in_future photos on Flickr

Sheer Nylon by Cafe in Space (aka A Flowing Journey)

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We've restored the Pro Account on here for now. So we can post a few moderated and maybe restricted pics in future.

NHMP Pakistan National Highways & Motorway Police at Murree Expressway by Motorway_Cop_Pak

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The dwarf person worried for would-be challan ticket against not wearing seat-belt. In the end, he was spared on his promise of following law in future.

Ferrari 275 GTB/C Speciale (1964 - Scaglietti) by Peter Blackert

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It’s a distillation process: identifying the crème de la crème… de la crème, until you finally arrive at a car so superlatively special that, to quote one expert source, its sale “sends shockwaves through the community of automotive enthusiasts around the world”.

Ferrari is a badge most car-lovers would be proud to wear on the grille, whatever the model. But even among the top Ferrari collectors, the 275 GTB – unveiled at the 1964 Paris Motor Show – is a very special, beautifully proportioned, race-inspired successor to the 250 GTO that commands huge interest (and prices) today. Especially the lightweight competition versions. But the competition versions were themselves based on the remarkable 275 GTB/C Speciale, of which only three were built by the Ferrari factory – specifically for FIA homologation and factory racing development.

All three Speciales could boast super-lightweight aluminium bodies that utilised smaller, lighter tubes, along with a race-style, 3.3-litre, dry-sump engine sitting low in the chassis, and topped by six Weber carburettors (as seen in the 250 LM).

A remarkable racing machine – as proved at Le Mans in 1965

What this meant in practical terms was an extra 70 horsepower over the standard 275 GTB road car, packaged in a much lighter chassis. It was a remarkable racing machine – as proved at Le Mans in 1965. Prepared by Ferrari for the Belgian team Ecurie Francorchamps, and painted in the team’s traditional yellow, chassis no. 06885 was driven by Willy Mairesse and Jean Blaton in the GT class of the famous 24-hour race. Not only did the car win its class with supreme confidence (gaining the first Le Mans victory for a 275 GTB), it was also placed third overall: an astounding result.

Eyebrow-raising rumours:

The Le Mans car, chassis 06885, has been owned since 1970 by renowned enthusiast Preston Henn and is of almost unguessable value. Henn has stated that he has no intentions of selling his prized Ferrari but there are rumours that – if ever it did come to the market in future – it could perhaps be the first car in the world to sell at the magic ‘nine-figure’ level. Since it’s not for sale, there is no way to establish the truth of such an eyebrow-raising rumour, and nor is the third and final car built, chassis 07185, about to see the auctioneer’s gavel. It remains firmly part of a private collection.

The crème de la crème (de la crème)

But that leaves the first 275 GTB/C Speciale built, chassis no. 06701, the car pictured here. The latest news running through the collectors’ market like wildfire is that this superlative Ferrari is indeed being put up for sale – by RM Auctions, at its Monterey sale on 15-16 August 2014. With a meticulously researched and well-known provenance from new, with – of course – an original, matching-numbers engine, we wait with baited breath to see what this crème de la crème (de la crème) Ferrari will achieve on the world auction stage.

[Text courtesy of Classic Driver]

www.classicdriver.com/en/article/cars/timeless-classics-f...

So, how much did it sell for:

Lot 239

1964 Ferrari 275 GTB/C Speciale by Scaglietti

To be auctioned on Saturday, August 16, 2014

Sold for $26,400,000

Chassis no. 06701

Engine no. 06701

Internal engine no. 044/64

www.rmauctions.com/lots/lot.cfm?lot_id=1068795

This Lego miniland-scale Ferrari 275 GTB/C Speciale (1964 - Scaglietti), has been created for Flickr LUGNuts' 89th Build Challenge, - "Over a Million, Under a Thousand", - a challenge to build vehicles valued over one million (US) dollars, or under one thousand (US) dollars.

