Hardly anywhere else on earth are such large unfragmented natural landscapes existing anymore than in Northern Siberia. Particularly in the treeless tundra regions the ever changing meanders of dynamic rivers make impressive pictures outside an airplane window.

 

For any form of publication, please include the link to this page: www.grida.no/resources/2679

 

This photo has been graciously provided to be used in the GRID-Arendal resources library by: Peter Prokosch

The Bonneville Salt Flats are a densely packed salt pan in Tooele County in northwestern Utah. A remnant of the Pleistocene Lake Bonneville, it is the largest of many salt flats west of the Great Salt Lake. It is public land managed by the Bureau of Land Management and is known for land speed records at the Bonneville Speedway. Access to the Flats is open to the public.

 

The Flats are about 12 miles (19 km) long and 5 miles (8 km) wide, with a crust almost 5 ft (1.5m) thick at the center and less than one inch (2.5 cm) towards the edges. It is estimated to hold 147 million tons of salt, approximately 90% of which is common table salt.

 

Geologist Grove Karl Gilbert named the area after Benjamin Bonneville, a U.S. Army officer who explored the Intermountain West in the 1830s. In 1907, Bill Rishel and two local businessmen tested the suitability of the salt for driving by taking a Pierce-Arrow onto its surface.

 

A railway line across the Flats was completed in 1910, marking the first permanent crossing. The first land speed record was set there in 1914 by Teddy Tetzlaff.

 

Entertainment filmed at the Flats include portions of Walking with Dinosaurs Special - The Ballad of Big Al, Knight Rider, Warlock, Independence Day (1996) and its sequel, SLC Punk, Cremaster 2 from Cremaster Cycle, The Brown Bunny, The World's Fastest Indian, Gerry, The Tree of Life, Top Gear and Pirates of the Caribbean: At World's End. Furthermore, the Pontiac Bonneville (former flagship sedan of the Pontiac motor division), the Triumph Bonneville motorcycle, and the Bonneville International media company are all named for the Flats.

 

The Bonneville Salt Flats hosts the annual US Flight Archery Championships. The goal of flight archery is to shoot arrows from bows at the greatest distance possible without regard to hitting a target, and so the vast flat plane of the flats serves as an ideal location to measure the linear distance traveled by arrows without geographic interference. Both the 1977 (archer Don Brown) and 1982 (archer Alan Webster) world records were set there; while the current world record, achieved in 1987 (archer Don Brown), was set at the salt flats near Smith Creek, Nevada.

 

The thickness of salt crust is a critical factor in racing use of the salt flats. The Bureau of Land Management (BLM) has undertaken multiple studies on the topic; while a 2007 study determined that there was little change in the crust's thickness from 1988 to 2003, more recent studies have shown a reduction in thickness, especially in the northwest area where racing occurs. The flats' overall area has contracted significantly over the past several decades. The cause or causes of this remain unclear, but many believe adjacent evaporative potash mining is the primary factor.

 

Collaboration between racing organizations, the potash mine, and the BLM led to a pilot program begun in 1998 to release excess brine onto the salt flats during winter. Plans to increase the volume of brine returned to the salt flats are hoped to halt loss of crust thickness, or possibly restore it where it has become too thin to sustain human use.

 

Motorcar racing has taken place at the salt flats since 1914. Racing takes place at part of the Bonneville Salt Flats known as the Bonneville Speedway. There are five major land speed events that take place at the Bonneville Salt Flats. Bonneville "Speed Week" takes place mid-August followed by "World of Speed" in September and the "World Finals" take place early October.

 

These three events welcome cars, trucks, and motorcycles. The "Bub Motorcycle Speed Trials" are for motorcycles only. World records are contested at the Mike Cook ShootOut in September. The Southern California Timing Association and the Utah Salt Flats Racing Association organizes and plans the multi-vehicle events, but all event promoters contribute to prepping and maintaining the salt. "Speed Week" events in August were canceled in 2015 and 2022, due to the poor condition of the salt in certain parts of the flats. The salt flats had been swamped by heavy rains earlier in the year, as usual, but this year the rains also triggered mudslides from surrounding mountains onto a section of the flats used for the land-speed racing courses.

 

Bonneville Speedway (also known as the Bonneville Salt Flats Race Track) is an area of the Bonneville Salt Flats northeast of Wendover, Utah, that is marked out for motor sports. It is particularly noted as the venue for numerous land speed records. The Bonneville Salt Flats Race Track is listed on the National Register of Historic Places.

 

The salt flats were first used for motor sports in 1912, but did not become truly popular until the 1930s when Ab Jenkins and Sir Malcolm Campbell competed to set land speed records.

 

A reduction of available racing surface and salt thickness has led to the cancellation of events at Bonneville, such as Speed Week in 2014 and 2015. Available racing surface is much reduced with just 2.5 miles (4.0 km) available instead of the 9-mile (14 km) courses traditionally used for Speed Week.

 

Historically, the speedway was marked out by the Utah Department of Transportation at the start of each summer. Originally, two tracks were prepared; a 10-mile (16 km) long straightaway for speed trials and an oval or circular track for distance runs, which was typically between 10 and 12 miles (16 and 19 km) long depending on the condition of the salt surface.

 

Since at least the 1990s, track preparations have been the responsibility of the event organizers. Days or weeks in advance, the track preparers identify an area best suited for their track layouts and begin grading the tracks. Surveyors are brought in to survey the timing trap distances. A day before racing begins, the track markers are added.

 

Originally, the straightaway was marked with a broad black line down its center. This was eventually changed to lines down either side, as the center line wore out too quickly. As the costs for painting the lines has gone up, organizations have switched to flags and cones as track markers. The last event to use black lines was Speed Week, August 2009.

 

The number of tracks and the timed sections for each track are set according to what is most beneficial for each event. Large public meets such as Speed Week run as many as four tracks with several timed miles, usually starting with the second mile and running to the fifth mile. Smaller meets that typically only run world record attempts will utilize a single track, with one timed mile and one timed kilometer in the middle of the track. Additional marks and cones indicate the end of the track and the position of timing equipment.

 

The annual Speed Week was cancelled in both 2014 and 2015, as were many land-speed racing events, due to deteriorating track conditions. Heavy rains caused a layer of mud from surrounding mountains to flow onto the flats, covering approximately 6 mi (9.7 km) of the track. Although another section of the flats would normally be used, nearby salt mining operations had reduced the size of the alternative track.

 

The depth of the salt crust at Bonneville has also been decreasing, possibly leaching into a saltwater aquifer. Measured at as much at 3 ft (0.91 m) in the 1940s and 50s, it has been reduced to just 2 in (0.051 m) in 2015.

 

Though recent studies have been made (since 1960), the causes of this deterioration are not clear, although the evidence points toward both local climatic changes and salt mining. Some strategies were devised to revert the decreasing salt surface, such as pumping back salt, though this had no effect.

 

In August, the Southern California Timing Association and Bonneville Nationals Inc. organize Speed Week, the largest meet of the year, which attracts several hundred drivers who compete to set highest speed in a range of categories. Bonneville Speed Week has been taking place since 1949.

 

In late August, the Bonneville Motorcycle Speed Trials are held.

 

In September each year is the World of Speed, (similar to Speed Week) organized by the Utah Salt Flats Racing Association. The USFRA also meet on the first Wednesday of each month throughout the summer.

 

In October, the Southern California Timing Association puts on World Finals, a scaled-down version of Speed Week. This event tends to have cooler weather and often drier salt that Speed Week the prior month. There are less spectators and it tends to draw serious racers, as this event is the last chance to break a land speed record and be in the SCTA record book for that year.

 

Each year, there are usually a few private meets that are not publicized scattered among the larger public meets.

 

Several motor-paced racing speed records have been attempted at Bonneville.

 

In 1985, American cyclist John Howard set a then world record of 244 km/h (152 mph).

 

On 15 October 1995, Dutch cyclist Fred Rompelberg achieved 268.831 km/h (167.044 mph), using a special bicycle behind a dragster with a large shield.

 

In 2016, Denise Mueller-Korenek claimed a women's bicycle land speed record at 147 mph (237 km/h). She was coached by Howard. It is not clear which authority was supervising the record attempt.

 

In 2018, Mueller-Korenek broke her own women's record and the men's record at a speed of 183.9 miles per hour (296.0 km/h).

 

In popular culture

In the 2003 film The Brown Bunny, Bud Clay races his motorcycle at the speedway.

In the 2005 film The World's Fastest Indian, Burt Munro and his highly modified Indian Scout motorcycle sets a world record.

In the 2015 series finale episode of Mad Men, Donald Draper drives a 1970 Chevrolet Chevelle SS muscle car in the races at Bonneville Speedway.

 

Utah is a landlocked state in the Mountain West subregion of the Western United States. It borders Colorado to its east, Wyoming to its northeast, Idaho to its north, Arizona to its south, and Nevada to its west. Utah also touches a corner of New Mexico in the southeast. Of the fifty U.S. states, Utah is the 13th-largest by area; with a population over three million, it is the 30th-most-populous and 11th-least-densely populated. Urban development is mostly concentrated in two areas: the Wasatch Front in the north-central part of the state, which is home to roughly two-thirds of the population and includes the capital city, Salt Lake City; and Washington County in the southwest, with more than 180,000 residents. Most of the western half of Utah lies in the Great Basin.

 

Utah has been inhabited for thousands of years by various indigenous groups such as the ancient Puebloans, Navajo, and Ute. The Spanish were the first Europeans to arrive in the mid-16th century, though the region's difficult geography and harsh climate made it a peripheral part of New Spain and later Mexico. Even while it was Mexican territory, many of Utah's earliest settlers were American, particularly Mormons fleeing marginalization and persecution from the United States via the Mormon Trail. Following the Mexican–American War in 1848, the region was annexed by the U.S., becoming part of the Utah Territory, which included what is now Colorado and Nevada. Disputes between the dominant Mormon community and the federal government delayed Utah's admission as a state; only after the outlawing of polygamy was it admitted in 1896 as the 45th.

 

People from Utah are known as Utahns. Slightly over half of all Utahns are Mormons, the vast majority of whom are members of the Church of Jesus Christ of Latter-day Saints (LDS Church), which has its world headquarters in Salt Lake City; Utah is the only state where a majority of the population belongs to a single church. A 2023 paper challenged this perception (claiming only 42% of Utahns are Mormons) however most statistics still show a majority of Utah residents belong to the LDS church; estimates from the LDS church suggests 60.68% of Utah's population belongs to the church whilst some sources put the number as high as 68%. The paper replied that membership count done by the LDS Church is too high for several reasons. The LDS Church greatly influences Utahn culture, politics, and daily life, though since the 1990s the state has become more religiously diverse as well as secular.

 

Utah has a highly diversified economy, with major sectors including transportation, education, information technology and research, government services, mining, multi-level marketing, and tourism. Utah has been one of the fastest growing states since 2000, with the 2020 U.S. census confirming the fastest population growth in the nation since 2010. St. George was the fastest-growing metropolitan area in the United States from 2000 to 2005. Utah ranks among the overall best states in metrics such as healthcare, governance, education, and infrastructure. It has the 12th-highest median average income and the least income inequality of any U.S. state. Over time and influenced by climate change, droughts in Utah have been increasing in frequency and severity, putting a further strain on Utah's water security and impacting the state's economy.

 

The History of Utah is an examination of the human history and social activity within the state of Utah located in the western United States.

 

Archaeological evidence dates the earliest habitation of humans in Utah to about 10,000 to 12,000 years ago. Paleolithic people lived near the Great Basin's swamps and marshes, which had an abundance of fish, birds, and small game animals. Big game, including bison, mammoths and ground sloths, also were attracted to these water sources. Over the centuries, the mega-fauna died, this population was replaced by the Desert Archaic people, who sheltered in caves near the Great Salt Lake. Relying more on gathering than the previous Utah residents, their diet was mainly composed of cattails and other salt tolerant plants such as pickleweed, burro weed and sedge. Red meat appears to have been more of a luxury, although these people used nets and the atlatl to hunt water fowl, ducks, small animals and antelope. Artifacts include nets woven with plant fibers and rabbit skin, woven sandals, gaming sticks, and animal figures made from split-twigs. About 3,500 years ago, lake levels rose and the population of Desert Archaic people appears to have dramatically decreased. The Great Basin may have been almost unoccupied for 1,000 years.

 

The Fremont culture, named from sites near the Fremont River in Utah, lived in what is now north and western Utah and parts of Nevada, Idaho and Colorado from approximately 600 to 1300 AD. These people lived in areas close to water sources that had been previously occupied by the Desert Archaic people, and may have had some relationship with them. However, their use of new technologies define them as a distinct people. Fremont technologies include:

 

use of the bow and arrow while hunting,

building pithouse shelters,

growing maize and probably beans and squash,

building above ground granaries of adobe or stone,

creating and decorating low-fired pottery ware,

producing art, including jewelry and rock art such as petroglyphs and pictographs.

 

The ancient Puebloan culture, also known as the Anasazi, occupied territory adjacent to the Fremont. The ancestral Puebloan culture centered on the present-day Four Corners area of the Southwest United States, including the San Juan River region of Utah. Archaeologists debate when this distinct culture emerged, but cultural development seems to date from about the common era, about 500 years before the Fremont appeared. It is generally accepted that the cultural peak of these people was around the 1200 CE. Ancient Puebloan culture is known for well constructed pithouses and more elaborate adobe and masonry dwellings. They were excellent craftsmen, producing turquoise jewelry and fine pottery. The Puebloan culture was based on agriculture, and the people created and cultivated fields of maize, beans, and squash and domesticated turkeys. They designed and produced elaborate field terracing and irrigation systems. They also built structures, some known as kivas, apparently designed solely for cultural and religious rituals.

 

These two later cultures were roughly contemporaneous, and appear to have established trading relationships. They also shared enough cultural traits that archaeologists believe the cultures may have common roots in the early American Southwest. However, each remained culturally distinct throughout most of their existence. These two well established cultures appear to have been severely impacted by climatic change and perhaps by the incursion of new people in about 1200 CE. Over the next two centuries, the Fremont and ancient Pueblo people may have moved into the American southwest, finding new homes and farmlands in the river drainages of Arizona, New Mexico and northern Mexico.

 

In about 1200, Shoshonean speaking peoples entered Utah territory from the west. They may have originated in southern California and moved into the desert environment due to population pressure along the coast. They were an upland people with a hunting and gathering lifestyle utilizing roots and seeds, including the pinyon nut. They were also skillful fishermen, created pottery and raised some crops. When they first arrived in Utah, they lived as small family groups with little tribal organization. Four main Shoshonean peoples inhabited Utah country. The Shoshone in the north and northeast, the Gosiutes in the northwest, the Utes in the central and eastern parts of the region and the Southern Paiutes in the southwest. Initially, there seems to have been very little conflict between these groups.

 

In the early 16th century, the San Juan River basin in Utah's southeast also saw a new people, the Díne or Navajo, part of a greater group of plains Athabaskan speakers moved into the Southwest from the Great Plains. In addition to the Navajo, this language group contained people that were later known as Apaches, including the Lipan, Jicarilla, and Mescalero Apaches.

 

Athabaskans were a hunting people who initially followed the bison, and were identified in 16th-century Spanish accounts as "dog nomads". The Athabaskans expanded their range throughout the 17th century, occupying areas the Pueblo peoples had abandoned during prior centuries. The Spanish first specifically mention the "Apachu de Nabajo" (Navaho) in the 1620s, referring to the people in the Chama valley region east of the San Juan River, and north west of Santa Fe. By the 1640s, the term Navaho was applied to these same people. Although the Navajo newcomers established a generally peaceful trading and cultural exchange with the some modern Pueblo peoples to the south, they experienced intermittent warfare with the Shoshonean peoples, particularly the Utes in eastern Utah and western Colorado.

 

At the time of European expansion, beginning with Spanish explorers traveling from Mexico, five distinct native peoples occupied territory within the Utah area: the Northern Shoshone, the Goshute, the Ute, the Paiute and the Navajo.

 

The Spanish explorer Francisco Vázquez de Coronado may have crossed into what is now southern Utah in 1540, when he was seeking the legendary Cíbola.

 

A group led by two Spanish Catholic priests—sometimes called the Domínguez–Escalante expedition—left Santa Fe in 1776, hoping to find a route to the California coast. The expedition traveled as far north as Utah Lake and encountered the native residents. All of what is now Utah was claimed by the Spanish Empire from the 1500s to 1821 as part of New Spain (later as the province Alta California); and subsequently claimed by Mexico from 1821 to 1848. However, Spain and Mexico had little permanent presence in, or control of, the region.

 

Fur trappers (also known as mountain men) including Jim Bridger, explored some regions of Utah in the early 19th century. The city of Provo was named for one such man, Étienne Provost, who visited the area in 1825. The city of Ogden, Utah is named for a brigade leader of the Hudson's Bay Company, Peter Skene Ogden who trapped in the Weber Valley. In 1846, a year before the arrival of members from the Church of Jesus Christ of latter-day Saints, the ill-fated Donner Party crossed through the Salt Lake valley late in the season, deciding not to stay the winter there but to continue forward to California, and beyond.

 

Members of the Church of Jesus Christ of Latter-day Saints, commonly known as Mormon pioneers, first came to the Salt Lake Valley on July 24, 1847. At the time, the U.S. had already captured the Mexican territories of Alta California and New Mexico in the Mexican–American War and planned to keep them, but those territories, including the future state of Utah, officially became United States territory upon the signing of the Treaty of Guadalupe Hidalgo, February 2, 1848. The treaty was ratified by the United States Senate on March 10, 1848.

 

Upon arrival in the Salt Lake Valley, the Mormon pioneers found no permanent settlement of Indians. Other areas along the Wasatch Range were occupied at the time of settlement by the Northwestern Shoshone and adjacent areas by other bands of Shoshone such as the Gosiute. The Northwestern Shoshone lived in the valleys on the eastern shore of Great Salt Lake and in adjacent mountain valleys. Some years after arriving in the Salt Lake Valley Mormons, who went on to colonize many other areas of what is now Utah, were petitioned by Indians for recompense for land taken. The response of Heber C. Kimball, first counselor to Brigham Young, was that the land belonged to "our Father in Heaven and we expect to plow and plant it." A 1945 Supreme Court decision found that the land had been treated by the United States as public domain; no aboriginal title by the Northwestern Shoshone had been recognized by the United States or extinguished by treaty with the United States.

 

Upon arriving in the Salt Lake Valley, the Mormons had to make a place to live. They created irrigation systems, laid out farms, built houses, churches, and schools. Access to water was crucially important. Almost immediately, Brigham Young set out to identify and claim additional community sites. While it was difficult to find large areas in the Great Basin where water sources were dependable and growing seasons long enough to raise vitally important subsistence crops, satellite communities began to be formed.

 

Shortly after the first company arrived in the Salt Lake Valley in 1847, the community of Bountiful was settled to the north. In 1848, settlers moved into lands purchased from trapper Miles Goodyear in present-day Ogden. In 1849, Tooele and Provo were founded. Also that year, at the invitation of Ute chief Wakara, settlers moved into the Sanpete Valley in central Utah to establish the community of Manti. Fillmore, Utah, intended to be the capital of the new territory, was established in 1851. In 1855, missionary efforts aimed at western native cultures led to outposts in Fort Lemhi, Idaho, Las Vegas, Nevada and Elk Mountain in east-central Utah.

 

The experiences of returning members of the Mormon Battalion were also important in establishing new communities. On their journey west, the Mormon soldiers had identified dependable rivers and fertile river valleys in Colorado, Arizona and southern California. In addition, as the men traveled to rejoin their families in the Salt Lake Valley, they moved through southern Nevada and the eastern segments of southern Utah. Jefferson Hunt, a senior Mormon officer of the Battalion, actively searched for settlement sites, minerals, and other resources. His report encouraged 1851 settlement efforts in Iron County, near present-day Cedar City. These southern explorations eventually led to Mormon settlements in St. George, Utah, Las Vegas and San Bernardino, California, as well as communities in southern Arizona.

 

Prior to establishment of the Oregon and California trails and Mormon settlement, Indians native to the Salt Lake Valley and adjacent areas lived by hunting buffalo and other game, but also gathered grass seed from the bountiful grass of the area as well as roots such as those of the Indian Camas. By the time of settlement, indeed before 1840, the buffalo were gone from the valley, but hunting by settlers and grazing of cattle severely impacted the Indians in the area, and as settlement expanded into nearby river valleys and oases, indigenous tribes experienced increasing difficulty in gathering sufficient food. Brigham Young's counsel was to feed the hungry tribes, and that was done, but it was often not enough. These tensions formed the background to the Bear River massacre committed by California Militia stationed in Salt Lake City during the Civil War. The site of the massacre is just inside Preston, Idaho, but was generally thought to be within Utah at the time.

 

Statehood was petitioned for in 1849-50 using the name Deseret. The proposed State of Deseret would have been quite large, encompassing all of what is now Utah, and portions of Colorado, Idaho, Nevada, Wyoming, Arizona, Oregon, New Mexico and California. The name of Deseret was favored by the LDS leader Brigham Young as a symbol of industry and was derived from a reference in the Book of Mormon. The petition was rejected by Congress and Utah did not become a state until 1896, following the Utah Constitutional Convention of 1895.

 

In 1850, the Utah Territory was created with the Compromise of 1850, and Fillmore (named after President Fillmore) was designated the capital. In 1856, Salt Lake City replaced Fillmore as the territorial capital.

 

The first group of pioneers brought African slaves with them, making Utah the only place in the western United States to have African slavery. Three slaves, Green Flake, Hark Lay, and Oscar Crosby, came west with this first group in 1847. The settlers also began to purchase Indian slaves in the well-established Indian slave trade, as well as enslaving Indian prisoners of war. In 1850, 26 slaves were counted in Salt Lake County. Slavery didn't become officially recognized until 1852, when the Act in Relation to Service and the Act for the relief of Indian Slaves and Prisoners were passed. Slavery was repealed on June 19, 1862, when Congress prohibited slavery in all US territories.

 

Disputes between the Mormon inhabitants and the federal government intensified after the Church of Jesus Christ of Latter-day Saints' practice of polygamy became known. The polygamous practices of the Mormons, which were made public in 1854, would be one of the major reasons Utah was denied statehood until almost 50 years after the Mormons had entered the area.

 

After news of their polygamous practices spread, the members of the LDS Church were quickly viewed by some as un-American and rebellious. In 1857, after news of a possible rebellion spread, President James Buchanan sent troops on the Utah expedition to quell the growing unrest and to replace Brigham Young as territorial governor with Alfred Cumming. The expedition was also known as the Utah War.

 

As fear of invasion grew, Mormon settlers had convinced some Paiute Indians to aid in a Mormon-led attack on 120 immigrants from Arkansas under the guise of Indian aggression. The murder of these settlers became known as the Mountain Meadows massacre. The Mormon leadership had adopted a defensive posture that led to a ban on the selling of grain to outsiders in preparation for an impending war. This chafed pioneers traveling through the region, who were unable to purchase badly needed supplies. A disagreement between some of the Arkansas pioneers and the Mormons in Cedar City led to the secret planning of the massacre by a few Mormon leaders in the area. Some scholars debate the involvement of Brigham Young. Only one man, John D. Lee, was ever convicted of the murders, and he was executed at the massacre site.

 

Express riders had brought the news 1,000 miles from the Missouri River settlements to Salt Lake City within about two weeks of the army's beginning to march west. Fearing the worst as 2,500 troops (roughly 1/3rd of the army then) led by General Albert Sidney Johnston started west, Brigham Young ordered all residents of Salt Lake City and neighboring communities to prepare their homes for burning and evacuate southward to Utah Valley and southern Utah. Young also sent out a few units of the Nauvoo Legion (numbering roughly 8,000–10,000), to delay the army's advance. The majority he sent into the mountains to prepare defenses or south to prepare for a scorched earth retreat. Although some army wagon supply trains were captured and burned and herds of army horses and cattle run off no serious fighting occurred. Starting late and short on supplies, the United States Army camped during the bitter winter of 1857–58 near a burned out Fort Bridger in Wyoming. Through the negotiations between emissary Thomas L. Kane, Young, Cumming and Johnston, control of Utah territory was peacefully transferred to Cumming, who entered an eerily vacant Salt Lake City in the spring of 1858. By agreement with Young, Johnston established the army at Fort Floyd 40 miles away from Salt Lake City, to the southwest.

 

Salt Lake City was the last link of the First Transcontinental Telegraph, between Carson City, Nevada and Omaha, Nebraska completed in October 1861. Brigham Young, who had helped expedite construction, was among the first to send a message, along with Abraham Lincoln and other officials. Soon after the telegraph line was completed, the Deseret Telegraph Company built the Deseret line connecting the settlements in the territory with Salt Lake City and, by extension, the rest of the United States.

 

Because of the American Civil War, federal troops were pulled out of Utah Territory (and their fort auctioned off), leaving the territorial government in federal hands without army backing until General Patrick E. Connor arrived with the 3rd Regiment of California Volunteers in 1862. While in Utah, Connor and his troops soon became discontent with this assignment wanting to head to Virginia where the "real" fighting and glory was occurring. Connor established Fort Douglas just three miles (5 km) east of Salt Lake City and encouraged his bored and often idle soldiers to go out and explore for mineral deposits to bring more non-Mormons into the state. Minerals were discovered in Tooele County, and some miners began to come to the territory. Conner also solved the Shoshone Indian problem in Cache Valley Utah by luring the Shoshone into a midwinter confrontation on January 29, 1863. The armed conflict quickly turned into a rout, discipline among the soldiers broke down, and the Battle of Bear River is today usually referred to by historians as the Bear River Massacre. Between 200 and 400 Shoshone men, women and children were killed, as were 27 soldiers, with over 50 more soldiers wounded or suffering from frostbite.

 

Beginning in 1865, Utah's Black Hawk War developed into the deadliest conflict in the territory's history. Chief Antonga Black Hawk died in 1870, but fights continued to break out until additional federal troops were sent in to suppress the Ghost Dance of 1872. The war is unique among Indian Wars because it was a three-way conflict, with mounted Timpanogos Utes led by Antonga Black Hawk fighting federal and Utah local militia.

 

On May 10, 1869, the First transcontinental railroad was completed at Promontory Summit, north of the Great Salt Lake. The railroad brought increasing numbers of people into the state, and several influential businessmen made fortunes in the territory.

 

Main article: Latter Day Saint polygamy in the late-19th century

During the 1870s and 1880s, federal laws were passed and federal marshals assigned to enforce the laws against polygamy. In the 1890 Manifesto, the LDS Church leadership dropped its approval of polygamy citing divine revelation. When Utah applied for statehood again in 1895, it was accepted. Statehood was officially granted on January 4, 1896.

 

The Mormon issue made the situation for women the topic of nationwide controversy. In 1870 the Utah Territory, controlled by Mormons, gave women the right to vote. However, in 1887, Congress disenfranchised Utah women with the Edmunds–Tucker Act. In 1867–96, eastern activists promoted women's suffrage in Utah as an experiment, and as a way to eliminate polygamy. They were Presbyterians and other Protestants convinced that Mormonism was a non-Christian cult that grossly mistreated women. The Mormons promoted woman suffrage to counter the negative image of downtrodden Mormon women. With the 1890 Manifesto clearing the way for statehood, in 1895 Utah adopted a constitution restoring the right of women's suffrage. Congress admitted Utah as a state with that constitution in 1896.

