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Please include this crediting information next to the picture if you publish this cropped and web ready version of the photo: The local loggers mull their options when the Stamper clan ignores the union strike in Sometimes a Great Notion, the world premiere adaptation of Ken Kesey’s essential NW novel, playing through April 27th at Portland Center Stage. Pictured from clockwise from bottom right: ensemble members Kevin-Michael Moore, Todd Van Voris, Chris Murray, Scott Coopwood and Tim True. Information, behind the scenes blogs, and tickets available online at www.pcs.org.
Khiva (Uzbek: Xiva/Хива, خىۋا; Persian: خیوه, Xīveh; Russian: Хива; alternative or historical names include Khorasam, Khoresm, Khwarezm, Khwarizm, Khwarazm, Chorezm, and Persian: خوارزم) is a city of approximately 50,000 people located in Xorazm Region, Uzbekistan. According to archaeological data, the city was established in the beginning of the Christian era.[1] It is the former capital of Khwarezmia and the Khanate of Khiva. Itchan Kala in Khiva was the first site in Uzbekistan to be inscribed in the World Heritage List (1991)
Khiva is split into two parts. The outer town, called Dichan Kala, was formerly protected by a wall with 11 gates. The inner town, or Itchan Kala, is encircled by brick walls, whose foundations are believed to have been laid in the 10th century. Present-day crenellated walls date back to the late 17th century and attain the height of 10 meters.
The large blue tower in the central city square was supposed to be a minaret, but the Khan died and the succeeding Khan did not complete it.
The old town retains more than 50 historic monuments and 250 old houses, mostly dating from the 18th or the 19th centuries. Djuma Mosque, for instance, was established in the 10th century and rebuilt in 1788-89, although its celebrated hypostyle hall still retains 112 columns taken from ancient structures.
Issue includes the following strips: Agent 21 (b/w), Stingray (Colour), My Favourite Martian (b/w), The Munsters (b/w), Thunderbirds (colour, by Frank Bellamy), Planet Blob (cartoon), The Investigator (b/w), Fireball XL5 (colour, by Mike Noble), Get Smart (b/w) and The Daleks (colour, by Ron Turner).
Features include info on USS agent's secret 'uniform', Collision at Sea, a disaster feature and Corgi cars advertorial.
Cops & Barbers provided haircuts to students during a free haircut event at Third Street Education Center on Monday, December 12.
Partners for the event include DMTCutz, Kampus Kutz, P.I.C. Kutz, Another Level Barbershop, On Flow Hair Studio, Tru Blends Barbershop, Bongo Barbershop, Elite Barbershop, and Moe's Barbershop.
The City of Greenville Cops & Barbers program partners police and local barbers to foster positive relationships between law enforcement and the community.
The genus Melocactus includes around 40 cacti from Mexico, the West Indies, and northern South America. Many of these species are endangered, and plants in cultivation are almost always grown from seeds. They are slow-growing, often difficult to grow. They are globular plants, generally solitary, except if the growing tip has been damaged. When they are mature, the body stops growing and produces a crown on its apex named cephalium. This densely spined area is where the flowers and fruit will be produced. The cephalium can keep on growing for many years, and in some species can exceed the height of the body itself. The striking difference between the body and the cephalium, reminds of a cap, hence the name Turk's Cap Cacti given to many specimen in this genus. The botanical name comes from the Latine for 'melon cacti'.
Most Melocactus have specialized requirements that make them tricky to grow. They are rot prone and should be drained in shallow containers with well-draining soil mixture. In summer water and feed regularly. In winter, decrease the watering, but still they need regular water. Deionized water or distilled water is better. Some direct sun light is necessary, but in the hot desert of Arizona, they burn easily. To insure optimum growth, it is a good idea to repot them in Spring every 2-3 years.
The Melocactus flowers are generally a shade of pink or red. They come in abondance from spring to fall depending on the species. They are followed by fleshy fruit.
The fans!
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*Emily Burk OMSIV*
*Midwestern University- Arizona College of Osteopathic Medicine*
*Clerkship Coordinator, National Board, **Student Osteopathic Medical
Association*
*Cottonwood Regional Liaison, **Class Council 2012*
*
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*Save a life. Adopt a pet from a homeless shelter. You are their only
hope. **http://www.humanesociety.org/ **www.petfinder.com*
A blog post that includes these photos lives here: likeafishinwater.com/2013/03/06/joyful-minowa-shotengai-i...
My company: www.thirdplacemedia.com - Content and communications strategy develoment focusing on transit, walkability,
placemaking and environment
My blog: likeafishinwater.com
A few more from Friday night's fireworks display at Ricardo. As I was quite close to the display, I shot mostly with a wide lens (8mm fisheye) and chose to include the crowd - to show that the event was well attended.
The white wagtail (Motacilla alba) is a small passerine bird in the wagtail family Motacillidae, which also includes the pipits and longclaws. This species breeds in much of Europe and Asia and parts of north Africa. It is resident in the mildest parts of its range, but otherwise migrates to Africa. It has a toehold in Alaska as a scarce breeder. In the British Isles the darker sub-species the pied wagtail (M. a. yarrellii) predominates.
The white wagtail is an insectivorous bird of open country, often near habitation and water. It prefers bare areas for feeding, where it can see and pursue its prey. In urban areas it has adapted to foraging on paved areas such as car parks. It nests in crevices in stone walls and similar natural and man-made structures.
The white wagtail is the national bird of Latvia
Taxonomy and systematics
Breeding ranges of the major races
The white wagtail was one of the many species originally described by Linnaeus in his 18th-century work, Systema Naturae, and it still bears its original name of Motacilla alba.[3] The Latin genus name originally meant "little mover", but certain medieval writers thought it meant "wag-tail", giving rise to a new Latin word cilla for "tail".[4] The specific epithet alba is Latin for "white".
Within the wagtail genus Motacilla, the white wagtail's closest relatives appear to be other black-and-white wagtails such as the Japanese wagtail, Motacilla grandis, and the white-browed wagtail, Motacilla madaraspatensis (and possibly the Mekong wagtail, Motacilla samveasnae, the phylogenetic position of which is mysterious), with which it appears to form a superspecies. However, mtDNA cytochrome b and NADH dehydrogenase subunit 2 sequence data suggests that the white wagtail is itself polyphyletic or paraphyletic (i.e. the species is not itself a single coherent grouping).[5] Other phylogenetic studies using mtDNA still suggest that there is considerable gene flow within the races and the resulting closeness makes Motacilla alba a single species.[6] Some studies have suggested the existence of only two groups : the alboides group, with M. a. alboides, M. a. leucopsis and M. a. personata; and the alba group, with M. a. alba, M. a. yarrellii, M. a. baicalensis, M. a. ocularis, M. a. lugens, and M. a. subpersonata.[7]
Description
An adult with a juvenile in Kazakhstan
The white wagtail is a slender bird, 16.5–19 cm (6½–7½ in) in length (East Asian subspecies are longer, measuring up to 21 cm (8¼ in), with the characteristic long, constantly wagging tail of its genus. Its average weight is 25 g (0.88 oz) and the maximum lifespan in the wild is c. 12 years.[8] The nominate subspecies Motacilla alba alba is basically grey above and white below, with a white face, black cap and black throat.
There are a number of other subspecies, some of which may have arisen because of partial geographical isolation, such as the resident British form, the pied wagtail M. a. yarrellii, which now also breeds in adjacent areas of the neighbouring European mainland. The pied wagtail, named for naturalist William Yarrell, exchanges the grey colour of the nominate form with black (or very dark grey in females), but is otherwise identical in its behaviour. Other subspecies, the validity of some of which is questionable, differ in the colour of the wings, back, and head, or other features. Some races show sexual dimorphism during the breeding season. As many as six subspecies may be present in the wintering ground in India or Southeast Asia and here they can be difficult to distinguish.[9][10][11][12] Phylogenetic studies using mtDNA suggest that some morphological features have evolved more than once, including the back and chin colour. Breeding M. a. yarrellii look much like the nominate race except for the black back, and M. a. alboides of the Himalayas differs from the Central Asian M. a. personata only by its black back. M. a. personata has been recorded breeding in the Siddar Valley of Kashmir of the Western Himalayas.[13] It has also been noted that both back and chin change colour during the pre-basic moult; all black-throated subspecies develop white chins and throats in winter and some black-backed birds are grey-backed in winter.[6][9]
The call of the white wagtail is a sharp chisick, slightly softer than the version given by the pied wagtail. The song is a pleasant twittering, more regular in White than Pied, but with little territorial significance, since the male uses a series of contact calls to attract the female.[14]
Subspecies
Nine or eleven subspecies are currently recognised. Information on the plumage differences and distribution of the subspecies of the white wagtail is shown below.[15]
Subspecies Range Notes Image
M. a. alba Europe from the Iberian Peninsula to Ural Mountains, Turkey, the Levant, Iceland, the Faroe Islands and Greenland's east coast. Some migrate to the south of Europe and Africa down as far as Kenya and Malawi Nominate subspecies Motacilla alba alba.JPG
M. a. yarrellii Great Britain and Ireland, birds in the northern part of the range winter in Spain and North Africa, those further south are resident.[16] Pied wagtail. Has a much blacker back than the nominate race, black of throat continues on side of neck Pied (white) wagtail (Motacilla alba yarrellii).JPG
M. a. dukhunensis West Siberian Plain – east Caspian Sea (part of Russia, Kazakhstan, Uzbekistan, Turkmenistan), winters in the Middle East and India. Sometimes included in alba.[16] Indian pied wagtail. The upperparts of this subspecies are paler and more blue-grey than nominate, and has it has a continuous unbroken white panel on wing coverts.