How Will the Air Force Fight in Future Space, Air, and Cyber Domains? by New America

New America's Future of War Conference

Gen. Stephen W. Wilson, Vice Chief of Staff, U.S. Air Force

Photo by: Eric Gibson/ New America

The Battle of Britain class locomotive, Swanage Railway Station in May 2017, Swanage, Dorset, England. by G. Knowles

Swanage is a coastal town and civil parish in the south east of Dorset, England. It is situated at the eastern end of the Isle of Purbeck, about 10 km south of Poole and 40 km east of Dorchester. The parish has a population of 10,124 (2001). Nearby are Ballard Down and Old Harry Rocks, with Studland Bay and Poole Harbour to the north. Within the parish are Durlston Bay and Durlston Country Park to the south of the town. The parish also includes the areas of Herston, just to the west of the town, and Durlston, just to the south. During the peak summer season many people are drawn by the town's beautiful setting, the beach and other attractions. The town has many hotels and guest rooms though the number ( particularly of hotels ) has reduced slightly in recent years. Besides the beach, there are other local attractions including the restored Swanage steam railway and the Victorian pier. The town may also be used a base from which to visit other nearby areas of interest, such as Corfe Castle. Swanage's Victorian pier is over 100 years old and is one of two built, although it is the only one that survives complete today. The pier extends into the southern end of Swanage Bay near Swanage. The original Swanage Pier was built between 1859 and 1861 for use primarily by the local stone quarrying industry, and included a tramway which ran the length of the pier and some way along the seafront. The old tracks can be seen to this day, inset into the seafront walkways.

The town, originally a small port and fishing village flourished in the Victorian era, when it first became a significant quarrying port and later a seaside resort for the rich of the day. Today the town remains a popular tourist resort, this being the town's primary industry, with many thousands of visitors coming to the town during the peak summer season, drawn by the bay's sandy beaches and other attractions. During its history the bay was listed variously as Swanawic, Swanwich, Sandwich, and only in more recent history as Swanage. The Jurassic Coast World Heritage Site ~ this wonderful coast line which stretches from Orcombe Point in East Devon to The Old Harry Rocks near Swanage, is a beautiful part of this area. Swanage Tourist Information Centre (T.I.C.) is an excellent point of reference for all visitors to the area and our friendly staff will be delighted to help you plan your holiday and find out more about the area. By carefully assessing your requirements and interests the staff will ensure you have the very best information to make your holiday a real success.

While fishing is likely the town's oldest industry, quarrying has been important to the town and the local area since at least the 1st century AD. During the time of the Roman occupation this industry grew, with the distinctive Purbeck marble being used for decorative purposes in buildings as far away as London. When the Romans left Britain, quarrying largely ceased until the 12th century. The town is first mentioned in historical texts in the Anglo-Saxon Chronicle of 877 AD. It is stated as being the scene of a great naval victory by King Alfred over the Danes: ~ This year came the Danish army into Exeter from Wareham; while the navy sailed west about, until they met with a great mist at sea, and there perished 120 ships at Swanwich. A hundred Danish ships which had survived the battle, were driven by a storm onto Peveril Point, a shallow rocky reef outcropping from the southern end of Swanage bay. In the 12th century demand for Purbeck Marble grew once again. While Purbeck marble is not suited to external use, as it does not weather well, it is however strong and suitably decorative for use as internal columns. As such the stone was used in the construction of many large churches and cathedrals being built as the time.

In contrast to the decorative Purbeck marble, Purbeck limestone, or more commonly 'Purbeck stone', has been used in construction locally since the early days of quarrying in Purbeck. Its use is less well documented as it was taken for granted as the default construction materials in the area. However, the arrival of more modern quarrying techniques in the 17th century resulted in an increase in production. The Great Fire of London in 1666 led to a period of large scale reconstruction in the city, and Purbeck stone was extensively used for paving. It was in this time that stone first started being loaded on ships directly from the Swanage seafront; before this time quarried stone had been first transported to Poole for shipping. The idea that Swanage could become a tourist destination was first encouraged by a local MP William Morton Pitt in the early 19th century, who converted a mansion in the town into a luxury hotel. The hotel is noted for having been visited in 1833 by the ( then ) Princess Victoria, later to become queen. The building was later renamed the Royal Victoria Hotel, now the building has been converted into flats and a bar and nightclub in the left and right wings respectively.

The main bus services are provided by Wilts & Dorset. Numbers 40 and 44 which run between Swanage and Poole, and the number 50 which runs between Swanage and Bournemouth via the chain ferry between Studland and Sandbanks. Double-deck open top buses are used on the Poole/Bournemouth to Swanage routes in the summer months. The buses on these routes are branded as Purbeck Breezers. Swanage has a heritage restored steam railway which operates for most of the year, though at the moment this only goes as far as Norden. Recent developments on the railway have seen the physical connection between the Swanage Railway and the mainline restored. The first passenger service in more than 40 years from London Victoria and returning to London Waterloo took place on 1 April 2009. It is hoped that regular passenger services connecting to the mainline will begin in the future. Limited ferry services also run between Poole Quay and Swanage Pier. These are used by Swanage residents for shopping trips to Poole's large shopping centre, and also by tourists in Poole for day trips into Swanage. The nearest mainline railway station to Swanage is Wareham, where connections can be made for South West Trains services westward to Dorchester South and Weymouth. Services also travel eastwards towards Poole, Bournemouth, Southampton Central and London Waterloo. Services to and from Weymouth and London Waterloo can be either fast or stopping services.

