, 2 miles north of Salisbury in Wiltshire.
The great monoliths of Stonehenge and Avebury were erected nearby and indications of prehistoric settlement have been discovered from as early as 3000 BC. An Iron Age hillfort was erected around 400 BC, controlling the intersection of two native trade paths and the Hampshire Avon. The site continued to be occupied during the Roman period, when the paths became roads. The Saxons took the British fort in the 6th century and later used it as a stronghold against marauding Vikings. The Normans constructed a motte and bailey castle, a stone curtain wall, and a great cathedral. A royal palace was built within the castle for King Henry I and was subsequently used by Plantagenet monarchs.
This heyday of the settlement lasted for around 300 years until disputes between the Wiltshire sheriff and the Salisbury bishop finally led to the removal of the church into the nearby plain. As New Salisbury grew up around the construction site for the new cathedral in the early 13th century, the buildings of Old Sarum were dismantled for stone and the old town dwindled. Its long-neglected castle was abandoned by Edward II in 1322 and sold by Henry VIII in 1514.
The castle grounds were sold by Henry VIII in 1514. Although the settlement was effectively uninhabited, its landowners continued to have parliamentary representation into the 19th century, making it the most notorious of the rotten boroughs that existed before the Reform Act of 1832. Most famously, Old Sarum served as a pocket borough of the Pitt family.
The site of the castle and cathedral is considered a highly important British monument: it was among the 26 English locations scheduled by the 1882 Ancient Monuments Protection Act, the first such British legislation. This protection has subsequently continued, expanding to include some suburban areas west and southeast of the outer bailey.
W. H. St J. Hope, W. Hawley, and D.H. Montgomerie excavated the site between 1909 and 1915 for the Society of Antiquaries of London. In 1917, during World War I, a site just northeast of Old Sarum along the Portway was developed as the 'Ford Farm' aerodrome. This became Old Sarum Airfield, which remains in operation with a single grass runway. A second excavation occurred in the 1950s under John W G Musty and Philip Rahtz.
Carved from white Italian Carrara marble, the "Maiden with a Lute" sits picturesquely amid a well established tree Rhododendron. There is no indication as to which studio or artist carved her, but she is very elegant and beautiful in an almost melancholic way. She has obviously paused to gain some inspiration before taking up the lute to play again. How could she not find inspiration amid the beautiful Forest Glade Gardens in Mount Macedon where she resides?
The Forest Glade Gardens are well established European inspired landscaped gardens of six hectares that are to be found on the Mount Macedon Road in the hill station town of Mount Macedon.
The Forest Glade Gardens are just shy of one hundred years old. The gardens were originally two adjoining properties that comprised orchards and lush grazing paddocks. In 1941 local family the Newtons purchased and extended the property and set about creating one of Mount Macedon's most stunning gardens.
In 1971 the Forest Glade Gardens were acquired by Melbourne property developer Mr. Cyril Stokes who together with his partner Trevor Neil Bell, developed the gardens even further. Cyril was a great collector of European antiques, and his love of European antiquity is reflected in the gardens, particularly in the many classical marble and bronze statues dotted about the grounds.
Unfortunately the Forest Glade Gardens were partly destroyed by the tragic Ash Wednesday bushfires of 1983. However, after many years of hard labour put in by Cyril and Trevor, The Forest Glade Gardens were reborn from the ashes. The gardens are built on a sloping block and consist of a range of terraces all of which offer wonderful vistas. A garden designed to give pleasure all year round, the Forest Glad Gardens contain several heritage listed trees and are made up of smaller themed gardens including; the Italian Garden, the Japanese Garden, the Daffodil Meadow, the Peony Walk, Hydrangea Hill, the Topiary Gardens, the Bluebell Meadow, the Fern Gully and the Laburnum Arch.
In 2011 the property was gifted to a registered charity - The Stokes Collection Limited - with the intention of keeping the Forest Glade Gardens maintained and open to the public.
I spent a delightful Saturday with the Famous Flickr Five+ Group in Mount Macedon, where I have never been before. Now I have, I would very much like to go back to such a picturesque place again.
The Mount Macedon township is located east of the Mount Macedon summit, which is approximately 60 km north-west of Melbourne.