 

Though less numerous than other intermountain states at the time, several lynching murders for alleged misdeeds occurred in Utah territory at the hand of vigilantes. Those documented include the following, with their ethnicity or national origin noted in parentheses if it was provided in the source:

 

William Torrington in Carson City (then a part of Utah territory), 1859

Thomas Coleman (Black man) in Salt Lake City, 1866

3 unidentified men at Wahsatch, winter of 1868

A Black man in Uintah, 1869

Charles A. Benson in Logan, 1873

Ah Sing (Chinese man) in Corinne, 1874

Thomas Forrest in St. George, 1880

William Harvey (Black man) in Salt Lake City, 1883

John Murphy in Park City, 1883

George Segal (Japanese man) in Ogden, 1884

Joseph Fisher in Eureka, 1886

Robert Marshall (Black man) in Castle Gate, 1925

Other lynchings in Utah territory include multiple instances of mass murder of Native American children, women, and men by White settlers including the Battle Creek massacre (1849), Provo River Massacre (1850), Nephi massacre (1853), and Circleville Massacre (1866).

 

Beginning in the early 20th century, with the establishment of such national parks as Bryce Canyon National Park and Zion National Park, Utah began to become known for its natural beauty. Southern Utah became a popular filming spot for arid, rugged scenes, and such natural landmarks as Delicate Arch and "the Mittens" of Monument Valley are instantly recognizable to most national residents. During the 1950s, 1960s, and 1970s, with the construction of the Interstate highway system, accessibility to the southern scenic areas was made easier.

 

Beginning in 1939, with the establishment of Alta Ski Area, Utah has become world-renowned for its skiing. The dry, powdery snow of the Wasatch Range is considered some of the best skiing in the world. Salt Lake City won the bid for the 2002 Winter Olympics in 1995, and this has served as a great boost to the economy. The ski resorts have increased in popularity, and many of the Olympic venues scattered across the Wasatch Front continue to be used for sporting events. This also spurred the development of the light-rail system in the Salt Lake Valley, known as TRAX, and the re-construction of the freeway system around the city.

 

During the late 20th century, the state grew quickly. In the 1970s, growth was phenomenal in the suburbs. Sandy was one of the fastest-growing cities in the country at that time, and West Valley City is the state's 2nd most populous city. Today, many areas of Utah are seeing phenomenal growth. Northern Davis, southern and western Salt Lake, Summit, eastern Tooele, Utah, Wasatch, and Washington counties are all growing very quickly. Transportation and urbanization are major issues in politics as development consumes agricultural land and wilderness areas.

 

In 2012, the State of Utah passed the Utah Transfer of Public Lands Act in an attempt to gain control over a substantial portion of federal land in the state from the federal government, based on language in the Utah Enabling Act of 1894. The State does not intend to use force or assert control by limiting access in an attempt to control the disputed lands, but does intend to use a multi-step process of education, negotiation, legislation, and if necessary, litigation as part of its multi-year effort to gain state or private control over the lands after 2014.

 

Utah families, like most Americans everywhere, did their utmost to assist in the war effort. Tires, meat, butter, sugar, fats, oils, coffee, shoes, boots, gasoline, canned fruits, vegetables, and soups were rationed on a national basis. The school day was shortened and bus routes were reduced to limit the number of resources used stateside and increase what could be sent to soldiers.

 

Geneva Steel was built to increase the steel production for America during World War II. President Franklin D. Roosevelt had proposed opening a steel mill in Utah in 1936, but the idea was shelved after a couple of months. After the attack on Pearl Harbor, the United States entered the war and the steel plant was put into progress. In April 1944, Geneva shipped its first order, which consisted of over 600 tons of steel plate. Geneva Steel also brought thousands of job opportunities to Utah. The positions were hard to fill as many of Utah's men were overseas fighting. Women began working, filling 25 percent of the jobs.

 

As a result of Utah's and Geneva Steels contribution during the war, several Liberty Ships were named in honor of Utah including the USS Joseph Smith, USS Brigham Young, USS Provo, and the USS Peter Skene Ogden.

 

One of the sectors of the beachhead of Normandy Landings was codenamed Utah Beach, and the amphibious landings at the beach were undertaken by United States Army troops.

 

It is estimated that 1,450 soldiers from Utah were killed in the war.

++++++ from Wikipedia ++++++

 

Taipei (/ˌtaɪˈpeɪ/), officially known as Taipei City, is the capital city and a special municipality of Taiwan (officially known as the Republic of China, "ROC"). Sitting at the northern tip of the island, Taipei City is an enclave of the municipality of New Taipei City. It is about 25 km (16 mi) southwest of the northern port city Keelung. Most of the city is located on the Taipei Basin, an ancient lakebed bounded by the two relatively narrow valleys of the Keelung and Xindian rivers, which join to form the Tamsui River along the city's western border.[5] Formerly known as Taipeh-fu during Qing era and Taihoku under Japanese rule, Taipei became the capital of the Taiwan Province as part of the Republic of China in 1945 and recently has been the capital[a] of the ROC since 1949, when the Kuomintang lost the mainland to the Communists in the Chinese Civil War.

 

The city proper is home to an estimated population of 2,704,810 in 2015,[6] forming the core part of the Taipei–Keelung metropolitan area which includes the nearby cities of New Taipei and Keelung with a population of 7,047,559,[6][7] the 40th most-populous urban area in the world—roughly one-third of Taiwanese citizens live in the metro district. The name "Taipei" can refer either to the whole metropolitan area or the city proper.

 

Taipei is the political, economic, educational, and cultural center of Taiwan island, and one of the major hubs of Greater China. Considered to be a global city,[8] Taipei is part of a major high-tech industrial area.[9] Railways, high-speed rail, highways, airports, and bus lines connect Taipei with all parts of the island. The city is served by two airports – Taipei Songshan and Taiwan Taoyuan. Taipei is home to various world-famous architectural or cultural landmarks which include Taipei 101, Chiang Kai-shek Memorial Hall, Dalongdong Baoan Temple, Hsing Tian Kong, Lungshan Temple of Manka, National Palace Museum, Presidential Office Building, Taipei Guest House, Ximending, and several night markets dispersing over the city. Its natural features such as Maokong, Yangmingshan, and hot springs are also well known to international visitors.

 

As the capital city, "Taipei" is sometimes used as a synecdoche for the Republic of China. Due to the ongoing controversy over the political status of Taiwan, the name Chinese Taipei is designated for official use when Taiwanese governmental representatives or national teams participate in some international organizations or international sporting events (which may require UN statehood) in order to avoid extensive political controversy by using other names.

 

Contents

 

1 History

1.1 First settlements

1.2 Empire of Japan

1.3 Republic of China

2 Geography

2.1 Climate

2.2 Air quality

2.3 Cityscape

3 Demographics

4 Economy

5 Culture

5.1 Tourism

5.1.1 Commemorative sites and museums

5.1.2 Taipei 101

5.1.3 Performing arts

5.1.4 Shopping and recreation

5.1.5 Temples

5.2 Festivals and events

5.3 Taipei in films

6 Romanization

7 Government

7.1 Garbage recycling

7.2 Administrative divisions

7.3 City planning

8 Transportation

8.1 Metro

8.2 Rail

8.3 Bus

8.4 Airports

8.5 Ticketing

9 Education

9.1 Chinese language program for foreigners

10 Sports

10.1 Major sporting events

10.2 Youth baseball

11 Media

11.1 Television

11.2 Newspapers

12 International relations

12.1 Twin towns and sister cities

12.2 Partner cities

12.3 Friendship cities

13 Gallery

14 See also

15 Notes

16 References

17 External links

 

History

Main article: History of Taipei

The National Chiang Kai-shek Memorial Hall is a famous monument and tourist attraction in Taipei.

 

Prior to the significant influx of Han Chinese immigrants, the region of Taipei Basin was mainly inhabited by the Ketagalan plains aborigines. The number of Han immigrants gradually increased in the early 18th century under Qing Dynasty rule after the government began permitting development in the area.[10] In 1875, the northern part of the island was incorporated into the new Taipeh Prefecture.

 

The Qing dynasty of China made Taipeh the temporary capital of Fujian-Taiwan Province in 1886 when Taiwan was separated from Fujian Province.[11][12] Taipeh was formally made the provincial capital in 1894.

 

Japan acquired Taiwan in 1895 under the Treaty of Shimonoseki after the First Sino-Japanese War. Taiwan became a colony of Imperial Japan with Taihoku (formerly Taipeh) as its capital, in which the city was administered under Taihoku Prefecture. Taiwan's Japanese rulers embarked on an extensive program of advanced urban planning that featured extensive railroad links. A number of Taipei landmarks and cultural institutions date from this period.[13]

 

Following the Japanese surrender of 1945, control of Taiwan was handed to the Republic of China (ROC) (see Retrocession Day). After losing mainland China to the Chinese Communist Party in the Chinese Civil War, the ruling Kuomintang (KMT) relocated the ROC government to Taiwan and declared Taipei the provisional capital of the ROC in December 1949.[14][15] In 1990 Taipei provided the backdrop for the Wild Lily student rallies that moved Taiwanese society from one-party rule to multi-party democracy. The city is today home to Taiwan's democratically elected national government.

First settlements

 

The region known as the Taipei Basin was home to Ketagalan tribes before the eighteenth century.[16] Han Chinese mainly from Fujian Province of Qing dynasty China began to settle in the Taipei Basin in 1709.[17][18]

 

In the late 19th century, the Taipei area, where the major Han Chinese settlements in northern Taiwan and one of the designated overseas trade ports, Tamsui, were located, gained economic importance due to the booming overseas trade, especially that of tea export. In 1875, the northern part of Taiwan was separated from Taiwan Prefecture and incorporated into the new Taipeh Prefecture as a new administrative entity of the Qing dynasty.[13] Having been established adjoining the flourishing townships of Bangka, Dalongdong, and Twatutia, the new prefectural capital was known as Chengnei (Chinese: 城內; pinyin: chéngnèi; Pe̍h-ōe-jī: siâⁿ-lāi), "the inner city", and government buildings were erected there. From 1875 (still Qing era) until the beginning of Japanese rule in 1895, Taipei was part of Tamsui County of Taipeh Prefecture and the prefectural capital.

 

In 1885, work commenced to create an independent Taiwan Province, and Taipei City was temporarily made the provincial capital. Taipei officially became the capital of Taiwan in 1894.[citation needed] All that remains from the Qing era is the north gate. The west gate and city walls were demolished by the Japanese while the south gate, little south gate, and east gate were extensively modified by the Kuomintang (KMT) and have lost much of their original character.[19]

Empire of Japan

The Taihoku Prefecture government building in the 1910s (now the Control Yuan)

 

As settlement for losing the First Sino-Japanese War, China ceded the island of Taiwan to the Empire of Japan in 1895 as part of the Treaty of Shimonoseki. After the Japanese take-over, Taipei, called Taihoku in Japanese, was retained as the capital and emerged as the political center of the Japanese Colonial Government.[13] During that time the city acquired the characteristics of an administrative center, including many new public buildings and housing for civil servants. Much of the architecture of Taipei dates from the period of Japanese rule, including the Presidential Building which was the Office of the Governor-General of Taiwan.

 

During Japanese rule, Taihoku was incorporated in 1920 as part of Taihoku Prefecture. It included Bangka, Twatutia, and Jōnai (城內) among other small settlements. The eastern village of Matsuyama (松山庄, modern-day Songshan District, Taipei) was annexed into Taihoku City in 1938. Upon the Japanese defeat in the Pacific War and its consequent surrender in August 1945, the Kuomintang (Chinese Nationalist Party) assumed control of Taiwan. Subsequently, a temporary Office of the Taiwan Province Administrative Governor was established in Taipei City.[20]

Republic of China

With President Chiang Kai-shek, U.S. President Dwight D. Eisenhower waved to a crowd during his visit to Taipei in June 1960.

 

In 1947 the KMT government under Chiang Kai-shek declared island-wide martial law in Taiwan as a result of the February 28 Incident, which began with incidents in Taipei but led to an island-wide crackdown on the local population by forces loyal to Chiang. Two years later, on December 7, 1949, Chiang and the Kuomintang were forced to flee mainland China by the Communists near the end of the Chinese Civil War. The refugees declared Taipei to be the provisional capital of a continuing Republic of China, with the official capital at Nanjing (Nanking) even though that city was under Communist control.[14][15]

 

Taipei expanded greatly in the decades after 1949, and as approved on December 30, 1966 by the Executive Yuan, Taipei was declared a special centrally administered municipality on July 1, 1967 and given the administrative status of a province.[18] In the following year, Taipei City expanded again by annexing Shilin, Beitou, Neihu, Nangang, Jingmei, and Muzha. At that time, the city's total area increased fourfold through absorbing several outlying towns and villages and the population increased to 1.56 million people.[18]

 

The city's population, which had reached one million in the early 1960s, also expanded rapidly after 1967, exceeding two million by the mid-1970s. Although growth within the city itself gradually slowed thereafter[20] — its population had become relatively stable by the mid-1990s — Taipei remained one of the world's most densely populated urban areas, and the population continued to increase in the region surrounding the city, notably along the corridor between Taipei and Keelung.

 

In 1990 Taipei's 16 districts were consolidated into the current 12 districts.[21] Mass democracy rallies that year in the plaza around Chiang Kai-shek Memorial Hall led to an island-wide transition to multi-party democracy, where legislators are chosen via regularly scheduled popular elections, during the presidency of Lee Teng-Hui.

Geography

The city of Taipei, as seen from Maokong.

 

Taipei City is located in the Taipei Basin in northern Taiwan.[22] It is bordered by the Xindian River on the south and the Tamsui River on the west. The generally low-lying terrain of the central areas on the western side of the municipality slopes upward to the south and east and especially to the north,[5] where it reaches 1,120 metres (3,675 ft) at Qixing Mountain, the highest (inactive) volcano in Taiwan in Yangmingshan National Park. The northern districts of Shilin and Beitou extend north of the Keelung River and are bordered by Yangmingshan National Park. The Taipei city limits cover an area of 271.7997 km2,[23] ranking sixteenth of twenty-five among all counties and cities in Taiwan.

 

Two peaks, Qixing Mountain and Mt. Datun, rise to the northeast of the city.[24] Qixing Mountain is located on the Tatun Volcano Group and the tallest mountain at the rim of the Taipei Basin, with its main peak at 1,120 metres (3,670 ft). Mt. Datun's main peak is 1,092 metres (3,583 ft). These former volcanoes make up the western section of Yangmingshan National Park, extending from Mt. Datun northward to Mt. Caigongkeng (菜公坑山). Located on a broad saddle between two mountains, the area also contains the marshy Datun Pond.

 

To the southeast of the city lie the Songshan Hills and the Qingshui Ravine, which form a barrier of lush woods.[24]

Climate

 

Taipei has a monsoon-influenced humid subtropical climate[25][26][27] (Köppen: Cfa).[28] Summers are long-lasting, hot and humid, and accompanied by occasional heavy rainstorms and typhoons, while winters are short, generally warm and generally very foggy due to the northeasterly winds from the vast Siberian High being intensified by the pooling of this cooler air in the Taipei Basin. As in the rest of Northern Taiwan, daytime temperatures of Taipei can often peak above 26 degrees Celsius during a warm winter day, while they can dip below 26 degrees Celsius during a rainy summer's afternoon. Occasional cold fronts during the winter months can drop the daily temperature by 3 to 5 degrees Celsius, though temperatures rarely drop below 10 degrees Celsius.[29] Extreme temperatures ranged from −0.2 °C (31.6 °F) on February 13, 1901 to 39.3 °C (102.7 °F) on August 8, 2013, while snow has never been recorded in the city besides on mountains located within the city limit such as Mount Yangmingshan. Due to Taiwan's location in the Pacific Ocean, it is affected by the Pacific typhoon season, which occurs between June and October.

 

Air quality

 

When compared to other Asian cities, Taipei has "excellent" capabilities for managing air quality in the city.[31] Its rainy climate, location near the coast, and strong environmental regulations have prevented air pollution from becoming a substantial health issue, at least compared to cities in southeast Asia and industrial China. However, smog is extremely common and there is poor visibility throughout the city after rain-less days.

 

Motor vehicle engine exhaust, particularly from motor scooters, is a source of air pollution in Taipei. There are higher levels of fine particulate matter and polycyclic aromatic hydrocarbons in the mornings because of less air movement; sunlight reduces some pollution.[32] Occasionally, dust storms from Mainland China can temporarily bring extremely poor air quality to the city.[33]

Cityscape

Taipei viewed from Tiger Mountain, with Taipei 101 on the left.

Demographics

 

Taipei City is home to 2,704,810 people (2015), while the metropolitan area has a population of 7,047,559 people.[6] The population of the city has been decreasing in recent years while the population of the adjacent New Taipei has been increasing. The population loss, while rapid in its early years, has been stabilized by new lower density development and campaigns designed to increase birthrate in the city. The population has begun to rise since 2010.[6][34][35]

 

Due to Taipei's geography and location in the Taipei Basin as well as differing times of economic development of its districts, Taipei's population is not evenly distributed. The districts of Daan, Songshan, and Datong are the most densely populated. These districts, along with adjacent communities such as Yonghe and Zhonghe contain some of the most densely populated neighborhoods in the world.[34]

 

In 2008, the crude birth rate stood at 7.88% while the mortality rate stood at 5.94%. A decreasing and rapidly aging population is an important issue for the city.[34] By the end of 2009, one in ten people in Taipei was over 65 years of age.[36] Residents who had obtained a college education or higher accounted for 43.48% of the population, and the literacy rate stood at 99.18%.[34]

 

Like the rest of Taiwan, Taipei is composed of four major ethnic groups: Hoklos, Mainlanders, Hakkas, and aborigines.[34] Although Hoklos and Mainlanders form the majority of the population of the city, in recent decades many Hakkas have moved into the city. The aboriginal population in the city stands at 12,862 (<0.5%), concentrated mostly in the suburban districts. Foreigners (mainly from Indonesia, Vietnam, and the Philippines) numbered 52,426 at the end of 2008.[34]

 

Economy

 

As the center of Taiwan's largest conurbation, Taipei has been at the center of rapid economic development in the country and has now become one of the global cities in the production of high technology and its components.[37] This is part of the so-called Taiwan Miracle which has seen dramatic growth in the city following foreign direct investment in the 1960s. Taiwan is now a creditor economy, holding one of the world's largest foreign exchange reserves of over US$403 billion as of December 2012.[38]

 

Despite the Asian financial crisis, the economy continues to expand at about 5% per year, with virtually full employment and low inflation. As of 2013, the nominal GDP per capita in Taipei city is lower than that in Hong Kong by a narrow margin according to The Economist(Nominal GDP per capita in HK is US$38181 in 2013 from IMF).[39] Furthermore, according to Financial times, GDP per capita based on Purchasing Power Parity(PPP) in Taipei in 2015 is 44173 USD, behind that in Singapore(US$48900 from IMF) and Hong Kong(US$56689 from IMF).[40]

 

Taipei and its environs have long been the foremost industrial area of Taiwan, consisting of industries of the secondary and tertiary sectors.[41] Most of the country's important factories producing textiles and apparel are located there; other industries include the manufacture of electronic products and components, electrical machinery and equipment, printed materials, precision equipment, and foods and beverages. Such companies include Shihlin Electric, CipherLab and Insyde Software. Shipbuilding, including yachts and other pleasure craft, is done in the port of Keelung northeast of the city.

 

Services, including those related to commerce, transportation, and banking, have become increasingly important. Tourism is a small but significant component of the local economy[42][43] with international visitors totaling almost 3 million in 2008.[44] Taipei has many top tourist attractions and contributes a significant amount to the US$6.8 billion tourism industry in Taiwan.[45] National brands such as ASUS,[46] Chunghwa Telecom,[47] Mandarin Airlines,[48] Tatung,[49] and Uni Air,[50][51] D-Link [52] are headquartered in Taipei City.

Culture

Tourism

See also: List of tourist attractions in Taipei

 

Tourism is a major part of Taipei's economy. In 2013, over 6.3 million overseas visitors visited Taipei, making the city the 15th most visited globally.[53] The influx of visitors contributed $10.8 billion USD to the city's economy in 2013, the 9th highest in the world and the most of any city in the Chinese-speaking world.[54]

Commemorative sites and museums

The National Palace Museum

 

The National Chiang Kai-shek Memorial Hall is a famous monument, landmark and tourist attraction that was erected in memory of General Chiang Kai-shek, former President of the Republic of China.[55] The structure stands at the east end of Memorial Hall Square, site of the National Concert Hall and National Theater and their adjacent parks as well as the memorial. The landmarks of Liberty Square stand within sight of Taiwan's Presidential Building in Taipei's Zhongzheng District.

The National Taiwan Museum

 

The National Taiwan Museum sits nearby in what is now 228 Peace Memorial Park and has worn its present name since 1999. The museum is Taiwan's oldest, founded on October 24, 1908 by Taiwan's Japanese colonial government (1895-1945) as the Taiwan Governor's Museum. It was launched with a collection of 10,000 items to celebrate the opening of the island's North-South Railway.[56] In 1915 a new museum building opened its doors in what is now 228 Peace Memorial Park. This structure and the adjacent governor's office (now Presidential Office Building), served as the two most recognizable public buildings in Taiwan during its period of Japanese rule.[56]

Shung Ye Museum of Formosan Aborigines

 

The National Palace Museum is a vast art gallery and museum built around a permanent collection centered on ancient Chinese artifacts. It should not be confused with the Palace Museum in Beijing (which it is named after); both institutions trace their origins to the same institution. The collections were divided in the 1940s as a result of the Chinese Civil War.[57][58] The National Palace Museum in Taipei now boasts a truly international collection while housing one of the world's largest collections of artifacts from ancient China.[58]

 

The Shung Ye Museum of Formosan Aborigines stands just 200 metres across the road from the National Palace Museum. The museum offers displays of art and historical items by Taiwanese aborigines along with a range of multimedia displays.

 

The Taipei Fine Arts Museum was established in 1983 as the first museum in Taiwan dedicated to modern art. The museum is housed in a building designed for the purpose that takes inspiration from Japanese designs. Most art in the collection is by Taiwanese artists since 1940. Over 3,000 art works are organized into 13 groups.

 

The National Sun Yat-sen Memorial Hall near Taipei 101 in Xinyi District is named in honor of a founding father of the Republic of China, Sun Yat-sen. The hall, completed on May 16, 1972, originally featured exhibits that depicted revolutionary events in China at the end of the Qing Dynasty. Today it functions as multi-purpose social, educational, concert and cultural center for Taiwan's citizens.[59]

Museum of Contemporary Art Taipei, aka "old city hall"

 

In 2001 a new museum opened as Museum of Contemporary Art Taipei. The museum is housed in a building that formerly housed Taipei City government offices.[60]

Night view of a fully lit Taipei 101

Taipei 101

 

Taipei 101 is a 101-floor landmark skyscraper that claimed the title of world's tallest building when it opened in 2004, a title it held for six years before relinquishing it to the Burj Khalifa in Dubai. Designed by C.Y. Lee & Partners and constructed by KTRT Joint Venture, Taipei 101 measures 509 m (1,670 ft) from ground to top, making it the first skyscraper in the world to break the half-kilometer mark in height. Built to withstand typhoon winds and earthquake tremors, its design incorporates many engineering innovations and has won numerous international awards. Taipei 101 remains one of the tallest skyscrapers in the world and holds LEED's certification as the world's largest "green" building. Its shopping mall and its indoor and outdoor observatories draw visitors from all over the world. Taipei 101's New Year's Eve fireworks display is a regular feature of international broadcasts.

Performing arts

Taiwan's National Concert Hall at night

 

The National Theater and Concert Hall stand at Taipei's Liberty Square and host events by foreign and domestic performers. Other leading concert venues include Zhongshan Hall at Ximending and the Sun Yat-sen Memorial Hall near Taipei 101.

 

A new venue, the Taipei Performing Arts Center, is under construction and slated to open in 2015.[61][62] The venue will stand near the Shilin Night Market[63] and will house three theaters for events with multi-week runs. The architectural design, by Rem Koolhaas and OMA, was determined in 2009 in an international competition.[64] The same design process is also in place for a new Taipei Center for Popular Music and Taipei City Museum.[65]

Shopping and recreation

Main article: Shopping in Taipei

 

Taipei is known for its many night markets, the most famous of which is the Shilin Night Market in the Shilin District. The surrounding streets by Shilin Night Market are extremely crowded during the evening, usually opening late afternoon and operating well past midnight. Most night markets feature individual stalls selling a mixture of food, clothing, and consumer goods.

The busy streets of Ximending at night

 

Ximending has been a famous area for shopping and entertainment since the 1930s. Historic structures include a concert hall, a historic cinema, and the Red House Theater. Modern structures house karaoke businesses, art film cinemas, wide-release movie cinemas, electronic stores, and a wide variety of restaurants and fashion clothing stores.[66] The pedestrian area is especially popular with teens and has been called the "Harajuku" of Taipei.[67]

Eastern district at night

 

The newly developed Xinyi District is popular with tourists and locals alike for its many entertainment and shopping venues, as well as being the home of Taipei 101, a prime tourist attraction. Malls in the area include the sprawling Shin Kong Mitsukoshi complex, Breeze Center, Bellavita, Taipei 101 mall, Eslite Bookstore's flagship store (which includes a boutique mall), The Living Mall, ATT shopping mall, and the Vieshow Cinemas (formerly known as Warner Village). The Xinyi district also serves as the center of Taipei's active nightlife, with several popular lounge bars and nightclubs concentrated in a relatively small area around the Neo19, ATT 4 FUN and Taipei 101 buildings. Lounge bars such as Barcode and nightclubs such as Spark and Myst are among the most-visited places here.

Eslite Bookstore in Xinyi District

 

The thriving shopping area around Taipei Main Station includes the Taipei Underground Market and the original Shin Kong Mitsukoshi department store at Shin Kong Life Tower. Other popular shopping destinations include the Zhongshan Metro Mall, Dihua Street, the Guang Hua Digital Plaza, and the Core Pacific City. The Miramar Entertainment Park is known for its large Ferris wheel and IMAX theater.

 

Taipei maintains an extensive system of parks, green spaces, and nature preserves. Parks and forestry areas of note in and around the city include Yangmingshan National Park, Taipei Zoo and Da-an Forest Park. Yangmingshan National Park (located 10 kilometres (6.2 mi) north of the central city) is famous for its cherry blossoms, hot springs, and sulfur deposits. It is the home of famous writer Lin Yutang, the summer residence of Chiang Kai-shek, residences of foreign diplomats, the Chinese Culture University, the meeting place of the now defunct National Assembly of the Republic of China, and the Kuomintang Party Archives. The Taipei Zoo was founded in 1914 and covers an area of 165 hectares for animal sanctuary.

 

Bitan is known for boating and water sports. Tamsui is a popular sea-side resort town. Ocean beaches are accessible in several directions from Taipei.

Temples

Built in 1738, Longshan Temple is one of the oldest temples in the city.

Street corner shrine, Taipei 2013

 

Taipei is rich in beautiful, ornate temples housing Buddhist, Taoist, and Chinese folk religion deities. The Longshan Temple, built in 1738 and located in the Wanhua District, demonstrates an example of architecture with southern Chinese influences commonly seen on older buildings in Taiwan.

 

Xinsheng South Road is known as the "Road to Heaven" due to its high concentration of temples, shrines, churches, and mosques.[68][69] Other famous temples include Baoan Temple located in historic Dalongdong, a national historical site, and Xiahai City God Temple, located in the old Dadaocheng community, constructed with architecture similar to temples in southern Fujian.[70] The Taipei Confucius Temple traces its history back to 1879 during the Qing Dynasty and also incorporates southern Fujian-style architecture.[71]

 

Besides large temples, small outdoor shrines to local deities are very common and can be spotted on road sides, parks, and neighborhoods. Many homes and businesses may also set up small shrines of candles, figurines, and offerings. Some restaurants, for example, may set up a small shrine to the Kitchen god for success in a restaurant business.[72]

New Year's Eve fireworks at Taipei 101

Festivals and events

 

Many yearly festivals are held in Taipei. In recent years some festivals, such as the Double Ten Day fireworks and concerts, are increasingly hosted on a rotating basis by a number of cities around Taiwan.