Wien, 1. Bezirk (the art of very renowned palace and museum buildings of Vienna), Palais Erzherzog-Albrecht (Albertina), Albertinaplatz/Hanuschgasse by alfred lex

Gerhard Richter (1932), FLOW, 2013 (Kunstharzlack hinter Glas auf Aluplatte - synthetic resin paint behind glass on aluminium plate), Albertina - Dauerleihgabe aus österreichischem Privatbesitz

The Albertina

The architectural history of the Palais

(Pictures you can see by clicking on the link at the end of page!)

Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869

"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".

This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.

Image: The Old Albertina after 1920

It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.

The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.

In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.

Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.

1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.

Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990

The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:

After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".

Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905

This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.

The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.

Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.

Image: The palace after the demolition of the entrance facade, 1948-52

Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.

Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei

This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.

Image: The restored suburb facade of the Palais Albertina suburb

The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.

Image: The new entrance area of the Albertina

64 meter long shed roof. Hans Hollein.

The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".

Christian Benedictine

Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.

www.wien-vienna.at/albertinabaugeschichte.php

DSC02855 by Stephen Keeler

C47A Skytrain USAAF Serial Number 42-100882

December 1943 to September 1944

Delivered to the USAAF Dakota N473DCDecember 1943. Assigned to 9th Air Force Troop Carrier Command (E.T.O) Flew to the UK in February 1944.

Assigned to 87th Troop Carrier Squadron, 438th Troop Carrier Group, IX Troop Carrier Command, Greenham Common, Berkshire. (438th provided the 4 lead squadrons on D-Day, seen off to France by Gen. Eisenhower).

Fitted with model 80 Glider pick-up gear to recover an assault glider from the D-Day landing grounds for refurbishment/re-use in future operations.

Towed and assault glider in Operation Elmira on D Day (Carried soldiers of the 82nd Airborne Division) and re-supply after the landings. Recovered WACO Assault gliders from Normandy landing grounds July/August 1944.

Transferred to RAF on 2nd September 1944.

Dakota Mk.3 RAF September 1944 to April 1946

Serial Number TS422

Dakota N473DCAssigned to No.1 Heavy Glider Servicing Unit, 38th Airborne Forces Group, Netheravon, Wiltshire from September 1944 until August 1945.

Recovered gliders from Normandy landing grounds and collected and delivered WACO, Hadrian and Airspeed Horsa assault gliders to RAF bases prior to Operation Market Garden (Arnhem) and later, in March 1945 in readiness for Operation Varsity, the Rhine Crossing.

Transferred to 435 (RCAF) Squadron at Down Ampney, Wiltshire in August 1945, under RAF control. Carried out freight duties and troop movements throughout Europe and Scandinavia until April 1946, including returning Allied POW’s.

BATTLE DAMAGE: Numerous bullet holes from aerial attack to cockpit and nose areas, including bullet through pilot’s seat back. Flak and ground fire damage to under wing and rear fuselage areas. Dates and locations of damage unknown. Crew injuries in action unknown. Most likely related to the Arnhem re-supply campaign.

Royal Canadian Air Force 1946 to 1966

Dakota MK.3 Serial Number TS 422 (Carried over from the RAF)

Returned to Canada in April 1946 with other ex 435 Squadron aircraft. Operated throughout Canada in numerous roles, including glider tug, parachute transport, search and rescue and medi-vac (fitted with skis and jet take off rockets), Pilot conversion trainer, Military freighter and troop carrier. Operated in the far North of Canada, well above the Arctic Circle using specially fitted sun compass, due to the proximity to the North Pole.

Sold for Civilian use in 1966. Now Re-classified as :-

Douglas DC3-C

Serial number CF-KAZ (Later C-FKAZ) 1966 to 1985

Numerous operators as a passenger airliner and commercial freighter, including Kier Air Transport (1966-70); Trans-Provincial Airlines (1970-78) and Pacific Coastal Airlines.

Sold to USA in 1985 and stored in Texas until 1995.