M. a. persica North central and western Iran. Intermediate between M. a. dukhunensis and M. a. personata. Often included in alba; appears to be hybrid or intergrade population.[16] MotacillaAlbaPersica.jpg
M. a. subpersonata Non-migratory resident of Morocco Moroccan wagtail. It has more black on the head than the nominate, and resembles a grey-backed, white-throated African pied wagtail[16] Moroccan Wagtail.jpg
M. a. personata Hindu Kush, Tian Shan, Altay Mountains (northern Iran, Afghanistan, Tajikistan, Kyrgyzstan, Kazakhstan, Xinjiang) Masked wagtail. All-black head with a white face mask White wagtail - Male (Non-breeding- personata race) at Hodal- I IMG 9164.jpg
M. a. alboides Himalayas and surrounding area This subspecies has a black back and a lot of black around the head, a white wing panel and white edges on the secondaries and tertials.
M. a. baicalensis Russia in Lake Baikal area, Mongolia, Inner Mongolia Resembles M. a. leucopsis but grey back and less white on head and wing.
M. a. ocularis Siberia, Far Eastern (Russia, eastwards from Central Siberian Plateau) expanding into West Alaska
M. a. lugens Russia Far East (Primorsky Krai, Khabarovsk Krai), Kamchatka Peninsula, Kuril Islands, Sakhalin, Japan (Hokkaidō, Honshū) Black-backed wagtail or kamchatka/Japanese pied wagtail, similar to M. a. yarrellii, but has a black eyestripe and white remiges; might have a claim to constitute a distinct species. Hakusekirei 06f5184cav.jpg
M. a. leucopsis China, Korean Peninsula, Taiwan, Japan (Ryukyu Islands, Kyūshū), expanding into Japan (Honshū), Southeast Asia, India, and Oceania Amur wagtail[17][18][19] White Wagtail- (Non-breeding- leucopsis race) at Kolkata I1 IMG 5597.jpg
Distribution and habitat
Worldwide distribution of the white wagtail. Yellow denotes summer range, green year round range, blue winter range.
This species breeds throughout Eurasia up to latitudes 75°N, only being absent in the Arctic from areas where the July isotherm is less than 4 °C. It also breeds in the mountains of Morocco and western Alaska. It occupies a wide range of habitats, but is absent from deserts.[14]
White wagtail is resident in the milder parts of its range such as western Europe and the Mediterranean, but migratory in much of the rest of its range. Northern European breeders winter around the Mediterranean and in tropical and subtropical Africa,[20] and Asiatic birds move to the Middle East, India,[16] and SouthEast Asia.[21] Birds from the North American population also winter in tropical Asia.[22]
Behaviour and ecology
The most conspicuous habit of this species is a near-constant tail wagging, a trait that has given the species, and indeed the genus, its common name. In spite of the ubiquity of this behaviour, the reasons for it are poorly understood. It has been suggested that it may flush prey, or signal submissiveness to other wagtails. A recent study has suggested instead that it is a signal of vigilance to potential predators.[23]
Diet and feeding
The exact composition of the diet of white wagtails varies by location, but terrestrial and aquatic insects and other small invertebrates form the major part of the diet. These range from beetles, dragonflies, small snails, spiders, worms, crustaceans, to maggots found in carcasses and, most importantly, flies in the order Diptera.[16] Small fish fry have also been recorded in the diet. The white wagtail is somewhat unusual in the parts of its range where it is non-migratory as it is an insectivorous bird that continues to feed on insects during the winter (most other insectivorous birds in temperate climates migrate or switch to more vegetable matter).[24]
Breeding
Eggs, Collection Museum Wiesbaden, Germany
Juvenile M. a. alba in northern Norway, showing the grey face and chest
White wagtails are monogamous and defend breeding territories.[16] The breeding season for most is from April to August, with the season starting later further north. Both sexes are responsible for building the nest, with the male responsible for initiating the nest building and the female for finishing the process. For second broods in the subspecies personata the female alone builds the nest,which is a rough cup assembled from twigs, grass, leaves and other plant matter, as the male is still provisioning the young.[25] It is lined with soft materials, including animal hair. The nest is set into a crevice or hole; traditionally in a bank next to a river or ditch, but the species has also adapted to nesting in walls, bridges and buildings. One nest was found in the skull of a walrus. They species will nest in association with other animals, particularly where available the dams of beavers and also inside the nests of golden eagles.[25] Around three to eight eggs are laid, with the usual number being four to six. Its eggs are cream-coloured, often with a faint bluish-green or turquoise tint, and heavily spotted with reddish brown; they measure, on average, 21×15 mm (0.83×0.59 inches).[26] Both parents incubate the eggs, although the female generally does so for longer and incubates at night. The eggs begin to hatch after 12 days (sometimes as late as 16 days). Both parents feed the chicks until they fledge at around 14 days, and the chicks are fed for another week after fledging.
Though it is known to be a host species for the common cuckoo, the white wagtail typically deserts its nest if it has been parasitised. Scientists theorise that this occurs because the wagtail is too small to push the intruding egg out of the nest, and too short-billed to destroy the egg by puncturing it.[27]
Status
This species has a large range, with an estimated extent of more than 10 million km2 (3.8 million sq mi). The population size is unknown, but it is believed to be large, as the species is described as "common" in at least parts of its range. Population trends have not been quantified, but the species is not believed to approach the thresholds for the population decline criterion of the IUCN Red List (i.e. declining more than 30% in ten years or three generations). For these reasons, the species is evaluated to be of least concern.[1] The population in Europe appears to be stable.[20] The species has adapted well to human changes to the environment and has exploited human changes such as man-made structures that are used for nesting sites and increased open areas that are used for foraging.[16] In a number of cities, notably Dublin, large flocks gather in winter to roost.
The National Museum of Anthropology's collections include the Stone of the Sun, giant stone heads of the Olmec civilization that were found in the jungles of Tabasco and Veracruz, treasures recovered from the Mayan civilization, at the Sacred Cenote at Chichen Itza, a replica of the sarcophagal lid from Pacal's tomb at Palenque and ethnological displays of contemporary rural Mexican life. It also has a model of the location and layout of the
former Aztec capital Tenochtitlan, the site of which is now occupied by the central area of modern-day Mexico City.
The permanent exhibitions on the ground floor cover all pre-Columbian civilizations located on the current territory of Mexico as well as in former Mexican territory in what is today the southwestern United States. They are classified as North, West, Mayan, Gulf of Mexico, Oaxaca, Mexico, Toltec, and Teotihuacan. The permanent expositions at the first floor show the culture of Native American population of Mexico since the Spanish colonization.
* 5 couples animations
* 24 single animations
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* set includes bed, lamp, wall poem, table
Save on this Product! Shutter Kit brings you a great 11 piece camera accessories bundle set for the Fujifilm Instax Mini 9 or Mini 8 Instant Camera. From our super cute Hot bag to our 10 piece hanging frame set we help you get the most use and fun out of your Fujifilm Instant Camera. All of the Shutter Kit products...
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Winners include Leah Bailey, Megann Boone, Devon Brosh, Robert Brosh, Lauren Cronise, Tracey Gregory, Sarah Hartman, Kayla Hinkley, Emily Jenkins, Treyvon King, Asa Nichols, Cody O'Meara, Sydney Pettit, Amber Stewart, and Samantha Sunshine
For your convenience, Exile from Venus, by E. Hoffmann Price, may also be downloaded as a single pdf file from the following link:
cthulhuwho1.files.wordpress.com/2012/04/exile-from-venus-...
This is a photograph from the Forest Marathon festival 2013 which was held in the beautiful Coillte forest of Portumna in Co. Galway, Ireland on Saturday 15th June 2013. The event includes a 10k, a full marathon, a half marathon and two ultra-running events - a 50k and 100k race. The races started at 08:00 with the 100KM, the 50KM at 10:00, and subsequent races at two hour intervals onwards. All events started and finished within the forest with the exception of the half marathon and marathon which started outside of the forest. All events see participants complete 5KM loops of the forest which start and end at the car-park/amenity end of the forest. There is an official Refreshment/Handling Zones at this point on the loop.
The event was organised by international coach Sebastien Locteau from SportsIreland.ie and his fantastic team of volunteers from Galway and beyond. Congratulations to Seb on organising a very professionally run event and an event which is growing bigger and more prestigious with each passing year. There was an incredible atmosphere amongst the runners, the spectators, and the organisers. Hats off to everyone involved.
The marathon, 50KM, and 100KM events are sanctioned by Athletics Ireland and AIMS (the Association of International Marathons and Distance Races). The event has also achieved IAU (International Association of Ultrarunners) Bronze Label status for 2013.
Electronic timing was provided by RedTagTiming: www.redtagtiming.com/
Energy Bars, Gels, Drinks etc were provided by Fuel4Sport: www.fuel4sport.ie/
This is a set of photographs taken at various points on the 5KM loop in the Forest and contains photographs of competitors from all of the events except the 10KM race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Approximately 600 people took part across all of the events which were staged: 10km, half marathon, marathon, 50km, and 100KM.