 

When New Year's Eve arrives on the solar calendar, thousands of people converge on Taipei's Xinyi District for parades, outdoor concerts by popular artists, street shows, round-the clock nightlife. The high point is of course the countdown to midnight, when Taipei 101 assumes the role of the world's largest fireworks platform.

 

The Taipei Lantern Festival concludes the Lunar New Year holiday. The timing of the city's lantern exhibit coincides with the national festival in Pingxi, when thousands of fire lanterns are released into the sky.[73] The city's lantern exhibit rotates among different downtown locales from year to year, including Liberty Square, Taipei 101, and Zhongshan Hall in Ximending.

 

On Double Ten Day, patriotic celebrations are held in front of the Presidential Building. Other annual festivals include Ancestors Day (Tomb-Sweeping Day), the Dragon Boat Festival, the Ghost Festival, and the Mid-Autumn Festival (Moon Festival).[73]

 

Taipei regularly hosts its share of international events. The city recently hosted the 2009 Summer Deaflympics.[74] This event was followed by the Taipei International Flora Exposition, a garden festival hosted from November 2010 to April 2011. The Floral Expo was the first of its kind to take place in Taiwan and only the seventh hosted in Asia; the expo admitted 110,000 visitors on February 27, 2011.

Taipei in films

  

Romanization

  

The spelling "Taipei" derives from the Wade–Giles romanization T'ai-pei.[75] The name could be also romanized as Táiběi according to Hanyu Pinyin and Tongyong Pinyin.[76][77]

Government

 

Taipei City is a special municipality which is directly under the Executive Yuan (Central Government) of ROC. The mayor of Taipei City had been an appointed position since Taipei's conversion to a centrally administered municipality in 1967 until the first public election was held in 1994.[78] The position has a four-year term and is elected by direct popular vote. The first elected mayor was Chen Shui-bian of the Democratic Progressive Party. Ma Ying-jeou took office in 1998 for two terms, before handing it over to Hau Lung-pin who won the 2006 mayoral election on December 9, 2006.[79] Both Chen Shui-bian and Ma Ying-Jeou went on to become President of the Republic of China. The incumbent mayor, Ko Wen-je, was elected on November 29, 2014 and took office on December 25, 2014.[80]

 

Based on the outcomes of previous elections in the past decade, the vote of the overall constituency of Taipei City shows a slight inclination towards the pro-KMT camp (the Pan-Blue Coalition);[81] however, the pro-DPP camp (the Pan-Green Coalition) also has considerable support.[82]

 

Ketagalan Boulevard, where the Presidential Office Building and other government structures are situated, is often the site of mass gatherings such as inauguration and national holiday parades, receptions for visiting dignitaries, political demonstrations,[83][84] and public festivals.[85]

Garbage recycling

 

Taipei City is also famous for its effort in garbage recycling, which has become such a good international precedent that other countries have sent teams to study the recycling system. After the Environmental Protection Administration (EPA) established a program in 1998 combining the efforts of communities, a financial resource named the Recycling Fund was made available to recycling companies and waste collectors. Manufacturers, vendors and importers of recyclable waste pay fees to the Fund, which uses the money to set firm prices for recyclables and subsidize local recycling efforts. Between 1998 and 2008, the recycling rate increased from 6 percent to 32 percent.[86] This improvement enabled the government of Taipei to demonstrate its recycling system to the world at the Shanghai World Expo 2010.

Administrative divisions

 

Taipei City is divided up into 12 administrative districts (區 qu).[87] Each district is further divided up into urban villages (里), which are further sub-divided up into neighborhoods (鄰).

Map District Population

(Jan. 2016) Area

(km2) Postal

code

 

Beitou 北投區 Běitóu Pei-t'ou Pak-tâu 257,922 56.8216 112

Da'an 大安區 Dà'ān Ta-an Tāi-an 312,909 11.3614 106

Datong 大同區 Dàtóng Ta-t'ung Tāi-tông 131,029 5.6815 103

Nangang 南港區 Nángǎng Nan-kang Lâm-káng 122,296 21.8424 115

Neihu 內湖區 Nèihú Nei-hu Lāi-ô͘ 287,726 31.5787 114

Shilin 士林區 Shìlín Shih-lin Sū-lîm 290,682 62.3682 111

Songshan 松山區 Sōngshān Sung-shan Siông-san 209,689 9.2878 105

Wanhua 萬華區 Wànhuá Wan-hua Báng-kah 194,314 8.8522 108

Wenshan 文山區 Wénshān Wen-shan Bûn-san 275,433 31.5090 116

Xinyi 信義區 Xìnyì Hsin-yi Sìn-gī 229,139 11.2077 110

Zhongshan 中山區 Zhōngshān Chung-shan Tiong-san 231,286 13.6821 104

Zhongzheng 中正區 Zhōngzhèng Chung-cheng Tiong-chèng 162,549 7.6071 100

 

City planning

 

The city is characterized by straight roads and public buildings of grand Western architectural styles.[88] The city is built on a square grid configuration, however these blocks are huge by international standards with 500 m (1,640.42 ft) sides. The area in between these blocks are infilled with lanes and alleys, which provide access to quieter residential or mixed-use development. Other than a citywide 30 kilometres per hour (19 mph) speed limit, there is little uniform planning within this "hidden" area; therefore lanes (perpendicular to streets) and alleys (parallel with street, or conceptually, perpendicular to the lane) spill out from the main throughways. These minor roads are not always perpendicular and sometimes cut through the block diagonally.

 

Although development began in the western districts (still considered the cultural heart of the city) of the city due to trade, the eastern districts of the city have become the focus of recent development projects. Many of the western districts, already in decline, have become targets of new urban renewal initiatives.[88]

Transportation

Platform of Wende Station on the Taipei Metro system.

 

Public transport accounts for a substantial portion of different modes of transport in Taiwan, with Taipei residents having the highest utilization rate at 34.1%.[89] Private transport consists of motor scooters, private cars, and bicycles. Motor-scooters often weave between cars and occasionally through oncoming traffic. Respect for traffic laws, once scant, has improved with deployment of traffic cameras and increasing numbers of police roadblocks checking riders for alcohol consumption and other offenses.

 

Taipei Station serves as the comprehensive hub for the subway, bus, conventional rail, and high-speed rail.[41] A contactless smartcard, known as EasyCard, can be used for all modes of public transit as well as several retail outlets. It contains credits that are deducted each time a ride is taken.[90] The EasyCard is read via proximity sensory panels on buses and in MRT stations, and it does not need to be removed from one's wallet or purse.

Metro

Main article: Taipei Metro

 

Taipei's public transport system, the Taipei Metro (commonly referred to as the MRT), incorporates a metro and light rail system based on advanced VAL and Bombardier technology. There are currently five metro lines that are labelled in three ways: color, line number and depot station name. In addition to the rapid transit system itself, the Taipei Metro also includes several public facilities such as the Maokong Gondola, underground shopping malls, parks, and public squares. Modifications to existing railway lines to integrate them into the metro system are underway.

 

In 2017 a rapid transit line was opened to connect Taipei with Taiwan Taoyuan International Airport and Taoyuan City. The new line is part of the new Taoyuan Metro system.

Taipei Railway Station front

Rail

Main articles: Taiwan High Speed Rail and Taiwan Railway Administration

 

Beginning in 1983, surface rail lines in the city were moved underground as part of the Taipei Railway Underground Project.[91] The Taiwan High Speed Rail system opened in 2007. The bullet trains connect Taipei with the west coast cities of New Taipei, Taoyuan, Hsinchu, Taichung, Chiayi, and Tainan before terminating at Zuoying (Kaohsiung) at speeds that cut travel times by 60% or more from what they normally are on a bus or conventional train.[92] The Taiwan Railway Administration also runs passenger and freight services throughout the entire island.

Bus

 

An extensive city bus system serves metropolitan areas not covered by the metro, with exclusive bus lanes to facilitate transportation.[41] Riders of the city metro system are able to use the EasyCard for discounted fares on buses, and vice versa. Several major intercity bus terminals are located throughout the city, including the Taipei Bus Station and Taipei City Hall Bus Station.[93]

Taipei Songshan Airport

Airports

Main articles: Taiwan Taoyuan International Airport and Taipei Songshan Airport

 

Most scheduled international flights are served by Taiwan Taoyuan International Airport in nearby Taoyuan City. Songshan Airport at the heart of the city in the Songshan District serves domestic flights and scheduled flights to Tokyo International Airport (also known as Haneda Airport), Gimpo International Airport in Seoul, and about 15 destinations in the People's Republic of China. Songshan Airport is accessible by the Taipei Metro Neihu Line; Taiwan Taoyuan International Airport is accessible by the Taoyuan International Airport MRT system.

Ticketing

 

In 1994, with the rapid development of Taipei, a white paper for transport policies expressed the strong objective to "create a civilised transport system for the people of Taipei." In 1999, they chose Mitac consortium, which Thales-Transportation Systems is part of. Thales was then selected again in 2005 to deploy an upgrade of Taipei's public transport network with an end-to-end and fully contactless automatic fare collection solution that integrates 116 metro stations, 5,000 buses and 92 car parks.[citation needed]

Education

West Site of National Taiwan University Hospital

 

24 universities have campuses located in Taipei:

 

National Taiwan University (1928)

National Chengchi University (1927)

National Defense Medical Center (1902)

National Defense University (1906)

National Taipei University (1949)

National Taipei University of Business (1917)

National Taipei University of Education (1895)

National Taipei University of Nursing and Health Science (1947)

National Taiwan University of Science and Technology (1974)

National Taipei University of Technology (1912)

National Taiwan College of Performing Arts (1957)

National Taiwan Normal University (1946)

National Yang-Ming University (1975)

Taipei National University of the Arts (1982)

University of Taipei (2013)

  

Tamkang University (1950)

Soochow University (1900)

Chinese Culture University (1962)

Ming Chuan University (1957)

Shih Hsin University (1956)

Shih Chien University (1958)

Taipei Medical University (1960)

Tatung University (1956)

China University of Technology (1965)

 

National Taiwan University (NTU) was established in 1928 during the period of Japanese colonial rule. NTU has produced many political and social leaders in Taiwan. Both pan-blue and pan-green movements in Taiwan are rooted on the NTU campus. The university has six campuses in the greater Taipei region (including New Taipei) and two additional campuses in Nantou County. The university governs farms, forests, and hospitals for educational and research purposes. The main campus is in Taipei's Da-An district, where most department buildings and all the administrative buildings are located. The College of Law and the College of Medicine are located near the Presidential Building. The National Taiwan University Hospital is a leading international center of medical research.[94]

 

National Taiwan Normal University (NTNU or Shida) likewise traces its origins to the Japanese colonial period. Originally a teacher training institution, NTNU has developed into a comprehensive international university with demanding entrance requirements. The university boasts especially strong programs in the humanities and international education. Worldwide it is perhaps best known as home of the Mandarin Training Center, a program that offers Mandarin language training each year to over a thousand students from dozens of countries throughout the world. The main campus in Taipei's Da-An district, near MRT Guting Station, is known for its historic architecture and giving its name to the Shida Night Market, one of the most popular among the numerous night markets in Taipei.

Chinese language program for foreigners

 

Taiwan Mandarin Institute (TMI) (福爾摩莎)

International Chinese Language Program (ICLP) (國際華語研習所) of National Taiwan University

Mandarin Training Center (MTC) (國語教學中心) of National Taiwan Normal University

Taipei Language Institute (中華語文研習所)

 

Reflection Riding Arboretum and Nature Center is a nonprofit arboretum, botanical garden, nature center and historical site located at 400 Garden Road, Chattanooga, Tennessee. The facility includes the 317-acre arboretum, 15 miles of trails, live animals indoor and outdoors.

Myosource Cheer Combo that includes Kinetic Bands plus a free stunt strap to help Cheerleaders improve jumps and stunts. Visit www.myosource.com/cheer-gymnastics-dance/ for more information

Includes Legacy Mesh Body appliers and BOM layers for Maitreya, Legacy and Reborn!

 

Full coverage panties in 8 cute colors ♥

 

www.facebook.com/AetronResident/

 

marketplace.secondlife.com/p/Aetron-Full-Heart-Panties-Hu...

Didn't want me to include his face in the picture.

Includes Wakefields new Enviro200s and Leeds Park & Ride

Here is a new LEGO part idea prototype,

(made with LDD + Photoshop Layers & Mask)

 

If you think this piece will help you, add it to your favorites.

LEGO has read about this album and, your votes can direct them on the use of the production of these parts. (do we ever know)

 

Do not forget to look at the album on the right where are all the ideas of parts Prototype =>

 

Also find all my creations on the Flickr group "News LEGO Techniques".

This Flickr group includes:

 

- Ideas for new LEGO pieces

- Techniques for assembling bricks

- Tutorials for the manufacture of accessories, objects, ...

Hazel Johnson in Bell 47.

 

8x10 black-and-white photograph. Image from a scrapbook album belonging to Hazel Smothers, whose aviation highlights include copiloting her plane to 1st place in her class at the 1969 Powder Puff Derby air race, and flying search and rescue missions for the San Luis Obispo County Sheriff's Department in her pink Bell 47 helicopter.

 

San Diego Air and Space Museum Archive

 

For over 50 years the San Diego Air & Space Museum (SDASM) www.sandiegoairandspace.org , has preserved the aviation heritage of San Diego and the world, through a unique collection documenting the history of aviation from the dawn of flight to space exploration. Established in 1961, SDASM is one of the largest aviation museums in the nation, housing the third largest aerospace library and archives. The Museum showcases the history of and contributions to society provided by the development and advancement of air and space technology. The Museum experience provides a means for the public to gain a greater understanding of current and projected aerospace efforts that play such a key role in the national economy, our position in a technical and competitive world, and mankind's future exploration. CollectionThe Museum's Library & Archives houses one of the most significant collections of aerospace-related research materials in the world. Materials in the Library & Archives collections exist in a variety of formats, including books, periodicals, films and videos, manuals, drawings, and more. Many of these collections may be searched on the Museum's online catalog, 207.67.203.79/s92006staff/opac Aerocat , and a portion of the Museum's extensive photograph collection, consisting of over 2 million images, is available on www.flickr.com/photos/sdasmarchives at Flickr.com. In addition, several hundred digitized films and videos can be found on the Museum's www.youtube.com/user/sdasmarchives at YouTube.com channel.Image RequestsTo request images or videos for purchase please visit the SDASM website and then contact us at 619-234-8291 x125, or dseracini@sdasm.org. The Museum charges licensing fees for commercial use of these images, which helps fund ongoing efforts to care for our collection.

 

Information about the works in the Balboa Park Commons is still being researched and made available for public viewing. Much of this data exists in paper records at the Museum. For more information about this work, please email Dseracini@sdasm.org and include the Item ID# of the record in the body of your email.

More rally car action from Firle Beacon

Passing the Vasco da Gama Bridge after leaving Lisbon airport

 

Wells Cathedral is an Anglican cathedral in Wells, Somerset, England, dedicated to St Andrew the Apostle. It is the seat of the Bishop of Bath and Wells, whose cathedra it holds as mother church of the Diocese of Bath and Wells. Built as a Roman Catholic cathedral from around 1175 to replace an earlier church on the site since 705, it became an Anglican cathedral when King Henry VIII split from Rome. It is moderately sized for an English cathedral. Its broad west front and large central tower are dominant features. It has been called "unquestionably one of the most beautiful" and "most poetic" of English cathedrals.

 

Its Gothic architecture is mostly inspired from Early English style of the late 12th to early 13th centuries, lacking the Romanesque work that survives in many other cathedrals. Building began about 1175 at the east end with the choir. Historian John Harvey sees it as Europe's first truly Gothic structure, breaking the last constraints of Romanesque. The stonework of its pointed arcades and fluted piers bears pronounced mouldings and carved capitals in a foliate, "stiff-leaf" style. Its Early English front with 300 sculpted figures is seen as a "supreme triumph of the combined plastic arts in England". The east end retains much ancient stained glass. Unlike many cathedrals of monastic foundation, Wells has many surviving secular buildings linked to its chapter of secular canons, including the Bishop's Palace and the 15th-century residential Vicars' Close It is a Grade I listed building.

 

The earliest remains of a building on the site are of a late-Roman mausoleum, identified during excavations in 1980. An abbey church was built in Wells in 705 by Aldhelm, first bishop of the newly established Diocese of Sherborne during the reign of King Ine of Wessex. It was dedicated to St Andrew and stood at the site of the cathedral's cloisters, where some excavated remains can be seen. The font in the cathedral's south transept is from this church and is the oldest part of the present building. In 766 Cynewulf, King of Wessex, signed a charter endowing the church with eleven hides of land. In 909 the seat of the diocese was moved from Sherborne to Wells.

 

The first bishop of Wells was Athelm (909), who crowned King Æthelstan. Athelm and his nephew Dunstan both became Archbishops of Canterbury. During this period a choir of boys was established to sing the liturgy. Wells Cathedral School, which was established to educate these choirboys, dates its foundation to this point. There is, however, some controversy over this. Following the Norman Conquest, John de Villula moved the seat of the bishop from Wells to Bath in 1090. The church at Wells, no longer a cathedral, had a college of secular clergy.

 

The cathedral is thought to have been conceived and commenced in about 1175 by Reginald Fitz Jocelin, who died in 1191. Although it is clear from its size that from the outset, the church was planned to be the cathedral of the diocese, the seat of the bishop moved between Wells and the abbeys of Glastonbury and Bath, before settling at Wells. In 1197 Reginald's successor, Savaric FitzGeldewin, with the approval of Pope Celestine III, officially moved his seat to Glastonbury Abbey. The title of Bishop of Bath and Glastonbury was used until the Glastonbury claim was abandoned in 1219.

 

Savaric's successor, Jocelin of Wells, again moved the bishop's seat to Bath Abbey, with the title Bishop of Bath. Jocelin was a brother of Hugh (II) of Lincoln and was present at the signing of the Magna Carta. Jocelin continued the building campaign begun by Reginald and was responsible for the Bishop's Palace, the choristers' school, a grammar school, a hospital for travellers and a chapel. He also had a manor house built at Wookey, near Wells. Jocelin saw the church dedicated in 1239 but, despite much lobbying of the Pope by Jocelin's representatives in Rome, did not live to see cathedral status granted. The delay may have been a result of inaction by Pandulf Verraccio, a Roman ecclesiastical politician, papal legate to England and Bishop of Norwich, who was asked by the Pope to investigate the situation but did not respond. Jocelin died at Wells on 19 November 1242 and was buried in the choir of the cathedral; the memorial brass on his tomb is one of the earliest brasses in England. Following his death the monks of Bath unsuccessfully attempted to regain authority over Wells.

 

In 1245 the ongoing dispute over the title of the bishop was resolved by a ruling of Pope Innocent IV, who established the title as the "Bishop of Bath and Wells", which it has remained until this day, with Wells as the principal seat of the bishop. Since the 11th century the church has had a chapter of secular clergy, like the cathedrals of Chichester, Hereford, Lincoln and York. The chapter was endowed with 22 prebends (lands from which finance was drawn) and a provost to manage them. On acquiring cathedral status, in common with other such cathedrals, it had four chief clergy, the dean, precentor, chancellor and sacristan, who were responsible for the spiritual and material care of the cathedral.

 

The building programme, begun by Reginald Fitz Jocelin, Bishop in the 12th century, continued under Jocelin of Wells, who was a canon from 1200, then bishop from 1206. Adam Locke was master mason from about 1192 until 1230. It was designed in the new style with pointed arches, later known as Gothic, which was introduced at about the same time at Canterbury Cathedral. Work was halted between 1209 and 1213 when King John was excommunicated and Jocelin was in exile, but the main parts of the church were complete by the time of the dedication by Jocelin in 1239.

 

By the time the cathedral, including the chapter house, was finished in 1306, it was already too small for the developing liturgy, and unable to accommodate increasingly grand processions of clergy. John Droxford initiated another phase of building under master mason Thomas of Whitney, during which the central tower was heightened and an eight-sided Lady chapel was added at the east end by 1326. Ralph of Shrewsbury followed, continuing the eastward extension of the choir and retrochoir beyond. He oversaw the building of Vicars' Close and the Vicars' Hall, to give the men who were employed to sing in the choir a secure place to live and dine, away from the town and its temptations. He had an uneasy relationship with the citizens of Wells, partly because of his imposition of taxes, and he surrounded his palace with crenellated walls, a moat and a drawbridge.

 

John Harewell raised money for the completion of the west front by William Wynford, who was appointed as master mason in 1365. One of the foremost master masons of his time, Wynford worked for the king at Windsor, Winchester Cathedral and New College, Oxford. At Wells, he designed the western towers of which north-west was not built until the following century. In the 14th century, the central piers of the crossing were found to be sinking under the weight of the crossing tower which had been damaged by an earthquake in the previous century. Strainer arches, sometimes described as scissor arches, were inserted by master mason William Joy to brace and stabilise the piers as a unit.

 

By the reign of Henry VII the cathedral was complete, appearing much as it does today (though the fittings have changed). From 1508 to 1546, the eminent Italian humanist scholar Polydore Vergil was active as the chapter's representative in London. He donated a set of hangings for the choir of the cathedral. While Wells survived the Dissolution of the Monasteries better than the cathedrals of monastic foundation, the abolition of chantries in 1547 resulted in a reduction in its income. Medieval brasses were sold, and a pulpit was placed in the nave for the first time. Between 1551 and 1568, in two periods as dean, William Turner established a herb garden, which was recreated between 2003 and 2010.

 

Elizabeth I gave the chapter and the Vicars Choral a new charter in 1591, creating a new governing body, consisting of a dean and eight residentiary canons with control over the church estates and authority over its affairs, but no longer entitled to elect the dean (that entitlement thenceforward belonged ultimately to the Crown). The stability brought by the new charter ended with the onset of the Civil War and the execution of Charles I. Local fighting damaged the cathedral's stonework, furniture and windows. The dean, Walter Raleigh, a nephew of the explorer Walter Raleigh, was placed under house arrest after the fall of Bridgwater to the Parliamentarians in 1645, first in the rectory at Chedzoy and then in the deanery at Wells. His jailor, the shoe maker and city constable, David Barrett, caught him writing a letter to his wife. When he refused to surrender it, Barrett ran him through with a sword and he died six weeks later, on 10 October 1646. He was buried in an unmarked grave in the choir before the dean's stall. During the Commonwealth of England under Oliver Cromwell no dean was appointed and the cathedral fell into disrepair. The bishop went into retirement and some of the clerics were reduced to performing menial tasks.

 

In 1661, after Charles II was restored to the throne, Robert Creighton, the king's chaplain in exile, was appointed dean and was bishop for two years before his death in 1672. His brass lectern, given in thanksgiving, can be seen in the cathedral. He donated the nave's great west window at a cost of £140. Following Creighton's appointment as bishop, the post of dean went to Ralph Bathurst, who had been chaplain to the king, president of Trinity College, Oxford and fellow of the Royal Society. During Bathurst's long tenure the cathedral was restored, but in the Monmouth Rebellion of 1685, Puritan soldiers damaged the west front, tore lead from the roof to make bullets, broke the windows, smashed the organ and furnishings, and for a time stabled their horses in the nave.

 

Restoration began again under Thomas Ken who was appointed by the Crown in 1685 and served until 1691. He was one of seven bishops imprisoned for refusing to sign King James II's "Declaration of Indulgence", which would have enabled Catholics to resume positions of political power, but popular support led to their acquittal. Ken refused to take the oath of allegiance to William III and Mary II because James II had not abdicated and with others, known as the Nonjurors, was put out of office. His successor, Richard Kidder, was killed in the Great Storm of 1703 when two chimney stacks on the palace fell on him and his wife, while they were asleep in bed.

 

By the middle of the 19th century, a major restoration programme was needed. Under Dean Goodenough, the monuments were moved to the cloisters and the remaining medieval paint and whitewash removed in an operation known as "the great scrape". Anthony Salvin took charge of the extensive restoration of the choir. Wooden galleries installed in the 16th century were removed and the stalls were given stone canopies and placed further back within the line of the arcade. The medieval stone pulpitum screen was extended in the centre to support a new organ.

 

In 1933 the Friends of Wells Cathedral were formed to support the cathedral's chapter in the maintenance of the fabric, life and work of the cathedral. The late 20th century saw an extensive restoration programme, particularly of the west front. The stained glass is currently under restoration, with a programme underway to conserve the large 14th-century Jesse Tree window at the eastern terminal of the choir.

 

In January 2014, as part of the Bath film festival, the cathedral hosted a special screening of Martin Scorsese's The Last Temptation of Christ. This provoked some controversy, but the church defended its decision to allow the screening.

 

In 2021, a contemporary sculpture by Anthony Gormley was unveiled on a temporary plinth outside the cathedral.

 

Since the 13th century, Wells Cathedral has been the seat of the Bishop of Bath and Wells. Its governing body, the chapter, is made up of five clerical canons (the dean, the precentor, the canon chancellor, the canon treasurer, and the archdeacon of Wells) and four lay members: the administrator (chief executive), Keeper of the Fabric, Overseer of the Estate and the chairman of the cathedral shop and catering boards. The current bishop of Bath and Wells is Peter Hancock, who was installed in a service in the cathedral on 7 June 2014. John Davies has been Dean of Wells since 2016.

 

Employed staff include the organist and master of choristers, head Verger archivist, librarian and the staff of the shop, café and restaurant. The chapter is advised by specialists such as architects, archaeologists and financial analysts.

 

More than a thousand services are held every year. There are daily services of Matins, Holy Communion and Choral Evensong, as well as major celebrations of Christian festivals such as Christmas, Easter, Pentecost and saints' days. The cathedral is also used for the baptisms, weddings and funerals of those with close connections to it. In July 2009 the cathedral undertook the funeral of Harry Patch, the last British Army veteran of World War I, who died at the age of 111.

 

Three Sunday services are led by the resident choir in school terms and choral services are sung on weekdays. The cathedral hosts visiting choirs and does outreach work with local schools as part of its Chorister Outreach Project. It is also a venue for musical events such as an annual concert by the Somerset Chamber Choir.

 

Each year about 150,000 people attend services and another 300,000 visit as tourists. Entry is free, but visitors are encouraged to make a donation towards the annual running costs of around £1.5 million in 2015.

 

Construction of the cathedral began in about 1175, to the design of an unknown master-mason. Wells is the first cathedral in England to be built, from its foundation, in Gothic style. According to art historian John Harvey, it is the first truly Gothic cathedral in the world, its architects having entirely dispensed with all features that bound the contemporary east end of Canterbury Cathedral and the earlier buildings of France, such as the east end of the Abbey of Saint Denis, to the Romanesque. Unlike these churches, Wells has clustered piers rather than columns and has a gallery of identical pointed arches rather than the typically Romanesque form of paired openings. The style, with its simple lancet arches without tracery and convoluted mouldings, is known as Early English Gothic.

 

From about 1192 to 1230, Adam Lock, the earliest master-mason at Wells for whom a name is known, continued the transept and nave in the same manner as his predecessor. Lock was also the builder of the north porch, to his own design.

 

The Early English west front was commenced around 1230 by Thomas Norreys, with building and sculpture continuing for thirty years. Its south-west tower was begun 100 years later and constructed between 1365 and 1395, and the north-west tower between 1425 and 1435, both in the Perpendicular Gothic style to the design of William Wynford, who also filled many of the cathedral's early English lancet windows with delicate tracery.

 

The undercroft and chapter house were built by unknown architects between 1275 and 1310, the undercroft in the Early English and the chapter house in the Geometric style of Decorated Gothic architecture. In about 1310 work commenced on the Lady Chapel, to the design of Thomas Witney, who also built the central tower from 1315 to 1322 in the Decorated Gothic style. The tower was later braced internally with arches by William Joy. Concurrent with this work, in 1329–45 Joy made alterations and extensions to the choir, joining it to the Lady Chapel with the retrochoir, the latter in the Flowing Decorated style.