N5831B 1985-2006

Freighter for McNeely Air Charter from 1995-2002, operating in the Southern United States and based in Memphis Tennessee.

Sold to the Arizona Warbirds Museum and then to the current owner in 2004. Stored in Tuscon Arizona and restored by Edwards Worldwide Aviation.

Flown 5500 miles from Arizona to Liverpool in late May 2005. Route- Tuscon, Arizona – Great Falls, Montana – Saskatoon, Saskatchewan, Canada – Churchill, Manitoba – Iqualuit, Baffin Island – Sonderstrom Airbase, Greenland – Reykjavik, Iceland – Wick, Scotland – Liverpool, England.

Total flying time 34.5 Hours.

N473DC from 2006

Aircraft now restored to 87th Squadron, USAAF, D-Day colours Winter 2005/6.

Verified Operational Roles

Military 1944 to 1966

Troop Carrier (USAF/RAF/RCAF 1944/1966)

Military Freighter (USAAF/RAF/RCAF 1944-1966)

Assault Glider Tug (USAAF/RAF/RCAF 1944-c.1953)

Assault Glider Snatch Recovery Tug (USAAF/RAF 1944-1945)

Parachute Transport (RCAF 1946-c.1953)

Search and Rescue/Medi-Vac (+ Skis and Jato Rockets RCAF 1953-c.1959)

Multi-Engine Conversion Trainer (RCAF c.1959-1960)

Reflections Of Energy II by Doug

5 22

Architectural and abstract details of the Universe of Energy pavilion in Future World at EPCOT Center.

Thanks for looking. I appreciate feedback!

HMS Argyll (1904/05) by Hugh Llewelyn

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A model of the Devonshire Class Armoured Cruiser HMS Argyll at the Glasgow Transport Museum, 2 March 2007.

The Devonshire Class were the last class before Sir William White, the Director of Naval Construction, retired. His previous Armoured Cruiser design, the Monmouth Class, had been heavily criticised for being under-armed with a main armament of just 6” guns, no better than Protected Cruisers.

The Devonshires, at a cost of just a 1,000 extra tons and a knot slower in speed, replaced eight of the Monmouth’s 16x6” guns with 4x7.5” guns and were far better all round ships than the Monmouths, although they were indifferent steamers. Six Devonshires were completed in 1905, measuring 475 ft x 68.5 ft x 24 ft, with a displacement of 10,850 tons and an armament of 4x7.5”, 6x6”, 2x12 pdr and 18x3 pdr guns and 2x18” TT. Their 21,000 ihp triple expansion steam reciprocating engines and 2 screws gave them a speed of 22 kts.

The pronounced ram was typical of its time. Ever since the Battle of Lissa in 1866 where an Austrian fleet had roundly defeated a much larger Italian fleet with use of the ram, it had been assumed that the ram would play a large role in future naval battles. However, the only losses subsequently incurred by rams was accidental! The development of harder-hitting, quicker-firing and longer range guns meant that warships could not close the range before being disabled or sunk. Nonetheless, it took a long time before that was realised.

HMS Argyll was built by Scotts of Grenock, launched in 1904 and completed in 1905. She was wrecked off Dundee in 1915.

The Royal Victoria apartments in High Street, Swanage, May 2017, Dorset, England. by G. Knowles

Swanage is a coastal town and civil parish in the south east of Dorset, England. It is situated at the eastern end of the Isle of Purbeck, about 10 km south of Poole and 40 km east of Dorchester. The parish has a population of 10,124 (2001). Nearby are Ballard Down and Old Harry Rocks, with Studland Bay and Poole Harbour to the north. Within the parish are Durlston Bay and Durlston Country Park to the south of the town. The parish also includes the areas of Herston, just to the west of the town, and Durlston, just to the south. During the peak summer season many people are drawn by the town's beautiful setting, the beach and other attractions. The town has many hotels and guest rooms though the number ( particularly of hotels ) has reduced slightly in recent years. Besides the beach, there are other local attractions including the restored Swanage steam railway and the Victorian pier. The town may also be used a base from which to visit other nearby areas of interest, such as Corfe Castle. Swanage's Victorian pier is over 100 years old and is one of two built, although it is the only one that survives complete today. The pier extends into the southern end of Swanage Bay near Swanage. The original Swanage Pier was built between 1859 and 1861 for use primarily by the local stone quarrying industry, and included a tramway which ran the length of the pier and some way along the seafront. The old tracks can be seen to this day, inset into the seafront walkways.