Weather: The weather was unfortunately not what a summer's day in June should be like - there was rain, some breeze, but mild temperatures.
Course: This is a fast flat course depending on your event. The course is left handed around the Forest and roughly looks like a figure of 8 in terms of routing.
Location Map: Start/finish area on Google StreetView [goo.gl/maps/WWTgD] are inside the parklands and trails
Refreshments: There are no specific refreshments but the race organizers provide very adequate supplies for all participants.
Some Useful Links
Official Race Event Website: www.forestmarathon.com/
The Boards.ie Athletics Forum Thread for the 2013 Event: www.boards.ie/vbulletin/showthread.php?t=2056874371
A GPS Garmin Trace of the Course Profile (from the 50KM event) connect.garmin.com/activity/189495781
Our Flickr Photographs from the 2012 Events: www.flickr.com/photos/peterm7/sets/72157630146344494/
Our Flickr Photographs from the 2011 Events: www.flickr.com/photos/peterm7/sets/72157626865466587/
Title Sponsors Sports Ireland Website: sites.google.com/a/sportsireland.ie/welcome-sports-irelan...
A VIDEO of the Course: www.youtube.com/watch?feature=player_embedded&v=2FLxE...
Google StreetView of the Entrance to Portuma Forest: goo.gl/maps/MX62O
Wikipedia: Read about Portumna and Portumna Forest Park: en.wikipedia.org/wiki/Portumna#Portumna_Forest_Park
Coilte Ourdoors Website: www.coillteoutdoors.ie/?id=53&rec_site=115
Portumna Forest on EveryTrails: www.everytrail.com/guide/portumna-forest-park-woodland-tr...
More about the IAU Bronze Label: www.iau-ultramarathon.org/index.asp?menucode=h07&tmp=...
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available offline, free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. Taking the photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
NOR Shipping 2017
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Photos are for free use but kindly include Nor-Shipping as source. Not model released.
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City Palace, Jaipur, which includes the Chandra Mahal and Mubarak Mahal palaces and other buildings, is a palace complex in Jaipur, the capital of the Rajasthan state, India. It was the seat of the Maharaja of Jaipur, the head of the Kachwaha Rajput clan. The Chandra Mahal palace now houses a museum but the greatest part of it is still a royal residence. The palace complex, which is located northeast of the centre of the grid patterned Jaipur city, incorporates an impressive and vast array of courtyards, gardens and buildings. The palace was built between 1729 and 1732, initially by Sawai Jai Singh II, the ruler of Amber. He planned and built the outer walls, and later additions were made by successive rulers right up to the 20th century. The credit for the urban layout of the city and its structures is attributed to two architects namely, Vidyadar Bhattacharya, the chief architect in the royal court and Sir Samuel Swinton Jacob, apart from the Sawai himself who was a keen architectural enthusiast. The architects achieved a fusion of the Shilpa Shastra of Indian architecture with Rajput, Mughal and European styles of architecture.
The palace complex lies in the heart of Jaipur city, to the northeast of the very centre. The site for the palace was located on the site of a royal hunting lodge on a plain land encircled by a rocky hill range, five miles south of Amber (city). The history of the city palace is closely linked with the history of Jaipur city and its rulers, starting with Maharaja Sawai Jai Singh II who ruled from 1699-1744. He is credited with initiating construction of the city complex by building the outer wall of the complex spreading over many acres. Initially, he ruled from his capital at Amber, which lies at a distance of 11 kilometres from Jaipur. He shifted his capital from Amber to Jaipur in 1727 because of an increase in population and increasing water shortage. He planned Jaipur city in six blocks separated by broad avenues, on the classical basis of principals of Vastushastra and other similar classical treatise under the architectural guidance of Vidyadar Bhattacharya, a man who was initially an accounts-clerk in the Amber treasury and later promoted to the office of Chief Architect by the King.
Following Jaisingh's death in 1744, there were internecine wars among the Rajput kings of the region but cordial relations were maintained with the British Raj. Maharaja Ram Singh sided with the British in the Sepoy Mutiny or Uprising of 1857 and established himself with the Imperial rulers. It is to his credit that the city of Jaipur including all of its monuments (including the City Palace) are stucco painted 'Pink' and since then the city has been called the "Pink City". The change in colour scheme was as an honour of hospitality extended to the Prince of Wales (who later became King Edward VII) on his visit. This colour scheme has since then become a trademark of the Jaipur city.
Man Singh II, the adopted son of Maharaja Madho Singh II, was the last Maharaja of Jaipur to rule from the Chandra Mahal palace, in Jaipur. This palace, however, continued to be a residence of the royal family even after the Jaipur kingdom merged with the Indian Union in 1949 (after Indian independence in August 1947) along with other Rajput states of Jodhpur, Jaisalmer and Bikaner. Jaipur became the capital of the Indian state of Rajasthan and Man Singh II had the distinction of becoming the Rajapramukh (present day Governor of the state) for a time and later was the Ambassador of India to Spain.
Italien / Lombardei - Lago di Como
Villa Carlotta
Villa Carlotta is a villa and botanical garden in Tremezzo on Lake Como in Northern Italy. Today the villa is a museum, whose collection includes works by sculptors such as Antonio Canova, Bertel Thorvaldsen, and Giovanni Migliara; painters such as Francesco Hayez; and furniture pieces of previous owners. The villa, whose architect is unknown, was completed in 1745.
History
Clerici family
The Clerici family rose from rural origins in the northern region of Lake Como to become successful silk merchants due to the efforts of Giorgio (1575-1660) and his sons Pietro Antonio (1599-1675), who was made a Marquis, and Carlo (1615-1677) who became the owner of numerous palaces in Milan and Brianza.
Carlo's son, the Milanese marquis Giorgio Clerici, became a senator in 1684 and was nominated in 1717 to be President of the Senate. In 1690, he decided to establish a country estate on ancestral lakeside land at Tremezzo. The estate was complete in its initial form by 1695, and the garden was first mentioned in 1699.
Upon the death of Giorgio Clerici, his great-grandson Anton Giorgio Clerici (1715-1768) inherited the family fortune, and completed the villa in 1745. He died after having dissipated nearly all of his fortune building the Palazzo Clerici in Milan, forcing his heirs to sell their Lake Como property.
Sommariva
In 1801, Anton Giorgio's only daughter, Claudia Caterina Clerici (the wife of Count Vitaliano Bigli), sold the property to Giovanni Battista Sommariva, a banker and politician who had risen from barber's apprentice to a position of power in Napoleon Bonaparte's government in Northern Italy. In 1802, he was a candidate for vice president of the Republic of Italy, but Napoleon selected Francesco Melzi d'Eril for the post instead. With his political career thwarted, Sommariva retired from public life and devoted his time to collecting art.
Sommariva modified the villa to bring it in line with early 19th-century taste, adding balconies to take in the lake view and installing a large clock on the facade, He commissioned works from artists, including the sculptors Antonio Canova and Bertel Thorwaldsen, and the painter Francesco Fidanza, whose works feature in the villa today. He built a domed family chapel and a mausoleum near the lake shore, and transformed part of the park into a romantic garden in the English style. For a time the house was known as Villa Sommariva.
Because Sommariva's eldest son, Emilio, had died fighting in Spain in 1811, Sommariva's fortune was left to his second son, Luigi. After Luigi's death in 1838, the fortune (by then much diminished) was divided between his wife, Emilia Sommariva (a French noblewoman née Seillère) and numerous relatives.
Sachsen Meiningen
In 1843, Princess Marianna, the wife of Prince Albert of Prussia, bought the property for 780,000 lira, ten times the amount paid by Giovanni Sommariva forty years earlier. Emilia Sommariva relocated to a smaller house in Tremezzo, while reserving for herself ownership of the Sommariva family chapel and mausoleum on the grounds of the villa.
In 1847, Princess Marianne gave the property to her daughter Charlotte as a wedding present upon her marriage to Georg II, Duke of Saxe-Meiningen (1826-1914). The house was renamed Villa Carlotta, however, Charlotte enjoyed the villa for only a few years before she died in 1855 at the age of twenty-three of complications from childbirth.
In 1857, the author Ludwig Bechstein wrote a description of the villa which was published as Villa Carlotta. Poetische Reisebilder vom Comersee und aus den lombardisch-venetianischen Landen.
The Sachsen-Meiningens used the property as a private holiday home. While they didn't make substantial changes to the building, they sold part of the art collection that came with the property. Duke Georg, who had a passion for botany, dedicated himself to the development and enrichment of the garden, introducing a great variety of rare and exotic species. The Duke was a patron of the composer Johannes Brahms, who visited the villa at the Duke's invitation several times in the 1880s. Duke Georg died in 1914 at the outbreak of World War I.
Public ownership
After Italy entered World War I in May 1915 on the side of the Allies, the Italian state declined to confiscate the villa, as it had other properties of enemy aliens in Italy, but rather placed it, on 15 August 1915, under the management of an administrator. During the war, the interest of the owners was exercised by the Swiss Consulate.