The name of Mount Macedon is apparently derived from Philip II, who ruled Macedon between 359 and 336BC. The mountain was named by Thomas Mitchell, the New South Wales Surveyor General.
Settled in the 1850s by gold miners and timber cutters, the railway arrived at the Mount Macedon township in 1861, providing a vital connection to Melbourne, and sealing the town's future as a 'hill station' resort for wealthy Melburnians escaping the summer heat in the 1870s. With the land deforested, large blocks were sold and beautiful and extensive gardens were planted around the newly built homes. The rich soil and good rainfall also made the area suitable for large orchards and plant nurseries who could send fruit and flowers back to Melbourne. Newspaper owner, David Syme, built a house, "Rosenheim" in 1869. It was acquired in 1886 for Victorian Governors to use as a country retreat, making Mount Macedon an attractive destination for the well heeled of Melbourne society. A primary school was built in Mount Macedon in 1874, and as the decades progressed, hotels, guest houses, shops, a Presbyterian Church and Church of England were built. In 1983, Mount Macedon was devastated by the Ash Wednesday Bush Fires. A large portion of the town was raised, and a number of lives were lost. However, like a phoenix from the ashes, Mount Macedon has risen and rebuilt. Today it is still a popular holiday destination, particularly during spring time when the well established gardens flourish with flowers and in autumn when the exotic trees explode in a riot of reds and yellows.
The Postcard
A postally unused postcard that was published by The Promenade Studio, Whitley Bay. The card, which has a divided back, has been hand-stamped with the date 25 Jul 1930. This day was in fact a Friday.
There are no indications as to the identity of the two ladies.
Annie Ross
So what else happened on the day that the card was hand-stamped?
Well, the 25th. July 1930 marked the birth in Surrey of Annie Ross.
Born Annabelle McCauley Allan Short, Annie was a British-American singer and actress who was active between 1937 and 2020.
Known professionally as Annie Ross, she was best known as a member of the jazz vocal trio Lambert, Hendricks & Ross.
-- Annie Ross - The Early Years
Annie Ross was born in Surrey, England, the daughter of Scottish vaudevillians John "Jack" Short and Mary Dalziel Short (née Allan).
Her brother was Scottish entertainer and theatre producer and director Jimmy Logan. She first appeared on stage at age three. At the age of four, she travelled to New York by ship with her family; she later recalled that:
"We got the cheapest ticket, which
was right in the bowels of the ship".
Shortly after arriving in New York, she won a token contract with MGM through a children's radio contest run by Paul Whiteman. She subsequently moved with her aunt, Scottish-American singer and actress Ella Logan, to Los Angeles, and her mother, father and brother returned to Scotland.
Annie did not see her parents again until fourteen years later. At the age of seven, she sang "The Bonnie Banks o' Loch Lomond" in Our Gang Follies of 1938, and played Judy Garland's character's sister in Presenting Lily Mars (1943).
At the age of 14, Annie wrote the song "Let's Fly", which won a songwriting contest and was recorded by Johnny Mercer and The Pied Pipers.
At the end of 10th. grade, she left school, changed her name to Annie Ross, and went to Europe, where she established her singing career. Annie changed her surname to Ross during the plane trip to Prestwick; in a 2011 interview, she said:
"My aunt was very fanciful, and she
said I had an Irish grandmother called
Ross, so that's where that surname
came from".
-- Annie Ross's Career
In 1952, Ross met Prestige Records owner Bob Weinstock, who asked her to write lyrics to a jazz solo in a similar way to King Pleasure, a practice that would later be known as vocalese. The next day, she presented him with "Twisted", a treatment of saxophonist Wardell Gray's 1949 composition of the same name, a classic example of the genre.
The song, first released in 1952, was an underground hit, and resulted in her winning Down Beat magazine's New Star award.
In February 1956, the British music magazine NME reported that Ross's version of the song "I Want You to Be My Baby" was banned by the BBC due to the lyric "Come upstairs and have some loving".
Annie recorded seven albums with Lambert, Hendricks & Ross between 1957 and 1962. Their first, Sing a Song of Basie (1957), was to have been performed by a group of singers hired by Jon Hendricks and Dave Lambert with Ross brought in only as vocal consultant.
However it was decided that the trio should attempt to record the material and overdub all the additional vocals themselves, but the first two tracks were recorded and deemed unsatisfactory, so they ditched the dubbing idea.