The town, originally a small port and fishing village flourished in the Victorian era, when it first became a significant quarrying port and later a seaside resort for the rich of the day. Today the town remains a popular tourist resort, this being the town's primary industry, with many thousands of visitors coming to the town during the peak summer season, drawn by the bay's sandy beaches and other attractions. During its history the bay was listed variously as Swanawic, Swanwich, Sandwich, and only in more recent history as Swanage. The Jurassic Coast World Heritage Site ~ this wonderful coast line which stretches from Orcombe Point in East Devon to The Old Harry Rocks near Swanage, is a beautiful part of this area. Swanage Tourist Information Centre (T.I.C.) is an excellent point of reference for all visitors to the area and our friendly staff will be delighted to help you plan your holiday and find out more about the area. By carefully assessing your requirements and interests the staff will ensure you have the very best information to make your holiday a real success.

While fishing is likely the town's oldest industry, quarrying has been important to the town and the local area since at least the 1st century AD. During the time of the Roman occupation this industry grew, with the distinctive Purbeck marble being used for decorative purposes in buildings as far away as London. When the Romans left Britain, quarrying largely ceased until the 12th century. The town is first mentioned in historical texts in the Anglo-Saxon Chronicle of 877 AD. It is stated as being the scene of a great naval victory by King Alfred over the Danes: ~ This year came the Danish army into Exeter from Wareham; while the navy sailed west about, until they met with a great mist at sea, and there perished 120 ships at Swanwich. A hundred Danish ships which had survived the battle, were driven by a storm onto Peveril Point, a shallow rocky reef outcropping from the southern end of Swanage bay. In the 12th century demand for Purbeck Marble grew once again. While Purbeck marble is not suited to external use, as it does not weather well, it is however strong and suitably decorative for use as internal columns. As such the stone was used in the construction of many large churches and cathedrals being built as the time.

In contrast to the decorative Purbeck marble, Purbeck limestone, or more commonly 'Purbeck stone', has been used in construction locally since the early days of quarrying in Purbeck. Its use is less well documented as it was taken for granted as the default construction materials in the area. However, the arrival of more modern quarrying techniques in the 17th century resulted in an increase in production. The Great Fire of London in 1666 led to a period of large scale reconstruction in the city, and Purbeck stone was extensively used for paving. It was in this time that stone first started being loaded on ships directly from the Swanage seafront; before this time quarried stone had been first transported to Poole for shipping. The idea that Swanage could become a tourist destination was first encouraged by a local MP William Morton Pitt in the early 19th century, who converted a mansion in the town into a luxury hotel. The hotel is noted for having been visited in 1833 by the ( then ) Princess Victoria, later to become queen. The building was later renamed the Royal Victoria Hotel, now the building has been converted into flats and a bar and nightclub in the left and right wings respectively.

The main bus services are provided by Wilts & Dorset. Numbers 40 and 44 which run between Swanage and Poole, and the number 50 which runs between Swanage and Bournemouth via the chain ferry between Studland and Sandbanks. Double-deck open top buses are used on the Poole/Bournemouth to Swanage routes in the summer months. The buses on these routes are branded as Purbeck Breezers. Swanage has a heritage restored steam railway which operates for most of the year, though at the moment this only goes as far as Norden. Recent developments on the railway have seen the physical connection between the Swanage Railway and the mainline restored. The first passenger service in more than 40 years from London Victoria and returning to London Waterloo took place on 1 April 2009. It is hoped that regular passenger services connecting to the mainline will begin in the future. Limited ferry services also run between Poole Quay and Swanage Pier. These are used by Swanage residents for shopping trips to Poole's large shopping centre, and also by tourists in Poole for day trips into Swanage. The nearest mainline railway station to Swanage is Wareham, where connections can be made for South West Trains services westward to Dorchester South and Weymouth. Services also travel eastwards towards Poole, Bournemouth, Southampton Central and London Waterloo. Services to and from Weymouth and London Waterloo can be either fast or stopping services.

vienna in march 2014 381 by Josef Lex (El buen soldado Švejk)

In spring of 2007, the Albertina also received the previously based in Salzburg "Batliner Collection" as unrestricted permanent loan. The collection of Rita and Herbert Batliner includes important works by modern masters, from French impressionism to German expressionism of the "Blue Rider" and the "bridge" to works of the Fauvist or the Russian avant-garde from Chagall to Malevich.

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