In 1921, the financial administrator of Como Province informed the owners that the entire property was now the property of the Italian state arguing that the villa was of eminent national significance. It was proposed in 1922 that the villa would be sold at auction. However local enthusiasts led by Senator Giuseppe Bianchini and the Rotary Club of Milan opposed this, which led to the villa being entrusted to the care of the Ente Villa Carlotta, a charitable foundation constituted by royal decree on 12 May 1927. This foundation is still responsible for the villa.
Description
The villa and surrounding grounds are located on the lakeshore at Tremezzo, facing the Bellagio peninsula. An Italian garden with steps, fountains and sculptures was laid out at the same time.
The villa
The villa is located at the top of a terraced garden, from which there are views of Bellagio and also the mountains surrounding the lake. It consists of three floors (two of which are open to the public). The works of art on display are mainly located on the lower floor, while the upper one, which has an elegant gallery, provides views over the lake.
Among the sculptures on display in the villa are:
Eros and Psyche by Adamo Tadolini. This is a marble copy taken from the original model used by Antonio Canova for the sculpture commissioned by Prince Nikolay Yusupov (and today at the Hermitage Museum in St. Petersburg). This copy arrived at the villa in 1834.
Mars and Venus by Luigi Acquisti. Dating from 1805 this is considered to be his masterpiece.
The original plaster model of The Muse Terpsichore by Antonio Canova. The sculpture was commissioned by Sommariva in 1811.
Palamedes by Antonio Canova. Sommariva commissioned this sculpture from Canova, but in 1805, when it was still in Canova's atelier in Rome, the Tevere River flooded the workshop and broke it into several pieces. Canova personally restored it, between 1806 and 1808. The sculpture arrived at the villa in 1819.
Repentant Magdalene. This is a copy produced by Canova's school of the original sculpture by Canova. Sommariva was also the owner of the original work.
The Entrance of Alexander the Great in Babylonia by Bertel Thorvaldsen. This work was originally designed in stucco for the Quirinale Palace in Rome to mark the occasion of Napoleon's visit. Completed in June 1812, it was so admired that Napoleon ordered a marble replica for the Pantheon in Paris. Napoleon's fall from power caused work to stop until in 1818 Sommariva decided to have it completed. The 33 marble slabs of the frieze arrived in the villa between 1818 and 1828. The last two characters at the end of the frieze are a self-portrait of Thorvaldsen and a portrait of Sommariva.
As well as paintings by Andrea Appiani and Giovanni Migliara there are also:
The Last Adieu of Romeo and Juliet by Francesco Hayez. This painting was commissioned by Sommariva in 1823.
The Reading of the VIth Book of the Aeneid by Jean-Baptiste Wicar. This large oil painting was commissioned by Sommariva in 1818. Before arriving at the villa it was exhibited with great success in Milan in 1821.
In addition, the villa is home to a collection of more than 470 plaster cameos created by the Roman artist Giovanni Liberotti and a large silk and wool tapestry by François Van der Borght.
The garden
The botanical garden covers an area of about 8 ha (20 acres)and consists of several different sections. Immediately around the villa, towards the lake, the Italian garden with cut hedges and pergolas with orange and camellia trees. The rhododendron and 150 varieties of azalea spread up the slope. The property is also home to cedars, palms, redwoods, plane trees and other exotic plants. there is also a bamboo garden, covering 3000 m2 which is home to over 25 different bamboo species. A greenhouse which had been used in the past to house citrus fruits during winter has been converted into a museum of old farm tools.
(Wikipedia)
Die Villa Carlotta ist eine Sommerresidenz aus dem 18. Jahrhundert in Tremezzo am Comer See, Lombardei, Italien. Sie dient heute als Museum und ist von einer großzügigen und mehrfach gegliederten Parkanlage umgeben. Sie war seit 1850 im Besitz des Fürstenhauses Sachsen-Meiningen, bis der italienische Staat sie nach dem Ersten Weltkrieg konfiszierte.
Geschichte
1690 wurde unter dem Mailänder Bankier Giorgio II. Clerici mit dem Bau der Villa begonnen. Unter seinem Sohn Antonio Giorgio Clerici wurde sie vollendet. Als dieser 1768 verstarb, erbte die Enkelin Claudia Clerici die Villa. 1801 verkaufte sie die Villa an Gian Battista Sommariva, der in der Cisalpinischen Republik (1797–1802) eine politische Karriere anstrebte. Als jedoch Napoleon Francesco Melzi d´Eril gegenüber ihm den Vorzug gab, endeten seine politischen Ambitionen und er widmete sich verstärkt dem Ausbau des Gartens und der Erweiterung der Kunstsammlung. Er starb 1826 und bereits 1838 auch sein Sohn Luigi. Das Erbe wurde zwischen seiner Frau Emilia Seillière und zahlreichen Verwandten aufgeteilt, die Villa musste verkauft werden. 1843 erwarb sie Marianne von Oranien-Nassau (1810–1883), Prinzessin der Niederlande und von 1830 bis 1849 mit Prinz Albrecht von Preußen (1809–1872) verheiratet. Diese vermachte das Anwesen 1850 ihrer Tochter Prinzessin Charlotte von Preußen als Geschenk zur Hochzeit mit Georg II. von Sachsen-Meiningen. Die Villa blieb im Besitz der Linie Sachsen-Meiningen bis zum Ausbruch des Ersten Weltkrieges. Am 15. August 1915 wurde sie unter italienische Staatsaufsicht gestellt. Schon während des Krieges musste der Intendant Max Wundel als deutscher Staatsbürger die Villa verlassen. Die Interessen der Eigentümer wurden vom Schweizerischen Konsulat wahrgenommen.
Um die Rückgabe der konfiszierten Villa entbrannte ein zwölfjähriger Kampf. 1921 teilte der Finanzverwalter der Provinz Como dem Verwalter des Eigentümers mit, der gesamte Besitz sei in das Eigentum des italienischen Staates übergegangen.[2] Der Wert der Villa wurde in der „Schadensdarstellung Seiner Hoheit...“ mit 8.762.500 Mark angegeben. 1927 erfolgte der endgültige Entscheid des italienischen Staates, dass die Villa aufgrund ihres hohen nationalen Wertes in italienischen Staatsbesitz überführt werde. Nach der Konfiszierung wurde die Ente Autonomo Villa Carlotta gegründet, der sich um die Erhaltung und Pflege der Villa und des Gartens kümmert.
Villa
Die Villa, die von der Familie Clerici im klassischen Stil des 18. Jahrhunderts errichtet worden war, wurde im Directoire-Stil unter Graf Sommariva erneuert. Er ließ das Dachgesims mit einer Balustrade und Vasen versehen sowie den Risalit mit einer Uhr über der Loggia krönen. Die Villa steht auf der obersten von fünf Terrassen, die in den Hang angelegt wurden. Vom Seeufer führt eine doppelläufige Treppe mit dekorativen Balustraden über die Terrassen zur Villa.
Das Innere der Villa ist heute ein Museum. Die Sammlung zeigt, neben Möbelstücken aus der Zeit der verschiedenen Besitzer, Werke von Canova, Thorvaldsen, Migliara und Hayez.
Garten
Die gesamte Parkanlage nimmt eine Fläche von ca. 8 ha ein und besteht aus unterschiedlichen Abschnitten. Unmittelbar um die Villa, zum Seeufer hin, liegt der italienische Garten mit geschnittenen Hecken und Pergolen mit Orangen- und Kamelienbäumchen. Den Hang aufwärts breitet sich der Rhododendron- und Azaleengarten aus. Der Bambusgarten bietet auf einer Fläche von 3000 m² über 25 Bambusarten. Die Familie Sachsen-Meiningen erweiterte den Garten um einen Steingarten und einen englischen Garten mit seltenen Bäumen und einer künstlichen Schlucht.
(Wikipedia)
White washed houses and splashes of colour were one of the prominent features in Capleira, Las Alpujarras. Spain
The white wagtail (Motacilla alba) is a small passerine bird in the wagtail family Motacillidae, which also includes the pipits and longclaws. This species breeds in much of Europe and Asia and parts of north Africa. It is resident in the mildest parts of its range, but otherwise migrates to Africa. It has a toehold in Alaska as a scarce breeder. In the British Isles the darker sub-species the pied wagtail (M. a. yarrellii) predominates.
The white wagtail is an insectivorous bird of open country, often near habitation and water. It prefers bare areas for feeding, where it can see and pursue its prey. In urban areas it has adapted to foraging on paved areas such as car parks. It nests in crevices in stone walls and similar natural and man-made structures.
The white wagtail is the national bird of Latvia
Taxonomy and systematics
Breeding ranges of the major races
The white wagtail was one of the many species originally described by Linnaeus in his 18th-century work, Systema Naturae, and it still bears its original name of Motacilla alba.[3] The Latin genus name originally meant "little mover", but certain medieval writers thought it meant "wag-tail", giving rise to a new Latin word cilla for "tail".[4] The specific epithet alba is Latin for "white".