 

Later changes include the Perpendicular vault of the tower and construction of Sugar's Chapel, 1475–1490 by William Smyth. Also, Gothic Revival renovations were made to the choir and pulpitum by Benjamin Ferrey and Anthony Salvin, 1842–1857.

 

Wells has a total length of 415 feet (126 m). Like Canterbury, Lincoln and Salisbury cathedrals, it has the distinctly English arrangement of two transepts, with the body of the church divided into distinct parts: nave, choir, and retro-choir, beyond which extends the Lady Chapel. The façade is wide, with its towers extending beyond the transepts on either side. There is a large projecting porch on the north side of the nave forming an entry into the cathedral. To the north-east is the large octagonal chapter house, entered from the north choir aisle by a passage and staircase. To the south of the nave is a large cloister, unusual in that the northern range, that adjacent the cathedral, was never built.

 

In section, the cathedral has the usual arrangement of a large church: a central nave with an aisle on each side, separated by two arcades. The elevation is in three stages, arcade, triforium gallery and clerestory. The nave is 67 feet (20 m) in height, very low compared to the Gothic cathedrals of France. It has a markedly horizontal emphasis, caused by the triforium having a unique form, a series of identical narrow openings, lacking the usual definition of the bays. The triforium is separated from the arcade by a single horizontal string course that runs unbroken the length of the nave. There are no vertical lines linking the three stages, as the shafts supporting the vault rise above the triforium.

 

The exterior of Wells Cathedral presents a relatively tidy and harmonious appearance since the greater part of the building was executed in a single style, Early English Gothic. This is uncommon among English cathedrals where the exterior usually exhibits a plethora of styles. At Wells, later changes in the Perpendicular style were universally applied, such as filling the Early English lancet windows with simple tracery, the construction of a parapet that encircles the roof, and the addition of pinnacles framing each gable, similar to those around the chapter house and on the west front. At the eastern end there is a proliferation of tracery with repeated motifs in the Reticulated style, a stage between Geometric and Flowing Decorated tracery.

 

The west front is 100 feet (30 m) high and 147 feet (45 m) wide, and built of Inferior Oolite of the Middle Jurassic period, which came from the Doulting Stone Quarry, about 8 miles (13 km) to the east. According to the architectural historian Alec Clifton-Taylor, it is "one of the great sights of England".

 

West fronts in general take three distinct forms: those that follow the elevation of the nave and aisles, those that have paired towers at the end of each aisle, framing the nave, and those that screen the form of the building. The west front at Wells has the paired-tower form, unusual in that the towers do not indicate the location of the aisles, but extend well beyond them, screening the dimensions and profile of the building.

 

The west front rises in three distinct stages, each clearly defined by a horizontal course. This horizontal emphasis is counteracted by six strongly projecting buttresses defining the cross-sectional divisions of nave, aisles and towers, and are highly decorated, each having canopied niches containing the largest statues on the façade.

 

At the lowest level of the façade is a plain base, contrasting with and stabilising the ornate arcades that rise above it. The base is penetrated by three doors, which are in stark contrast to the often imposing portals of French Gothic cathedrals. The outer two are of domestic proportion and the central door is ornamented only by a central post, quatrefoil and the fine mouldings of the arch.

 

Above the basement rise two storeys, ornamented with quatrefoils and niches originally holding about four hundred statues, with three hundred surviving until the mid-20th century. Since then, some have been restored or replaced, including the ruined figure of Christ in the gable.

 

The third stages of the flanking towers were both built in the Perpendicular style of the late 14th century, to the design of William Wynford; that on the north-west was not begun until about 1425. The design maintains the general proportions, and continues the strong projection of the buttresses.

 

The finished product has been criticised for its lack of pinnacles, and it is probable that the towers were intended to carry spires which were never built. Despite its lack of spires or pinnacles, the architectural historian Banister Fletcher describes it as "the highest development in English Gothic of this type of façade."

 

The sculptures on the west front at Wells include standing figures, seated figures, half-length angels and narratives in high relief. Many of the figures are life-sized or larger. Together they constitute the finest display of medieval carving in England. The figures and many of the architectural details were painted in bright colours, and the colouring scheme has been deduced from flakes of paint still adhering to some surfaces. The sculptures occupy nine architectural zones stretching horizontally across the entire west front and around the sides and the eastern returns of the towers which extend beyond the aisles. The strongly projecting buttresses have tiers of niches which contain many of the largest figures. Other large figures, including that of Christ, occupy the gable. A single figure stands in one of two later niches high on the northern tower.

 

In 1851 the archaeologist Charles Robert Cockerell published his analysis of the iconography, numbering the nine sculptural divisions from the lowest to the highest. He defined the theme as "a calendar for unlearned men" illustrating the doctrines and history of the Christian faith, its introduction to Britain and its protection by princes and bishops. He likens the arrangement and iconography to the Te Deum.

 

According to Cockerell, the side of the façade that is to the south of the central door is the more sacred and the scheme is divided accordingly. The lowest range of niches each contained a standing figure, of which all but four figures on the west front, two on each side, have been destroyed. More have survived on the northern and eastern sides of the north tower. Cockerell speculates that those to the south of the portal represented prophets and patriarchs of the Old Testament while those to the north represented early missionaries to Britain, of which Augustine of Canterbury, St Birinus, and Benedict Biscop are identifiable by their attributes. In the second zone, above each pair of standing figures, is a quatrefoil containing a half-length angel in relief, some of which have survived. Between the gables of the niches are quatrefoils that contain a series of narratives from the Bible, with the Old Testament stories to the south, above the prophets and patriarchs, and those from the New Testament to the north. A horizontal course runs around the west front dividing the architectural storeys at this point.

 

Above the course, zones four and five, as identified by Cockerell, contain figures which represent the Christian Church in Britain, with the spiritual lords such as bishops, abbots, abbesses and saintly founders of monasteries on the south, while kings, queens and princes occupy the north. Many of the figures survive and many have been identified in the light of their various attributes. There is a hierarchy of size, with the more significant figures larger and enthroned in their niches rather than standing. Immediately beneath the upper course are a series of small niches containing dynamic sculptures of the dead coming forth from their tombs on the Day of Judgement. Although naked, some of the dead are defined as royalty by their crowns and others as bishops by their mitres. Some emerge from their graves with joy and hope, and others with despair.

 

The niches in the lowest zone of the gable contain nine angels, of which Cockerell identifies Michael, Gabriel, Raphael and Uriel. In the next zone are the taller figures of the twelve apostles, some, such as John, Andrew and Bartholomew, clearly identifiable by the attributes that they carry. The uppermost niches of the gable contained the figure of Christ the Judge at the centre, with the Virgin Mary on his right and John the Baptist on his left. The figures all suffered from iconoclasm. A new statue of Jesus was carved for the central niche, but the two side niches now contain cherubim. Christ and the Virgin Mary are also represented by now headless figures in a Coronation of the Virgin in a niche above the central portal. A damaged figure of the Virgin and Christ Child occupies a quatrefoil in the spandrel of the door.

 

The central tower appears to date from the early 13th century. It was substantially reconstructed in the early 14th century during the remodelling of the east end, necessitating the internal bracing of the piers a decade or so later. In the 14th century the tower was given a timber and lead spire which burnt down in 1439. The exterior was then reworked in the Perpendicular style and given the present parapet and pinnacles. Alec Clifton-Taylor describes it as "outstanding even in Somerset, a county famed for the splendour of its church towers".

 

The north porch is described by art historian Nikolaus Pevsner as "sumptuously decorated", and intended as the main entrance. Externally it is simple and rectangular with plain side walls. The entrance is a steeply arched portal framed by rich mouldings of eight shafts with stiff-leaf capitals each encircled by an annular moulding at middle height. Those on the left are figurative, containing images representing the martyrdom of St Edmund the Martyr. The walls are lined with deep niches framed by narrow shafts with capitals and annulets like those of the portal. The path to the north porch is lined by four sculptures in Purbeck stone, each by Mary Spencer Watson, representing the symbols of the Evangelists.

 

The cloisters were built in the late 13th century and largely rebuilt from 1430 to 1508 and have wide openings divided by mullions and transoms, and tracery in the Perpendicular Gothic style. The vault has lierne ribs that form octagons at the centre of each compartment, the joints of each rib having decorative bosses. The eastern range is of two storeys, of which the upper is the library built in the 15th century.

 

Because Wells Cathedral was secular rather than monastic, cloisters were not a practical necessity. They were omitted from several other secular cathedrals but were built here and at Chichester. Explanations for their construction at these two secular cathedrals range from the processional to the aesthetic. As at Chichester, there is no northern range to the cloisters. In monastic cloisters it was the north range, benefiting most from winter sunlight, that was often used as a scriptorium.

 

In 1969, when a large chunk of stone fell from a statue near the main door, it became apparent that there was an urgent need for restoration of the west front. Detailed studies of the stonework and of conservation practices were undertaken under the cathedral architect, Alban D. R. Caroe and a restoration committee formed. The methods selected were those devised by Eve and Robert Baker. W. A. (Bert) Wheeler, clerk of works to the cathedral 1935–1978, had previously experimented with washing and surface treatment of architectural carvings on the building and his techniques were among those tried on the statues.

 

The conservation was carried out between 1974 and 1986, wherever possible using non-invasive procedures such as washing with water and a solution of lime, filling gaps and damaged surfaces with soft mortar to prevent the ingress of water and stabilising statues that were fracturing through corrosion of metal dowels. The surfaces were finished by painting with a thin coat of mortar and silane to resist further erosion and attack by pollutants. The restoration of the façade revealed much paint adhering to the statues and their niches, indicating that it had once been brightly coloured.

 

The particular character of this Early English interior is dependent on the proportions of the simple lancet arches. It is also dependent on the refinement of the architectural details, in particular the mouldings.

 

The arcade, which takes the same form in the nave, choir and transepts, is distinguished by the richness of both mouldings and carvings. Each pier of the arcade has a surface enrichment of 24 slender shafts in eight groups of three, rising beyond the capitals to form the deeply undulating mouldings of the arches. The capitals themselves are remarkable for the vitality of the stylised foliage, in a style known as "stiff-leaf". The liveliness contrasts with the formality of the moulded shafts and the smooth unbroken areas of ashlar masonry in the spandrels. Each capital is different, and some contain small figures illustrating narratives.

 

The vault of the nave rises steeply in a simple quadripartite form, in harmony with the nave arcade. The eastern end of the choir was extended and the whole upper part elaborated in the second quarter of the 14th century by William Joy. The vault has a multiplicity of ribs in a net-like form, which is very different from that of the nave, and is perhaps a recreation in stone of a local type of compartmented wooden roof of which examples remain from the 15th century, including those at St Cuthbert's Church, Wells. The vaults of the aisles of the choir also have a unique pattern.

 

Until the early 14th century, the interior of the cathedral was in a unified style, but it was to undergo two significant changes, to the tower and to the eastern end. Between 1315 and 1322 the central tower was heightened and topped by a spire, which caused the piers that supported it to show signs of stress. In 1338 the mason William Joy employed an unorthodox solution by inserting low arches topped by inverted arches of similar dimensions, forming scissors-like structures. These arches brace the piers of the crossing on three sides, while the easternmost side is braced by a choir screen. The bracing arches are known as "St Andrew's Cross arches", in a reference to the patron saint of the cathedral. They have been described by Wim Swaan – rightly or wrongly – as "brutally massive" and intrusive in an otherwise restrained interior.

 

Wells Cathedral has a square east end to the choir, as is usual, and like several other cathedrals including Salisbury and Lichfield, has a lower Lady Chapel projecting at the eastern end, begun by Thomas Witney in about 1310, possibly before the chapter house was completed. The Lady Chapel seems to have begun as a free-standing structure in the form of an elongated octagon, but the plan changed and it was linked to the eastern end by extension of the choir and construction of a second transept or retrochoir east of the choir, probably by William Joy.

 

The Lady Chapel has a vault of complex and somewhat irregular pattern, as the chapel is not symmetrical about both axes. The main ribs are intersected by additional non-supporting, lierne ribs, which in this case form a star-shaped pattern at the apex of the vault. It is one of the earliest lierne vaults in England. There are five large windows, of which four are filled with fragments of medieval glass. The tracery of the windows is in the style known as Reticulated Gothic, having a pattern of a single repeated shape, in this case a trefoil, giving a "reticulate" or net-like appearance.

 

The retrochoir extends across the east end of the choir and into the east transepts. At its centre the vault is supported by a remarkable structure of angled piers. Two of these are placed as to complete the octagonal shape of the Lady Chapel, a solution described by Francis Bond as "an intuition of Genius". The piers have attached shafts of marble, and, with the vaults that they support, create a vista of great complexity from every angle. The windows of the retrochoir are in the Reticulated style like those of the Lady Chapel, but are fully Flowing Decorated in that the tracery mouldings form ogival curves.

 

The chapter house was begun in the late 13th century and built in two stages, completed about 1310. It is a two-storeyed structure with the main chamber raised on an undercroft. It is entered from a staircase which divides and turns, one branch leading through the upper storey of Chain Gate to Vicars' Close. The Decorated interior is described by Alec Clifton-Taylor as "architecturally the most beautiful in England". It is octagonal, with its ribbed vault supported on a central column. The column is surrounded by shafts of Purbeck Marble, rising to a single continuous rippling foliate capital of stylised oak leaves and acorns, quite different in character from the Early English stiff-leaf foliage. Above the moulding spring 32 ribs of strong profile, giving an effect generally likened to "a great palm tree". The windows are large with Geometric Decorated tracery that is beginning to show an elongation of form, and ogees in the lesser lights that are characteristic of Flowing Decorated tracery. The tracery lights still contain ancient glass. Beneath the windows are 51 stalls, the canopies of which are enlivened by carvings including many heads carved in a light-hearted manner.

 

Wells Cathedral contains one of the most substantial collections of medieval stained glass in England, despite damage by Parliamentary troops in 1642 and 1643. The oldest surviving glass dates from the late 13th century and is in two windows on the west side of the chapter-house staircase. Two windows in the south choir aisle are from 1310 to 1320.

 

The Lady Chapel has five windows, of which four date from 1325 to 1330 and include images of a local saint, Dunstan. The east window was restored to a semblance of its original appearance by Thomas Willement in 1845. The other windows have complete canopies, but the pictorial sections are fragmented.

 

The east window of the choir is a broad, seven-light window dating from 1340 to 1345. It depicts the Tree of Jesse (the genealogy of Christ) and demonstrates the use of silver staining, a new technique that allowed the artist to paint details on the glass in yellow, as well as black. The combination of yellow and green glass and the application of the bright yellow stain gives the window its popular name, the "Golden Window". It is flanked by two windows each side in the clerestory, with large figures of saints, also dated to 1340–45. In 2010 a major conservation programme was undertaken on the Jesse Tree window.

 

The panels in the chapel of St Katherine are attributed to Arnold of Nijmegen and date from about 1520. They were acquired from the destroyed church of Saint-Jean, Rouen, with the last panel having been purchased in 1953.

 

The large triple lancet to the nave west end was glazed at the expense of Dean Creighton at a cost of £140 in 1664. It was repaired in 1813, and the central light was largely replaced to a design by Archibald Keightley Nicholson between 1925 and 1931. The main north and south transept end windows by James Powell and Sons were erected in the early 20th century.

 

The greater part of the stone carving of Wells Cathedral comprises foliate capitals in the stiff-leaf style. They are found ornamenting the piers of the nave, choir and transepts. Stiff-leaf foliage is highly abstract. Though possibly influenced by carvings of acanthus leaves or vine leaves, it cannot be easily identified with any particular plant. Here the carving of the foliage is varied and vigorous, the springing leaves and deep undercuts casting shadows that contrast with the surface of the piers. In the transepts and towards the crossing in the nave the capitals have many small figurative carvings among the leaves. These include a man with toothache and a series of four scenes depicting the "Wages of Sin" in a narrative of fruit stealers who creep into an orchard and are then beaten by the farmer. Another well-known carving is in the north transept aisle: a foliate corbel, on which climbs a lizard, sometimes identified as a salamander, a symbol of eternal life.

 

Carvings in the Decorated Gothic style may be found in the eastern end of the buildings, where there are many carved bosses. In the chapter house, the carvings of the 51 stalls include numerous small heads of great variety, many of them smiling or laughing. A well-known figure is the corbel of the dragon-slaying monk in the chapter house stair. The large continuous capital that encircles the central pillar of the chapter house is markedly different in style to the stiff-leaf of the Early English period. In contrast to the bold projections and undercutting of the earlier work, it has a rippling form and is clearly identifiable as grapevine.

 

The 15th-century cloisters have many small bosses ornamenting the vault. Two in the west cloister, near the gift shop and café, have been called sheela na gigs, i. e. female figures displaying their genitals and variously judged to depict the sin of lust or stem from ancient fertility cults.

 

Wells Cathedral has one of the finest sets of misericords in Britain. Its clergy has a long tradition of singing or reciting from the Book of Psalms each day, along with the customary daily reading of the Holy Office. In medieval times the clergy assembled in the church eight times daily for the canonical hours. As the greater part of the services was recited while standing, many monastic or collegiate churches fitted stalls whose seats tipped up to provide a ledge for the monk or cleric to lean against. These were "misericords" because their installation was an act of mercy. Misericords typically have a carved figurative bracket beneath the ledge framed by two floral motifs known, in heraldic manner, as "supporters".

 

The misericords date from 1330 to 1340. They may have been carved under the direction of Master Carpenter John Strode, although his name is not recorded before 1341. He was assisted by Bartholomew Quarter, who is documented from 1343. They originally numbered 90, of which 65 have survived. Sixty-one are installed in the choir, three are displayed in the cathedral, and one is held by the Victoria and Albert Museum. New stalls were ordered when the eastern end of the choir was extended in the early 14th century. The canons complained that they had borne the cost of the rebuilding and ordered the prebendary clerics to pay for their own stalls. When the newly refurbished choir opened in 1339 many misericords were left unfinished, including one-fifth of the surviving 65. Many of the clerics had not paid, having been called to contribute a total sum of £200. The misericords survived better than the other sections of the stalls, which during the Protestant Reformation had their canopies chopped off and galleries inserted above them. One misericord, showing a boy pulling a thorn from his foot, dates from the 17th century. In 1848 came a complete rearrangement of the choir furniture, and 61 of the misericords were reused in the restructured stalls.

 

The subject matter of the carvings of the central brackets as misericords varies, but many themes recur in different churches. Typically the themes are less unified or directly related to the Bible and Christian theology than small sculptures seen elsewhere within churches, such as bosses. This applies at Wells, where none of the misericord carvings is directly based on a Bible story. The subjects, chosen either by the woodcarver, or perhaps by the one paying for the stall, have no overriding theme. The sole unifying elements are the roundels on each side of the pictorial subject, which all show elaborately carved foliage, in most cases formal and stylised in the later Decorated manner, but with several examples of naturalistic foliage, including roses and bindweed. Many of the subjects carry traditional interpretations. The image of the "Pelican in her Piety" (believed to feed her young on her own blood) is a recognised symbol for Christ's love for the Church. A cat playing with a mouse may represent the Devil snaring a human soul. Other subjects illustrate popular fables or sayings such as "When the fox preaches, look to your geese". Many depict animals, some of which may symbolise a human vice or virtue, or an aspect of faith.

 

Twenty-seven of the carvings depict animals: rabbits, dogs, a puppy biting a cat, a ewe feeding a lamb, monkeys, lions, bats, and the Early Christian motif of two doves drinking from a ewer. Eighteen have mythological subjects, including mermaids, dragons and wyverns. Five are clearly narrative, such as the Fox and the Geese, and the story of Alexander the Great being raised to Heaven by griffins. There are three heads: a bishop in a mitre, an angel, and a woman wearing a veil over hair arranged in coils over each ear. Eleven carvings show human figures, among which are several of remarkable design, conceived by the artist specifically for their purpose of supporting a shelf. One figure lies beneath the seat, supporting the shelf with a cheek, a hand and a foot. Another sits in a contorted manner supporting the weight on his elbow, while a further figure squats with his knees wide apart and a strained look on his face.

 

Some of the cathedral's fittings and monuments are hundreds of years old. The brass lectern in the Lady Chapel dates from 1661 and has a moulded stand and foliate crest. In the north transept chapel is a 17th-century oak screen with columns, formerly used in cow stalls, with artisan Ionic capitals and cornice, set forward over the chest tomb of John Godelee. There is a bound oak chest from the 14th century, which was used to store the chapter seal and key documents. The bishop's throne dates from 1340, and has a panelled, canted front and stone doorway, and a deep nodding cusped ogee canopy above it, with three-stepped statue niches and pinnacles. The throne was restored by Anthony Salvin around 1850. Opposite the throne is a 19th-century octagonal pulpit on a coved base with panelled sides, and steps up from the north aisle. The round font in the south transept is from the former Saxon cathedral and has an arcade of round-headed arches, on a round plinth. The font cover was made in 1635 and is decorated with the heads of putti. The Chapel of St Martin is a memorial to every Somerset man who fell in World War I.

 

The monuments and tombs include Gisa, bishop; † 1088; William of Bitton, bishop; † 1274; William of March, bishop; † 1302; John Droxford; † 1329; John Godelee; † 1333; John Middleton, died †1350; Ralph of Shrewsbury, died †; John Harewell, bishop; † 1386; William Bykonyll; † c. 1448; John Bernard; † 1459; Thomas Beckington; † died 1464; John Gunthorpe; † 1498; John Still; † 1607; Robert Creighton; † 1672; Richard Kidder, bishop; † 1703; George Hooper, bishop; † 1727 and Arthur Harvey, bishop; † 1894.

 

In the north transept is Wells Cathedral clock, an astronomical clock from about 1325 believed to be by Peter Lightfoot, a monk of Glastonbury. Its mechanism, dated between 1386 and 1392, was replaced in the 19th century and the original moved to the Science Museum in London, where it still operates. It is the second oldest surviving clock in England after the Salisbury Cathedral clock.

 

The clock has its original medieval face. Apart from the time on a 24-hour dial, it shows the motion of the Sun and Moon, the phases of the Moon, and the time since the last new Moon. The astronomical dial presents a geocentric or pre-Copernican view, with the Sun and Moon revolving round a central fixed Earth, like that of the clock at Ottery St Mary. The quarters are chimed by a quarter jack: a small automaton known as Jack Blandifers, who hits two bells with hammers and two with his heels. At the striking of the clock, jousting knights appear above the clock face.

 

On the outer wall of the transept, opposite Vicars' Hall, is a second clock face of the same clock, placed there just over seventy years after the interior clock and driven by the same mechanism. The second clock face has two quarter jacks (which strike on the quarter-hour) in the form of knights in armour.

 

In 2010 the official clock-winder retired and was replaced by an electric mechanism.

 

The first record of an organ at this church dates from 1310. A smaller organ, probably for the Lady Chapel, was installed in 1415. In 1620 an organ built by Thomas Dallam was installed at a cost of £398 1s 5d.

 

The 1620 organ was destroyed by parliamentary soldiers in 1643. An organ built in 1662 was enlarged in 1786 and again in 1855. In 1909–1910 an organ was built by Harrison & Harrison of Durham, with the best parts of the old organ retained. It has been serviced by the same company ever since.

 

Since November 1996 the cathedral has also had a portable chamber organ, by the Scottish makers, Lammermuir. It is used regularly to accompany performances of Tudor and baroque music.

 

The first recorded organist of Wells was Walter Bagele (or Vageler) in 1416. The post of organist or assistant organist has been held by more than 60 people since. Peter Stanley Lyons was Master of Choristers at Wells Cathedral, and Director of Music at Wells Cathedral School in 1954–1960. The choral conductor James William Webb-Jones, father of Lyons's wife Bridget (whom he married in the cathedral), was Headmaster of Wells Cathedral School in 1955–1960. Malcolm Archer was the appointed Organist and Master of the Choristers from 1996 to 2004. Matthew Owens was the appointed organist from 2005 to 2019.

 

There has been a choir of boy choristers at Wells since 909. Currently there are 18 boy choristers and a similar number of girl choristers, aged from eight to fourteen. The Vicars Choral was formed in the 12th century and the sung liturgy provided by a traditional cathedral choir of men and boys until the formation of an additional choir of girls in 1994. The boys and girls sing alternately with the Vicars Choral and are educated at Wells Cathedral School.

 

The Vicars Choral currently number twelve men, of whom three are choral scholars. Since 1348 the College of Vicars had its own accommodation in a quadrangle converted in the early 15th century to form Vicar's Close. The Vicars Choral generally perform with the choristers, except on Wednesdays, when they sing alone, allowing them to present a different repertoire, in particular plainsong.

 

In December 2010 Wells Cathedral Choir was rated by Gramophone magazine as "the highest ranking choir with children in the world". It continues to provide music for the liturgy at Sunday and weekday services. The choir has made many recordings and toured frequently, including performances in Beijing and Hong Kong in 2012. Its repertoire ranges from the choral music of the Renaissance to recently commissioned works.

 

The Wells Cathedral Chamber Choir is a mixed adult choir of 25 members, formed in 1986 to sing at the midnight service on Christmas Eve, and invited to sing at several other special services. It now sings for about 30 services a year, when the Cathedral Choir is in recess or on tour, and spends one week a year singing as the "choir in residence" at another cathedral. Although primarily liturgical, the choir's repertoire includes other forms of music, as well as performances at engagements such as weddings and funerals.

 

The cathedral is home to Wells Cathedral Oratorio Society (WCOS), founded in 1896. With around 160 voices, the society gives three concerts a year under the direction of Matthew Owens, Organist and Master of the Choristers at the cathedral. Concerts are normally in early November, December (an annual performance of Handel's Messiah) and late March. It performs with a number of specialist orchestras including: Music for Awhile, Chameleon Arts and La Folia.

 

The bells at Wells Cathedral are the heaviest ring of ten bells in the world, the tenor bell (the 10th and largest), known as Harewell, weighing 56.25 long hundredweight (2,858 kg). They are hung for full-circle ringing in the English style of change ringing. These bells are now hung in the south-west tower, although some were originally hung in the central tower.

 

The library above the eastern cloister was built between 1430 and 1508. Its collection is in three parts: early documents housed in the Muniment Room; the collection predating 1800 housed in the Chained Library; and the post-1800 collection housed in the Reading Room. The chapter's earlier collection was destroyed during the Reformation, so that the present library consists chiefly of early printed books, rather than medieval manuscripts. The earlier books in the Chained Library number 2,800 volumes and give an indication of the variety of interests of the members of the cathedral chapter from the Reformation until 1800. The focus of the collection is predominantly theology, but there are volumes on science, medicine, exploration, and languages. Books of particular interest include Pliny's Natural History printed in 1472, an Atlas of the World by Abraham Ortelius, printed in 1606, and a set of the works by Aristotle that once belonged to Erasmus. The library is open to the public at appointed times in the summer and presents a small exhibition of documents and books.

 

Three early registers of the Dean and Chapter edited by W. H. B. Bird for the Historical Manuscripts Commissioners – Liber Albus I (White Book; R I), Liber Albus II (R III) and Liber Ruber (Red Book; R II, section i) – were published in 1907. They contain with some repetition, a cartulary of possessions of the cathedral, with grants of land back to the 8th century, well before hereditary surnames developed in England, and acts of the Dean and Chapter and surveys of their estates, mostly in Somerset.

 

Adjacent to the cathedral is a large lawned area, Cathedral Green, with three ancient gateways: Brown's Gatehouse, Penniless Porch and Chain Gate. On the green is the 12th-century Old Deanery, largely rebuilt in the late 15th century by Dean Gunthorpe and remodelled by Dean Bathurst in the late 17th century. No longer the dean's residence, it is used as diocesan offices.