The resulting album was a success, and the trio became an international hit. Over the next five years, Lambert, Hendricks & Ross toured the world, and recorded such albums as The Hottest New Group in Jazz (1959), Sing Ellington (1960), High Flying (1962), and The Real Ambassadors (1962), written by Dave Brubeck and featuring Louis Armstrong and Carmen McRae.
Ross left the group in 1962, and in 1964 opened a nightclub in London. Annie's Room hosted Joe Williams, Nina Simone, Stuff Smith, Blossom Dearie, Anita O'Day, Jon Hendricks, and Erroll Garner.
Her adulthood film roles included Liza in the film Straight On till Morning (1972), Claire in Alfie Darling (1976), Diana Sharman in Funny Money (1983), Vera Webster in Superman III (1983), Mrs. Hazeltine in Throw Momma from the Train (1987), Rose Brooks in Witchery (1988), Loretta Cresswood in Pump Up the Volume (1990), Tess Trainer in Robert Altman's Short Cuts (1993), and Lydia in Blue Sky (1994).
Annie also appeared as Granny Ruth in the horror films Basket Case 2 (1990) and Basket Case 3: The Progeny (1991). She also had a bit part in Robert Altman's The Player in 1992. Ross also starred in Scottish Television's comedy-drama Charles Endell Esquire (1979).
Annie provided the speaking voice for Britt Ekland in The Wicker Man (1973), and Ingrid Thulin's singing voice in Salon Kitty (1976). On stage, she appeared in Cranks (1955; London and New York City), The Threepenny Opera (1972), The Seven Deadly Sins (1973) at the Royal Opera House, Kennedy's Children (1975) at the Arts Theatre, London, Side by Side by Sondheim, and in the Joe Papp production of The Pirates of Penzance (1982).
-- Annie Ross's Personal Life
In 1949, Ross had a brief affair with drummer Kenny Clarke. This affair produced a son, Kenny Clarke Jr. (born 1950), who was raised by Clarke's brother and his wife.
During her time with Lambert, Hendricks & Ross, Annie became addicted to heroin. In the late 1950's she had an affair with the comedian Lenny Bruce, who was also having drug problems. By 1960, Carol Sloane was substituting for her on tour. After a performance by the trio in London in May 1962, she remained in London to confront her drug addiction.
In 1963, she married actor Sean Lynch; they divorced in 1975, and he died in a car crash soon afterwards. By that time, she had also lost her home, and declared bankruptcy.
Annie became a United States citizen in 2001.
Annie died in New York City on the 21st. July 2020 from emphysema and heart disease, four days before her 90th. birthday.
-- Annie Ross's Awards and Honours
Ross received the ASCAP Jazz Wall of Fame award (2009), the National Endowment for the Arts Jazz Masters' Award (2010), and the MAC Award for Lifetime Achievement (2011).
In July 2006 a one-woman play entitled Twisted: The Annie Ross Story by Brian McGeachan premiered at The Space Theatre in London, starring Verity Quade. It focused on Annie's stormy relationship with her aunt, Broadway legend Ella Logan, her brief affair with the comedian Lenny Bruce and her addiction to heroin. The play transferred to the Brockley Jack Theatre in London that same year, with Ross being played by Betsy Pennington.
-- Annie Ross in the Media
A documentary about Ross's life, entitled No One But Me, premiered at the Glasgow Film Festival in 2012.
The Thirty-Fifth Session of WIPO's Standing Committee on the Law of Trademarks, Industrial Designs and Geographical Indications (SCT) took place in Geneva, Switzerland from April 25 to April 27, 2016.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Closing up slowly to the stop signal at the end of the platform, with the train ahead stopped literally only a metre or two past the signal! Our previous signal was passed showing a "low speed" indication.
While "low speed" is a subsidiary indication (modifies a stop indication), it is counted as a running indication and means that the line is clear to the next signal, but the line could be occupied immediately beyond the next signal. It certainly was here!
Low speed indications are considered an essential tool in the Sydney network, keeping trains moving at busy locations during periods of congestion. Especially important near stations, allowing a following train to move up close to the platform ready to enter, while the train ahead is still standing at the platform.