Within the wagtail genus Motacilla, the white wagtail's closest relatives appear to be other black-and-white wagtails such as the Japanese wagtail, Motacilla grandis, and the white-browed wagtail, Motacilla madaraspatensis (and possibly the Mekong wagtail, Motacilla samveasnae, the phylogenetic position of which is mysterious), with which it appears to form a superspecies. However, mtDNA cytochrome b and NADH dehydrogenase subunit 2 sequence data suggests that the white wagtail is itself polyphyletic or paraphyletic (i.e. the species is not itself a single coherent grouping).[5] Other phylogenetic studies using mtDNA still suggest that there is considerable gene flow within the races and the resulting closeness makes Motacilla alba a single species.[6] Some studies have suggested the existence of only two groups : the alboides group, with M. a. alboides, M. a. leucopsis and M. a. personata; and the alba group, with M. a. alba, M. a. yarrellii, M. a. baicalensis, M. a. ocularis, M. a. lugens, and M. a. subpersonata.[7]
Description
An adult with a juvenile in Kazakhstan
The white wagtail is a slender bird, 16.5–19 cm (6½–7½ in) in length (East Asian subspecies are longer, measuring up to 21 cm (8¼ in), with the characteristic long, constantly wagging tail of its genus. Its average weight is 25 g (0.88 oz) and the maximum lifespan in the wild is c. 12 years.[8] The nominate subspecies Motacilla alba alba is basically grey above and white below, with a white face, black cap and black throat.
There are a number of other subspecies, some of which may have arisen because of partial geographical isolation, such as the resident British form, the pied wagtail M. a. yarrellii, which now also breeds in adjacent areas of the neighbouring European mainland. The pied wagtail, named for naturalist William Yarrell, exchanges the grey colour of the nominate form with black (or very dark grey in females), but is otherwise identical in its behaviour. Other subspecies, the validity of some of which is questionable, differ in the colour of the wings, back, and head, or other features. Some races show sexual dimorphism during the breeding season. As many as six subspecies may be present in the wintering ground in India or Southeast Asia and here they can be difficult to distinguish.[9][10][11][12] Phylogenetic studies using mtDNA suggest that some morphological features have evolved more than once, including the back and chin colour. Breeding M. a. yarrellii look much like the nominate race except for the black back, and M. a. alboides of the Himalayas differs from the Central Asian M. a. personata only by its black back. M. a. personata has been recorded breeding in the Siddar Valley of Kashmir of the Western Himalayas.[13] It has also been noted that both back and chin change colour during the pre-basic moult; all black-throated subspecies develop white chins and throats in winter and some black-backed birds are grey-backed in winter.[6][9]
The call of the white wagtail is a sharp chisick, slightly softer than the version given by the pied wagtail. The song is a pleasant twittering, more regular in White than Pied, but with little territorial significance, since the male uses a series of contact calls to attract the female.[14]
Subspecies
Nine or eleven subspecies are currently recognised. Information on the plumage differences and distribution of the subspecies of the white wagtail is shown below.[15]
Subspecies Range Notes Image
M. a. alba Europe from the Iberian Peninsula to Ural Mountains, Turkey, the Levant, Iceland, the Faroe Islands and Greenland's east coast. Some migrate to the south of Europe and Africa down as far as Kenya and Malawi Nominate subspecies Motacilla alba alba.JPG
M. a. yarrellii Great Britain and Ireland, birds in the northern part of the range winter in Spain and North Africa, those further south are resident.[16] Pied wagtail. Has a much blacker back than the nominate race, black of throat continues on side of neck Pied (white) wagtail (Motacilla alba yarrellii).JPG
M. a. dukhunensis West Siberian Plain – east Caspian Sea (part of Russia, Kazakhstan, Uzbekistan, Turkmenistan), winters in the Middle East and India. Sometimes included in alba.[16] Indian pied wagtail. The upperparts of this subspecies are paler and more blue-grey than nominate, and has it has a continuous unbroken white panel on wing coverts.
M. a. persica North central and western Iran. Intermediate between M. a. dukhunensis and M. a. personata. Often included in alba; appears to be hybrid or intergrade population.[16] MotacillaAlbaPersica.jpg
M. a. subpersonata Non-migratory resident of Morocco Moroccan wagtail. It has more black on the head than the nominate, and resembles a grey-backed, white-throated African pied wagtail[16] Moroccan Wagtail.jpg
M. a. personata Hindu Kush, Tian Shan, Altay Mountains (northern Iran, Afghanistan, Tajikistan, Kyrgyzstan, Kazakhstan, Xinjiang) Masked wagtail. All-black head with a white face mask White wagtail - Male (Non-breeding- personata race) at Hodal- I IMG 9164.jpg
M. a. alboides Himalayas and surrounding area This subspecies has a black back and a lot of black around the head, a white wing panel and white edges on the secondaries and tertials.
M. a. baicalensis Russia in Lake Baikal area, Mongolia, Inner Mongolia Resembles M. a. leucopsis but grey back and less white on head and wing.
M. a. ocularis Siberia, Far Eastern (Russia, eastwards from Central Siberian Plateau) expanding into West Alaska
M. a. lugens Russia Far East (Primorsky Krai, Khabarovsk Krai), Kamchatka Peninsula, Kuril Islands, Sakhalin, Japan (Hokkaidō, Honshū) Black-backed wagtail or kamchatka/Japanese pied wagtail, similar to M. a. yarrellii, but has a black eyestripe and white remiges; might have a claim to constitute a distinct species. Hakusekirei 06f5184cav.jpg
M. a. leucopsis China, Korean Peninsula, Taiwan, Japan (Ryukyu Islands, Kyūshū), expanding into Japan (Honshū), Southeast Asia, India, and Oceania Amur wagtail[17][18][19] White Wagtail- (Non-breeding- leucopsis race) at Kolkata I1 IMG 5597.jpg
Distribution and habitat
Worldwide distribution of the white wagtail. Yellow denotes summer range, green year round range, blue winter range.
This species breeds throughout Eurasia up to latitudes 75°N, only being absent in the Arctic from areas where the July isotherm is less than 4 °C. It also breeds in the mountains of Morocco and western Alaska. It occupies a wide range of habitats, but is absent from deserts.[14]
White wagtail is resident in the milder parts of its range such as western Europe and the Mediterranean, but migratory in much of the rest of its range. Northern European breeders winter around the Mediterranean and in tropical and subtropical Africa,[20] and Asiatic birds move to the Middle East, India,[16] and SouthEast Asia.[21] Birds from the North American population also winter in tropical Asia.[22]
Behaviour and ecology
The most conspicuous habit of this species is a near-constant tail wagging, a trait that has given the species, and indeed the genus, its common name. In spite of the ubiquity of this behaviour, the reasons for it are poorly understood. It has been suggested that it may flush prey, or signal submissiveness to other wagtails. A recent study has suggested instead that it is a signal of vigilance to potential predators.[23]
Diet and feeding
The exact composition of the diet of white wagtails varies by location, but terrestrial and aquatic insects and other small invertebrates form the major part of the diet. These range from beetles, dragonflies, small snails, spiders, worms, crustaceans, to maggots found in carcasses and, most importantly, flies in the order Diptera.[16] Small fish fry have also been recorded in the diet. The white wagtail is somewhat unusual in the parts of its range where it is non-migratory as it is an insectivorous bird that continues to feed on insects during the winter (most other insectivorous birds in temperate climates migrate or switch to more vegetable matter).[24]
Breeding
Eggs, Collection Museum Wiesbaden, Germany
Juvenile M. a. alba in northern Norway, showing the grey face and chest
White wagtails are monogamous and defend breeding territories.[16] The breeding season for most is from April to August, with the season starting later further north. Both sexes are responsible for building the nest, with the male responsible for initiating the nest building and the female for finishing the process. For second broods in the subspecies personata the female alone builds the nest,which is a rough cup assembled from twigs, grass, leaves and other plant matter, as the male is still provisioning the young.[25] It is lined with soft materials, including animal hair. The nest is set into a crevice or hole; traditionally in a bank next to a river or ditch, but the species has also adapted to nesting in walls, bridges and buildings. One nest was found in the skull of a walrus. They species will nest in association with other animals, particularly where available the dams of beavers and also inside the nests of golden eagles.[25] Around three to eight eggs are laid, with the usual number being four to six. Its eggs are cream-coloured, often with a faint bluish-green or turquoise tint, and heavily spotted with reddish brown; they measure, on average, 21×15 mm (0.83×0.59 inches).[26] Both parents incubate the eggs, although the female generally does so for longer and incubates at night. The eggs begin to hatch after 12 days (sometimes as late as 16 days). Both parents feed the chicks until they fledge at around 14 days, and the chicks are fed for another week after fledging.
Though it is known to be a host species for the common cuckoo, the white wagtail typically deserts its nest if it has been parasitised. Scientists theorise that this occurs because the wagtail is too small to push the intruding egg out of the nest, and too short-billed to destroy the egg by puncturing it.[27]
Status
This species has a large range, with an estimated extent of more than 10 million km2 (3.8 million sq mi). The population size is unknown, but it is believed to be large, as the species is described as "common" in at least parts of its range. Population trends have not been quantified, but the species is not believed to approach the thresholds for the population decline criterion of the IUCN Red List (i.e. declining more than 30% in ten years or three generations). For these reasons, the species is evaluated to be of least concern.[1] The population in Europe appears to be stable.[20] The species has adapted well to human changes to the environment and has exploited human changes such as man-made structures that are used for nesting sites and increased open areas that are used for foraging.[16] In a number of cities, notably Dublin, large flocks gather in winter to roost.
Construction progress includes the tile restoration process, viscous damped brace frames, and new structure and floor decks in the expanded core.