 

To the south of the cathedral is the moated Bishop's Palace, begun about 1210 by Jocelin of Wells but dating mostly from the 1230s. In the 15th century Thomas Beckington added a north wing, now the bishop's residence. It was restored and extended by Benjamin Ferrey between 1846 and 1854.

 

To the north of the cathedral and connected to it by the Chain Gate is Vicars' Close, a street planned in the 14th century and claimed to be the oldest purely residential street in Europe, with all but one of its original buildings intact. Buildings in the close include the Vicars Hall and gateway at the south end, and the Vicars Chapel and Library at the north end.

 

The Liberty of St Andrew was the historic liberty and parish that encompassed the cathedral and surrounding lands closely associated with it.

 

The English painter J. M. W. Turner visited Wells in 1795, making sketches of the precinct and a water colour of the west front, now in the Tate gallery. Other artists whose paintings of the cathedral are in national collections are Albert Goodwin, John Syer and Ken Howard.

 

The cathedral served to inspire Ken Follett's 1989 novel The Pillars of the Earth and with a modified central tower, featured as the fictional Kingsbridge Cathedral at the end of the 2010 television adaptation of that novel. The interior of the cathedral was used for a 2007 Doctor Who episode, "The Lazarus Experiment", while the exterior shots were filmed at Southwark Cathedral.

 

An account of the damage to the cathedral during the Monmouth Rebellion is included in Arthur Conan Doyle's 1889 historical novel Micah Clarke.

 

The cathedral provided scenes for the 2019–2020 television series The Spanish Princess.

First 'Woolly' of the year.

 

Arctiidae-Tiger Moths. This is a large and diverse family of moths with around 11,000 worldwide species This family includes the groups commonly known as tiger moths (or tigers), which usually have bright colors, footmen, lichen moths and wasp moths. Many species have 'hairy' caterpillars which are popularly known as woolly bears or woolly worms.

 

A characteristic of the family is a tympanum on the thorax which when vibrated to produce ultrasonic sounds. These sounds are used in mating and for defense against predator. Many species retain distasteful or poisonous chemicals acquired from their host plants. Larvae typically acquire these chemicals which may be passed onto molting adults. In some species adults can also acquire these toxicants by regurgitating on decomposing plants containing the compounds, and sucking up the fluid. Female adults can transfer the toxicants to their eggs, or the males sometimes transfer them to females to help with defense of the eggs. Some larvae possess urticating or stinging hairs. The insects advertise these defenses with bright coloration, unusual postures, odors, or, in adults, ultrasonic vibrations. Some species mimic other moths that are poisonous, or wasps that sting. The ultrasound signals help nocturnal predators to learn to avoid the moths. Many of the caterpillars and adults are active during the daytime. If disturbed, woolly bear caterpillars will roll into a tight spiral

 

Local folklore of the American Northeast holds that that "wooly bears" have the ability to predict the weather, similar to that of the Groundhog. The forthcoming severity of a winter may be indicated by the amount of black on the Isabella tiger moth's caterpillar, the most familiar woolly bear in North America; more brown than black means a fair winter, but more black than brown means a harsh winter. However, the relative width of the black band varies among instars, not according to weather. The mythical qualities attributed to woolly bears in the American Northeast have led to such things as the Woolly Bear Festival.

Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, inked brushes, wax color pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, various metals (such as silverpoint) and electronic drawing.

 

A drawing instrument releases small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, plastic, leather, canvas, and board, may be used. Temporary drawings may be made on a blackboard or whiteboard or indeed almost anything. The medium has been a popular and fundamental means of public expression throughout human history. It is one of the simplest and most efficient means of communicating visual ideas.[1] The wide availability of drawing instruments makes drawing one of the most common artistic activities.

In addition to its more artistic forms, drawing is frequently used in commercial illustration, animation, architecture, engineering and technical drawing. A quick, freehand drawing, usually not intended as a finished work, is sometimes called a sketch. An artist who practices or works in technical drawing may be called a drafter, draftsman or a draughtsman.[2]

Drawing is one of the major forms of expression within the visual arts. It is generally concerned with the marking of lines and areas of tone onto paper/other material, where the accurate representation of the visual world is expressed upon a plane surface.[3] Traditional drawings were monochrome, or at least had little colour,[4] while modern colored-pencil drawings may approach or cross a boundary between drawing and painting. In Western terminology, drawing is distinct from painting, even though similar media often are employed in both tasks. Dry media, normally associated with drawing, such as chalk, may be used in pastel paintings. Drawing may be done with a liquid medium, applied with brushes or pens. Similar supports likewise can serve both: painting generally involves the application of liquid paint onto prepared canvas or panels, but sometimes an underdrawing is drawn first on that same support.

  

Madame Palmyre with Her Dog, 1897. Henri de Toulouse-Lautrec

 

Galileo Galilei. Phases of the Moon. 1616.

Drawing is often exploratory, with considerable emphasis on observation, problem-solving and composition. Drawing is also regularly used in preparation for a painting, further obfuscating their distinction. Drawings created for these purposes are called studies.

 

There are several categories of drawing, including figure drawing, cartooning, doodling, free hand and shading. There are also many drawing methods, such as line drawing, stippling, shading, the surrealist method of entopic graphomania (in which dots are made at the sites of impurities in a blank sheet of paper, and lines are then made between the dots), and tracing (drawing on a translucent paper, such as tracing paper, around the outline of preexisting shapes that show through the paper).

 

A quick, unrefined drawing may be called a sketch.

 

In fields outside art, technical drawings or plans of buildings, machinery, circuitry and other things are often called "drawings" even when they have been transferred to another medium by printing.

 

History[edit]

Drawing as a Form of Communication Drawing is one of the oldest forms of human expression, with evidence for its existence preceding that of written communication.[5] It is believed that drawing was used as a specialised form of communication before the invent of the written language,[5][6] demonstrated by the production of cave and rock paintings created by Homo sapiens sapiens around 30,000 years ago.[7] These drawings, known as pictograms, depicted objects and abstract concepts.[8] The sketches and paintings produced in prehistoric times were eventually stylised and simplified, leading to the development of the written language as we know it today.

 

Drawing in the Arts Drawing is used to express one's creativity, and therefore has been prominent in the world of art. Throughout much of history, drawing was regarded as the foundation for artistic practise.[9] Initially, artists used and reused wooden tablets for the production of their drawings.[10] Following the widespread availability of paper in the 14th century, the use of drawing in the arts increased. At this point, drawing was commonly used as a tool for thought and investigation, acting as a study medium whilst artists were preparing for their final pieces of work.[11][12] In a period of artistic flourish, the Renaissance brought about drawings exhibiting realistic representational qualities,[13] where there was a lot of influence from geometry and philosophy.[14]

 

The invention of the first widely available form of photography led to a shift in the use of drawing in the arts.[15] Photography took over from drawing as a more superior method for accurately representing visual phenomena, and artists began to abandon traditional drawing practises.[16] Modernism in the arts encouraged "imaginative originality"[17] and artists' approach to drawing became more abstract.

 

Drawing Outside the Arts Although the use of drawing is extensive in the arts, its practice is not confined purely to this field. Before the widespread availability of paper, 12th century monks in European monasteries used intricate drawings to prepare illustrated, illuminated manuscripts on vellum and parchment. Drawing has also been used extensively in the field of science, as a method of discovery, understanding and explanation. In 1616, astronomer Galileo Galilei explained the changing phases of the moon through his observational telescopic drawings.[16] Additionally, in 1924, geophysicist Alfred Wegener used illustrations to visually demonstrate the origin of the continents.The medium is the means by which ink, pigment or color are delivered onto the drawing surface. Most drawing media are either dry (e.g. graphite, charcoal, pastels, Conté, silverpoint), or use a fluid solvent or carrier (marker, pen and ink). Watercolor pencils can be used dry like ordinary pencils, then moistened with a wet brush to get various painterly effects. Very rarely, artists have drawn with (usually decoded) invisible ink. Metalpoint drawing usually employs either of two metals: silver or lead.[20] More rarely used are gold, platinum, copper, brass, bronze, and tinpoint.

 

Paper comes in a variety of different sizes and qualities, ranging from newspaper grade up to high quality and relatively expensive paper sold as individual sheets.[21] Papers can vary in texture, hue, acidity, and strength when wet. Smooth paper is good for rendering fine detail, but a more "toothy" paper holds the drawing material better. Thus a coarser material is useful for producing deeper contrast.

 

Newsprint and typing paper may be useful for practice and rough sketches. Tracing paper is used to experiment over a half-finished drawing, and to transfer a design from one sheet to another. Cartridge paper is the basic type of drawing paper sold in pads. Bristol board and even heavier acid-free boards, frequently with smooth finishes, are used for drawing fine detail and do not distort when wet media (ink, washes) are applied. Vellum is extremely smooth and suitable for very fine detail. Coldpressed watercolor paper may be favored for ink drawing due to its texture.

 

Acid-free, archival quality paper keeps its color and texture far longer than wood pulp based paper such as newsprint, which turns yellow and become brittle much sooner.

 

The basic tools are a drawing board or table, pencil sharpener and eraser, and for ink drawing, blotting paper. Other tools used are circle compass, ruler, and set square. Fixative is used to prevent pencil and crayon marks from smudging. Drafting tape is used to secure paper to drawing surface, and also to mask an area to keep it free of accidental marks sprayed or spattered materials and washes. An easel or slanted table is used to keep the drawing surface in a suitable position, which is generally more horizontal than the position used in painting.

 

Technique[edit]

 

Raphael, study for what became the Alba Madonna, with other sketches

Almost all draftsmen use their hands and fingers to apply the media, with the exception of some handicapped individuals who draw with their mouth or feet.[22]

 

Prior to working on an image, the artist typically explores how various media work. They may try different drawing implements on practice sheets to determine value and texture, and how to apply the implement to produce various effects.

 

The artist's choice of drawing strokes affects the appearance of the image. Pen and ink drawings often use hatching—groups of parallel lines.[23] Cross-hatching uses hatching in two or more different directions to create a darker tone. Broken hatching, or lines with intermittent breaks, form lighter tones—and controlling the density of the breaks achieves a gradation of tone. Stippling, uses dots to produce tone, texture or shade. Different textures can be achieved depending on the method used to build tone.[24]

 

Drawings in dry media often use similar techniques, though pencils and drawing sticks can achieve continuous variations in tone. Typically a drawing is filled in based on which hand the artist favors. A right-handed artist draws from left to right to avoid smearing the image. Erasers can remove unwanted lines, lighten tones, and clean up stray marks. In a sketch or outline drawing, lines drawn often follow the contour of the subject, creating depth by looking like shadows cast from a light in the artist's position.

 

Sometimes the artist leaves a section of the image untouched while filling in the remainder. The shape of the area to preserve can be painted with masking fluid or cut out of a frisket and applied to the drawing surface, protecting the surface from stray marks until the mask is removed.

 

Another method to preserve a section of the image is to apply a spray-on fixative to the surface. This holds loose material more firmly to the sheet and prevents it from smearing. However the fixative spray typically uses chemicals that can harm the respiratory system, so it should be employed in a well-ventilated area such as outdoors.

 

Another technique is subtractive drawing in which the drawing surface is covered with graphite or charcoal and then erased to make the image.[25]

 

Tone[edit]

 

Line drawing in sanguine by Leonardo da Vinci

Shading is the technique of varying the tonal values on the paper to represent the shade of the material as well as the placement of the shadows. Careful attention to reflected light, shadows and highlights can result in a very realistic rendition of the image.

 

Blending uses an implement to soften or spread the original drawing strokes. Blending is most easily done with a medium that does not immediately fix itself, such as graphite, chalk, or charcoal, although freshly applied ink can be smudged, wet or dry, for some effects. For shading and blending, the artist can use a blending stump, tissue, a kneaded eraser, a fingertip, or any combination of them. A piece of chamois is useful for creating smooth textures, and for removing material to lighten the tone. Continuous tone can be achieved with graphite on a smooth surface without blending, but the technique is laborious, involving small circular or oval strokes with a somewhat blunt point.

 

Shading techniques that also introduce texture to the drawing include hatching and stippling. A number of other methods produce texture. In addition to the choice of paper, drawing material and technique affect texture. Texture can be made to appear more realistic when it is drawn next to a contrasting texture; a coarse texture is more obvious when placed next to a smoothly blended area. A similar effect can be achieved by drawing different tones close together. A light edge next to a dark background stands out to the eye, and almost appears to float above the surface.

 

Form and proportion[edit]

 

Pencil portrait by Ingres

Measuring the dimensions of a subject while blocking in the drawing is an important step in producing a realistic rendition of the subject. Tools such as a compass can be used to measure the angles of different sides. These angles can be reproduced on the drawing surface and then rechecked to make sure they are accurate. Another form of measurement is to compare the relative sizes of different parts of the subject with each other. A finger placed at a point along the drawing implement can be used to compare that dimension with other parts of the image. A ruler can be used both as a straightedge and a device to compute proportions.

 

When attempting to draw a complicated shape such as a human figure, it is helpful at first to represent the form with a set of primitive volumes. Almost any form can be represented by some combination of the cube, sphere, cylinder, and cone. Once these basic volumes have been assembled into a likeness, then the drawing can be refined into a more accurate and polished form. The lines of the primitive volumes are removed and replaced by the final likeness. Drawing the underlying construction is a fundamental skill for representational art, and is taught in many books and schools. Its correct application resolves most uncertainties about smaller details, and makes the final image look consistent.[26]

 

A more refined art of figure drawing relies upon the artist possessing a deep understanding of anatomy and the human proportions. A trained artist is familiar with the skeleton structure, joint location, muscle placement, tendon movement, and how the different parts work together during movement. This allows the artist to render more natural poses that do not appear artificially stiff. The artist is also familiar with how the proportions vary depending on the age of the subject, particularly when drawing a portrait.

 

Perspective[edit]

Linear perspective is a method of portraying objects on a flat surface so that the dimensions shrink with distance. Each set of parallel, straight edges of any object, whether a building or a table, follows lines that eventually converge at a vanishing point. Typically this convergence point is somewhere along the horizon, as buildings are built level with the flat surface. When multiple structures are aligned with each other, such as buildings along a street, the horizontal tops and bottoms of the structures typically converge at a vanishing point.

  

Two-point perspective drawing

When both the fronts and sides of a building are drawn, then the parallel lines forming a side converge at a second point along the horizon (which may be off the drawing paper.) This is a two-point perspective.[27] Converging the vertical lines to a third point above or below the horizon then produces a three-point perspective.

 

Depth can also be portrayed by several techniques in addition to the perspective approach above. Objects of similar size should appear ever smaller the further they are from the viewer. Thus the back wheel of a cart appears slightly smaller than the front wheel. Depth can be portrayed through the use of texture. As the texture of an object gets further away it becomes more compressed and busy, taking on an entirely different character than if it was close. Depth can also be portrayed by reducing the contrast in more distant objects, and by making their colors less saturated. This reproduces the effect of atmospheric haze, and cause the eye to focus primarily on objects drawn in the foreground.

 

Artistry[edit]

 

Chiaroscuro study drawing by William-Adolphe Bouguereau

The composition of the image is an important element in producing an interesting work of artistic merit. The artist plans element placement in the art to communicate ideas and feelings with the viewer. The composition can determine the focus of the art, and result in a harmonious whole that is aesthetically appealing and stimulating.

 

The illumination of the subject is also a key element in creating an artistic piece, and the interplay of light and shadow is a valuable method in the artist's toolbox. The placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features.

 

When drawing an object or figure, the skilled artist pays attention to both the area within the silhouette and what lies outside. The exterior is termed the negative space, and can be as important in the representation as the figure. Objects placed in the background of the figure should appear properly placed wherever they can be viewed.

  

Drawing process in the Academic Study of a Male Torso by Jean-Auguste-Dominique Ingres (1801, National Museum, Warsaw)

A study is a draft drawing that is made in preparation for a planned final image. Studies can be used to determine the appearances of specific parts of the completed image, or for experimenting with the best approach for accomplishing the end goal. However a well-crafted study can be a piece of art in its own right, and many hours of careful work can go into completing a study.

 

Process[edit]

Individuals display differences in their ability to produce visually accurate drawings.[28] A visually accurate drawing is described as being "recognized as a particular object at a particular time and in a particular space, rendered with little addition of visual detail that can not be seen in the object represented or with little deletion of visual detail”.[29]

 

Investigative studies have aimed to explain the reasons why some individuals draw better than others. One study posited four key abilities in the drawing process: perception of objects being drawn, ability to make good representational decisions, motor skills required for mark-making and the drawer's own perception of their drawing.[29] Following this hypothesis, several studies have sought to conclude which of these processes are most significant in affecting the accuracy of drawings.

 

Motor function Motor function is an important physical component in the 'Production Phase' of the drawing process.[30] It has been suggested that motor function plays a role in drawing ability, though its effects are not significant.[29]

 

Perception It has been suggested that an individual's ability to perceive an object they are drawing is the most important stage in the drawing process.[29] This suggestion is supported by the discovery of a robust relationship between perception and drawing ability.[31]

 

This evidence acted as the basis of Betty Edwards' how-to drawing book, Drawing on the Right Side of the Brain.[32] Edwards aimed to teach her readers how to draw, based on the development of the reader's perceptual abilities.

 

Furthermore, the influential artist and art critic John Ruskin emphasised the importance of perception in the drawing process in his book The Elements of Drawing.[33] He stated that "For I am nearly convinced, that once we see keenly enough, there is very little difficult in drawing what we see".

 

Visual memory has also been shown to influence one's ability to create visually accurate drawings. Short-term memory plays an important part in drawing as one’s gaze shifts between the object they are drawing and the drawing itself.[34]

The site includes the remains of two churches built in the 14th century or later and an earlier round tower, but it is most famous for its high crosses.

 

The round tower is about 28 metres tall, and is in very good condition. It was likely built shortly after 968 and damaged in a fire in 1098.[3]

 

The three high crosses date from the 10th century and form part of the scriptural group (showing biblical scenes).[3]

 

The 5.5-metre Muiredach's High Cross is regarded as the finest high cross in the whole of Ireland. It is named after an abbot, Muiredach mac Domhnaill, who died in 923 and features biblical carvings of both the Old and New Testaments of the Bible. The North and West crosses are also notable examples of this kind of structure, but these have suffered much more from the effects of the weather. A copy of the main cross is held in the Victoria and Albert Museum in London.

.

.

  

Unashamedly I will shout it from the rooftops.

  

I LOVE CARRION CROW.

   

There, I've said it. Words I use to describe these amazing birds would include stunning, beautiful, bold, magnificent, intelligent and fantastic, loving, tender, victimized...... oh yes, and sometimes they can be brutal (Let's face it, Mother nature often is).

  

Recently I had a resident pair of Carrion crows who decided that my garden was theirs, playing a game of cat and mouse with a pair of cheeky Magpies (Pica pica) for dominance and food rights. The male crow actually flew in and 'winged' the magpies to make them leave, an incredible sight to witness. It was an honour and a privilege to be able to win their trust and they have given me so much pleasure this year being able to get within a few feet of them, and their three youngsters, to photograph and feed them, and they have reinforced my already deep admiration for a bird that is brimming with beauty, intelligence, confidence and also surrounded by myths, legend and prejudice.

  

So let's begin with a look back over history.

  

LEGEND AND MYTHOLOGY

  

Crows appear in the Bible where Noah uses one to search for dry land and to check on the recession of the flood. Crows supposedly saved the prophet, Elijah, from famine and are an Inuit deity. Legend has it that England and its monarchy will end when there are no more crows in the Tower of London. And some believe that the crows went to the Tower attracted by the regular corpses following executions with written accounts of their presence at the executions of Anne Boleyn and Jane Gray.

  

In Welsh mythology, unfortunately Crows are seen as symbolic of evilness and black magic thanks to many references to witches transforming into crows or ravens and escaping. Indian legend tells of Kakabhusandi, a crow who sits on the branches of a wish-fulfilling tree called Kalpataru and a crow in Ramayana where Lord Rama blessed the crow with the power to foresee future events and communicate with the souls.

  

In Native American first nation legend the crow is sometimes considered to be something of a trickster, though they are also viewed positively by some tribes as messengers between this world and the next where they carry messages from the living to those deceased, and even carry healing medicines between both worlds. There is a belief that crows can foresee the future. The Klamath tribe in Oregon believe that when we die, we fly up to heaven as a crow. The Crow can also signify wisdom to some tribes who believe crows had the power to talk and were therefore considered to be one of the wisest of birds. Tribes with Crow Clans include the Chippewa (whose Crow Clan and its totem are called Aandeg), the Hopi (whose Crow Clan is called Angwusngyam or Ungwish-wungwa), the Menominee, the Caddo, the Tlingit, and the Pueblo tribes of New Mexico.

  

The crow features in the Nanissáanah (Ghost dance), popularized by Jerome Crow Dog, a Brulé Lakota sub-chief and warrior born at Horse Stealing Creek in Montana Territory in 1833, the crow symbolizing wisdom and the past, when the crow had became a guide and acted as a pathfinder during hunting. The Ghost dance movement was originally created in 1870 by Wodziwob, or Gray Hair, a prophet and medicine man of the Paiute tribe in an area that became known as Nevada. Ghost dancers wore crow and eagle feathers in their clothes and hair, and the fact that the Crow could talk placed it as one of the sages of the animal kingdom. The five day dances seeking trance,prophecy and exhortations would eventually play a major part in the pathway towards the white man's broken treaties, the infamous battle at Wounded knee and the surrender of Matȟó Wanáȟtaka (Kicking Bear), after officials began to fear the ghost dancers and rituals which seemed to occur prior to battle.

  

Historically the Vikings are the group who made so many references to the crow, and Ragnarr Loðbrók and his sons used this species in his banner as well as appearances in many flags and coats of arms. Also, it had some kind of association with Odin, one of their main deities. Norse legend tells us that Odin is accompanied by two crows. Hugin, who symbolizes thought, and Munin, who represents a memory. These two crows were sent out each dawn to fly the entire world, returning at breakfast where they informed the Lord of the Nordic gods of everything that went on in their kingdoms. Odin was also referred to as Rafnagud (raven-god). The raven appears in almost every skaldic poem describing warfare.Coins dating back to 940's minted by Olaf Cuaran depict the Viking war standard, the Raven and Viking war banners (Gonfalon) depicted the bird also.

  

In Scandinavian legends, crows are a representative of the Goddess of Death, known as Valkyrie (from old Norse 'Valkyrja'), one of the group of maidens who served the Norse deity Odin, visiting battlefields and sending him the souls of the slain worthy of a place in Valhalla. Odin ( also called Wodan, Woden, or Wotan), preferred that heroes be killed in battle and that the most valiant of souls be taken to Valhöll, the hall of slain warriors. It is the crow that provides the Valkyries with important information on who should go. In Hindu ceremonies that are associated to ancestors, the crow has an important place in Vedic rituals. They are seen as messengers of death in Indian culture too.

  

In Germanic legend, Crows are seen as psychonomes, meaning the act of guiding spirits to their final destination, and that the feathers of a crow could cure a victim who had been cursed. And yet, a lone black crow could symbolize impending death, whilst a group symbolizes a lucky omen! Vikings also saw good omens in the crow and would leave offerings of meat as a token.

  

The crow also has sacred and prophetic meaning within the Celtic civilization, where it stood for flesh ripped off due to combat and Morrighan, the warrior goddess, often appears in Celtic mythology as a raven or crow, or else is found to be in the company of the birds. Crow is sacred to Lugdnum, the Celtic god of creation who gave his name to the city of Lug

  

In Greek mythology according to Appolodorus, Apollo is supposedly responsible for the black feathers of the crow, turning them forever black from their pristine white original plumage as a punishment after they brought news that Κορωνις (Coronis) a princess of the Thessalian kingdom of Phlegyantis, Apollo's pregnant lover had left him to marry a mortal, Ischys. In one legend, Apollo burned the crows feathers and then burned Coronis to death, in another Coronis herself was turned into a black crow, and another that she was slain by the arrows of Αρτεμις (Artemis - twin to Apollo). Koronis was later set amongst the stars as the constellation Corvus ("the Crow"). Her name means "Curved One" from the Greek word korônis or "Crow" from the word korônê.

  

A similar Muslim legend allegedly tells of Muhammad, founder of Islam and the last prophet sent by God to Earth, who's secret location was given away by a white crow to his seekers, as he hid in caves. The crow shouted 'Ghar Ghar' (Cave, cave) and thus as punishment, Muhammad turned the crow black and cursed it for eternity to utter only one phrase, 'Ghar, ghar). Native Indian legend where the once rainbow coloured crows became forever black after shedding their colourful plumage over the other animals of the world.

  

In China the Crow is represented in art as a three legged bird on a solar disk, being a creature that helps the sun in its journey. In Japan there are myths of Crow Tengu who were priests who became vain, and turned into this spirit to serve as messengers until they learn the lesson of humility as well as a great Crow who takes part in Shinto creation stories.

  

In animal spirit guides there are general perceptions of what sightings of numbers of crows actually mean:

  

1 Crow Meaning: To carry a message from your near one who died recently.

 

2 Crows Meaning: Two crows sitting near your home signifies some good news is on your way.

 

3 Crows Meaning: An upcoming wedding in your family.

 

4 Crows Meaning: Symbolizes wealth and prosperity.

 

5 Crows Meaning: Diseases or pain.

 

6 Crows Meaning: A theft in your house!

 

7 Crows Meaning: Denotes travel or moving from your house.

 

8 Crows Meaning: Sorrowful events

  

Crows are generally seen as the symbolism when alive for doom bringing, misfortune and bad omens, and yet a dead crow symbolises potentially bringing good news and positive change to those who see it. This wonderful bird certainly gets a mixed bag of contradictory mythology and legend over the centuries and in modern days is often seen as a bit of a nuisance, attacking and killing the babies of other birds such as Starlings, Pigeons and House Sparrows as well as plucking the eyes out of lambs in the field, being loud and noisy and violently attacking poor victims in a 'crow court'....

  

There is even a classic horror film called 'THE CROW' released in 1994 by Miramax Films, directed by Alex Proyas and starring Brandon Lee in his final film appearance as Eric Draven, who is revived by a Crow tapping on his gravestone a year after he and his fiancée are murdered in Detroit by a street gang. The crow becomes his guide as he sets out to avenge the murders. The only son of martial arts expert Bruce Lee, Brandon lee suffered fatal injuries on the set of the film when the crew failed to remove the primer from a cartridge that hit Lee in the abdomen with the same force as a normal bullet. Lee died that day, March 31st 1993 aged 28.

  

The symbolism of the Crow resurrecting the dead star and accompanying him on his quest for revenge was powerful, and in some part based on the history of the carrion crow itself and the original film grossed more than $94 Million dollars with three subsequent sequels following.

  

TAKING A CLOSER LOOK

  

So let's move away from legend, mythology and stories passed down from our parents and grandparents and look at these amazing birds in isolation.

  

Carrion crow are passerines in the family Corvidae a group of Oscine passerine birds including Crows, Ravens, Rooks, Jackdaws, Jays, Magpies, Treepies, Choughs and Nutcrackers. Technically they are classed as Corvids, and the largest of passerine birds. Carrion crows are medium to large in size with rictal bristles and a single moult per year (most passerines moult twice). Carrion crow was one of the many species originally described by Swedish naturalist Carl Linnaeus (Carl Von Linne after his ennoblement) in his 1758 and 1759 editions of 'SYSTEMA NATURAE', and it still bears its original name of Corvus corone, derived from the Latin of Corvus, meaning Raven and the Greek κορώνη (korōnē), meaning crow.