There are some indications that this gentleman may have stretched the truth to some extent but as was typical for his class in those days his family were not shy about telling the world at large how wonderful the major was.
It interesting to note that there is very little information relating to his wife or other family members.
Erected to the memory of
MAJOR THEOBALD BUTLER
who died 26th Decr.1851, aged 66 years
Having entered the British Army at
an early age he served under
SIR JOHN MOORE and subsequently
under his Grace the DUKE of WELLINGTON
through the Peninsular Wars
for which he received a medal and
seven clasps, he also received a
second medal for being present at
the memorable Battle of Waterloo
in 1815. latterly he devoted himself
to the practice of those christian
virtues which will be the means of
procuring for him a happy Eternity.
also in loving memory of
his son-in-law J.J. O'RORKE, Esq.
who died 18th Feby. 1866
and his wife MARY
died 21st June 1904
and her sister BELINDA BUTLER
died 13th May 1903.
R.I.P.
An exhibition co-organized by WIPO and Turkey was held on the sidelines of the WIPO Assemblies, which met in Geneva from October 3 to 11, 2016.
The event entitled “Turkish Culture and Geographical Indications” showcased a snapshot of Turkey’s rich culture and geographical indications and was inaugurated on October 4, 2016.
It featured examples of Turkey’s protected geographic indications, including Afyon marble, Antep Kutnu cloth, Gaziantep mother-of-pearl inlaying and Safranbolu Turkish delight. The inauguration also featured a performance of traditional Turkish music.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Dated April 1918. There are some clear indications that these men were trained in and equipped for mountain warfare.
Key elements of the Alpenkorps were grouped in the Kgl. Bayerische Jäger-Brigade 1 and 2. The latter was subdivided into the well known Jäger-Regiment Nr. 3 and the less known Jäger-Regiment Nr. 2. Although part of a Bavarian Brigade, this Jäger regiment was composed of units from different parts of the empire: the rather well known Jäger-Bataillon Nr. 10 or the Hannoversches Jäger Bataillon with a long unit history dating back to battles in 1775, and lesser known units Reserve-Jäger-Bataillon Nr. 10 (their reserve) and Reserve-Jäger-Bataillon Nr. 14 (the reserve of the Mecklenburg Jägers).
The stamps on the back tells us this is one of these reserve battalions, but I cannot make out the number. For both units, litzen would be present, so this is not conclusive. My guess is on the RJB14 though, as in RJB10, I would expect to see at least some Gibraltar cuff tittles. Although these were normally only worn by the JB10, I'm guessing people who were transferred to the reserve at some point would retain their cuff tittle - part of their regimental tradition. We also need to keep in mind that this is a 1918 picture. I'm not sure if it was still applied this late.
Carved from white Italian Carrara marble, the "Maiden with a Lute" sits picturesquely amid a well established tree Rhododendron. There is no indication as to which studio or artist carved her, but she is very elegant and beautiful in an almost melancholic way. She has obviously paused to gain some inspiration before taking up the lute to play again. How could she not find inspiration amid the beautiful Forest Glade Gardens in Mount Macedon where she resides?
The Forest Glade Gardens are well established European inspired landscaped gardens of six hectares that are to be found on the Mount Macedon Road in the hill station town of Mount Macedon.
The Forest Glade Gardens are just shy of one hundred years old. The gardens were originally two adjoining properties that comprised orchards and lush grazing paddocks. In 1941 local family the Newtons purchased and extended the property and set about creating one of Mount Macedon's most stunning gardens.
In 1971 the Forest Glade Gardens were acquired by Melbourne property developer Mr. Cyril Stokes who together with his partner Trevor Neil Bell, developed the gardens even further. Cyril was a great collector of European antiques, and his love of European antiquity is reflected in the gardens, particularly in the many classical marble and bronze statues dotted about the grounds.
Unfortunately the Forest Glade Gardens were partly destroyed by the tragic Ash Wednesday bushfires of 1983. However, after many years of hard labour put in by Cyril and Trevor, The Forest Glade Gardens were reborn from the ashes. The gardens are built on a sloping block and consist of a range of terraces all of which offer wonderful vistas. A garden designed to give pleasure all year round, the Forest Glad Gardens contain several heritage listed trees and are made up of smaller themed gardens including; the Italian Garden, the Japanese Garden, the Daffodil Meadow, the Peony Walk, Hydrangea Hill, the Topiary Gardens, the Bluebell Meadow, the Fern Gully and the Laburnum Arch.