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The SMUD Headquarters is truly a landmark of mid-century modern design. After 60 years of continuous use, SMUD has committed to a complete refurbishment of their headquarters building, which is on the National Register of Historic Places.
In collaboration with Wiss, Janney, Elstner Associates, we will pare the building back to its steel structure, upgrading all dated materials and systems. Glazing, solar shades, precast concrete and Wayne Thiebaud’s mosaic tile mural, Water City, will be carefully preserved; new efficient lighting, HVAC and data systems will be fully integrated to bring this iconic headquarters into the 21st century.
Also included in this renovation are site and landscape improvements designed to historically maintain significant site features.
Walking on the lava flow. Much of which is obsidian.
Newberry National Volcanic Monument was designated on November 5, 1990 to protect the area around the Newberry Volcano in the United States. It was created within the boundaries of the Deschutes National Forest and is managed by the U.S. Forest Service. It includes 50,000 acres (20,000 ha) of lakes, lava flows, and spectacular geologic features in central Oregon. These photos are taken from the summit Paulina Peak 7,985 ft, (2,434 m). Just below us are East Lake and Paulina Lake and The Big Obsidian Flow, created 1,300 years ago, covers 700 acres. It is hard to fathom as you drive through the summit area that you are within a 17 square mile caldera at the summit of a 500 square mile volcano, a volcano that remains very active to this day. Newberry is both seismically and geothermally active. Geologists believe the caldera sits over a shallow magma body only 2 to 5 kilometers deep. Visitors see numerous cinder cones (over 400 throughout the area), miles of basalt flows, as well as rhyolite flows of obsidian.
The Lower Trout Lake Bathhouse Complex and Contact Station includes five Mid-Century Modern resources, located on
two separate land parcels, in the same section of the Bald Mountain Recreation Area in Orion Township. The Lower Trout Lake Bathhouse Complex and Contact Station was designed in the mid-1960s by internationally renowned Michigan
architect Gunnar Birkerts. The larger of the two parcels of land contains a bathhouse complex of four closely spaced circular buildings – Men’s and Women’s Bathhouses, a Concession Stand, and a Pump House – all grouped within a large
circular pad of concrete pavement set back from the beach at Lower Trout Lake. The nomination also includes a small round Contact Station or “control booth” located about 4,600 feet away on the entrance road into this southern section of
the Bald Mountain Recreation Area. The buildings are closely related by their circular forms, concrete construction, and,
before vandals stripped them, copper roofs.
The Lower Trout Lake Bathhouse Complex and Contact Station is significant under criteria A and C. It is a set of Park
Service Modern buildings inspired by the nationwide Mission 66 program. The buildings were designed by world renowned architect Gunnar Birkerts who is known for his high-style modern structures. The Lower Trout Lake Bathhouse Complex and Contact Station’s structures are examples of two complimentary forms of mid-century modern design; one, a style of park building known as Park Service Modern, made popular by the National Park Service and the Mission 66 program architects; the other, the distinctive architectural style produced by Gunnar Birkerts at the time, during the beginning of the busiest point in his career. The buildings are less than fifty years old, yet because of their unique design, association with a
nation-wide program, and were designed by a master architect; they are eligible for nomination to the National Register of Historic Places at the National level.
The Lower Trout Lake Bathhouse Complex and
Contact Station was listed in the National Register of HIstoric Places on September 3, 2013.
Kew Gardens is the world's largest collection of living plants. Founded in 1840 from the exotic garden at Kew Park in the London Borough of Richmond upon Thames, UK, its living collections include more than 30,000 different kinds of plants, while the herbarium, which is one of the largest in the world, has over seven million preserved plant specimens. The library contains more than 750,000 volumes, and the illustrations collection contains more than 175,000 prints and drawings of plants. It is one of London's top tourist attractions. In 2003, the gardens were put on the UNESCO list of World Heritage Sites.
Kew Gardens, together with the botanic gardens at Wakehurst Place in Sussex, are managed by the Royal Botanic Gardens, Kew (brand name Kew), an internationally important botanical research and education institution that employs 750 staff, and is a non-departmental public body sponsored by the Department for Environment, Food and Rural Affairs.
The Kew site, which has been dated as formally starting in 1759, though can be traced back to the exotic garden at Kew Park, formed by Lord Capel John of Tewkesbury, consists of 121 hectares (300 acres) of gardens and botanical glasshouses, four Grade I listed buildings and 36 Grade II listed structures, all set in an internationally significant landscape.
Kew Gardens has its own police force, Kew Constabulary, which has been in operation since 1847.
History
Kew, the area in which Kew Gardens are situated, consists mainly of the gardens themselves and a small surrounding community. Royal residences in the area which would later influence the layout and construction of the gardens began in 1299 when Edward I moved his court to a manor house in neighbouring Richmond (then called Sheen). That manor house was later abandoned; however, Henry V built Sheen Palace in 1501, which, under the name Richmond Palace, became a permanent royal residence for Henry VII. Around the start of the 16th century courtiers attending Richmond Palace settled in Kew and built large houses. Early royal residences at Kew included Mary Tudor's house, which was in existence by 1522 when a driveway was built to connect it to the palace at Richmond. Around 1600, the land that would become the gardens was known as Kew Field, a large field strip farmed by one of the new private estates.
The exotic garden at Kew Park, formed by Lord Capel John of Tewkesbury, was enlarged and extended by Augusta, Dowager Princess of Wales, the widow of Frederick, Prince of Wales. The origins of Kew Gardens can be traced to the merging of the royal estates of Richmond and Kew in 1772. William Chambers built several garden structures, including the lofty Chinese pagoda built in 1761 which still remains. George III enriched the gardens, aided by William Aiton and Sir Joseph Banks. The old Kew Park (by then renamed the White House), was demolished in 1802. The "Dutch House" adjoining was purchased by George III in 1781 as a nursery for the royal children. It is a plain brick structure now known as Kew Palace.
Some early plants came from the walled garden established by William Coys at Stubbers in North Ockendon. The collections grew somewhat haphazardly until the appointment of the first collector, Francis Masson, in 1771. Capability Brown, who became England's most renowned landscape architect, applied for the position of master gardener at Kew, and was rejected.
In 1840 the gardens were adopted as a national botanical garden, in large part due to the efforts of the Royal Horticultural Society and its president William Cavendish. Under Kew's director, William Hooker, the gardens were increased to 30 hectares (75 acres) and the pleasure grounds, or arboretum, extended to 109 hectares (270 acres), and later to its present size of 121 hectares (300 acres). The first curator was John Smith.
The Palm House was built by architect Decimus Burton and iron-maker Richard Turner between 1844 and 1848, and was the first large-scale structural use of wrought iron. It is considered " the world's most important surviving Victorian glass and iron structure." The structure's panes of glass are all hand-blown. The Temperate House, which is twice as large as the Palm House, followed later in the 19th century. It is now the largest Victorian glasshouse in existence. Kew was the location of the successful effort in the 19th century to propagate rubber trees for cultivation outside South America.
In February 1913, the Tea House was burned down by suffragettes Olive Wharry and Lilian Lenton during a series of arson attacks in London.[19] Kew Gardens lost hundreds of trees in the Great Storm of 1987. From 1959 to 2007 Kew Gardens had the tallest flagpole in Britain. Made from a single Douglas-fir from Canada, it was given to mark both the centenary of the Canadian Province of British Columbia and the bicentenary of Kew Gardens. The flagpole was removed after damage by weather and woodpeckers.
In July 2003, the gardens were put on the list of World Heritage Sites by UNESCO.
Features
Treetop walkway
A new treetop walkway opened in 2008. This walkway is 18 metres (59 ft) high and 200 metres (660 ft) long and takes visitors into the tree canopy of a woodland glade. Visitors can ascend and descend by stairs or by a lift. The floor of the walkway is made from perforated metal and flexes as it is walked upon. The entire structure sways in the wind.
Sackler Crossing
The Sackler Crossing bridge, made of granite and bronze, opened in May 2006. Designed by Buro Happold and John Pawson, it crosses the lake and is named in honour of philanthropists Dr Mortimer and Theresa Sackler.
The minimalist-styled bridge is designed as a sweeping double curve of black granite. The sides of the bridge are formed of bronze posts that give the impression, from certain angles, of forming a solid wall whereas from others, and to those on the bridge, they are clearly individual entities that allow a view of the water beyond.
The bridge forms part of a path designed to encourage visitors to visit more of the gardens than had hitherto been popular and connects the two art galleries, via the Temperate and Evolution Houses and the woodland glade, to the Minka House and the Bamboo Garden.
The crossing won a special award from the Royal Institute of British Architects in 2008.
Vehicular tour
Kew Explorer is a service that takes a circular route around the gardens, provided by two 72-seater road trains that are fuelled by Calor Gas to minimise pollution. A commentary is provided by the driver and there are several stops.
Compost heap
Kew has one of the largest compost heaps in Europe, made from green and woody waste from the gardens and the manure from the stables of the Household Cavalry. The compost is mainly used in the gardens, but on occasion has been auctioned as part of a fundraising event for the gardens.
The compost heap is in an area of the gardens not accessible to the public, but a viewing platform, made of wood which had been illegally traded but seized by Customs officers in HMRC, has been erected to allow visitors to observe the heap as it goes through its cycle.
Guided walks
Free tours of the gardens are conducted daily by trained volunteers.