  

Carrion crow are of the Animalia kingdom Phylum: Chordata Class: Aves Order: Passeriformes Family: Corvidae Genus: Corvus and Species: Corvus corone

  

Corvus corone can reach 45-47cm in length with a 93-104cm wingspan and weigh between 370-650g. They are protected under The Wildlife and Countryside Act 1981 in the United Kingdom with a Green UK conservation status which means they are of least concern with more than 1,000,000 territories. Breeding occurs in April with fledging of the chicks taking around twenty nine days following an incubation period of around twenty days with 3 to 4 eggs being the average norm.

  

They are abundant in the UK apart from Northwest Scotland and Ireland where the Hooded crow (Corvus cornix) was considered the same species until 2002. They have a lifespan of around four years, whilst Crow species can live to the age of Twenty years old, and the oldest known American crow in the wild was almost Thirty years old. The oldest documented captive crow died at age Fifty nine. They are smaller and have a shorter lifespan than the Raven, which again is used as a symbol in history to live life to the full and not waste a moment!

  

They are often mistaken for the Rook (Corvus frugilegus), a similar bird, though in the UK, the Rook is actually technically smaller than the Carrion crow averaging 44-46cm in length, 81-99cm wingspan and weighing up to 340g. Rooks have white beaks compared to the black beaks of Carrion crow. There are documented cases in the UK of singular and grouped Rooks attacking and killing Carrion crows in their territory. Rooks nest in colonies unlike Carrion crows. Carrion crows have only a few natural enemies including powerful raptors such as the northern goshawk, the peregrine falcon, the Eurasian eagle-owl and the golden eagle which will all readily hunt them.

  

Regarded as one of the most intelligent birds, indeed creatures on the planet, studies suggest that Corvids cognitive abilities can rival that of primates such as chimpanzees and gorillas and even provide clues to understanding human intelligence. Crows have relatively large brains for their body size, compared to other animals. Their encephalization quotient (EQ) a ratio of brain to body size, adjusted for size because there isn’t a linear relationship is 4.1. That is remarkably close to chimps at 4.2 whilst humans are 8.1. Corvids also have a very high neuronal density, the number of neurons per gram of brain, factoring in the number of cortical neurons, neuron packing density, interneuronal distance and axonal conduction velocity shows that Corvids score high on this measure as well, with humans scoring the highest.

  

A corvid's pallium is packed with more neurons than a great ape's. Corvids have demonstrated the ability to use a combination of mental tools such as imagination, and anticipation of future events. They can craft tools from twigs and branches to hook grubs from deep recesses, they can solve puzzles and intricate methods of gaining access to food set by humans., and have even bent pieces of wire into hooks to obtain food. They have been proven to have a higher cognitive ability level than seven year old humans. Communications wise, their repertoire of wraw-wraw's is not fully understood, but the intensity, rhythm, and duration of caws seems to form the basis of a possible language. They also remember the faces of humans who have hindered or hurt them and pass that information on to their offspring.

  

Aesop's fable of 'The Crow and the Pitcher, tells of a thirsty crow which drops stones into a water pitcher to raise the water level and enable it to take a drink. Scientists have conducted tests to see whether crows really are this intelligent. They placed floating treats in a deep tube and observed the crows indeed dropping dense objects carefully selected into the water until the treat floated within reach. They had the intelligence to pick up, weigh and discount objects that would float in the water, they also did not select ones that were too large for the container.

  

Pet crows develop a unique call for their owners, in effect actually naming them. They also know to sunbathe for a dose of vitamin D, regularly settling on wooden garden fences, opening their mouths and wings and raising their heads to the sun. In groups they warn of danger and communicate vocally. They store a cache of food for later if in abundance and are clever enough to move it if they feel it has been discovered. They leave markers for their cache. They have even learned to place walnuts and similar hard food items under car tyres at traffic lights as a means of cracking them!

  

Crows regularly gather around a dead fellow corvid, almost like a funeral, and it is thought they somehow learn from each death. They can even remember human faces for decades. Crows group together to attack larger predators and even steal their food, and they have different dialects in different areas, with the ability to mimic the dialect of the alpha males when they enter their territory!

  

They have a twenty year life span, the oldest on record reaching the age of Fifty nine. Crows can leave gifts for those who feed them such as buttons or bright shiny objects as a thank you, and they even kiss and make up after an argument, having mated for life.

  

In mythology they are associated with good and bad luck, being the bringers of omens and even witchcraft and are generally reviled for their attacks on baby birds and small mammals. They have an attack method of to stunning smaller birds before consuming them, tearing violently at smaller, less aggressive birds, which is simply down to the fact that they are so highly intelligent, and also the top of the food chain. Their diet includes over a thousand different items: Dead animals (as their name suggests), invertebrates, grain, as well as stealing eggs and chicks from other birds' nests, worms, insects, fruit, seeds, kitchen scraps. They are highly adaptable when food sources grow scarce. I absolutely love them, they are magnificent, bold, beautiful and incredibly interesting to watch and though at times it is hard to witness attacks made by them, I cannot help but adore them for so many other and more important reasons.

  

OBSERVATIONS ON THE PAIR IN MY GARDEN

  

Crows have been in the area for a while, but rarely had strayed into my garden, leaving the Magpies to own the territory. Things changed towards the end of May when a beautiful female Carrion crow appeared and began to take some of the food that I put down for the other birds. Within a few days she began to appear regularly, on occasions stocking up on food, whilst other times placing pieces in the birdbath to soften them. She would stand on the birdbath and eat and drink and come back over the course of the day to eat the softened food.

  

Shortly afterwards she brought along her mate, a tall and handsome fella, much larger than her who was also very vocal if he felt she was getting a little too close to me. By now I had moved from a seated position from the patio as an observer, to laying on a mat just five feet from the birdbath with my Nikon so that I could photograph the pair as they landed, scavenged and fed. She was now confident enough to let me be very close, and she even tolerated and recognized the clicking of the camera. At first I used silent mode to reduce the noise but this only allowed two shooting frame rates of single frame or continuous low frame which meant I was missing shots. I reverted back to normal continuous high frames and she soon got used to the whirring of the frames as the mirror slapped back and forth.

  

The big fella would bark orders at her from the safety of the fence or the rear of the garden, whilst she rarely made a sound. That was until one day when in the sweltering heat she kept opening her beak and sunning on the grass, panting slightly in the heat. I placed the circular water sprayer nearby and had it rotating so that the birdbath and grass was bathed in gentle water droplets and she soon came back, landed and seemed to really like the cooling effect on offer. She then climbed onto the birdbath and opened her wings slightly and made some gentle purring, cooing noises....

  

I swear she was expressing happiness, joy....

  

On another blisteringly hot day when the sprayer was on, she came down, walked towards it and opened her wings up running into the water spray. Not once, but many times.

  

A final observation came with the male and female on the rear garden fence. They sat together, locked beaks like a kiss and then the male took his time gently preening her head feathers and the back of her neck as she made tiny happy sounds. They stayed together like that for several minutes, showing a gentle, softer side to their nature and demonstrating the deep bond between them. Into July and the pair started to bring their three youngsters to my garden, the nippers learning to use the birdbath for bathing and dipping food, the parents attentive as ever.

  

Corvus Corone.... magnificently misunderstood by some!

  

Paul Williams June 4th 2021

  

©All photographs on this site are copyright: ©DESPITE STRAIGHT LINES (Paul Williams) 2011 – 2021 & GETTY IMAGES ®

  

No license is given nor granted in respect of the use of any copyrighted material on this site other than with the express written agreement of ©DESPITE STRAIGHT LINES (Paul Williams). No image may be used as source material for paintings, drawings, sculptures, or any other art form without permission and/or compensation to ©DESPITE STRAIGHT LINES (Paul Williams)

  

.

.

  

I would like to say a huge and heartfelt 'THANK YOU' to GETTY IMAGES, and the 39.411+ Million visitors to my FLICKR site.

  

***** Selected for sale in the GETTY IMAGES COLLECTION on July 14th 2021

  

CREATIVE RF gty.im/1328368494 MOMENT ROYALTY FREE COLLECTION**

  

This photograph became my 5,099th frame to be selected for sale in the Getty Images collection and I am very grateful to them for this wonderful opportunity.

  

©DESPITE STRAIGHT LINES (Paul Williams)

  

.

.

  

Photograph taken at an altitude of Sixty two metres at 10:25am during a brief passing rain shower on a beautiful summer morning on Thursday 3rd June 2021, off Chessington Avenue in Bexleyheath, Kent.

  

Here we see a large adult Female Carrion crow (Corvus corone), a passerine bird of the family Corvidae and the genus Raven (Higher classification: Corvus), which is native to western Europe and eastern Asia. It can grow to twenty inches in length with a wingspan of up to thirty nine inches.

  

.

.

  

Nikon D850 Focal length: 340mm Shutter speed: 1/200s Aperture: f/7.1 iso250 Hand held with Tamron VC Vibration control set to ON (Position 1) 14 Bit uncompressed RAW NEF file size L (8256 x 5504 pixels) FX (36 x 24) Focus mode: AF-C AF-Area mode: 3D-tracking AF-C Priority Selection: Release. Nikon Back button focusing enabled 3D Tracking watch area: Normal 55 Tracking points Exposure mode: Manual exposure mode Metering mode: Matrix metering White balance on: Auto1 (4960k) Colour space: RGB Picture control: Neutral (Sharpening +2)

  

Tamron SP 150-600mm F/5-6.3 Di VC USD G2. Nikon GP-1 GPS module. Lee SW150 MKII filter holder. Lee SW150 95mm screw in adapter ring. Lee SW150 circular polariser glass filter.Lee SW150 Filters field pouch. Hoodman HEYENRG round eyepiece oversized eyecup.Mcoplus professional MB-D850 multi function battery grip 6960.Two Nikon EN-EL15a batteries (Priority to battery in Battery grip). Black Rapid Curve Breathe strap. My Memory 128GB Class 10 SDXC 80MB/s card. Lowepro Flipside 400 AW camera bag.

    

.

.

  

LATITUDE: N 51d 28m 28.67s

LONGITUDE: E 0d 8m 10.54s

ALTITUDE: 62.00m

  

RAW (TIFF) FILE: 130.00MB NEF FILE: 90.4MB

PROCESSED (JPeg) FILE: 57.90MB

     

.

.

  

PROCESSING POWER:

  

Nikon D850 Firmware versions C 1.10 (9/05/2019) LD Distortion Data 2.018 (18/02/20) LF 1.00

  

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU 64Bit processor. Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB Data storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX-1 64bit Version 1.4.1 (18/02/2020). Nikon Capture NX-D 64bit Version 1.6.2 (18/02/2020). Nikon Picture Control Utility 2 (Version 2.4.5 (18/02/2020). Nikon Transfer 2 Version 2.13.5. Adobe photoshop Elements 8 Version 8.0 64bit.

   

The southwestern region of the US is home to the largest concentration of national parks, national monuments, state parks and scenic roads. The area known as the Grand Circle includes five states (Utah, Arizona, Colorado, New Mexico and Nevada). Nowhere else in the country has the diversity and colors of the landscape. It seems like everyone who visits there has a favorite spot, and it is hard to argue with any choice. My two favorites are Arches National Park and Monument Valley.

 

The formations in Arches all have their own names. This one is comprised of two "windows", the North Window and the South Window. These openings in the formation are huge, as a person standing at the bottom of one would be a mere speck in the photo. Many visitors go to visit each window separately but unless you look at it from the side, they don't realize that the whole formation takes the form of eyeglasses, resulting in the name of "The Spectacles".

Karoonda Pioneer Park.

It is located in what was once the encircling parklands of Karoonda. These parklands, however we resurveyed for building blocks in 1928 but did not sell. It was reinstituted as parklands in 1982 and the Pioneer Park was started. The museum/park concentrates on pioneer farming techniques from 1910 to 1950 and the era when the railway was paramount in the Mallee. Old buildings in the Park include the Wynarka Methodist Church (1913), Bolt’s Bush Shed and Stables (1944), Westover’s Horse Shaft chaff cutter (1920s), Kunlara Post Office (about 1914), the first Hood family farmhouse (1913), and Brown’s blacksmith works (1914.) Structures from the railway era are quite prolific and include: railcar stock- sheep wagons, goods van, louvred van, Y truck for mallee roots, a 75 class railcar; Yurgo Railway Station; a railway siding; Mindarie Railway Pump House (1917); a pull trike; and an American made Brill(Barwell Bull) Railcar from Philadelphia which entered service in 1924. The Philadelphia Company provided chassis and the Islington Railway workshops built the body of the carriage. An improved version entered the service of South Australian Railways in 1927. The petrol running Brill cars were retired from service in 1971 after serving on almost all SAR country rail lines for nearly 50 years. (Henry Barwell was Premier of South Australia from 1920-1924 when the Brill cars first entered service and he was the man who authorised the erection of the current Adelaide Railway station. He also appointed William Webb from Colorado as the Chief Commissioner of the Railways in 1923. It was Webb who modernised SAR, expanded railway operations in Murray Bridge and Tailem Bend and introduced large, faster and heavier railway engines which necessitated rebuilding much of the railway line from Adelaide to Mount Lofty and elsewhere in SA. Webb returned to the USA in 1930 leaving SAR in debt but with good infrastructure which proved to be invaluable with troop and equipment movement during World War Two.

 

Karoonda.

Karoonda is the government town for the Hundred of Marmon-Jabuk which like the Hundred of Hooper was opened for sale in 1911.The town itself is right on the edge of the hundred because of the Brown’s Well railway line alignment which veered to this point because of a deep government well (220 feet) located here. Steam trains always needed good water supplies and so wells and bores were sunk across the Murray Mallee. There are excellent quality water supplies across the region which is why Lameroo and Pinnaroo have become major irrigation areas for vegetables. Beyond Karoonda the next deep government bore for water for steam trains was located at Alawoona. Regular passenger and freight trains started arriving at Karoonda from early 1913 but by then the government had already released plans for more railways in the Murray Mallee to Peebinga( the so-called railway to nowhere) and to Waikerie on the upper Murray.

 

Thus Karoonda was destined to be a major railway junction point from its inception with railway engines and cars and railway employees based in the future town. In fact the refreshment rooms were erected in 1914 as trains stopped in Karoonda for 10 minutes. Major work was done on the railway station in 1916 and from its inception the rail yards always had piles of mallee roots destined for the winter fires of Adelaide. Roots were obtained for the process of clearing the dense mallee and provided farmers with an additional source of income. Karoonda was the base for rail cars used on services to Peebinga, Waikerie, Barmera and Loxton. The rail services were a boon for Karoonda businessmen as Karoonda bakery sent items to stations most of the way to Loxton ; the blacksmith sent metal parts and repairs to sidings etc.

 

But most of the Mallee lines radiating out from Karoonda were closed during the 1980s but the Tookayerta Railway was converted to standard gauge in 1998. It allows standard gauge trains to operate between Tailem Bend and the Viterra Grain Terminal just outside of Loxton. It has grain stops at Karoonda, Mindarie, Wanbi, Alawoona and Loxton (Tookayerta). The only other rail line in the Mallee converted to standard gauge was the Pinnaroo line which also has grain trains in season. It also branches out from Tailem Bend. The railway lines north from Karoonda to Waikerie and east to Peebinga were closed in 1990 and Karoonda is no longer a rail junction.

 

Karoonda grew quickly despite the misgivings some had about the viability of farming in the Mallee. The town was

proclaimed in December 1913 and town lots were sold in January 1914. All the 103 allotments were purchased with prices for blocks opposite the railway line fetching the highest prices. One allotment was set aside by the government for an institute and in September 1914 a fine stone Institute hall had opened. This hall was crucial to the early settlers in Karoonda as the town school started in the hall in January 1915 and the first Anglican, Catholic and Methodist church services were held in this building. (The school was opened in 1917 and added to in 1928.) The first purchasers of town lots included a solicitor, blacksmith, butcher, greengrocer, storekeeper, hotelkeeper, fruiterer, carpenter, saddler, baker etc. Most of the first buildings were galvanised iron or timber framed and one example was the Bank of Adelaide which opened in 1914. The Karoonda Hotel opened in 1914 as the licensee of the hotel in Parrakie near Lameroo transferred his licensee to Karoonda. By the end of 1914 Karoonda had a police station, hotel, institute, four stores, a bakery, blacksmith, saddler, boarding house and some dwellings. Many of the early stone buildings were erected in 1915. Around 1918 Male Brothers from Murray Bridge opened their carriage and blacksmith works. By 1920 it had 40 employees.

 

In the 1920s Karoonda continued to grow and expand. New town subdivisions (1925 and 1928) were created south of the railway line and to the west of the existing town. The stone Post Office was completed in 1925; the Karoonda Hotel was extended in 1927 and 1930 (and again in 1961); the Institute had a movie projection box added to the front; the Masonic Lodge although formed in 1925 had their Temple open in 1930; the first Council Chambers were finished in 1927( before then a wooden prefab room was used); the Methodist church opened in 1925; All Hallows Anglican Church opened in July 1926; and St. Finian of Clonard Catholic Church opened in February 1930 and St. Johns Lutheran Church was completed in 1927. Then the Great Depression hit the town and drought years exacerbated its effects. The main structure built in the thirties was a new Police Station in 1938. Since the thirties a new besser block front has been added to the old Institute building (1962), new Council Chambers opened in 1981, and a new hospital was added to the town in 1970. As mentioned before Karoonda Area School was formed in 1940 with its official opening in January 1941. Its creation meant the closing of five surrounding small schools in 1940 and a further four school closures in 1941. Karoonda Area was the first in the state. New classrooms were built for it in 1963 and 1970. Karoonda is now surviving well as higher prices for wool and lamb and a more diversified range of cereal and legume crops adapted to low winter rainfall avoids low crop yields except in severe drought years.

Karoonda has a claim to fame that no other SA town can match. On 30th November 1930 a ball of fire was seen in the sky near Karoonda. A search by Professor Kerr Grant of the University of Adelaide located the meteorite that had landed near Karoonda two weeks after the sightings. It shattered on landing and 92 fragments of the meteorite were gathered. Professor Douglas Mawson the Professor of Geology analysed and described the meteorite for a 1934 scientific publication. It was an unusual meteorite type known as chondritic asiderite.It mainly consisted of olivine with minor amounts of a range of unusual minerals. A small fragment is kept in the Council Chambers. Its chemical composition was re-analysed in America in the 1950s. The town has a small plaque about the meteorite.

 

7th June 2021 by Thamanna Rahman

 

GIANT PANDA SCULPTURE ‘HENDO’ RETURNS TO FAMILY

 

The four-metre-high panda sculpture at New Era Square in Sheffield, which has recently been mounted on the rooftop corner of the scheme overlooking the city, has now climbed back down to the main public square – allowing more visitors to see it up close.

 

New Era Square is the 430,000 sq ft mixed-use development at St Mary’s Gate, featuring Grade A workspace, student residences and quality apartments. The ground floor boasts an array of new restaurants, global street food outlets and the city’s largest oriental supermarket, all located around a stunning public plaza.

 

Following Hendo’s descent last week, the public plaza at the heart of the scheme is now home to all the scheme’s iconic panda art installations. This includes the small panda sitting on a bench and another clambering up the side of a pillar – known as Little Mester and Coe Coe respectively.

 

Jerry Cheung, Managing Director of New Era Developments, said:

 

“We tested the panda up on the roof for a few months whilst we applied the finishing touches to the rest of the development, and although it certainly made for an impressive skyline vista, we did feel he was a bit wasted up there.

 

“Therefore, we have made the decision to bring him back down to the ground level so he can become the real showpiece of the art installation and the public square. It is incredibly impressive up close and is already proving to be a real visitor attraction for us, with many people stopping to take a selfie.”

 

The pandas are the creation of David Wei of Hatch Architects and were named last year by readers of Sheffield’s local newspaper, The Star.

 

ned-uk.com/news/giant-panda-sculpture-hendo-returns-to-fa...

 

------------------------------------

 

14th December 2020 by Thamanna Rahman

  

NEW ERA SQUARE’S FAMILY OF PANDAS NAMED!

 

Last month, the team behind the £66 million New Era Square development at St Mary’s Gate asked The Star’s readers to provide name suggestions for their eye-catching family of pandas.

 

After a fantastic response which saw readers send in dozens of different names, Star editor Nancy Fielder was asked to make the final, difficult decision.

 

So, without further ado…

  

The panda that sits on a bench at ground level in New Era’s public square, is to be known as Little Mester. The term Little Mester refers to a master craftsman working on a small scale – famously in small cutlery workshops in Sheffield.

 

The Second panda, which can be seen clambering up the side of a pillar, is to be known as Coe Coe – a play on the name of the City’s adopted Olympian, Seb Coe.

 

And finally, the giant rooftop panda that weighs an impressive 1,350kg, is to be known as Hendo. Named after our famous relish of course.

 

Jerry Cheung, Managing Director of New Era Developments, said:

 

“With New Era Square, we wanted to create an iconic destination that is unique to Sheffield and a public space that the locals feel a sense of ownership towards. So, we are thrilled to see that the winning panda names reflect a little bit of Sheffield’s special heritage and personality.”

 

ned-uk.com/news/new-era-squares-family-of-pandas-named/

------------------------------------

 

2 November 2020 by Thamanna Rahman

 

NEW ERA SQUARE’S JERRY CHEUNG WINS PRESTIGIOUS PROPERTY AWARD

 

We are delighted to report that New Era Development’s Managing Director, Jerry Cheung, has been named ‘Property Personality of the Year’ at the Insider’s Sheffield City Region Property Awards 2020.

 

Due to the ongoing pandemic, there was no celebratory dinner reception for the Awards this year, so the award was announced via social media and the Insider’s website.

 

The ‘Personality of the Year’ category was extremely impressive this year, with other nominees including Tim Bottrill (Colloco), Dame Julie Kenny (Wentworth Woodhouse and Sheffield Culture Collective), Richard Caborn (Sheffield Olympic Legacy Park), Alexis Krachai (Counter Context and Sheffield Property Association) and Lucia Lorente-Arnau (Sheffield City Council).

 

On his accolade, Jerry said: “I am unbelievably proud to win this award. I have the upmost respect for the other nominees in this category – they have all made a huge contribution to the region, and many of them have supported me along the way. So, it is a genuine honour to be included in such esteemed company.

 

“It has always been my ambition to create something unique for Sheffield and make a long-term positive contribution to the city I call I love. I am very proud of what myself and my brilliant team have achieved so far with New Era Square, and there is more to come.”

 

ned-uk.com/news/new-era-squares-jerry-cheung-wins-prestig...

 

-------------------------------

 

19 October 2020

 

A giant panda sculpture has been installed at New Era Square - a £66m Asia-inspired development at St Mary's Gate, Sheffield's newest public space.

 

Part of the site's wider art installation, the largest panda, which is an impressive four metres high, has been mounted on the rooftop corner of New Era Square's core office building.

 

The panda is a symbol for friendship and peace in Chinese culture, and the joyful display is now clearly visible to Sheffield's public when approaching from the city centre or driving by on the ring road. As main contractor of the project, we were given the delicate task of hoisting the panda, which weighs a whopping 1,350kg - about the same as an average car - onto its new rooftop home. B+K Regional Director, Christian Parnell, said: "The New Era scheme has been a major project for us since we started on site in November 2015. I'd like to think that the entire project team, including our client, have become friends and it is fitting, therefore, that the final part of the scheme is to lift the panda, symbol of friendship, onto the roof of the building. It has been a privilege to be involved with this development."

 

The main panda, along with two smaller pandas - one clambering up the side of a pillar and one resting on a bench - is the creation of David Wei of Hatch Architects. A UK-qualified architect, Wei is renowned for producing visually inspiring art works for flagship Chinese developments - including a giant panda art installation on the side of a shopping centre in Sheffield's sister city of Chengdu in China.

 

Upon arriving in the UK last month, the panda was then fabricated by local Sheffield firm Campbell Design and Engineering Ltd.

 

Rongmin Qin, Executive Director at New Era Developments, said:

 

"With New Era Square, our ambition has always been to deliver a true example of what modern Asia has to offer. Going far beyond the classic China Town experience in the UK, the development marries the excitement and dynamism of modern Asia with the best of Western culture".

 

"We also wanted to create something special for the city of Sheffield. Now more than ever, we are seeing the important role that open public spaces within our busy urban environment play in our mental health and wellbeing. We believe that New Era Square and its bold art installations is truly unique in the UK and complements Sheffieldâs creative personality perfectly"

 

"It's an iconic new landmark for residents and visitors."

 

Finishing touches are currently being added to the square, which supports the long-term aim to better connect London Road with the City Centre. The development also features a mix of quality office space, apartments, contemporary restaurant and retail units, and an 83-space underground car park.

  

www.bandk.co.uk/media_area/giant-panda-airlifted-to-top-o...

 

-----------------------------

 

New Era Square

 

See more information here:-

 

sheffielder.net/2020/02/08/new-era-square/

the black orchid. Includes a pearl you can take home.

 

11 Likes on Instagram

  

Includes a spring-loaded Ustokal ballista

Rule the seas with the Pirate Wench!

 

Includes:

-Custom Printed LEGO® Head

-Custom Printed LEGO® Torso with Arms and Hands

-Custom Printed LEGO® Legs

-Brown Tricorn

-2x Brown Flintlock Pistol (Unreleased)

-Steel Pirate Cutlass

 

Thanks to highonbricks for printing these!

 

Note: VERY limited quantities of these were produced. Once we run out, they're gone forever.

 

WILD FASHION DOJO Outfit

LaraX, Petite, Bombshell, Maitreya, Petite, Legacy, Perky, Kupra, Add On,GenX Classic, Curvy, Peach, Waifu, Reborn, Star mesh

includes hoops

  

LANDMARK TO SWANK EVENT:maps.secondlife.com/secondlife/Swank%20Events/128/124/39

 

Doux Belen

Stealthic Paradox

LaraX

Includes 7 minifigures with assorted weapons and accessories: King Ulysses, 2 Ardun soldiers, Rothut, 2 Ustokal warriors, and an Ustokal archer

Tea is an aromatic beverage commonly prepared by pouring hot or boiling water over cured leaves of the Camellia sinensis, an evergreen shrub native to Asia. After water, it is the most widely consumed drink in the world. Some teas, like Darjeeling and Chinese greens, have a cooling, slightly bitter, and astringent flavour, while others have vastly different profiles that include sweet, nutty, floral, or grassy notes.

 

Tea originated in China, possibly as a medicinal drink. It came to the West via Portuguese priests and merchants, who introduced it during the 16th century. Drinking tea became fashionable among Britons during the 17th century, who started large scale production and commercialization of the plant in India to bypass a Chinese monopoly at that time.

 

The phrase herbal tea usually refers to infusions of fruit or herbs made without the tea plant, such as steeps of rosehip, chamomile, or rooibos. These are also known as tisanes or herbal infusions to distinguish them from "tea" as it is commonly construed.

 

ETYMOLOGY

The Chinese character for tea is 茶, originally written with an extra stroke as 荼 (pronounced tu, used as a word for a bitter herb), and acquired its current form during the Tang Dynasty as used in the eighth-century treatise on tea The Classic of Tea. The word is pronounced differently in the different varieties of Chinese, such as chá in Mandarin, zo and dzo in Wu Chinese, and ta and te in Min Chinese. One suggestion is that the different pronunciations may have arisen from the different words for tea in ancient China, for example tu (荼) may have given rise to tê; historical phonologists however argued that the cha, te and dzo all arose from the same root with a reconstructed pronunciation dra (dr- represents a single consonant for a retroflex d), which changed due to sound shift through the centuries. Other ancient words for tea include jia (檟, defined as "bitter tu" during the Han Dynasty), she (蔎), ming (茗) and chuan (荈), with chuan the only other word still in use for tea. Most, such as Mandarin and Cantonese, pronounce it along the lines of cha, but Hokkien varieties along the Southern coast of China and in Southeast Asia pronounce it like teh. These two pronunciations have made their separate ways into other languages around the world:

 

- Te is from the Amoy tê of southern Fujian province. It reached the West from the port of Xiamen (Amoy), once a major point of contact with Western European traders such as the Dutch, who spread it to Western Europe.