In 2011 the property was gifted to a registered charity - The Stokes Collection Limited - with the intention of keeping the Forest Glade Gardens maintained and open to the public.
I spent a delightful Saturday with the Famous Flickr Five+ Group in Mount Macedon, where I have never been before. Now I have, I would very much like to go back to such a picturesque place again.
The Mount Macedon township is located east of the Mount Macedon summit, which is approximately 60 km north-west of Melbourne.
The name of Mount Macedon is apparently derived from Philip II, who ruled Macedon between 359 and 336BC. The mountain was named by Thomas Mitchell, the New South Wales Surveyor General.
Settled in the 1850s by gold miners and timber cutters, the railway arrived at the Mount Macedon township in 1861, providing a vital connection to Melbourne, and sealing the town's future as a 'hill station' resort for wealthy Melburnians escaping the summer heat in the 1870s. With the land deforested, large blocks were sold and beautiful and extensive gardens were planted around the newly built homes. The rich soil and good rainfall also made the area suitable for large orchards and plant nurseries who could send fruit and flowers back to Melbourne. Newspaper owner, David Syme, built a house, "Rosenheim" in 1869. It was acquired in 1886 for Victorian Governors to use as a country retreat, making Mount Macedon an attractive destination for the well heeled of Melbourne society. A primary school was built in Mount Macedon in 1874, and as the decades progressed, hotels, guest houses, shops, a Presbyterian Church and Church of England were built. In 1983, Mount Macedon was devastated by the Ash Wednesday Bush Fires. A large portion of the town was raised, and a number of lives were lost. However, like a phoenix from the ashes, Mount Macedon has risen and rebuilt. Today it is still a popular holiday destination, particularly during spring time when the well established gardens flourish with flowers and in autumn when the exotic trees explode in a riot of reds and yellows.
I could not resist this photo. Who would send a postcard showing a band of Mexican revolutionaries? Or bandits, depending on your point of view.
This postcard shows a group led by Eufemio Zapata, according to text on the front and a longer description on the back. He is seated and holding a rifle, based on a known photograph of him. I presume that the photo commemorates their winning a battle near Cuernavaca, a city 40 km (25 miles) southof Mexico City. The weapons on the ground were probably captured from their enemies.
Eufemio Zapata was an older brother of the more famous Emiliano Zapata. The latter was the leader of a major group of revolutionaries in the 1910s, and the title character of the film Viva Zapata. Emiliano Zapata was played by Marlon Brando in the film, and Eufemio by Anthony Quinn. There is no indication that Emiliano Zapata is in the photo.
I have chosen the date of 1911 because it is the last year when Eufemio could be considered on the same level as Emiliano Zapata, as indicated in the text on the reverse side, and the first year when revolutionaries could have been in Cuernavaca. The location of the photo is speculative. I chose a district named for Emiiano Zapata.
Speaking of movies, some of these men could just as well be the bogus Federales who threatened Humphrey Bogart in The Treasure of the Sierre Madre ("We don't need no stinkin' badges").
The postcard was printed by an American publisher. It was never written or mailed.
52 pictures 2016: 22 Tree(s)
2016: A Leap of Faith: A red patch somewhere.
Taken from the window of my study.
It's a grey and gloomy day. The only indication that it is summer is the red of the pohutakawa flowers on the tree around the corner.
Saturday, 16th January 2016
Carved from white Italian Carrara marble, the "Maiden with a Lute" sits picturesquely amid a well established tree Rhododendron. There is no indication as to which studio or artist carved her, but she is very elegant and beautiful in an almost melancholic way. She has obviously paused to gain some inspiration before taking up the lute to play again. How could she not find inspiration amid the beautiful Forest Glade Gardens in Mount Macedon where she resides?
The Forest Glade Gardens are well established European inspired landscaped gardens of six hectares that are to be found on the Mount Macedon Road in the hill station town of Mount Macedon.
The Forest Glade Gardens are just shy of one hundred years old. The gardens were originally two adjoining properties that comprised orchards and lush grazing paddocks. In 1941 local family the Newtons purchased and extended the property and set about creating one of Mount Macedon's most stunning gardens.