Plant houses
Alpine House
A narrow semicircular building of glass and steel latticework stands at the right, set amid an area of worked rock with a line of deciduous trees in the rear left, under a blue sky filled with large puffy white clouds. In front of it, curving slightly away to the left, is a wooden platform with benches on it and a thin metal guardrail in front of a low wet area with bright red flowers
In March 2006, the Davies Alpine House opened, the third version of an alpine house since 1887. Although only 16 metres (52 ft) long the apex of the roof arch extends to a height of 10 metres (33 ft) in order to allow the natural airflow of a building of this shape to aid in the all-important ventilation required for the type of plants to be housed.
The new house features a set of automatically operated blinds that prevent it overheating when the sun is too hot for the plants together with a system that blows a continuous stream of cool air over the plants. The main design aim of the house is to allow maximum light transmission. To this end the glass is of a special low iron type that allows 90 per cent of the ultraviolet light in sunlight to pass. It is attached by high tension steel cables so that no light is obstructed by traditional glazing bars.
To conserve energy the cooling air is not refrigerated but is cooled by being passed through a labyrinth of pipes buried under the house at a depth where the temperature remains suitable all year round. The house is designed so that the maximum temperature should not exceed 20 °C (68 °F).
Kew's collection of Alpine plants (defined as those that grow above the tree-line in their locale – ground level at the poles rising to over 2,000 metres (6,562 feet)), extends to over 7000. As the Alpine House can only house around 200 at a time the ones on show are regularly rotated.
The Nash Conservatory
Originally designed for Buckingham Palace, this was moved to Kew in 1836 by King William IV. With an abundance of natural light, the building is used various exhibitions, weddings, and private events. It is also now used to exhibit the winners of the photography competition.
Kew Orangery
The Orangery was designed by Sir William Chambers, and was completed in 1761. It measures 28 by 10 metres (92 by 33 ft). It was found to be too dark for its intended purpose of growing citrus plants and they were moved out in 1841. After many changes of use, it is currently used as a restaurant.
The Palm House and Parterre
The Palm House (1844–1848) was the result of cooperation between architect Decimus Burton and iron founder Richard Turner,[28] and continues upon the glass house design principles developed by John Claudius Loudon[29][30] and Joseph Paxton. A space frame of wrought iron arches, held together by horizontal tubular structures containing long prestressed cables,[30][31] supports glass panes which were originally[28] tinted green with copper oxide to reduce the significant heating effect. The 19m high central nave is surrounded by a walkway at 9m height, allowing visitors a closer look upon the palm tree crowns. In front of the Palm House on the east side are the Queen's Beasts, ten statues of animals bearing shields. They are Portland stone replicas of originals done by James Woodford and were placed here in 1958.[32]
Princess of Wales Conservatory
Kew's third major conservatory, the Princess of Wales Conservatory, designed by architect Gordon Wilson, was opened in 1987 by Diana, Princess of Wales in commemoration of her predecessor Augusta's associations with Kew. In 1989 the conservatory received the Europa Nostra award for conservation.[34] The conservatory houses ten computer-controlled micro-climatic zones, with the bulk of the greenhouse volume composed of Dry Tropics and Wet Tropics plants. Significant numbers of orchids, water lilies, cacti, lithops, carnivorous plants and bromeliads are housed in the various zones. The cactus collection also extends outside the conservatory where some hardier species can be found.
The conservatory has an area of 4499 square metres. As it is designed to minimise the amount of energy taken to run it, the cooler zones are grouped around the outside and the more tropical zones are in the central area where heat is conserved. The glass roof extends down to the ground, giving the conservatory a distinctive appearance and helping to maximise the use of the sun's energy.
During the construction of the conservatory a time capsule was buried. It contains the seeds of basic crops and endangered plant species and key publications on conservation.
Rhizotron
The Rhizotron
A rhizotron opened at the same time as the "treetop walkway", giving visitors the opportunity to investigate what happens beneath the ground where trees grow. The rhizotron is essentially a single gallery containing a set of large bronze abstract castings which contain LCD screens that carry repeating loops of information about the life of trees.
Temperate House
Inside the Temperate House
The Temperate House, currently closed for restoration, is a greenhouse that has twice the floor area of the Palm House and is the world's largest surviving Victorian glass structure. When in use it contained plants and trees from all the temperate regions of the world. It was commissioned in 1859 and designed by architect Decimus Burton and ironfounder Richard Turner. Covering 4880 square metres, it rises to a height of 19 metres. Intended to accommodate Kew's expanding collection of hardy and temperate plants, it took 40 years to construct, during which time costs soared. The building was restored during 2014 - 15 by Donald Insall Associates, based on their conservation management plan.
There is a viewing gallery in the central section from which visitors were able to look down on that part of the collection.
Waterlily House
The Waterlily House is the hottest and most humid of the houses at Kew and contains a large pond with varieties of water lily, surrounded by a display of economically important heat-loving plants. It closes during the winter months.
It was built to house the Victoria amazonica, the largest of the Nymphaeaceae family of water lilies. This plant was originally transported to Kew in phials of clean water and arrived in February 1849, after several prior attempts to transport seeds and roots had failed. Although various other members of the Nymphaeaceae family grew well, the house did not suit the Victoria, purportedly because of a poor ventilation system, and this specimen was moved to another, smaller, house.
The ironwork for this project was provided by Richard Turner and the initial construction was completed in 1852. The heat for the house was initially obtained by running a flue from the nearby Palm House but it was later equipped with its own boiler.
Ornamental buildings
The Pagoda
In the south-east corner of Kew Gardens stands the Great Pagoda (by Sir William Chambers), erected in 1762, from a design in imitation of the Chinese Ta. The lowest of the ten octagonal storeys is 15 m (49 ft) in diameter. From the base to the highest point is 50 m (164 ft).
Each storey finishes with a projecting roof, after the Chinese manner, originally covered with ceramic tiles and adorned with large dragons; a story is still propagated that they were made of gold and were reputedly sold by George IV to settle his debts. In fact the dragons were made of wood painted gold, and simply rotted away with the ravages of time. The walls of the building are composed of brick. The staircase, 253 steps, is in the centre of the building. The Pagoda was closed to the public for many years, but was reopened for the summer months of 2006 and is now open permanently. During the Second World War holes were cut in each floor to allow for drop-testing of model bombs.
The Japanese Gateway (Chokushi-Mon)
Built for the Japan-British Exhibition (1910) and moved to Kew in 1911, the Chokushi-Mon ("Imperial Envoy's Gateway") is a four-fifths scale replica of the karamon (gateway) of the Nishi Hongan-ji temple in Kyoto. It lies about 140 m west of the Pagoda and is surrounded by a reconstruction of a traditional Japanese garden.
The Minka House
Following the Japan 2001 festival, Kew acquired a Japanese wooden house called a minka. It was originally erected in around 1900 in a suburb of Okazaki. Japanese craftsmen reassembled the framework and British builders who had worked on the Globe Theatre added the mud wall panels.
Work on the house started on 7 May 2001 and, when the framework was completed on 21 May, a Japanese ceremony was held to mark what was considered an auspicious occasion. Work on the building of the house was completed in November 2001 but the internal artefacts were not all in place until 2006.
The Minka house is located within the bamboo collection in the west central part of the gardens.
Queen Charlotte's Cottage
Within the conservation area is a cottage that was given to Queen Charlotte as a wedding present on her marriage to George III. It has been restored by Historic Royal Palaces and is separately administered by them.
It is open to the public on weekends and bank holidays during the summer.
Kew Palace
Kew Palace is the smallest of the British royal palaces. It was built by Samuel Fortrey, a Dutch merchant in around 1631. It was later purchased by George III. The construction method is known as Flemish bond and involves laying the bricks with long and short sides alternating. This and the gabled front give the construction a Dutch appearance.
To the rear of the building is the "Queen's Garden" which includes a collection of plants believed to have medicinal qualities. Only plants that were extant in England by the 17th century are grown in the garden.
The building underwent significant restoration, with leading conservation architects Donald Insall Associates, before being reopened to the public in 2006.
It is administered separately from Kew Gardens, by Historic Royal Palaces.
In front of the palace is a sundial, which was given to Kew Gardens in 1959 to commemorate a royal visit. It was sculpted by Martin Holden and is based on an earlier sculpture by Thomas Tompion, a celebrated 17th century clockmaker.
Galleries and Museums
The Shirley Sherwood Gallery of Botanic Art
The Shirley Sherwood Gallery of Botanic Art opened in April 2008, and holds paintings from Kew's and Dr Shirley Sherwood's collections, many of which had never been displayed to the public before. It features paintings by artists such as Georg D. Ehret, the Bauer brothers, Pierre-Joseph Redouté and Walter Hood Fitch. The paintings and drawings are cycled on a six-monthly basis. The gallery is linked to the Marianne North Gallery (see above).
Near the Palm House is a building known as "Museum No. 1" (even though it is the only museum on the site), which was designed by Decimus Burton and opened in 1857. Housing Kew's economic botany collections including tools, ornaments, clothing, food and medicines, its aim was to illustrate human dependence on plants. The building was refurbished in 1998. The upper two floors are now an education centre and the ground floor houses the "Plants+People" exhibition which highlights the variety of plants and the ways that people use them.