- Cha is from the Cantonese chàh of Guangzhou (Canton) and the ports of Hong Kong and Macau, also major points of contact, especially with the Portuguese, who spread it to India in the 16th century. The Korean and Japanese pronunciations of cha, however, came not from Cantonese, rather they were borrowed into Korean and Japanese during earlier periods of Chinese history.

 

The widespread form chai came from Persian چای chay. Both the châ and chây forms are found in Persian dictionaries. They derive from Northern Chinese pronunciation of chá, which passed overland to Central Asia and Persia, where it picked up the Persian grammatical suffix -yi before passing on to Russian, Arabic, Urdu, Turkish, etc.

 

English has all three forms: cha or char (both pronounced /ˈtʃɑː/), attested from the 16th century; tea, from the 17th; and chai, from the 20th.

 

Languages in more intense contact with Chinese, Sinospheric languages such as Vietnamese, Zhuang, Tibetan, Korean, and Japanese, may have borrowed their words for tea at an earlier time and from a different variety of Chinese, so-called Sino-Xenic pronunciations. Although normally pronounced as cha, Korean and Japanese also retain the early but now less common pronunciations of ta and da. Japanese has different pronunciations for the word tea depending on when the pronunciations was first borrowed into the language: Ta comes from the Tang Dynasty court at Chang'an: that is, from Middle Chinese; da, however, comes from the earlier Southern Dynasties court at Nanjing, a place where the consonant was still voiced, as it is today in neighbouring Shanghainese zo. Vietnamese and Zhuang have southern cha-type pronunciations.

 

ORIGN AND HISTORY

Tea plants are native to East and South Asia, and probably originated around the meeting points of the lands of north Burma and southwest China. Statistical cluster analysis, chromosome number, easy hybridization, and various types of intermediate hybrids and spontaneous polyploids indicate that likely a single place of origin exists for Camellia sinensis, an area including the northern part of Burma, and Yunnan and Sichuan provinces of China. Tea drinking likely began during the Shang Dynasty in China, when it was used for medicinal purposes. It is believed that, soon after, "for the first time, people began to boil tea leaves for consumption into a concentrated liquid without the addition of other leaves or herbs, thereby using tea as a bitter yet stimulating drink, rather than as a medicinal concoction."

 

Chinese legends attribute the invention of tea to Shennong in 2737 BC. A Chinese inventor was the first person to invent a tea shredder. The first recorded drinking of tea is in China, with the earliest records of tea consumption dating to the 10th century BC. Another early credible record of tea drinking dates to the third century AD, in a medical text by Hua Tuo, who stated, "to drink bitter t'u constantly makes one think better." Another early reference to tea is found in a letter written by the Qin Dynasty general Liu Kun. It was already a common drink during the Qin Dynasty (third century BC) and became widely popular during the Tang Dynasty, when it was spread to Korea, Japan, and Vietnam. In India, it has been drunk for medicinal purposes for a long but uncertain period, but apart from the Himalayan region seems not to have been used as a beverage until the British introduced Chinese tea there.

 

Tea was first introduced to Portuguese priests and merchants in China during the 16th century, at which time it was termed chá. The first record in English is from Peter Mundy an East India Company agent writing to Macao requesting "the best sort of chaw" in 1615. In 1750, tea experts travelled from China to the Azores, and planted tea, along with jasmine and mallow, to give it aroma and distinction. Both green and black tea continue to grow on the islands, which are the main suppliers to continental Portugal. Catherine of Braganza, wife of King Charles II of England, took the tea habit to Great Britain around 1660 when it was tasted by Samuel Pepys, but tea was not widely consumed in Britain until the 18th century, and remained expensive until the latter part of that period. Tea smuggling during the 18th century led to Britain’s masses being able to afford and consume tea, and its importance eventually influenced the Boston Tea Party. The British government eventually eradicated the tax on tea, thereby eliminating the smuggling trade by 1785. In Britain and Ireland, tea had become an everyday beverage for all levels of society by the late 19th century, but at first it was consumed as a luxury item on special occasions, such as religious festivals, wakes, and domestic work gatherings such as quiltings. The price in Europe fell steadily during the 19th century, especially after Indian tea began to arrive in large quantities.

 

The first European to successfully transplant tea to the Himalayas, Robert Fortune, was sent by the East India Company on a mission to China in 1848 to bring the tea plant back to Great Britain. He began his journey in high secrecy as his mission occurred in the lull between the Anglo-Chinese First Opium War (1839–1842) and Second Opium War (1856–1860), at a time when westerners were not held in high regard.

 

Tea was introduced into India by the British, in an attempt to break the Chinese monopoly on it. The British brought Chinese seeds into Northeast India, but the plants failed; they later discovered that a different variety of tea was endemic to Assam and the northeast region of India and that it was used by local tribes. Using the Chinese planting and cultivation techniques, the British launched a tea industry by offering land in Assam to any European who agreed to cultivate it for export. Tea was originally consumed only by anglicized Indians; it became widely popular in India in the 1950s because of a successful advertising campaign by the India Tea Board.

 

CULTIVATION AND HARVESTING

Tea plants are propagated from seed and cuttings; about 4 to 12 years are needed for a plant to bear seed and about three years before a new plant is ready for harvesting. In addition to a zone 8 climate or warmer, tea plants require at least 127 cm of rainfall a year and prefer acidic soils. Many high-quality tea plants are cultivated at elevations of up to 1,500 m above sea level. While at these heights the plants grow more slowly, they acquire a better flavour.

 

Two principal varieties are used: Camellia sinensis var. sinensis, which is used for most Chinese, Formosan and Japanese teas, and C. s. var. assamica, used in Pu-erh and most Indian teas (but not Darjeeling). Within these botanical varieties, many strains and modern clonal varieties are known. Leaf size is the chief criterion for the classification of tea plants, with three primary classifications being, Assam type, characterised by the largest leaves; China type, characterised by the smallest leaves; and Cambodian type, characterised by leaves of intermediate size.

 

A tea plant will grow into a tree of up to 16 m if left undisturbed, but cultivated plants are generally pruned to waist height for ease of plucking. Also, the short plants bear more new shoots which provide new and tender leaves and increase the quality of the tea.

 

Only the top 1–2 in of the mature plant are picked. These buds and leaves are called 'flushes'. A plant will grow a new flush every seven to 15 days during the growing season. Leaves that are slow in development tend to produce better-flavoured teas. Pests of tea include mosquito bugs of the genus Helopeltis (which are true bugs that must not be confused with the dipteran) that can tatter leaves, so they may be sprayed with insecticides.

 

PROCESSING AND CLASSIFICATION

Tea is generally divided into categories based on how it is processed. At least six different types are produced:

 

- White: Wilted and unoxidized

- Yellow: Unwilted and unoxidized, but allowed to yellow

- Green: Unwilted and unoxidized

- Oolong: Wilted, bruised, and partially oxidized

- Black: Wilted, sometimes crushed, and fully oxidized (called 'red tea' in China)

- Post-Fermented: Green tea that has been allowed to ferment/compost ('black tea' for the Chinese)

 

The most common are white, green, oolong, and black. Some varieties, such as traditional oolong and Pu-erh, a post-fermented tea, can be used medicinally.

 

After picking, the leaves of C. sinensis soon begin to wilt and oxidize unless immediately dried. An enzymatic oxidation process triggered by the plant's intracellular enzymes causes the leaves to turn progressively darker as their chlorophyll breaks down and tannins are released. This darkening is stopped at a predetermined stage by heating, which deactivates the enzymes responsible. In the production of black teas, halting by heating is carried out simultaneously with drying.

 

Without careful moisture and temperature control during manufacture and packaging, growth of undesired molds and bacteria may make tea unfit for consumption.

Blending and additives

 

Although single-estate teas are available, almost all tea in bags and most loose tea sold in the West is blended. Such teas may combine others from the same cultivation area or several different ones. The aim is to obtain consistency, better taste, higher price, or some combination of the three.

 

Tea easily retains odors, which can cause problems in processing, transportation, and storage. This same sensitivity also allows for special processing (such as tea infused with smoke during drying) and a wide range of scented and flavoured variants, such as bergamot (found in Earl Grey), vanilla, and spearmint.

 

CONTENT

Caffeine constitutes about 3% of tea's dry weight, translating to between 30 mg and 90 mg per 250-ml cup depending on type, brand, and brewing method. A study found that the caffeine content of 1 g of black tea ranged from 22 to 28 mg, while the caffeine content of 1 g of green tea ranged from 11 to 20 mg, reflecting a significant difference.

 

Tea also contains small amounts of theobromine and theophylline, which are stimulants and xanthines similar to caffeine.

 

Because of modern environmental pollution, fluoride and aluminium also sometimes occur in tea. Certain types of brick tea made from old leaves and stems have the highest levels.

 

NUTRIENTS AND PHYTOXHEMICALS

Black and green teas contain no essential nutrients in significant content, with the exception of the dietary mineral, manganese at 0.5 mg per cup or 26% of the Daily Value. Tea leaves contain diverse polyphenols, including flavonoids, epigallocatechin gallate (commonly noted as EGCG) and other catechins.

 

It has been suggested that green and black tea may protect against cancer or other diseases such as obesity or Alzheimer's disease, but the compounds found in green tea have not been conclusively demonstrated to have any effect on human diseases. One human study demonstrated that regular consumption of black tea over four weeks had no beneficial effect in lowering blood cholesterol levels.

 

TEA CULTURE

Tea may be consumed early in the day to heighten calm alertness; it contains L-theanine, theophylline, and bound caffeine (sometimes called theine). Decaffeinated brands are also sold. While herbal teas are also referred to as tea, most of them do not contain leaves from the tea plant.

 

While tea is the second most consumed beverage on Earth after water, in many cultures it is also consumed at elevated social events, such as afternoon tea and the tea party. Tea ceremonies have arisen in different cultures, such as the Chinese and Japanese tea ceremonies, each of which employs traditional techniques and ritualised protocol of brewing and serving tea for enjoyment in a refined setting. One form of Chinese tea ceremony is the Gongfu tea ceremony, which typically uses small Yixing clay teapots and oolong tea.

 

Turkish tea is an important part of Turkish cuisine, and is the most commonly consumed hot drink, despite the country's long history of coffee consumption. In 2004 Turkey produced 205,500 tonnes of tea (6.4% of the world's total tea production), which made it one of the largest tea markets in the world, with 120,000 tons being consumed in Turkey, and the rest being exported. In 2010 Turkey had the highest per capita consumption in the world at 2.7 kg. As of 2013, the per-capita consumption of Turkish tea exceeds 10 cups per day and 13.8 kg per year. Tea is grown mostly in Rize Province on the Black Sea coast.

 

Ireland has, for a long time, been one of the biggest per-capita consumers of tea in the world. The national average is four cups per person per day, with many people drinking six cups or more. Tea in Ireland is usually taken with milk or sugar and is slightly spicier and stronger than the traditional English blend. The two main brands of tea sold in Ireland are Lyons and Barry's. The Irish love of tea is perhaps best illustrated by the stereotypical housekeeper, Mrs. Doyle in the popular sitcom Father Ted.

 

Tea is prevalent in most cultures in the Middle East. In Arab culture, tea is a focal point for social gatherings.

 

In Pakistan, tea is called chai (written as چائے). Both black and green teas are popular and are known locally as sabz chai and kahwah, respectively. The popular green tea called kahwah is often served after every meal in the Pashtun belt of Balochistan and in Khyber Pakhtunkhwa, which is where the Khyber Pass of the Silk Road is found.

 

In the transnational Kashmir region, which straddles the border between India and Pakistan, Kashmiri chai or noon chai, a pink, creamy tea with pistachios, almonds, cardamom, and sometimes cinnamon, is consumed primarily at special occasions, weddings, and during the winter months when it is sold in many kiosks.

 

In central and southern Punjab and the metropolitan Sindh region of Pakistan, tea with milk and sugar (sometimes with pistachios, cardamom, etc.), commonly referred to as chai, is widely consumed. It is the most common beverage of households in the region. In the northern Pakistani regions of Chitral and Gilgit-Baltistan, a salty, buttered Tibetan-style tea is consumed. In Iranian culture, tea is so widely consumed, it is generally the first thing offered to a household guest.

 

In India, tea is one of the most popular hot beverages. It is consumed daily in almost all homes, offered to guests, consumed in high amounts in domestic and official surroundings, and is made with the addition of milk with or without spices. It is also served with biscuits dipped in the tea and eaten before consuming the tea. More often than not, it is drunk in "doses" of small cups (referred to as "Cutting" chai if sold at street tea vendors) rather than one large cup. On 21 April 2012, the Deputy Chairman of Planning Commission (India), Montek Singh Ahluwalia, said tea would be declared as national drink by April 2013. The move is expected to boost the tea industry in the country. Speaking on the occasion, Assam Chief Minister Tarun Gogoi said a special package for the tea industry would be announced in the future to ensure its development.

 

In the United States, 80% of tea is consumed as iced tea. Sweet tea is native to the southeastern US, and is iconic in its cuisine.

 

Switzerland has its own unique blend of iced tea, made with the basic ingredients like black tea, sugar, lemon juice and mint, but a variety of Alp herbs are also added to the concoction. Apart from classic flavours like lemon and peach, exotic flavours like jasmine and lemongrass are also very popular.

 

In the United Kingdom, it is consumed daily and often by a majority of people across the country, and indeed is perceived as one of Britain's cultural beverages. In British homes, it is customary good manners for a host to offer tea to guests soon after their arrival. Tea is generally consumed at home; outside the home in cafés. Afternoon tea with cakes on fine porcelain is a cultural stereotype, sometimes available in quaint tea-houses. In southwest England, many cafes serve a 'cream tea', consisting of scones, clotted cream, and jam alongside a pot of tea. Throughout the UK, 'tea' may also refer to the evening meal.

 

In Burma (Myanmar), tea is consumed not only as hot drinks, but also as sweet tea and green tea known locally as laphet-yay and laphet-yay-gyan, respectively. Pickled tea leaves, known locally as laphet, are also a national delicacy. Pickled tea is usually eaten with roasted sesame seeds, crispy fried beans, roasted peanuts and fried garlic chips.

 

PREPARATION

STEEPING TEA

The traditional method of preparing tea is to place loose tea leaves directly (or in a tea infuser) into a tea pot or teacup, pour freshly boiled water over the leaves, and allow the infused liquid to steep (or "brew"). After a few minutes, the infuser is removed, or the tea is poured through a strainer while serving. Strength should be varied by the amount of tea leaves used, not changing the steeping time.

 

Most green teas should be allowed two or three minutes, although other types may vary between thirty seconds and ten minutes.

 

Quantity also varies by tea type, with a basic recipe calling for one slightly heaped teaspoon (about 5 ml) for each teacup of water (200–240 ml). Stronger teas to be drunk with milk (such as Assam) are often prepared more heavily, while more delicate high-grown varieties (such as a Darjeeling) more lightly.

 

Optimum brewing temperature depends on tea type. Camellia sinensis naturally contains tannins having bitter properties accentuated by both temperature and steeping time. These tannins are enhanced by oxidation during processing. Teas with little or no oxidation, such as a green or white, are best at lower temperatures between 65 and 85 °C, while more oxidized teas require 100 °C to extract their large, complex, flavourful phenolic molecules.

 

In addition, boiling reduces the dissolved oxygen content of water, which would otherwise react with phenolic molecules to degrade them.

 

Type Water temp. Steep time Infusions

_________________________________________

 

White tea 65 to 70 °C 1–2 minutes 3

Yellow tea 70 to 75 °C 1–2 minutes 3

Green tea 75 to 80 °C 1–2 minutes 4–6

Oolong tea 80 to 85 °C 2–3 minutes 4–6

Black tea 99 °C 2–3 minutes 2–3

Flowering tea 100 °C 2–3 minutes 4–5

Pu'er tea 95 to 100 °C Limitless Several

Tisanes 99 °C 3–6 minutes Varied

 

Some tea sorts are often brewed several times using the same leaves. Historically in China, tea is divided into a number of infusions. The first is immediately poured out to wash the tea, and then the second and further infusions are drunk. The third through fifth are nearly always considered the best, although different teas open up differently and may require more infusions to produce the best flavour.

 

One way to taste a tea throughout its entire process is to add hot water to a cup containing the leaves and sample it every 30 seconds. As the tea leaves unfold (known as "The Agony of the Leaves") the taste evolves.

 

A tea cosy or a teapot warmer are often used to keep the temperature of the tea in a teapot constant over periods of 20–60 minutes.

 

BLACK TEA

Popular varieties of black tea include Assam, Nepal, Darjeeling, Nilgiri, Turkish, Keemun, and Ceylon teas.

 

Many of the active substances in black tea do not develop at temperatures lower than 90 °C. As a result, black tea in the West is usually steeped in water near its boiling point, at around 99 °C. The most common fault when making black tea is to use water at too low a temperature. Since boiling point drops with increasing altitude, it is difficult to brew black tea properly in mountainous areas. Warming the tea pot before steeping is critical at any elevation.

 

Western black teas are usually brewed for about four minutes and are usually not allowed to steep for less than 30 seconds or more than about five minutes (a process known as brewing or mashing in Britain). In many regions of the world, however, actively boiling water is used and the tea is often stewed. In India, black tea is often boiled for fifteen minutes or longer to make Masala chai, as a strong brew is preferred. Tea should be strained while serving.

 

A food safety management group of the International Organization for Standardization (ISO) has published a standard for preparing a cup of tea (ISO 3103: Tea — Preparation of liquor for use in sensory tests), primarily intended for standardizing preparation for comparison and rating purposes.

 

GREEN TEA

In regions of the world that prefer mild beverages, such as the West and Far East, green tea should be steeped in water around 80 to 85 °C, the higher the quality of the leaves the lower the temperature. Regions such as North Africa or Central Asia prefer a bitter tea, and hotter water is used. In Morocco, green tea is steeped in boiling water for 15 minutes.

 

The container in which green tea is steeped is often warmed beforehand to prevent premature cooling. High-quality green and white teas can have new water added as many as five or more times, depending on variety, at increasingly higher temperatures.

 

FLOWERING TEA

Flowering tea or blooming tea should be brewed at 100 °C in clear glass tea wares for up to three minutes. First pull 1/3 water to make the tea ball wet and after 30 seconds add the boiling water up to 4/5 of the capacity of the tea ware. The boiling water can help the tea ball bloom quickly and with a strong aroma of the tea. The height of glass tea ware should be 8–10 cm, which can help the tea and flowers bloom completely. One tea ball can be brewed 4-5 times.

 

OOLONG TEA

Oolong tea should be brewed around 85 to 96 °C, with the brewing vessel warmed before pouring the water. Yixing purple clay teapots are the traditional brewing-vessel for oolong tea which can be brewed multiple times from the same leaves, unlike green tea, seeming to improve with reuse. In the Chinese and Taiwanese Gongfu tea ceremony, the first brew is discarded, as it is considered a rinse of leaves rather than a proper brew.

 

PREMIUM OR DELICATE TEA

Some teas, especially green teas and delicate oolong teas, are steeped for shorter periods, sometimes less than 30 seconds. Using a tea strainer separates the leaves from the water at the end of the brewing time if a tea bag is not being used. However, the black Darjeeling tea, a premium Indian tea, needs a longer than average steeping time. Elevation and time of harvest offer varying taste profiles; proper storage and water quality also have a large impact on taste.

 

PU-ERH TEA

Pu-erh teas require boiling water for infusion. Some prefer to quickly rinse pu-erh for several seconds with boiling water to remove tea dust which accumulates from the ageing process, then infuse it at the boiling point (100 °C), and allow it to steep from 30 seconds to five minutes.

 

SERVING

To preserve the pretannin tea without requiring it all to be poured into cups, a second teapot may be used. The steeping pot is best unglazed earthenware; Yixing pots are the best known of these, famed for the high-quality clay from which they are made. The serving pot is generally porcelain, which retains the heat better. Larger teapots are a post-19th century invention, as tea before this time was very rare and very expensive. Experienced tea-drinkers often insist the tea should not be stirred around while it is steeping (sometimes called winding or mashing in the UK). This, they say, will do little to strengthen the tea, but is likely to bring the tannins out in the same way that brewing too long will do. For the same reason, one should not squeeze the last drops out of a teabag; if stronger tea is desired, more tea leaves should be used.

 

ADDITIVES

The addition of milk to tea in Europe was first mentioned in 1680 by the epistolist Madame de Sévigné. Many teas are traditionally drunk with milk in cultures where dairy products are consumed. These include Indian masala chai and British tea blends. These teas tend to be very hearty varieties of black tea which can be tasted through the milk, such as Assams, or the East Friesian blend. Milk is thought to neutralise remaining tannins and reduce acidity. The Han Chinese do not usually drink milk with tea but the Manchus do, and the elite of the Qing Dynasty of the Chinese Empire continued to do so. Hong Kong-style milk tea is based on British colonial habits. Tibetans and other Himalayan peoples traditionally drink tea with milk or yak butter and salt. In Eastern European countries (Russia, Poland and Hungary) and in Italy, tea is commonly served with lemon juice. In Poland, tea with milk is called a bawarka ("Bavarian style"), and is often drunk by pregnant and nursing women. In Australia, tea with milk is white tea.

 

The order of steps in preparing a cup of tea is a much-debated topic, and can vary widely between cultures or even individuals. Some say it is preferable to add the milk before the tea, as the high temperature of freshly brewed tea can denature the proteins found in fresh milk, similar to the change in taste of UHT milk, resulting in an inferior-tasting beverage. Others insist it is better to add the milk after brewing the tea, as black tea is often brewed as close to boiling as possible. The addition of milk chills the beverage during the crucial brewing phase, if brewing in a cup rather than using a pot, meaning the delicate flavour of a good tea cannot be fully appreciated. By adding the milk afterwards, it is easier to dissolve sugar in the tea and also to ensure the desired amount of milk is added, as the colour of the tea can be observed. Historically, the order of steps was taken as an indication of class: only those wealthy enough to afford good-quality porcelain would be confident of its being able to cope with being exposed to boiling water unadulterated with milk. Higher temperature difference means faster heat transfer so the earlier you add milk the slower the drink cools. A 2007 study published in the European Heart Journal found certain beneficial effects of tea may be lost through the addition of milk.

 

Many flavourings are added to varieties of tea during processing. Among the best known are Chinese jasmine tea, with jasmine oil or flowers, the spices in Indian masala chai, and Earl Grey tea, which contains oil of bergamot. A great range of modern flavours have been added to these traditional ones. In eastern India, people also drink lemon tea or lemon masala tea. Lemon tea simply contains hot tea with lemon juice and sugar. Masala lemon tea contains hot tea with roasted cumin seed powder, lemon juice, black salt and sugar, which gives it a tangy, spicy taste. Adding a piece of ginger when brewing tea is a popular habit of Sri Lankans, who also use other types of spices such as cinnamon to sweeten the aroma.

 

Other popular additives to tea by the tea-brewer or drinker include sugar, liquid honey or a solid Honey Drop, agave nectar, fruit jams, and mint. In China, sweetening tea was traditionally regarded as a feminine practice. In colder regions, such as Mongolia, Tibet and Nepal, butter is added to provide necessary calories. Tibetan butter tea contains rock salt and dre, a butter made from yak milk, which is churned vigorously in a cylindrical vessel closely resembling a butter churn. The same may be said for salt tea, which is popular in the Hindu Kush region of northern Pakistan.

 

Alcohol, such as whisky or brandy, may also be added to tea.

 

The flavour of the tea can also be altered by pouring it from different heights, resulting in varying degrees of aeration. The art of high-altitude pouring is used principally by people in Northern Africa (e.g. Morocco, Algeria, Mauritania, Libya and Western Sahara), but also in West Africa (e.g. Guinea, Mali, Senegal) and can positively alter the flavour of the tea, but it is more likely a technique to cool the beverage destined to be consumed immediately. In certain cultures, the tea is given different names depending on the height from which it is poured. In Mali, gunpowder tea is served in series of three, starting with the highest oxidisation or strongest, unsweetened tea (cooked from fresh leaves), locally referred to as "strong like death", followed by a second serving, where the same tea leaves are boiled again with some sugar added ("pleasant as life"), and a third one, where the same tea leaves are boiled for the third time with yet more sugar added ("sweet as love"). Green tea is the central ingredient of a distinctly Malian custom, the "Grin", an informal social gathering that cuts across social and economic lines, starting in front of family compound gates in the afternoons and extending late into the night, and is widely popular in Bamako and other large urban areas.

In Southeast Asia, particularly in Singapore and Malaysia, the practice of pouring tea from a height has been refined further using black tea to which condensed milk is added, poured from a height from one cup to another several times in alternating fashion and in quick succession, to create a tea with entrapped air bubbles creating a frothy "head" in the cup. This beverage, teh tarik, literally, "pulled tea" (which has its origin as a hot Indian tea beverage), has a creamier taste than flat milk tea and is extremely popular in the region. Tea pouring in Malaysia has been further developed into an art form in which a dance is done by people pouring tea from one container to another, which in any case takes skill and precision. The participants, each holding two containers, one full of tea, pour it from one to another. They stand in lines and squares and pour the tea into each other's pots. The dance must be choreographed to allow anyone who has both pots full to empty them and refill those of whoever has no tea at any one point.

 

ECONOMICS

Tea is the most popular manufactured drink consumed in the world, equaling all others – including coffee, chocolate, soft drinks, and alcohol – combined. Most tea consumed outside East Asia is produced on large plantations in the hilly regions of India and Sri Lanka, and is destined to be sold to large businesses. Opposite this large-scale industrial production are many small "gardens," sometimes minuscule plantations, that produce highly sought-after teas prized by gourmets. These teas are both rare and expensive, and can be compared to some of the most expensive wines in this respect.

 

India is the world's largest tea-drinking nation, although the per capita consumption of tea remains a modest 750 grams per person every year. Turkey, with 2.5 kg of tea consumed per person per year, is the world's greatest per capita consumer.

 

PRODUCTION

In 2003, world tea production was 3.21 million tonnes annually. In 2010, world tea production reached over 4.52 million tonnes after having increased by 5.7% between 2009 and 2010.[84] Production rose by 3.1% between 2010 and 2011. The largest producers of tea are the People's Republic of China, India, Kenya, Sri Lanka, and Turkey.

 

TRADE

According to the FAO in 2007, the largest importer of tea, by weight, was the Russian Federation, followed by the United Kingdom, Pakistan, and the United States. Kenya, China, India and Sri Lanka were the largest exporters of tea in 2007 (with exports of: 374229, 292199, 193459 and 190203 tonnes respectively). The largest exporter of black tea is Kenya, largest producer (and consumer) India.

 

PACKAGING

TEA BAGS

In 1907, American tea merchant Thomas Sullivan began distributing samples of his tea in small bags of Chinese silk with a drawstring. Consumers noticed they could simply leave the tea in the bag and reuse it with fresh tea. However, the potential of this distribution/packaging method would not be fully realised until later on. During World War II, tea was rationed in the United Kingdom. In 1953 (after rationing in the UK ended), Tetley launched the tea bag to the UK and it was an immediate success.

 

The "pyramid tea bag" (or sachet) introduced by Lipton and PG Tips/Scottish Blend in 1996, attempts to address one of the connoisseurs' arguments against paper tea bags by way of its three-dimensional tetrahedron shape, which allows more room for tea leaves to expand while steeping.

However, some types of pyramid tea bags have been criticised as being environmentally unfriendly, since their synthetic material is not as biodegradable as loose tea leaves and paper tea bags.