In 1971 the Forest Glade Gardens were acquired by Melbourne property developer Mr. Cyril Stokes who together with his partner Trevor Neil Bell, developed the gardens even further. Cyril was a great collector of European antiques, and his love of European antiquity is reflected in the gardens, particularly in the many classical marble and bronze statues dotted about the grounds.
Unfortunately the Forest Glade Gardens were partly destroyed by the tragic Ash Wednesday bushfires of 1983. However, after many years of hard labour put in by Cyril and Trevor, The Forest Glade Gardens were reborn from the ashes. The gardens are built on a sloping block and consist of a range of terraces all of which offer wonderful vistas. A garden designed to give pleasure all year round, the Forest Glad Gardens contain several heritage listed trees and are made up of smaller themed gardens including; the Italian Garden, the Japanese Garden, the Daffodil Meadow, the Peony Walk, Hydrangea Hill, the Topiary Gardens, the Bluebell Meadow, the Fern Gully and the Laburnum Arch.
In 2011 the property was gifted to a registered charity - The Stokes Collection Limited - with the intention of keeping the Forest Glade Gardens maintained and open to the public.
I spent a delightful Saturday with the Famous Flickr Five+ Group in Mount Macedon, where I have never been before. Now I have, I would very much like to go back to such a picturesque place again.
The Mount Macedon township is located east of the Mount Macedon summit, which is approximately 60 km north-west of Melbourne.
The name of Mount Macedon is apparently derived from Philip II, who ruled Macedon between 359 and 336BC. The mountain was named by Thomas Mitchell, the New South Wales Surveyor General.
Settled in the 1850s by gold miners and timber cutters, the railway arrived at the Mount Macedon township in 1861, providing a vital connection to Melbourne, and sealing the town's future as a 'hill station' resort for wealthy Melburnians escaping the summer heat in the 1870s. With the land deforested, large blocks were sold and beautiful and extensive gardens were planted around the newly built homes. The rich soil and good rainfall also made the area suitable for large orchards and plant nurseries who could send fruit and flowers back to Melbourne. Newspaper owner, David Syme, built a house, "Rosenheim" in 1869. It was acquired in 1886 for Victorian Governors to use as a country retreat, making Mount Macedon an attractive destination for the well heeled of Melbourne society. A primary school was built in Mount Macedon in 1874, and as the decades progressed, hotels, guest houses, shops, a Presbyterian Church and Church of England were built. In 1983, Mount Macedon was devastated by the Ash Wednesday Bush Fires. A large portion of the town was raised, and a number of lives were lost. However, like a phoenix from the ashes, Mount Macedon has risen and rebuilt. Today it is still a popular holiday destination, particularly during spring time when the well established gardens flourish with flowers and in autumn when the exotic trees explode in a riot of reds and yellows.
We just heard from the clinic that the blood test results show no indication of FIP (Feline Infectious Peritonitis). There is no definitive test for FIP, but none of the warning signs (particularly a high protein level) were present. Her basic blood chemistry results were within normal range for all the usual categories.
The lack of appetite and sluggishness may have been due to a hairball problem. When we got up this morning, Gracie was very close to her normal self, even though she had not had a bowel movement during the night. She was active, alert, and played vigorously with her mouse. Also, she ate some of her food and drank some water. However, sometime between 9 and 9:30 a.m., she vomited up a very large hairball and the food she had eaten. When we took her in for her appointment shortly after that, the doctor said that the amount of stool in her colon was not very large and it was not hard. He prescribed a product called Laxatone, which is basically a flavored petroleum jelly/mineral oil (we got the tuna flavored kind), to help grease things along in her digestive tract. He suggested that we put some on her paws (once a day for three days). We did so, and sure enough, she licked it off immediately. Her eye problem is almost completely gone, but we should probably continue that medication for a couple days to make sure it does not return. The vet said on the phone that she may outgrow the tendency toward eye infections.
So, we have no reason to suspect FIP, she has begun eating and drinking again, and she is on the road to recovery from her eye infection.
Needless to say, we are greatly relieved.
This photo was taken today by Edgar.
Update, 30 July 2009: Gracie is almost 100% her usual self now. We are very grateful for the kind wishes from so many people!