Admission to the galleries and museum is free after paying admission to the gardens. The International Garden Photographer of the Year Exhibition is an annual event with an indoor display of entries during the summer months.
The Marianne North Gallery of Botanic Art
The Marianne North Gallery was built in the 1880s to house the paintings of Marianne North, an MP's daughter who travelled alone to North and South America, South Africa and many parts of Asia, at a time when women rarely did so, to paint plants. The gallery has 832 of her paintings. The paintings were left to Kew by the artist and a condition of the bequest is that the layout of the paintings in the gallery may not be altered.
The gallery had suffered considerable structural degradation since its creation and during a period from 2008 to 2009 major restoration and refurbishment took place, with works lead by with leading conservation architects Donald Insall Associates. During the time the gallery was closed the opportunity was also taken to restore the paintings to their original condition. The gallery reopened in October 2009.
The gallery originally opened in 1882 and is the only permanent exhibition in Great Britain dedicated to the work of one woman.
Plant collections
The plant collections include the Aquatic Garden, which is near the Jodrell laboratory. The Aquatic Garden, which celebrated its centenary in 2009, provides conditions for aquatic and marginal plants. The large central pool holds a selection of summer-flowering water lilies and the corner pools contain plants such as reed mace, bulrushes, phragmites and smaller floating aquatic species.
The Arboretum, which covers over half of the total area of the site, contains over 14,000 trees of many thousands of varieties. The Bonsai Collection is housed in a dedicated greenhouse near the Jodrell laboratory. The Cacti Collection is housed in and around the Princess of Wales Conservatory. The Carnivorous Plant collection is housed in the Princess of Wales Conservatory. The Grass Garden was created on its current site in the early 1980s to display ornamental and economic grasses; it was redesigned and replanted between 1994 and 1997. It is currently undergoing a further redesign and planting. Over 580 species of grasses are displayed.
The Herbaceous Grounds (Order Beds) were devised in the late 1860s by Sir Joseph Hooker, then director of the Royal Botanic Gardens, so that botany students could learn to recognise plants and experience at first hand the diversity of the plant kingdom. The collection is organised into family groups. Its name arose because plant families were known as natural orders in the 19th century. Over the main path is a rose pergola built in 1959 to mark the bicentennial of the Gardens. It supports climber and rambling roses selected for the length and profusion of flowering.
The Orchid Collection is housed in two climate zones within the Princess of Wales Conservatory. To maintain an interesting display the plants are changed regularly so that those on view are generally flowering. The Rock Garden, originally built of limestone in 1882, is now constructed of Sussex sandstone from West Hoathly, Sussex. The rock garden is divided into six geographic regions: Europe, Mediterranean and Africa, Australia and New Zealand, Asia, North America, and South America. There are currently 2,480 different "accessions" growing in the garden.
The Rose Garden, based upon original designs by William Nesfield, is behind the Palm House, and was replanted between 2009 and 2010 using the original design from 1848. It is intended as an ornamental display rather than a collection of a particularly large number of varieties. Other collections and specialist areas include the rhododendron dell, the azalea garden, the bamboo garden, the juniper collection, the berberis dell, the lilac garden, the magnolia collection, and the fern collection.
The Palm House and lake to Victoria Gate
The world's smallest water-lily, Nymphaea thermarum, was saved from extinction when it was grown from seed at Kew, in 2009.
Herbarium
The Kew herbarium is one of the largest in the world with approximately 7 million specimens used primarily for taxonomic study. The herbarium is rich in types for all regions of the world, especially the tropics.
Library and archives
The library and archives at Kew are one of the world's largest botanical collections, with over half a million items, including books, botanical illustrations, photographs, letters and manuscripts, periodicals, and maps. The Jodrell Library has been merged with the Economic Botany and Mycology Libraries and all are now housed in the Jodrell Laboratory.
Forensic horticulture
Kew provides advice and guidance to police forces around the world where plant material may provide important clues or evidence in cases. In one famous case the forensic science department at Kew were able to ascertain that the contents of the stomach of a headless corpse found in the river Thames contained a highly toxic African bean.
Economic Botany
The Sustainable Uses of Plants group (formerly the Centre for Economic Botany), focus on the uses of plants in the United Kingdom and the world's arid and semi-arid zones. The Centre is also responsible for curation of the Economic Botany Collection, which contains more than 90,000 botanical raw materials and ethnographic artefacts, some of which are on display in the Plants + People exhibit in Museum No. 1. The Centre is now located in the Jodrell Laboratory.
Jodrell Laboratory
The original Jodrell laboratory, named after Mr T. J. Phillips Jodrell who funded it, was established in 1877 and consisted of four research rooms and an office. Originally research was conducted into plant physiology but this was gradually superseded by botanical research. In 1934 an artists' studio and photographic darkroom were added, highlighting the importance of botanical illustration. In 1965, following increasing overcrowding, a new building was constructed and research expanded into seed collection for plant conservation. The biochemistry section also expanded to facilitate research into secondary compounds that could be derived from plants for medicinal purposes. In 1994 the centre was expanded again, tripling in size, and a decade later it was further expanded by the addition of the Wolfson Wing.
Kew Constabulary
Main article: Kew Constabulary
The gardens have their own police force, Kew Constabulary, which has been in operation since 1847. Formerly known as the Royal Botanic Gardens Constabulary, it is a small, specialised constabulary of two sergeants and 12 officers, who patrol the grounds in a green painted electric buggy. The Kew Constables are attested under section 3 of the Parks Regulation Act 1872, which gives them the same powers as the Metropolitan Police within the land belonging to the gardens.
Media
A number of films, documentaries and short videos have been made about Kew Gardens.
They include:
a short colour film World Garden by cinematographer Geoffrey Unsworth in 1942
three series of A Year at Kew (2007), filmed for BBC television and released on DVD
Cruickshank on Kew: The Garden That Changed the World, a 2009 BBC documentary, presented by Dan Cruickshank, exploring the history of the relationship between Kew Gardens and the British Empire
David Attenborough's 2012 Kingdom of Plants 3D
a 2003 episode of the Channel 4 TV series Time Team, presented by Tony Robinson, that searched for the remains of George III's palace
a 2004 episode of the BBC Four series Art of the Garden which looked at the building of the Great Palm House in the 1840s.
"Kew on a Plate", a TV programme showing the kinds of produce grown at Kew Gardens and how they can be prepared in a kitchen.
In 1921 Virginia Woolf published her short story "Kew Gardens", which gives brief descriptions of four groups of people as they pass by a flowerbed.
Access and transport
Elizabeth Gate
Kew Gardens is accessible by a number of gates. Currently, there are four gates into Kew Gardens that are open to the public: the Elizabeth Gate, which is situated at the west end of Kew Green, and was originally called the Main Gate before being renamed in 2012 to commemorate the Diamond Jubilee of Elizabeth II; the Brentford Gate, which faces the River Thames; the Victoria Gate (named after Queen Victoria), situated in Kew Road, which is also the location of the Visitors' Centre; and the Lion Gate, also situated in Kew Road.
Other gates that are not open to the public include Unicorn Gate, Cumberland Gate and Jodrell Gate (all in Kew Road) and Isleworth Gate (facing the Thames).
Victoria Gate
Kew Gardens station, a London Underground and National Rail station opened in 1869 and served by both the District line and the London Overground services on the North London Line, is the nearest train station to the gardens – only 400 metres (1,300 ft) along Lichfield Road from the Victoria Gate entrance. Built by the London and South Western Railway, the Historic England listed building is one of the few remaining original 19th-century stations on the North London Line, and the only station on the London Underground with a pub on the platform (though the platform entrance is now closed off). Kew Bridge station, on the other side of the Thames, 800 metres from the Elizabeth Gate entrance via Kew Bridge, is served by South West Trains from Clapham Junction and Waterloo.
London Buses route 65, between Ealing Broadway and Kingston, stops near the Lion Gate and Victoria Gate entrances; route 391, between Fulham and Richmond, stops near Kew Gardens station; while routes 237 and 267 stop at Kew Bridge station.
London River Services operate from Westminster during the summer, stopping at Kew Pier, 500 metres (1,600 ft) from Elizabeth Gate. Cycle racks are located just inside the Victoria Gate, Elizabeth Gate and Brentford Gate entrances. There is a 300-space car park outside Brentford Gate, reached via Ferry Lane, as well as some free, though restricted, on-street parking on Kew Road.
As Taggart would say :-) A humorous addition to the white markings made by the council to highlight defects on the Adur Ferry Bridge
This includes large pink and orange gerbera daisies, some orange roses called "mambo", kermit mums (the green ones), and the little pink ones are called Bouvardia.
The only thing that's missing from these photos is the green hypericum - we weren't able to get that. But they will be in the arrangements on the big day.
The bark covered twine will be wrapped around the stems and also has those curly pieces sticking out. Love it!!
The only thing we aren't decided on yet is the centerpieces... but there's time!
This photo includes Co-Creator/ Executive Producer Mari Noxon, Actor Shiri Appleby and Co-Creator Sarah Gertrude Shapiro from Lifetime's "UnREAL."
(Photo/Sarah E. Freeman/Grady College, freemans@uga.edu in New York City, Georgia, on Saturday, May 21, 2016)
Practice for the St Mary's Trophy at the Goodwood Revival. An Alfa GTA leads this group through Magwick.