 

LOOSE TEA

The tea leaves are packaged loosely in a canister, paper bag, or other container such as a tea chest. Some whole teas, such as rolled gunpowder tea leaves, which resist crumbling, are sometimes vacuum packed for freshness in aluminised packaging for storage and retail. The loose tea must be individually measured for use, allowing for flexibility and flavor control at the expense of convenience. Strainers, tea balls, tea presses, filtered teapots, and infusion bags prevent loose leaves from floating in the tea and over-brewing. A traditional method uses a three-piece lidded teacup called a gaiwan, the lid of which is tilted to decant the tea into a different cup for consumption.

 

COMPRESSED TEA

Compressed tea (such as Pu-erh) is produced for convenience in transport, storage, and ageing. It can usually be stored longer without spoilage than loose leaf tea.

 

Compressed tea is prepared by loosening leaves from the cake using a small knife, and steeping the extracted pieces in water. During the Tang dynasty, as described by Lu Yu, compressed tea was ground into a powder, combined with hot water, and ladled into bowls, resulting in a "frothy" mixture. In the Song dynasty, the tea powder would instead be whisked with hot water in the bowl. Although no longer practiced in China today, the whisking method of preparing powdered tea was transmitted to Japan by Zen Buddhist monks, and is still used to prepare matcha in the Japanese tea ceremony.

 

Compressed tea was the most popular form of tea in China during the Tang dynasty. By the beginning of the Ming dynasty, it had been displaced by loose leaf tea. It remains popular, however, in the Himalayan countries and Mongolian steppes. In Mongolia, tea bricks were ubiquitous enough to be used as a form of currency. Among Himalayan peoples, compressed tea is consumed by combining it with yak butter and salt to produce butter tea.

 

INSTANT TEA

"Instant tea", both hot and cold, is an alternative to the brewed products. Similar to freeze-dried instant coffee, but not requiring boiling water, instant tea was developed in the 1930s. Nestlé introduced the first commercial product in 1946, while Redi-Tea debuted instant iced tea in 1953.

 

Delicacy of flavour is sacrificed for convenience. Additives such as chai, vanilla, honey or fruit, are popular, as is powdered milk.

 

During the Second World War British and Canadian soldiers were issued an instant tea known as 'Compo' in their Composite Ration Packs. These blocks of instant tea, powdered milk, and sugar were not always well received. As Royal Canadian Artillery Gunner, George C Blackburn observed:

 

But, unquestionably, the feature of Compo rations destined to be remembered beyond all others is Compo tea...Directions say to "sprinkle powder on heated water and bring to the boil, stirring well, three heaped teaspoons to one pint of water."

 

Every possible variation in the preparation of this tea was tried, but...it always ended up the same way. While still too hot to drink, it is a good-looking cup of strong tea. Even when it becomes just cool enough to be sipped gingerly, it is still a good-tasting cup of tea, if you like your tea strong and sweet. But let it cool enough to be quaffed and enjoyed, and your lips will be coated with a sticky scum that forms across the surface, which if left undisturbed will become a leathery membrane that can be wound around your finger and flipped away...

 

STORAGE

Storage conditions and type determine the shelf life of tea. Black tea's is greater than green's. Some, such as flower teas, may last only a month or so. Others, such as pu-erh, improve with age.

 

To remain fresh and prevent mold, tea needs to be stored away from heat, light, air, and moisture. Tea must be kept at room temperature in an air-tight container. Black tea in a bag within a sealed opaque canister may keep for two years. Green tea deteriorates more rapidly, usually in less than a year. Tightly rolled gunpowder tea leaves keep longer than the more open-leafed Chun Mee tea.

 

Storage life for all teas can be extended by using desiccant or oxygen-absorbing packets, vacuum sealing, or refrigeration in air-tight containers (except green tea, where discrete use of refrigeration or freezing is recommended and temperature variation kept to a minimum).

 

WIKIPEDIA

Call of the Wild by Jack London

 

I did debate whether to crop to the wolf mural or whether to include the person trapped in their mind looking out to nature - I hope the person escaped.

 

Mural in New Brighton on the Wirral.

 

Before this I took a shot of a rock and it was going to be Brighton Rock by Graham Greene.

This is an image from my collection. Although predominantly slide scans, it includes other types of media as well. All have been collected over the past 40+ years of shooting Kodachrome and digital images, slide purchases and many years of exchanging. I was fortunate enough to trade with some of the best airliner photographers around the world.

 

Created in 2017, this is a curated archive that serves to share what otherwise would be kept in binders and boxes, not being enjoyed by anyone, myself included.

 

REGISTRATION : PP-VLA

MFR TYPE & SERIES : Lockheed L188A Electra

MSN : 1139

OPERATOR : VARIG

AIRPORT (WHEN KNOWN) : Rio de Janeiro SDU

DATE (WHEN KNOWN) :

PHOTOGRAPHER (WHEN KNOWN) :

REMARKS:

 

Dress Marjory

 

♥ LaraX

♥ Legacy

♥ Perky

♥ Reborn

♥ Waifu

 

- HUD Includes

 

For the Group , in the Mainstore 10% and new Realease 40%

 

More Info: Flickr: www.flickr.com/photos/b2kdesign/53710329246/in/dateposted...

 

Mainstore: maps.secondlife.com/secondlife/Thoth/172/16/22

Marketplace: marketplace.secondlife.com/p/B2K-DesignDress-Marjory-Lara...

 

My Flickr > www.flickr.com/photos/byatrizthecat/

My Insta > www.instagram.com/djbyatriz/

My Face > www.facebook.com/Byatriz.TheCat/

Swartaasvoel

(Torgos tracheliotus)

Kruger National Park, Limpopo Province, South Africa.

 

The lappet-faced vulture or Nubian vulture (Torgos tracheliotos) is an Old World vulture belonging to the bird order Accipitriformes, which also includes eagles, kites, buzzards and hawks. It is the only member of the genus Torgos. It is not closely related to the superficially similar New World vultures, and does not share the good sense of smell of some members of that group.

 

The lappet-faced vulture was formerly considered monotypical, but now is separated into two subspecies. The nominate race lives throughout Africa. The subspecies T. t. negevensis, differing considerably in appearance from African vultures (as described below), occurs in the Sinai, the Negev desert, and probably north-west Saudi Arabia.

 

This species is patchily distributed through much of Africa, though it is absent from much of the central and western parts of the continent and declining elsewhere in its range. The lappet-faced vulture nests in Senegal, Mali, Burkina Faso, Niger, Chad, Sudan, southeastern Egypt, Ethiopia, Somalia, Kenya, Tanzania, Uganda, Rwanda, easternmost part of the Democratic Republic of the Congo, Zambia, Malawi, Mozambique, Swaziland, northeastern South Africa, Zimbabwe, Botswana, Namibia, the Gambia, Guinea, Ivory Coast, Benin, the Central African Republic, southern Angola and possibly in Mauritania and Nigeria. Across the Red Sea, the species nests in Arabia, Yemen, Oman and the United Arab Emirates.

 

This vulture prefers to live in dry savannah, thornbush, arid plains, deserts with scattered trees in wadis, open mountain slopes. They are usually found in undisturbed open country with a scattering of trees and apparently prefer areas with minimal grass cover. While foraging, they can wander into denser habitats and even into human habitated areas, especially if drawn to road kills. They may be found in elevation from sea-level to 4,500 m (14,800 ft).

 

The lappet-faced vulture is a huge species, ranking as the longest and largest winged vulture in its range behind the closely related cinereous vulture, although some co-occurring Gyps vultures tend to be heavier on average, especially the Cape vulture and Eurasian griffon. This species measures around 95–115 cm (37–45 in) in body length, with a wingspan of 2.5–2.9 m (8.2–9.5 ft). Among the standard measurements, the wing chord is 71.5–82.5 cm (28.1–32.5 in), the tail is 33–36 cm (13–14 in) and the tarsus is 12.2–15 cm (4.8–5.9 in). The bill, at up to 10 cm (3.9 in) long and 5 cm (2.0 in) deep, ranks as one of the largest of any accipitrid, although a reported culmen length of 7.2 cm (2.8 in) is slightly less than the culmen length of the cinereous vulture. Wild vultures, of the subspecies T. t. tracheliotus, range from 4.4 to 9.4 kg (9.7 to 20.7 lb) and, in East Africa, average only 6.2 kg (14 lb). On the other hand, captive vultures of the larger T. t. negevensis subspecies, weighed 6.5–9.2 kg (14–20 lb) in males and 10.5–13.6 kg (23–30 lb) in females.

 

Overall, the lappet-faced vulture is blackish above with a strongly contrasting white thigh feathers. The black feathers on the back of African vultures are lined with brown, while Arabian birds are dark brown rather than black above. The underside can range from pure white to buff-brown. Like many vultures, it has a bald head. The head coloration can range from reddish in southern Africa to dull pink in more northern Africa to pink on the back of the head and gray on the front in the Arabian Peninsula. The combination of the colorful head and fleshy folds on the side of it are distinctive. The bald head of the lappet-faced vulture is advantageous, because a feathered head would become spattered with blood and other fluids, and thus be difficult to keep clean. While flying, lappet-faced vultures have large, broad wings held with the front edges held parallel and slightly pointed, serrated-looking wingtips. Compared to the somewhat similarly marked hooded vulture, it is considerably larger with a more massive bill and can only be confused at a great distance. The Gyps vultures are generally much paler, with less white lining the wings and more bulging secondaries. The cinereous vulture (which may overlap in range in the Arabian area) has a similar body shape but is all dark, with no contrasting plumage.

 

The lappet-faced vulture is a scavenging bird, feeding mostly from animal carcasses, which it finds by sight or by watching other vultures. More so than many other African vultures, they often find carrion on their own and start tearing through the skin. They are the most powerful and aggressive of the African vultures, and other vultures will usually cede a carcass to the lappet-faced vulture if it decides to assert itself. This is often beneficial to the less powerful vultures because the Lappet-face can tear through the tough hides and knotty muscles of large mammals that the others cannot penetrate, although hyenas are even more efficient in this regard (if more voracious eaters). However, lappet-faced vultures frequently hang around the edges of the throngs at large carcasses, waiting until the other vultures are done, to feed on remnant skin, tendons and other coarse tissues that the others will not eat. Big game animals, up to the size of elephants, are preferred as carrion, since they provide the most subsistence at a sitting. A full crop can contain up to 1.5 kg (3.3 lb) of meat.

 

Perhaps more than any other true vulture, lappet-faced vultures have been recorded as regularly feeding on freshly killed smaller mammals, birds and reptiles. Some of these are probably road-kills or are pirated from eagles or other raptors but they are also believed to occasionally attack live animals, especially young and weak animals and the nests and young of other birds. Flamingo colonies (including eggs, young and adults), young impalas and guineafowl have reportedly been predated. They are believed to still-hunt from an elevated perch and then drop on their prey, stunning them with the impact and tearing them apart with their strong bills. Most remains found at nests are from small animals possibly caught alive.

 

Lappet-faced vultures are generally solitary birds. They do not nest in cohesive colonies as do many smaller vultures, with one tree or area usually only having 1 to 2 nests in it, though rarely up to 10 nests have been recorded in one area. The home range of a lappet-faced vulture is usually at least 8 to 15 km (5.0 to 9.3 mi). Groups of up to 25 to 50 Lappet-faces may congregate at large carcasses or watering holes, though typically only from 1 to as many as 7 turn up per carcass.

 

This species nests in November through July in the north of its range, throughout the year in eastern Africa and May to January in southern Africa. The huge nest, a pile of neatly formed sticks, measures 120–220 cm (47–87 in) across and 30–70 cm (12–28 in) deep. The nest is often lined with green leaves, as well as animal hair and skins. Nests are almost always placed in the main fork or top of an Acacia tree, though Balanites and Terminalia trees are sometimes also used, at 5 to 15 m (16 to 49 ft) off the ground. The clutch contains 1 or 2 eggs, which are incubated by both parents over the course of 54 to 56 days. The young fledge at 124 to 135 days old, although can be dependent on their parents for up to an age of 1 year or more, sometimes forcing parents to only nest in alternate years. There is a single remarkable record of a lappet-faced vulture pair successfully raising a white-headed vulture. The lappet-faced vultures does not usually breed until it is around 6 years of age.

 

The lappet-faced vulture's world population is believed to have decreased perceptibly (As for October 2015 their IUCN status was updated to Endangered). They are declining in Sahel and several parts of their southern, northern and western distribution in Africa. They are apparently currently stable in Arabia but have a small population there and have been extirpated from Israel as a breeding bird. The declines are almost entirely due to human activities, including disturbances from habitat destruction and cultivation, disturbances at the nesting site (to which the species is reportedly quite sensitive) and ingestion of pesticides, which are usually set out for jackals and other small mammalian carnivores. Domestic cattle, who have replaced natural prey over much of the range, are now often sold off, rather than abandoned, due to the proliferation of markets and abattoirs and rarely left to die and be consumed by vultures. Lappet-faced vultures are also sometimes victims of direct persecution, including shooting and the use of strychnine and other poisons. In Namibia, 86 lappet-faced vultures died after eating poisoned cattle carcasses, because the farmers erroneously believed they were killing and eating the cattle. In some cases the poisoning is done by poachers, who fear the presence of vultures will alert authorities to their activities, the illegal killings of protected species. They are considered Vulnerable at the species level, with an estimated world population of under 9,000 individuals.

 

Wikipedia

Articles Include:

Will Man Change in a Million Years?

Is Legalized Gambling a Menace to America?

How Does Starvation in Europe Affect You?

An Atomic Scientist Looks at God

In Defense of Defense Lawyers

Simien Mountains National Park is one of the national parks of Ethiopia. Located in the Semien (North) Gondar Zone of the Amhara Region, its territory covers the Simien Mountains and includes Ras Dashan, the highest point in Ethiopia. It is home to a number of endangered species, including the Ethiopian wolf and the walia ibex, a wild goat found nowhere else in the world. The gelada baboon and the caracal, a cat, also occur within the Simien Mountains. More than 50 species of birds inhabit the park, including the impressive bearded vulture, or lammergeier, with its 10-foot (3m) wingspan.

 

The park is crossed by an unpaved road which runs from Debarq, where the administrative headquarters of the park is located, east through a number of villages to the Buahit Pass, where the road turns south to end at Mekane Berhan, 10 kilometers beyond the park boundary.

 

The Semiens are remarkable as being one of the few spots in Africa where snow regularly falls. First mentioned in the Monumentum Adulitanum of the 4th century AD (which described them as "inaccessible mountains covered with snow" and where soldiers walked up to their knees in snow), the presence of snow was undeniably witnessed by the 17th century Jesuit priest Jerónimo Lobo. Although the later traveler James Bruce claims that he had never witnessed snow in the Semien Mountains, the 19th century explorer Henry Salt not only recorded that he saw snow there (on 9 April 1814), but explained the reason for Bruce's failure to see snow in these mountains – Bruce had ventured no further than the foothills into the Semiens.

 

Despite their ruggedness and altitude, the mountains are dotted with villages linked by tracks. Historically they were inhabited by Ethiopian Jews (the Beta Israel), who after repeated attacks by the zealous Christian Emperors in the 15th century withdrew from the province of Dembiya into the more defensible Semien mountains.

 

-----

 

Six days of hiking in the area of Simien mountains, Ethiopia, was an unforgettable experience - I have enjoyed plenty of trekking trips in the past, however this one has been the most versatile and diverse of them all.

 

The plateau lies at the altitude of around 4000m, and the views from the escarpment are incomparable. Grand Canyon is awesome, but this place adds African moods and vibe into the overall picture. Unique, spectacular, unexpected, unknown. Definitely worth visiting.

 

This is a shot taken during our fourth day in the area - we hiked from Chenek camp to a lowlands village named Tsyon where we stayed overnight on the grounds of the local school.

Tiffany Designs PROMO:: Emma Fur Outfit [Mesh] + Lara X

 

★★★ MESH WINTER OUTFIT ★★★

 

════════════════════════════════════════════════════

➣ Includes:

 

• Mesh Top

• Mesh Skirt

• Mesh Jacket

• Mesh Boots

• Mesh Belt

• Mesh Garter

 

• Texture HUD Driven

 

════════════════════════════════════════════════════

➣ Compatible with:

 

➠ LARA X, Petite

➠ MAITREYA, Petite

➠ LEGACY, Perky, Bombshell

➠ REBORN, Waifus

➠ GENX, Curvy

➠ KUPRA

➠ ERIKA

 

════════════════════════════════════════════════════

★ Before buying, please try the free demo.

 

★ Thank you for shopping at ::TIFFANY DESIGNS:: !

 

☎ In world assistance if you need additional help - please contact LucyHope.

 

Tiffany Designs

 

LM: maps.secondlife.com/secondlife/Hilton%20Villas/232/207/22

 

MP: marketplace.secondlife.com/stores/139726?

 

LaraX

 

S.E LEL EVOX Aesthetic Girl

  

This includes small silk (or rayon) flag, War Dept. pamphlets on keeping quiet, rights of captured, education, and transition into civilian life, a Japanese phrase book, money belt, wallet, Japanese/Philippine occupation money, US & Philippine war-dated coins, TL-122-D flashlight, Green label Lucky Strikes (unopened), trench lighter, variant sewing kits, airmail service pack (full contents), New Testament (1944), watch (Repro.), KIA Bag.

By respected practice Clarke and Bell, 1880 (main block); later additions by James A Morris include infant classrooms, 1895 and science/art department, 1907; internal reconstruction of main building 1911-12; memorial hall by William Reid, 1939. 2-storey, 13-bay (main block) school with advanced central, pedimented entrance with asymmetrical recessed wings to outer left and right. Ravenscraig sandstone; channelled at ground floor and corner angles of outer bays at 1st floor. Base course; dividing band course; 1st floor cill course; cornice and blocking course (corner dies to parapets at outer bays). Pilasters divide 1st floor openings, Corinthian order to central pedimented entrance. Central entrance; 3 single windows at 1st floor; roundel busts over; dentilled pediment. Regular fenestration at both floors to recessed 4 bays flanking and at ground and 1st floor to advanced outer bays.

 

As noted by Michael C Davis, the school is situated near the now demolished Ayr Castle. A public school dating from circa 1233 century was connected until the Reformation with St John's Church, passing thereafter under the town council's management. Reconstituted under the name of Ayr Academy in 1794, it received a royal charter in 1798. The first school standing on the present site was erected in 1810. The portico in the main 1800 block is adorned with medallions of Sir David Wilkie, James Watt and Robert Burns, representing Art, Science and Literature.

Schoenthal Monastery, first mentioned in 1145, includes one of the oldest churches in Switzerland. It is considered a showpiece of Romanesque architecture. Its western façade features ashlar masonry, a portal with a depiction of a lamb carrying a cross, and an arch supported by a lion baring its teeth on one side, and by a man on the other. The inscription on the arch reads: HIC EST RODO.

 

Of the murals on the inside of the church, a depiction of St. Christopher has been preserved above the gateway to the cloister dating from about 1310/20. Behind the eastern façade, fragments can be seen of an angel swinging a censer; these date from around 1430. The bell in the steeple was cast in Aarau in the 15th century. The deconsecrated monastery was used for various commercial purposes over a period of 500 years. As of 1986, the new owner had extensive renovations carried out in collaboration with the canton’s departments of archaeology and the preservation of historical monuments. The latter recommended using the traditional plaster made of slaked lime.

 

www.schoenthal.ch/baudenkmal_en.php

Includes Farmers Market in Marion Square, Charleston, South Carolina, and Pride Parade 2016

Many Latin festivals include costumed figures known as gigantes y cabezudos, roughly, “Giants and Big-Heads”, or, in Catalan, gegants i capgrossos or in basque language "erraldoi eta buruhandiak". The main feature of these figures is typically their papier maché head; bodies are covered in clothing matching the costume's theme.

The most distinctive feature of Grotto Geyser is its cone, which is over six feet high , has one section missing and includes several calcified trees, giving the appearance of a ring of pinnacles surrounding the vent, all usually partly obscured by steam. The geyser was one of the first seven in the basin to be given an official name, in 1870. Eruptions of Grotto Geyser last between one hour and one day, separated by around eight hours. The height is usually not great, around ten feet, but the spectacle is made more impressive by the elegant cone. The vent is surrounded by shallow pools and intricate sinter formations.

  

Hot spring in the Upper Geyser Basin of Yellowstone National Park.

Taken with polarising filter on the Minolta. Looks like Hyles Block on the screen!

 

ACT Forests Planning Systems

 

1. Introduction.

 

The systems currently used by ACT Forests for tactical and strategic planning, database management and mapping are currently under review.

 

These systems currently include those operated at the weighbridge ie the docket system and FORLOG; inventory, forest growth models, harvesting management model, estate model, forest database and mapping GIS

 

The current systems are of differing ages and run on different operating sytems, DOS or UNiX.

 

2. Current Systems - Description and Problems.

 

2.1. Docket system.

 

This system is DOS based and is a compiled basic programme that is neither year 2000 compliant or supported.

 

It records timber movements and provides hard copy for the contractors, mill and forest owners. This information provides input into FORLOG

 

The programme could have been up graded to run on Windows NT or Windows 95. The decision was made not to do this. The revision of FORLOG means that this programme no longer provides reliable input as array sizes are too small. Time is lost as numerous changes are required in the input data before the accounts can

  

Twin monitors both with polarising anti-glare filters. I got what I needed for all my AutoCADll mapping..

The Dept was concerned with occupational health and safety including Low Frequency radiation from computer monitors. So was I as I raised the issue.

The Khoo Kongsi is a large Chinese clanhouse with elaborate and highly ornamented architecture, a mark of the dominant presence of the Chinese in Penang, Malaysia. The famous Khoo Kongsi is the grandest clan temple in the country. It is also one of the city's major historic attractions. The clan temple has retained its authentic historic setting, which includes an association building, a traditional theatre and the late 19th century rowhouses for clan members, all clustered around a granite-paved square. It is located in Cannon Square in the heart of the oldest part of the city of George Town, in the midst of narrow, winding lanes and quaint-looking pre-War houses exuding a palpable old world charm. (Wikipedia)

I set off on a road trip that would include driving Shafer Trail and Potash Road through Canyonlands National Park. When I made it back to pavement I raced over to the southern entrance to take in the Needles District and go to the end of the road, with a quick stop at Newspaper Rock.

 

------------------

 

Canyonlands National Park is an American national park located in southeastern Utah near the town of Moab. The park preserves a colorful landscape eroded into numerous canyons, mesas, and buttes by the Colorado River, the Green River, and their respective tributaries. Legislation creating the park was signed into law by President Lyndon Johnson on September 12, 1964.

 

The park is divided into four districts: the Island in the Sky, the Needles, the Maze, and the combined rivers—the Green and Colorado—which carved two large canyons into the Colorado Plateau. While these areas share a primitive desert atmosphere, each retains its own character. Author Edward Abbey, a frequent visitor, described the Canyonlands as "the most weird, wonderful, magical place on earth—there is nothing else like it anywhere."

 

Source: Wikipedia

en.wikipedia.org/wiki/Canyonlands_National_Park

 

Oooak Conejita gris for adoption. 200 e.

Totally handmade. Grey resin (with some mold marks).

She includes a fabric bag and certificate ^v^

  

includes 3 types of sweater marketplace.secondlife.com/p/g-Pastel-Goth-sweaters/8395879

 

‏‏‎ ‏‏‎

· ▸ Yeon-Zeri-Sua Animations Set single purchase is available in:

‏‏‎ ‏‏‎

ㅤㅤ• 24 Yeon Animations

ㅤㅤ• 24 Zeri Animations

ㅤㅤ• 23 Sua Animations

‏‏‎ ‏‏‎

· ▸ Fluffy Deer Earmuff includes:

‏‏‎ ‏‏‎

ㅤㅤ• Fluff Earmuff · With Lights

ㅤㅤ• Fluff Earmuff · Without Lights

ㅤㅤ• Earmuff Texture HUD:

‏‏‎

ㅤㅤ · 40 Base color options

ㅤㅤ · 40 Ears color options

ㅤㅤ · 40 Horns color options

ㅤㅤ · 8 Shine options

ㅤㅤ · Material On/Off option

‏‏‎

ㅤㅤ• Earmuff Lights HUD:

‏‏‎

ㅤㅤ · 40 Wire color options

ㅤㅤ · 40 Lights 1 color options

ㅤㅤ · 40 Lights 2 color options

ㅤㅤ · 8 Shine options

ㅤㅤ · Material On/Off option

‏‏‎ ‏‏‎

· ▸ Yeon Animations includes:

‏‏‎ ‏‏‎

ㅤㅤ• 4 Static Poses

ㅤㅤ• 4 Breathing Stands

ㅤㅤ• 4 Breathing Animations

ㅤㅤ• Posestand

‏‏‎

· ▸ Zeri Animation Set includes:

‏‏‎

ㅤㅤ• 4 Static Poses

ㅤㅤ• 4 Breathing Stands

ㅤㅤ• 4 Breathing Animations

ㅤㅤ• Posestand

‏‏‎

· ▸ Sua Animation Set includes:

‏‏‎

ㅤㅤ• 4 Static Poses

ㅤㅤ• 4 Breathing Stands

ㅤㅤ• 4 Breathing Animations

ㅤㅤ• Posestand

‏‏‎ ‏‏‎

· ▸ Fatpacks are available

‏‏‎ ‏‏‎

· ▸ Copy

· ▸ Modify

· ▸ No Transfer

‏‏‎ ‏‏‎

ㅤㅤｓｈｏｐ ｔｈｉｓ ａｔ ｅｑｕａｌ１０ 苛 尉 ズ ょ ド

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｐｒｉｍｆｅｅｄ

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｆａｃｅｂｏｏｋ

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｉｎｓｔａｇｒａｍ

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｙｏｕｔｕｂｅ

ㅤㅤ

▸ Main Sim

ㅤㅤ

▸ Cam sim 1

ㅤㅤ

▸ Cam sim 2

 

‏‏‎ ‏‏‎

· ▸ Illustrious Attire includes:

‏‏‎

ㅤㅤ• 41 Texture HUD to Mix & Match:

‏‏‎

ㅤㅤ · Corset

ㅤㅤ · Skirt

ㅤㅤ · Front Bow

ㅤㅤ · Back Bow

ㅤㅤ · Ass Ruffle

ㅤㅤ · Roses

ㅤㅤ · Choker

ㅤㅤ · Gloves

ㅤㅤ · Ruffle

ㅤㅤ · Choker Ruffles · On/Off option

‏‏‎ ‏‏‎

· ▸ Materials Enabled

‏‏‎ ‏‏‎

· ▸ Illustrious Attire is fitted for:

‏‏‎

ㅤㅤ• eBody Reborn

‏‏‎ ‏‏‎

· ▸ Copy

· ▸ Modify

· ▸ No Transfer

‏‏‎ ‏‏‎

ㅤㅤｓｈｏｐ ｔｈｉｓ ａｔ ｅｑｕａｌ１０ 苛 尉 ズ ょ ド

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｐｒｉｍｆｅｅｄ

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｆａｃｅｂｏｏｋ

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｉｎｓｔａｇｒａｍ

ㅤㅤ

▸ Ｊｏｉｎ　ｕｓ　ｏｎ　Ｙｏｕｔｕｂｅ

ㅤㅤ

▸ Main Sim

ㅤㅤ

▸ Cam sim 1

ㅤㅤ

▸ Cam sim 2

37558 (424) approaches Parton station with 2C41 0845 Barrow-in-Furness - Carlisle. Decided to include the cars/van as there was no way of excluding them and they add a timeframe to the shot. 03/06/17

include something (red) in the photograph .... It was pioneered by National Geographic photographers, who had subjects wear, or chose subjects who wore overly colorful clothes, (not necessarily red) though red was preferred as it rendered best on Kodachrome film.

  

------------------

HIT THE 'L' KEY FOR A BETTER VIEW! Thanks for the favs and comments. Much Appreciated.

-------------

All of my photographs are under copyright ©. None of these photographs may be reproduced and/or used in any way without my permission.

 

© VanveenJF Photography